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Adventures in Yiddishland : postvernacular language and culture / / Jeffrey Shandler
| Adventures in Yiddishland : postvernacular language and culture / / Jeffrey Shandler |
| Autore | Shandler Jeffrey |
| Pubbl/distr/stampa | Berkeley, : University of California Press, c2005 |
| Descrizione fisica | 1 online resource (283 pages) |
| Disciplina | 439/.1 |
| Soggetto topico |
Yiddish language
Yiddish language - Social aspects Jews - Languages Language and culture |
| Soggetto non controllato |
avant garde
belief contemporary cultural history cultural faith hasidic jews hasidism jewish culture jewish judaism language change language history language linguistics postvernacular religion rhetoric social studies symbolic symbolism transformation vernacular world history yiddish culture yiddish history yiddish speakers yiddish |
| ISBN |
1-282-75933-7
9786612759338 0-520-93177-7 1-59875-780-6 |
| Formato | Materiale a stampa  |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Front matter -- CONTENTS -- ILLUSTRATIONS -- ACKNOWLEDGMENTS -- AUTHOR'S NOTE -- INTRODUCTION: POSTVERNACULARITY, OR SPEAKING OF YIDDISH -- CHAPTER ONE. IMAGINING YIDDISHLAND -- CHAPTER TWO. BEYOND THE MOTHER TONGUE -- CHAPTER THREE. FOUNDED IN TRANSLATION -- CHAPTER FOUR. YIDDISH AS PERFORMANCE ART -- CHAPTER FIVE. ABSOLUT TCHOTCHKE -- CHAPTER SIX. WANTED DEAD OR ALIVE? -- NOTES -- INDEX |
| Record Nr. | UNINA-9910783312203321 |
Shandler Jeffrey
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| Berkeley, : University of California Press, c2005 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Adventures in Yiddishland : postvernacular language and culture / / Jeffrey Shandler
| Adventures in Yiddishland : postvernacular language and culture / / Jeffrey Shandler |
| Autore | Shandler Jeffrey |
| Edizione | [1st ed.] |
| Pubbl/distr/stampa | Berkeley, : University of California Press, c2005 |
| Descrizione fisica | 1 online resource (283 pages) |
| Disciplina | 439/.1 |
| Soggetto topico |
Yiddish language
Yiddish language - Social aspects Jews - Languages Language and culture |
| Soggetto non controllato |
avant garde
belief contemporary cultural history cultural faith hasidic jews hasidism jewish culture jewish judaism language change language history language linguistics postvernacular religion rhetoric social studies symbolic symbolism transformation vernacular world history yiddish culture yiddish history yiddish speakers yiddish |
| ISBN |
1-282-75933-7
9786612759338 0-520-93177-7 1-59875-780-6 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Front matter -- CONTENTS -- ILLUSTRATIONS -- ACKNOWLEDGMENTS -- AUTHOR'S NOTE -- INTRODUCTION: POSTVERNACULARITY, OR SPEAKING OF YIDDISH -- CHAPTER ONE. IMAGINING YIDDISHLAND -- CHAPTER TWO. BEYOND THE MOTHER TONGUE -- CHAPTER THREE. FOUNDED IN TRANSLATION -- CHAPTER FOUR. YIDDISH AS PERFORMANCE ART -- CHAPTER FIVE. ABSOLUT TCHOTCHKE -- CHAPTER SIX. WANTED DEAD OR ALIVE? -- NOTES -- INDEX |
| Record Nr. | UNINA-9910826341803321 |
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Shandler Jeffrey
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| Berkeley, : University of California Press, c2005 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Boro, l'île d'amour : the films of Walerian Borowczyk / / edited by Kamila Kuc, Kuba Mikurda, and Michał Oleszczyk
| Boro, l'île d'amour : the films of Walerian Borowczyk / / edited by Kamila Kuc, Kuba Mikurda, and Michał Oleszczyk |
| Pubbl/distr/stampa | New York, [New York] ; ; Oxford, [England] : , : Berghahn, , 2015 |
| Descrizione fisica | 1 online resource (210 p.) |
