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Beethoven after Napoleon [[electronic resource] ] : political romanticism in the late works / / Stephen Rumph
| Beethoven after Napoleon [[electronic resource] ] : political romanticism in the late works / / Stephen Rumph |
| Autore | Rumph Stephen C |
| Pubbl/distr/stampa | Berkeley, : University of California Press, c2004 |
| Descrizione fisica | 1 online resource (307 p.) |
| Disciplina | 780/.92 |
| Collana | California studies in 19th century music |
| Soggetto topico | Romanticism in music |
| Soggetto non controllato |
academic
beethoven biographical classical music composer conservative economics famous composer freedom french revolution german composer german ideology german music german musician humanism interdisciplinary liberal music history musical composer musical composition napoleon napoleonic native german native people political commentary political politics progress religious studies revolution revolutionary romantic scholarly |
| ISBN |
1-282-75922-1
9786612759222 0-520-93012-6 1-59734-484-2 |
| Formato | Materiale a stampa  |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | A kingdom not of this world -- The heroic sublime -- Promethean history -- 1809 -- Contrapunctus I: prelude and fugue -- Contrapunctus II: double fugue -- Androgynous utopias -- Vox populi, vox dei -- A modernist epilogue. |
| Record Nr. | UNINA-9910783388203321 |
Rumph Stephen C
|
||
| Berkeley, : University of California Press, c2004 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Beethoven after Napoleon [[electronic resource] ] : political romanticism in the late works / / Stephen Rumph
| Beethoven after Napoleon [[electronic resource] ] : political romanticism in the late works / / Stephen Rumph |
| Autore | Rumph Stephen C |
| Edizione | [1st ed.] |
| Pubbl/distr/stampa | Berkeley, : University of California Press, c2004 |
| Descrizione fisica | 1 online resource (307 p.) |
| Disciplina | 780/.92 |
| Collana | California studies in 19th century music |
| Soggetto topico | Romanticism in music |
| Soggetto non controllato |
academic
beethoven biographical classical music composer conservative economics famous composer freedom french revolution german composer german ideology german music german musician humanism interdisciplinary liberal music history musical composer musical composition napoleon napoleonic native german native people political commentary political politics progress religious studies revolution revolutionary romantic scholarly |
| ISBN |
1-282-75922-1
9786612759222 0-520-93012-6 1-59734-484-2 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | A kingdom not of this world -- The heroic sublime -- Promethean history -- 1809 -- Contrapunctus I: prelude and fugue -- Contrapunctus II: double fugue -- Androgynous utopias -- Vox populi, vox dei -- A modernist epilogue. |
| Record Nr. | UNINA-9910826745803321 |
|
Rumph Stephen C
|
||
| Berkeley, : University of California Press, c2004 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Beyond structural listening? [[electronic resource] ] : postmodern modes of hearing / / edited by Andrew Dell'Antonio
| Beyond structural listening? [[electronic resource] ] : postmodern modes of hearing / / edited by Andrew Dell'Antonio |
| Pubbl/distr/stampa | Berkeley, : University of California Press, c2004 |
| Descrizione fisica | 1 online resource (346 p.) |
| Disciplina | 781.1/7 |
| Altri autori (Persone) | Dell'AntonioAndrew |
| Soggetto topico |
Musical criticism
Musical analysis Music - Philosophy and aesthetics Music - Social aspects Postmodernism |
| Soggetto non controllato |
20th century
anthology beauty beethoven collection of essays listening strategies listening modes of listening mtv music historians music scholars music students music textbooks music theorists music theory musical communities musical meaning musical scholarship musical structure nonfiction essays nonfiction postmodern modes of hearing postmodern theory structural hearing theoretical perspective western music |
| ISBN |
0-520-93702-3
1-59734-491-5 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Introduction : beyond structural listening? / Andrew Dell'Antonio -- The disciplined subject of music analysis / Fred Everett Maus -- Musical virtues / Mitchell Morris -- The chosen one's choice / Tamara Levitz -- Beethoven antihero : sex, violence, and the aesthetics of failure, or, Listening to the Ninth symphony as postmodern sublime / Robert Fink -- Passion ; Mirrors / Paul Attinello -- Uncertainty, disorientation, and loss as responses to musical structure / Joseph Dubiel -- Collective listening : postmodern critical processes and MTV / Andrew Dell'Antonio -- One bar in eight : Debussy and the death of description / Elisabeth LeGuin -- The return of the aesthetic : music formalism and its place in political critique / Martin Scherzinger -- Afterword : toward the next paradigm of musical scholarship / Rose Rosengard Subotnik. |