| Disciplina | 791.4302/33092 |
| Soggetto topico |
Situation comedies (Television programs) - Germany (West)
Situation comedies (Television programs) - Great Britain Situation comedies (Television programs) - United States Television - Social aspects - Germany (West) - History - 20th century Television - Social aspects - Great Britain - History - 20th century Television - Social aspects - United States - History - 20th century PERFORMING ARTS / Individual Director (see also BIOGRAPHY & AUTOBIOGRAPHY / Entertainment & Performing Arts) |
| Soggetto non controllato |
academia
academics archival archive art cinema art artistic artsy film avant garde career map cinematography classic comprehensive cult favorite essential companion experimental film experimental media famous directors film history film studies textbook film studies filmography france french art guide to borowczyk impressionistic literary and digital studies movie history polish film director polish movies research scholar students and teachers wide ranging survey |
| ISBN | 1-78238-702-1 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Boro, l'Île d'Amour ; Contents; List of Illustrations ; Acknowledgments; Introduction; Chapter 1 Boro; Chapter 2 Borowczyk's Kunstkamera ; Chapter 3 Animated Bodies; Chapter 4 Cruel Imagination; Chapter 5 The Postcard Never Sent; Chapter 6 Boro; Chapter 7 Borowczyk's Serial Labyrinth; Chapter 8 Immoral Toys; Chapter 9 The Beast with Two Backs; Chapter 10 Laugh in the Doll House; Chapter 11 Enjoying Excess; Chapter 12 The Beach, the Bubble, and the Boudoir; Chapter 13 Sex and the Sacred; Chapter 14 Reflecting on The Strange Case of Dr. Jekyll and Miss Osbourne (1981)
Chapter 15 The Perils of EmmanuelleChapter 16 Revisiting Love Rites (1988) ; Walerian Borowczyk Filmography ; Index |
| Record Nr. | UNINA-9910797659603321 |
| New York, [New York] ; ; Oxford, [England] : , : Berghahn, , 2015 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Boro, l'île d'amour : the films of Walerian Borowczyk / / edited by Kamila Kuc, Kuba Mikurda, and Michał Oleszczyk
| Boro, l'île d'amour : the films of Walerian Borowczyk / / edited by Kamila Kuc, Kuba Mikurda, and Michał Oleszczyk |
| Pubbl/distr/stampa | New York, [New York] ; ; Oxford, [England] : , : Berghahn, , 2015 |
| Descrizione fisica | 1 online resource (210 p.) |
| Disciplina | 791.4302/33092 |
| Soggetto topico |
Situation comedies (Television programs) - Germany (West)
Situation comedies (Television programs) - Great Britain Situation comedies (Television programs) - United States Television - Social aspects - Germany (West) - History - 20th century Television - Social aspects - Great Britain - History - 20th century Television - Social aspects - United States - History - 20th century PERFORMING ARTS / Individual Director (see also BIOGRAPHY & AUTOBIOGRAPHY / Entertainment & Performing Arts) |
| Soggetto non controllato |
academia
academics archival archive art cinema art artistic artsy film avant garde career map cinematography classic comprehensive cult favorite essential companion experimental film experimental media famous directors film history film studies textbook film studies filmography france french art guide to borowczyk impressionistic literary and digital studies movie history polish film director polish movies research scholar students and teachers wide ranging survey |
| ISBN | 1-78238-702-1 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Boro, l'Île d'Amour ; Contents; List of Illustrations ; Acknowledgments; Introduction; Chapter 1 Boro; Chapter 2 Borowczyk's Kunstkamera ; Chapter 3 Animated Bodies; Chapter 4 Cruel Imagination; Chapter 5 The Postcard Never Sent; Chapter 6 Boro; Chapter 7 Borowczyk's Serial Labyrinth; Chapter 8 Immoral Toys; Chapter 9 The Beast with Two Backs; Chapter 10 Laugh in the Doll House; Chapter 11 Enjoying Excess; Chapter 12 The Beach, the Bubble, and the Boudoir; Chapter 13 Sex and the Sacred; Chapter 14 Reflecting on The Strange Case of Dr. Jekyll and Miss Osbourne (1981)
Chapter 15 The Perils of EmmanuelleChapter 16 Revisiting Love Rites (1988) ; Walerian Borowczyk Filmography ; Index |
| Record Nr. | UNINA-9910815253903321 |
| New York, [New York] ; ; Oxford, [England] : , : Berghahn, , 2015 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Cinema, emergence, and the films of Satyajit Ray [[electronic resource] /] / Keya Ganguly
| Cinema, emergence, and the films of Satyajit Ray [[electronic resource] /] / Keya Ganguly |
| Autore | Ganguly Keya |
| Pubbl/distr/stampa | Berkeley, : University of California Press, 2010 |
| Descrizione fisica | 1 online resource (273 p.) |
| Disciplina | 791.4312/33092 |
| Soggetto topico | Motion picture producers and directors - India |
| Soggetto non controllato |
20th century
avant garde cinema and film cinema lovers cinema committed art contemporary critique european ideas expression famous filmmakers film buffs film critique film experiments film studies filmmakers indian director indian life international film internationalism modern artists modernism movies new wave cinema non western film nonfiction study performing arts political films radical future satyajit ray world cinema |
| ISBN |
1-282-69773-0
9786612697739 0-520-94604-9 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Frontmatter -- Contents -- Illustrations -- Acknowledgments -- Note on Romanization -- Introduction: The Light of the New Moon -- 1. Catastrophe and Utopia -- 2. The (Un)moving Image -- 3. Devi -- 4. The Music Room Revisited -- 5. Take Two -- 6. Cinema and Universality -- Conclusion -- Notes -- Select Bibliography -- Index |
| Record Nr. | UNINA-9910784926103321 |
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Ganguly Keya
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| Berkeley, : University of California Press, 2010 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Cinema, emergence, and the films of Satyajit Ray [[electronic resource] /] / Keya Ganguly
| Cinema, emergence, and the films of Satyajit Ray [[electronic resource] /] / Keya Ganguly |
| Autore | Ganguly Keya |
| Pubbl/distr/stampa | Berkeley, : University of California Press, 2010 |
| Descrizione fisica | 1 online resource (273 p.) |
| Disciplina | 791.4312/33092 |
| Soggetto topico | Motion picture producers and directors - India |
| Soggetto non controllato |
20th century
avant garde cinema and film cinema lovers cinema committed art contemporary critique european ideas expression famous filmmakers film buffs film critique film experiments film studies filmmakers indian director indian life international film internationalism modern artists modernism movies new wave cinema non western film nonfiction study performing arts political films radical future satyajit ray world cinema |
| ISBN |
1-282-69773-0
9786612697739 0-520-94604-9 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Frontmatter -- Contents -- Illustrations -- Acknowledgments -- Note on Romanization -- Introduction: The Light of the New Moon -- 1. Catastrophe and Utopia -- 2. The (Un)moving Image -- 3. Devi -- 4. The Music Room Revisited -- 5. Take Two -- 6. Cinema and Universality -- Conclusion -- Notes -- Select Bibliography -- Index |
| Record Nr. | UNINA-9910814527703321 |