| Record Nr. | UNINA-9910783387903321 |
| Berkeley, : University of California Press, c2004 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Beyond structural listening? [[electronic resource] ] : postmodern modes of hearing / / edited by Andrew Dell'Antonio
| Beyond structural listening? [[electronic resource] ] : postmodern modes of hearing / / edited by Andrew Dell'Antonio |
| Edizione | [1st ed.] |
| Pubbl/distr/stampa | Berkeley, : University of California Press, c2004 |
| Descrizione fisica | 1 online resource (346 p.) |
| Disciplina | 781.1/7 |
| Altri autori (Persone) | Dell'AntonioAndrew |
| Soggetto topico |
Musical criticism
Musical analysis Music - Philosophy and aesthetics Music - Social aspects Postmodernism |
| Soggetto non controllato |
20th century
anthology beauty beethoven collection of essays listening strategies listening modes of listening mtv music historians music scholars music students music textbooks music theorists music theory musical communities musical meaning musical scholarship musical structure nonfiction essays nonfiction postmodern modes of hearing postmodern theory structural hearing theoretical perspective western music |
| ISBN |
0-520-93702-3
1-59734-491-5 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Introduction : beyond structural listening? / Andrew Dell'Antonio -- The disciplined subject of music analysis / Fred Everett Maus -- Musical virtues / Mitchell Morris -- The chosen one's choice / Tamara Levitz -- Beethoven antihero : sex, violence, and the aesthetics of failure, or, Listening to the Ninth symphony as postmodern sublime / Robert Fink -- Passion ; Mirrors / Paul Attinello -- Uncertainty, disorientation, and loss as responses to musical structure / Joseph Dubiel -- Collective listening : postmodern critical processes and MTV / Andrew Dell'Antonio -- One bar in eight : Debussy and the death of description / Elisabeth LeGuin -- The return of the aesthetic : music formalism and its place in political critique / Martin Scherzinger -- Afterword : toward the next paradigm of musical scholarship / Rose Rosengard Subotnik. |
| Record Nr. | UNINA-9910825495103321 |
| Berkeley, : University of California Press, c2004 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
The danger of music and other anti-utopian essays [[electronic resource] /] / Richard Taruskin
| The danger of music and other anti-utopian essays [[electronic resource] /] / Richard Taruskin |
| Autore | Taruskin Richard |
| Pubbl/distr/stampa | Berkeley, : University of California Press, c2009 |
| Descrizione fisica | 1 online resource (508 p.) |
| Disciplina | 780.9 |
| Soggetto topico |
Musical criticism
Music trade |
| Soggetto non controllato |
21st century art criticism
21st century music criticism aesthetics anti utopian thought art post 9/11 arts bach beethoven boris goudenow career classical music colonialism contemporary composition contemporary performance critics ethics ezra pound hindemith legacy historians lifetime modernism music musicology nationalism nature optimism performance political art politics public musicologist pundits sterility stravinsky terrorist attacks teutonic train wreck the new york times wagner |
| ISBN |
1-282-36081-7
9786612360817 0-520-94279-5 |
| Classificazione | LR 56800 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Frontmatter -- Contents -- Preface: Against Utopia -- 1. Et in Arcadia Ego Or, I Didn't Know I Was Such a Pessimist until I Wrote This Thing -- 2. Only Time Will Cover the Taint -- 3. "Nationalism": Colonialism in Disguise? -- 4. Why Do They All Hate Horowitz? -- 5. Optimism amid the Rubble -- 6. A Survivor from the Teutonic Train Wreck -- 7. Does Nature Call the Tune? -- 8. Two Stabs at the Universe -- 9. In Search of the "Good" Hindemith Legacy -- 10. Six Times Six: A Bach Suite Selection -- 11. A Beethoven Season? -- 12. Dispelling the Contagious Wagnerian Mist -- 13. How Talented Composers Become Useless -- 14. Making a Stand against Sterility -- 15. A Sturdy Musical Bridge to the Twenty-first Century -- 16. Calling All Pundits: No More Predictions! -- 17. In The Rake's Progress, Love Conquers (Almost) All -- 18. Markevitch as Icarus -- 19. Let's Rescue Poor Schumann from His Rescuers -- 20. Early Music: Truly Old-Fashioned at Last? -- 21. Bartók and Stravinsky: Odd Couple Reunited? -- 22. Wagner's Antichrist Crashes a Pagan Party -- 23. A Surrealist Composer Comes to the Rescue of Modernism -- 24. Corraling a Herd of Musical Mavericks -- 25. Can We Give Poor Orff a Pass at Last? -- 26. The Danger of Music and the Case for Control -- 27. Ezra Pound: A Slim Sound Claim to Musical Immortality -- 28. Underneath the Dissonance Beat a Brahmsian Heart -- 29. Enter Boris Goudenow, Just 295 Years Late -- 30. The First Modernist -- 31. The Dark Side of the Moon -- 32. Of Kings and Divas -- 33. The Golden Age of Kitsch -- 34. No Ear for Music: The Scary Purity of John Cage -- 35. Sacred Entertainments -- 36. The Poietic Fallacy -- 37. The Musical Mystique: Defending Classical Music against Its Devotees -- 38. Revising Revision -- 39. Back to Whom? Neoclassicism as Ideology -- 40. She Do the Ring in Different Voices -- 41. Stravinsky and Us -- 42. Setting Limits (a talk) -- Index |