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Ganguly Keya
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| Berkeley, : University of California Press, 2010 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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A critical cinema 5 [[electronic resource] ] : interviews with independent filmmakers / / Scott MacDonald
| A critical cinema 5 [[electronic resource] ] : interviews with independent filmmakers / / Scott MacDonald |
| Autore | MacDonald Scott <1942-> |
| Pubbl/distr/stampa | Berkeley, Calif. ; ; London, : University of California Press, 2006 |
| Descrizione fisica | 1 online resource (462 p.) |
| Disciplina | 791.43750973 |
| Soggetto topico |
Experimental films - United States - History and criticism
Independent filmmakers - United States |
| Soggetto non controllato |
avant garde
cinemaphiles critical cinema cultural critique directors entertainment industry experimental film film criticism film critics film historians film industry filmmaker community filmmakers independent cinema independent films media studies modern cinema movie production nonfiction performing arts personal experiences personal interviews political perspectives theoretical perspective unconventional media |
| ISBN |
1-282-35819-7
1-4237-4550-7 9786612358197 0-520-93908-5 1-59875-914-0 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Front matter -- Contents -- Acknowledgments -- Introduction -- Kenneth Anger -- Tony Conrad: On the Sixties -- Nathaniel Dorsky (and Jerome Hiler) -- Peggy Ahwesh -- Alan Berliner -- Robb Moss -- Phil Solomon -- James Benning: On His Westerns -- J. Leighton Pierce -- Matthias Müller -- Sharon Lockhart -- Jennifer Todd Reeves: On Chronic and The Time We Killed -- Shiho Kano -- Ernie Gehr -- Filmography -- Bibliography -- Index |
| Record Nr. | UNINA-9910783669103321 |
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MacDonald Scott <1942->
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| Berkeley, Calif. ; ; London, : University of California Press, 2006 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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A critical cinema 5 [[electronic resource] ] : interviews with independent filmmakers / / Scott MacDonald
| A critical cinema 5 [[electronic resource] ] : interviews with independent filmmakers / / Scott MacDonald |
| Autore | MacDonald Scott <1942-> |
| Edizione | [1st ed.] |
| Pubbl/distr/stampa | Berkeley, Calif. ; ; London, : University of California Press, 2006 |
| Descrizione fisica | 1 online resource (462 p.) |
| Disciplina | 791.43750973 |
| Soggetto topico |
Experimental films - United States - History and criticism
Independent filmmakers - United States |
| Soggetto non controllato |
avant garde
cinemaphiles critical cinema cultural critique directors entertainment industry experimental film film criticism film critics film historians film industry filmmaker community filmmakers independent cinema independent films media studies modern cinema movie production nonfiction performing arts personal experiences personal interviews political perspectives theoretical perspective unconventional media |
| ISBN |
1-282-35819-7
1-4237-4550-7 9786612358197 0-520-93908-5 1-59875-914-0 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Front matter -- Contents -- Acknowledgments -- Introduction -- Kenneth Anger -- Tony Conrad: On the Sixties -- Nathaniel Dorsky (and Jerome Hiler) -- Peggy Ahwesh -- Alan Berliner -- Robb Moss -- Phil Solomon -- James Benning: On His Westerns -- J. Leighton Pierce -- Matthias Müller -- Sharon Lockhart -- Jennifer Todd Reeves: On Chronic and The Time We Killed -- Shiho Kano -- Ernie Gehr -- Filmography -- Bibliography -- Index |
| Record Nr. | UNINA-9910815950403321 |
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MacDonald Scott <1942->
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| Berkeley, Calif. ; ; London, : University of California Press, 2006 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Film manifestos and global cinema cultures [[electronic resource] ] : a critical anthology / / Scott MacKenzie
| Film manifestos and global cinema cultures [[electronic resource] ] : a critical anthology / / Scott MacKenzie |
| Autore | MacKenzie Scott <1967-> |
| Pubbl/distr/stampa | Berkeley ; ; London : , : University of California Press, , [2014] |
| Descrizione fisica | 1 online resource (675 p.) |
| Disciplina | 791.4301 |
| Soggetto topico |
Motion pictures - Philosophy
Motion pictures Culture in motion pictures |
| Soggetto non controllato |
american film
australian film avant garde canadian film cinema colonialism cultural studies culture european filmmakers film and digital media film archives film culture film manifestos film studies film filmmaking films from the soviet union french film gender and women studies global cinema global film global history of cinema hollywood international cinema italian film japanese film latin america third cinema motion picture production code national cinema pornography radical film russian film |
| ISBN | 0-520-95741-5 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Film Manifestos and Global Cinema Cultures -- Front matter -- CONTENTS -- ACKNOWLEDGMENTS -- INTRODUCTION -- 1. THE AVANT-GARDE(S) -- THE FUTURIST CINEMA (Italy, 1916) -- LENIN DECREE (USSR, 1919) -- THE ABCs OF CINEMA (France, 1917-1921) -- WE: VARIANT OF A MANIFESTO (USSR, 1922) -- THE METHOD OF MAKING WORKERS' FILMS (USSR, 1925) -- CONSTRUCTIVISM IN THE CINEMA (USSR, 1928) -- PREFACE: UN CHIEN ANDALOU (France, 1928) -- MANIFESTO OF THE SURREALISTS CONCERNING L'AGE D'OR (France, 1930) -- MANIFESTO ON "QUE VIVA MEXICO" (USA, 1933) -- SPIRIT OF TRUTH (France, 1933) -- AN OPEN LETTER TO THE FILM INDUSTRY AND TO ALL WHO ARE INTERESTED IN THE EVOLUTION OF THE GOOD FILM (Hungary, 1934) -- LIGHT*FORM*MOVEMENT *SOUND (USA, 1935) -- PROLEGOMENA FOR ALL FUTURE CINEMA (France, 1952) -- NO MORE FLAT FEET! (France, 1952) -- THE LETTRISTES DISAVOW THE INSULTERS OF CHAPLIN (France, 1952) -- THE ONLY DYNAMIC ART (USA, 1953) -- A STATEMENT OF PRINCIPLES (USA, 1961) -- THE FIRST STATEMENT OF THE NEW AMERICAN CINEMA GROUP (USA, 1961) -- FOUNDATION FOR THE INVENTION AND CREATION OF ABSURD MOVIES (USA, 1962) -- FROM METAPHORS ON VISION (USA, 1963) -- KUCHAR 8mm FILM MANIFESTO (USA, 1964) -- FILM ANDEPANDAN [INDEPENDENTS] MANIFESTO (Japan, 1964) -- DISCONTINUOUS FILMS (Canada, 1967) -- HAND-MADE FILMS MANIFESTO (Australia, 1968) -- CINEMA MANIFESTO (Australia, 1971) -- FOR A METAHISTORY OF FILM: COMMONPLACE NOTES AND HYPOTHESES (USA, 1971) -- ELEMENTS OF THE VOID (Greece, 1972) -- SMALL GAUGE MANIFESTO (USA, 1980) -- CINEMA OF TRANSGRESSION MANIFESTO (USA, 1985) -- MODERN, ALL TOO MODERN (USA, 1988) -- OPEN LETTER TO THE EXPERIMENTAL FILM CONGRESS: LET'S SET THE RECORD STRAIGHT (Canada, 1989) -- ANTI-100 YEARS OF CINEMA MANIFESTO (USA, 1996) -- THE DECALOGUE (Czech Republic, 1999) -- YOUR FILM FARM MANIFESTO ON PROCESS CINEMA (Canada, 2012) -- 2. NATIONAL AND TRANSNATIONAL CINEMAS -- FROM "THE GLASS EYE" (Italy, 1933) -- THE ARCHERS' MANIFESTO (UK, 1942) -- WHAT IS WRONG WITH INDIAN FILMS? (India, 1948) -- BUÑUEL THE POET (Mexico, 1951) -- FRENCH CINEMA