| Record Nr. | UNINA-9910777952803321 |
|
Taruskin Richard
|
||
| Berkeley, : University of California Press, c2009 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
The danger of music and other anti-utopian essays [[electronic resource] /] / Richard Taruskin
| The danger of music and other anti-utopian essays [[electronic resource] /] / Richard Taruskin |
| Autore | Taruskin Richard |
| Pubbl/distr/stampa | Berkeley, : University of California Press, c2009 |
| Descrizione fisica | 1 online resource (508 p.) |
| Disciplina | 780.9 |
| Soggetto topico |
Musical criticism
Music trade |
| Soggetto non controllato |
21st century art criticism
21st century music criticism aesthetics anti utopian thought art post 9/11 arts bach beethoven boris goudenow career classical music colonialism contemporary composition contemporary performance critics ethics ezra pound hindemith legacy historians lifetime modernism music musicology nationalism nature optimism performance political art politics public musicologist pundits sterility stravinsky terrorist attacks teutonic train wreck the new york times wagner |
| ISBN |
1-282-36081-7
9786612360817 0-520-94279-5 |
| Classificazione | LR 56800 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Frontmatter -- Contents -- Preface: Against Utopia -- 1. Et in Arcadia Ego Or, I Didn't Know I Was Such a Pessimist until I Wrote This Thing -- 2. Only Time Will Cover the Taint -- 3. "Nationalism": Colonialism in Disguise? -- 4. Why Do They All Hate Horowitz? -- 5. Optimism amid the Rubble -- 6. A Survivor from the Teutonic Train Wreck -- 7. Does Nature Call the Tune? -- 8. Two Stabs at the Universe -- 9. In Search of the "Good" Hindemith Legacy -- 10. Six Times Six: A Bach Suite Selection -- 11. A Beethoven Season? -- 12. Dispelling the Contagious Wagnerian Mist -- 13. How Talented Composers Become Useless -- 14. Making a Stand against Sterility -- 15. A Sturdy Musical Bridge to the Twenty-first Century -- 16. Calling All Pundits: No More Predictions! -- 17. In The Rake's Progress, Love Conquers (Almost) All -- 18. Markevitch as Icarus -- 19. Let's Rescue Poor Schumann from His Rescuers -- 20. Early Music: Truly Old-Fashioned at Last? -- 21. Bartók and Stravinsky: Odd Couple Reunited? -- 22. Wagner's Antichrist Crashes a Pagan Party -- 23. A Surrealist Composer Comes to the Rescue of Modernism -- 24. Corraling a Herd of Musical Mavericks -- 25. Can We Give Poor Orff a Pass at Last? -- 26. The Danger of Music and the Case for Control -- 27. Ezra Pound: A Slim Sound Claim to Musical Immortality -- 28. Underneath the Dissonance Beat a Brahmsian Heart -- 29. Enter Boris Goudenow, Just 295 Years Late -- 30. The First Modernist -- 31. The Dark Side of the Moon -- 32. Of Kings and Divas -- 33. The Golden Age of Kitsch -- 34. No Ear for Music: The Scary Purity of John Cage -- 35. Sacred Entertainments -- 36. The Poietic Fallacy -- 37. The Musical Mystique: Defending Classical Music against Its Devotees -- 38. Revising Revision -- 39. Back to Whom? Neoclassicism as Ideology -- 40. She Do the Ring in Different Voices -- 41. Stravinsky and Us -- 42. Setting Limits (a talk) -- Index |
| Record Nr. | UNINA-9910809072003321 |
|
Taruskin Richard
|
||
| Berkeley, : University of California Press, c2009 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Desire and pleasure in seventeenth-century music [[electronic resource] /] / Susan McClary
| Desire and pleasure in seventeenth-century music [[electronic resource] /] / Susan McClary |
| Autore | McClary Susan |
| Pubbl/distr/stampa | Berkeley, : University of California Press, c2012 |
| Descrizione fisica | 1 online resource (356 p.) |
| Disciplina | 780.9/032 |
| Soggetto topico |
Music - 17th century - History and criticism
Musical criticism |
| Soggetto non controllato |
17th century musicians
amarilli arias bach beethoven beethovens fifth classical composers classical music history clevelandclassical enlightening insights on music history of music composers history of music history of opera how to write music learning to play music leisure reads master piece music musical history musicians musicology ode to joy opera and sex religion renaissance era savant composers sex and music sex social and historical music timeless music vacation reads |
| ISBN |
1-280-11659-5