IS OVER (France, 1952) -- SOME IDEAS ON THE CINEMA (Italy, 1953) -- A CERTAIN TENDENCY IN FRENCH CINEMA (France, 1954) -- SALAMANCA MANIFESTO & CONCLUSIONS OF THE CONGRESS OF SALAMANCA (Spain, 1955) -- FREE CINEMA MANIFESTOS (UK, 1956-1959) -- THE OBERHAUSEN MANIFESTO (West Germany, 1962) -- UNTITLED [OBERHAUSEN 1965] (West Germany, 1965) -- THE MANNHEIM DECLARATION (West Germany, 1967) -- SITGES MANIFESTO (Spain, 1967) -- HOW TO MAKE A CANADIAN FILM (Canada, 1967) -- HOW TO NOT MAKE A CANADIAN FILM (Canada, 1967) -- FROM "THE ESTATES GENERAL OF THE FRENCH CINEMA, MAY 1968" (France, 1968) -- MANIFESTO OF THE NEW CINEMA MOVEMENT (India, 1968) -- WHAT IS TO BE DONE? (France, 1970) -- THE WINNIPEG MANIFESTO (Canada, 1974) -- HAMBURG DECLARATION OF GERMAN FILMMAKERS (West Germany, 1979) -- MANIFESTO I (Denmark, 1984) -- MANIFESTO II (Denmark, 1987) -- MANIFESTO III: I CONFESS! (Denmark, 1990) -- THE CINEMA WE NEED (Canada, 1985) -- PATHWAYS TO THE ESTABLISHMENT OF A NIGERIAN FILM INDUSTRY (Nigeria, 1985) -- MANIFESTO OF 1988 (German Democratic Republic, 1988) -- IN PRAISE OF A POOR CINEMA (Scotland, 1993) -- DOGME '95 MANIFESTO AND VOW OF CHASTITY (Denmark, 1995) -- I SINEMA MANIFESTO (Indonesia, 1999) -- 3. THIRD CINEMAS, COLONIALISM, DECOLONIZATION, AND POSTCOLONIALISM -- MANIFESTO OF THE NEW CINEMA GROUP (Mexico, 1961) -- CINEMA AND UNDERDEVELOPMENT (Argentina, 1962) -- THE AESTHETICS OF HUNGER (Brazil, 1965) -- FOR AN IMPERFECT CINEMA (Cuba, 1969) -- TOWARDS A THIRD CINEMA: NOTES AND EXPERIENCES FOR THE DEVELOPMENT OF A CINEMA OF LIBERATION IN THE THIRD WORLD (Argentina, 1969) -- FILM MAKERS AND THE POPULAR GOVERNMENT POLITICAL MANIFESTO (Chile, 1970) -- CONSCIOUSNESS OF A NEED (Uruguay, 1970) -- MILITANT CINEMA: AN INTERNAL CATEGORY OF THIRD CINEMA (Argentina, 1971) -- FOR COLOMBIA 1971: MILITANCY AND CINEMA (Colombia, 1971) -- THE CINEMA: ANOTHER FACE OF COLONISED QUÉBEC (Canada, 1971) -- 8 MILLIMETERS VERSUS 8 MILLIONS (Mexico, 1972) -- MANIFESTO OF THE PALESTINIAN CINEMA GROUP (Palestine, 1973) -- RESOLUTIONS OF THE THIRD WORLD FILMMAKERS MEETING (Algeria, 1973) -- THE LUZ E AÇÃO MANIFESTO (Brazil, 1973) -- PROBLEMS OF FORM AND CONTENT IN REVOLUTIONARY CINEMA (Bolivia, 1976) -- MANIFESTO OF THE NATIONAL FRONT OF CINEMATOGRAPHERS (Mexico, 1975) -- THE ALGIERS CHARTER ON AFRICAN CINEMA (Algeria, 1975) -- DECLARATION OF PRINCIPLES AND GOALS OF THE NICARAGUAN INSTITUTE OF CINEMA (Nicaragua, 1979) -- WHAT IS THE CINEMA FOR US? (Mauritania, 1979) -- NIAMEY MANIFESTO OF AFRICAN FILMMAKERS (Niger, 1982) -- BLACK INDEPENDENT FILMMAKING: A STATEMENT BY THE BLACK AUDIO FILM COLLECTIVE (UK, 1983) -- FROM BIRTH CERTIFICATE OF THE INTERNATIONAL SCHOOL OF CINEMA AND TELEVISION IN SAN ANTONIO DE LOS BAÑOS, CUBA, NICKNAMED THE SCHOOL OF THREE WORLDS (Cuba, 1986) -- FeC AViP MANIFESTO (France, 1990) -- FINAL COMMUNIQUE OF THE FIRST FRONTLINE FILM FESTIVAL AND WORKSHOP (Zimbabwe, 1990) -- POCHA MANIFESTO #1 (USA, 1994) -- POOR CINEMA MANIFESTO (Cuba, 2004) -- JOLLYWOOD MANIFESTO (Haiti, 2008) -- THE TORONTO DECLARATION: NO CELEBRATION OF OCCUPATION (Canada, 2009) -- 4. GENDER, FEMINIST, QUEER, SEXUALITY, AND PORN MANIFESTOS -- WOMAN'S PLACE IN PHOTOPLAY PRODUCTION (USA, 1914) -- HANDS OFF LOVE (France, 1927) -- THE PERFECT FILMIC APPOSITENESS OF MARIA MONTEZ (USA, 1962) -- ON FILM NO. 4 (IN TAKING THE BOTTOMS OF 365 SAINTS OF OUR TIME) (UK, 1967) -- STATEMENT (USA, 1969) -- WET DREAM FILM FESTIVAL MANIFESTO (The Netherlands, 1970) -- WOMEN'S CINEMA AS COUNTERCINEMA (UK, 1973) -- MANIFESTO FOR A NON-SEXIST CINEMA (Canada, 1974) -- WOMANIFESTO (USA, 1975) -- VISUAL PLEASURE AND NARRATIVE CINEMA (UK, 1975) -- AN EGRET IN THE PORNO SWAMP: NOTES OF SEX IN THE CINEMA (Sweden, 1977) -- FOR THE SELF-EXPRESSION OF THE ARAB WOMAN (France, 1978) -- MANIFESTO OF THE WOMEN FILMMAKERS (West Germany, 1979) -- WIMMIN'S FIRE BRIGADE COMMUNIQUÉ (Canada, 1982) -- THOUGHTS ON WOMEN'S CINEMA: EATING WORDS, VOICING STRUGGLES (USA, 1986) -- THE POST PORN MODERNIST MANIFESTO (USA, 1989) -- STATEMENT OF AFRICAN WOMEN PROFESSIONALS OF CINEMA, TELEVISION AND VIDEO (Burkina Faso, 1991) -- PUZZY POWER MANIFESTO: THOUGHTS ON WOMEN AND PORNOGRAPHY (Denmark, 1998) -- CINEMA WITH TITS (Spain, 1998) -- MY PORN MANIFESTO (France, 2002) -- NO MORE MR. NICE GAY: A MANIFESTO (USA, 2009) -- BAREFOOT FILMMAKING MANIFESTO (UK, 2009) -- DIRTY DIARIES MANIFESTO (Sweden, 2009) -- 5. MILITATING HOLLYWOOD -- CODE TO GOVERN THE MAKING OF TALKING, SYNCHRONIZED AND SILENT MOTION PICTURES (MOTION PICTURE PRODUCTION CODE) (USA, 1930) -- RED FILMS: SOVIETS SPREADING DOCTRINE IN U.S. THEATRES (USA, 1935) -- STATEMENT OF PRINCIPLES (USA, 1944) -- SCREEN GUIDE FOR AMERICANS (USA, 1947) -- WHITE ELEPHANT ART VS. TERMITE ART (USA, 1962) -- SUPER FLY: A SUMMARY OF OBJECTIONS BY THE KUUMBA WORKSHOP (USA, 1972) -- FULL FRONTAL MANIFESTO (USA, 2001) -- 6. THE CREATIVE TREATMENT OF ACTUALITY -- TOWARDS A SOCIAL CINEMA (France, 1930) -- FROM "FIRST PRINCIPLES OF DOCUMENTARY" (UK, 1932) -- MANIFESTO ON THE DOCUMENTARY FILM (UK, 1933) -- DECLARATION OF THE GROUP OF THIRTY (France, 1953) -- INITIAL STATEMENT OF THE NEWSREEL (USA, 1967) -- NOWSREEL, OR THE POTENTIALITIES OF A POLITICAL CINEMA (USA, 1970) -- DOCUMENTARY FILMMAKERS MAKE THEIR CASE (Poland, 1971) -- THE ASIAN FILMMAKERS AT YAMAGATA YIDFF MANIFESTO (Japan, 1989) -- MINNESOTA DECLARATION: TRUTH AND FACT IN DOCUMENTARY CINEMA (Germany, 1999) -- DEFOCUS MANIFESTO (Denmark, 2000) -- KILL THE DOCUMENTARY AS WE KNOW IT (USA, 2002) -- ETHNOGRAPHIC CINEMA (EC): A MANIFESTO / A PROVOCATION (USA, 2003) -- REALITY CINEMA MANIFESTO (Russia, 2005) -- DOCUMENTARY MANIFESTO (USA, 2008) -- CHINA INDEPENDENT FILM FESTIVAL MANIFESTO: SHAMANS * ANIMALS (People's Republic of China, 2011) -- 7.
STATES, DICTATORSHIPS, THE COMINTERN, AND THEOCRACIES -- CAPTURE THE FILM! HINTS ON THE USE OF, OUT OF THE USE OF, PROLETARIAN FILM PROPAGANDA (USA, 1925) -- THE LEGION OF DECENCY PLEDGE (USA, 1934) -- CREATIVE FILM (Germany, 1935) -- VIGILANTI CURA: ON MOTION PICTURES (Vatican City, 1936) -- FOUR CARDINAL POINTS OF A REVOLUÇÃO DE MAIO (Portugal, 1937) -- FROM ON THE ART OF CINEMA (North Korea, 1973) -- 8. ARCHIVES, MUSEUMS, FESTIVALS, AND CINEMATHEQUES -- A NEW SOURCE OF HISTORY: THE CREATION OF A DEPOSITORY FOR HISTORICAL CINEMATOGRAPHY (Poland/France, 1898) -- THE FILM PRAYER (USA, c. 1920) -- THE FILM SOCIETY (UK, 1925) -- FILMLIGA MANIFESTO (The Netherlands, 1927) -- STATEMENT OF PURPOSES (USA, 1948) -- THE IMPORTANCE OF FILM ARCHIVES (UK, 1948) -- A PLEA FOR A CANADIAN FILM ARCHIVE (Canada, 1949) -- OPEN LETTER TO FILM-MAKERS OF THE WORLD (USA, 1966) -- A DECLARATION FROM THE COMMITTEE FOR THE DEFENSE OF LA CINÉMATHÈQUE FRANÇAISE (France, 1968) -- FILMMAKERS VERSUS THE MUSEUM OF MODERN ART (USA, 1969) -- ANTHOLOGY FILM ARCHIVES MANIFESTO (USA, 1970) -- TOWARD AN ETHNOGRAPHIC FILM ARCHIVE (USA, 1971) -- BROOKLYN BABYLON CINEMA MANIFESTO (USA, 1998) -- DON'T THROW FILM AWAY: THE FIAF 70th ANNIVERSARY MANIFESTO (France, 2008) -- THE LINDGREN MANIFESTO: THE FILM CURATOR OF THE FUTURE (Italy, 2010) -- FILM FESTIVAL FORM: A MANIFESTO (UK, 2012) -- 9. SOUNDS AND SILENCE -- A STATEMENT ON SOUND (USSR, 1928) -- A REJECTION OF THE TALKIES (USA, 1931) -- A DIALOGUE ON SOUND: A MANIFESTO (UK, 