9786613520883 0-520-95206-5 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Frontmatter -- Contents -- Acknowledgments -- Prelude: The Music of Pleasure and Desire -- Part I. The Hydraulics of Musical Desire -- Part II. Gendering Voice -- Part III. Divine Love -- Part IV. Dancing Bodies -- Part V. La Mode Française -- Postlude: Toward Consolidation -- Notes -- Index |
| Record Nr. | UNINA-9910779087603321 |
|
McClary Susan
|
||
| Berkeley, : University of California Press, c2012 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Desire and pleasure in seventeenth-century music [[electronic resource] /] / Susan McClary
| Desire and pleasure in seventeenth-century music [[electronic resource] /] / Susan McClary |
| Autore | McClary Susan |
| Edizione | [1st ed.] |
| Pubbl/distr/stampa | Berkeley, : University of California Press, c2012 |
| Descrizione fisica | 1 online resource (356 p.) |
| Disciplina | 780.9/032 |
| Soggetto topico |
Music - 17th century - History and criticism
Musical criticism |
| Soggetto non controllato |
17th century musicians
amarilli arias bach beethoven beethovens fifth classical composers classical music history clevelandclassical enlightening insights on music history of music composers history of music history of opera how to write music learning to play music leisure reads master piece music musical history musicians musicology ode to joy opera and sex religion renaissance era savant composers sex and music sex social and historical music timeless music vacation reads |
| ISBN |
1-280-11659-5
9786613520883 0-520-95206-5 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Frontmatter -- Contents -- Acknowledgments -- Prelude: The Music of Pleasure and Desire -- Part I. The Hydraulics of Musical Desire -- Part II. Gendering Voice -- Part III. Divine Love -- Part IV. Dancing Bodies -- Part V. La Mode Française -- Postlude: Toward Consolidation -- Notes -- Index |
| Record Nr. | UNINA-9910807194503321 |
|
McClary Susan
|
||
| Berkeley, : University of California Press, c2012 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Mozart and Enlightenment semiotics [[electronic resource] /] / Stephen Rumph
| Mozart and Enlightenment semiotics [[electronic resource] /] / Stephen Rumph |
| Autore | Rumph Stephen C |
| Pubbl/distr/stampa | Berkeley, : University of California Press, 2012 |
| Descrizione fisica | 1 online resource (284 p.) |
| Disciplina | 780.92 |
| Soggetto topico |
Music - 18th century - History and criticism
Music - Semiotics Enlightenment |
| Soggetto non controllato |
18th century composers
18th century europe 18th century music 18th century symphonies beethoven church music history classical composers classical music classical musicians classical period composers concertos european music european scholars famous composers famous operas history of music history italian writings literary movements and periods music icons music scholars musical semiotics musicians musicology neoclassical music renaissance humanism the enlightenment period theater |
| ISBN |
1-280-10022-2
9786613520531 0-520-95011-9 |
| Classificazione | LP 40411 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | From rhetoric to semiotics -- The sense of touch in Don Giovanni -- Topics in context -- Mozart and Marxism -- A dubious credo -- Archaic endings. |
| Record Nr. | UNINA-9910778811103321 |
|
Rumph Stephen C
|
||
| Berkeley, : University of California Press, 2012 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Mozart and Enlightenment semiotics [[electronic resource] /] / Stephen Rumph
| Mozart and Enlightenment semiotics [[electronic resource] /] / Stephen Rumph |
| Autore | Rumph Stephen C |
| Edizione | [1st ed.] |
| Pubbl/distr/stampa | Berkeley, : University of California Press, 2012 |
| Descrizione fisica | 1 online resource (284 p.) |
| Disciplina | 780.92 |
| Soggetto topico |
Music - 18th century - History and criticism
Music - Semiotics Enlightenment |
| Soggetto non controllato |
18th century composers
18th century europe 18th century music 18th century symphonies beethoven church music history classical composers classical music classical musicians classical period composers concertos european music european scholars famous composers famous operas history of music history italian writings literary movements and periods music icons music scholars musical semiotics musicians musicology neoclassical music renaissance humanism the enlightenment period theater |
| ISBN |
1-280-10022-2
9786613520531 0-520-95011-9 |
| Classificazione | LP 40411 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | From rhetoric to semiotics -- The sense of touch in Don Giovanni -- Topics in context -- Mozart and Marxism -- A dubious credo -- Archaic endings. |
| Record Nr. | UNINA-9910814418103321 |
|
Rumph Stephen C
|
||
| Berkeley, : University of California Press, 2012 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