1934) -- AMALFI MANIFESTO (Italy, 1967) -- 10. THE DIGITAL REVOLUTION -- CULTURE: INTERCOM AND EXPANDED CINEMA: A PROPOSAL AND MANIFESTO (USA, 1966) -- THE DIGITAL REVOLUTION AND THE FUTURE CINEMA (Iran, 2000) -- THE PLUGINMANIFESTO (UK, 2001) -- DIGITAL DEKALOGO: A MANIFESTO FOR A FILMLESS PHILIPPINES (The Philippines, 2003) -- 11. AESTHETICS AND THE FUTURES OF THE CINEMA -- THE BIRTH OF THE SIXTH ART (France, 1911) -- THE BIRTH OF A NEW AVANT GARDE: LA CAMÉRA-STYLO (France, 1948) -- FROM PREFACE TO FILM (UK, 1954) -- THE SNAKESKIN (Sweden, 1965) -- MANIFESTO (Italy, 1965) -- MANIFESTO ON THE RELEASE OF LA CHINOISE (France, 1967) -- DIRECT ACTION CINEMA MANIFESTO (USA, 1985) -- REMODERNIST FILM MANIFESTO (USA, 2008) -- THE AGE OF AMATEUR CINEMA WILL RETURN (People's Republic of China, 2010) -- APPENDIX -- NOTES -- ACKNOWLEDGMENTS OF PERMISSIONS -- INDEX |
| Record Nr. | UNINA-9910789286303321 |
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MacKenzie Scott <1967->
|
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| Berkeley ; ; London : , : University of California Press, , [2014] | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Film manifestos and global cinema cultures [[electronic resource] ] : a critical anthology / / Scott MacKenzie
| Film manifestos and global cinema cultures [[electronic resource] ] : a critical anthology / / Scott MacKenzie |
| Autore | MacKenzie Scott <1967-> |
| Pubbl/distr/stampa | Berkeley ; ; London : , : University of California Press, , [2014] |
| Descrizione fisica | 1 online resource (675 p.) |
| Disciplina | 791.4301 |
| Soggetto topico |
Motion pictures - Philosophy
Motion pictures Culture in motion pictures |
| Soggetto non controllato |
american film
australian film avant garde canadian film cinema colonialism cultural studies culture european filmmakers film and digital media film archives film culture film manifestos film studies film filmmaking films from the soviet union french film gender and women studies global cinema global film global history of cinema hollywood international cinema italian film japanese film latin america third cinema motion picture production code national cinema pornography radical film russian film |
| ISBN | 0-520-95741-5 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Film Manifestos and Global Cinema Cultures -- Front matter -- CONTENTS -- ACKNOWLEDGMENTS -- INTRODUCTION -- 1. THE AVANT-GARDE(S) -- THE FUTURIST CINEMA (Italy, 1916) -- LENIN DECREE (USSR, 1919) -- THE ABCs OF CINEMA (France, 1917-1921) -- WE: VARIANT OF A MANIFESTO (USSR, 1922) -- THE METHOD OF MAKING WORKERS' FILMS (USSR, 1925) -- CONSTRUCTIVISM IN THE CINEMA (USSR, 1928) -- PREFACE: UN CHIEN ANDALOU (France, 1928) -- MANIFESTO OF THE SURREALISTS CONCERNING L'AGE D'OR (France, 1930) -- MANIFESTO ON "QUE VIVA MEXICO" (USA, 1933) -- SPIRIT OF TRUTH (France, 1933) -- AN OPEN LETTER TO THE FILM INDUSTRY AND TO ALL WHO ARE INTERESTED IN THE EVOLUTION OF THE GOOD FILM (Hungary, 1934) -- LIGHT*FORM*MOVEMENT *SOUND (USA, 1935) -- PROLEGOMENA FOR ALL FUTURE CINEMA (France, 1952) -- NO MORE FLAT FEET! (France, 1952) -- THE LETTRISTES DISAVOW THE INSULTERS OF CHAPLIN (France, 1952) -- THE ONLY DYNAMIC ART (USA, 1953) -- A STATEMENT OF PRINCIPLES (USA, 1961) -- THE FIRST STATEMENT OF THE NEW AMERICAN CINEMA GROUP (USA, 1961) -- FOUNDATION FOR THE INVENTION AND CREATION OF ABSURD MOVIES (USA, 1962) -- FROM METAPHORS ON VISION (USA, 1963) -- KUCHAR 8mm FILM MANIFESTO (USA, 1964) -- FILM ANDEPANDAN [INDEPENDENTS] MANIFESTO (Japan, 1964) -- DISCONTINUOUS FILMS (Canada, 1967) -- HAND-MADE FILMS MANIFESTO (Australia, 1968) -- CINEMA MANIFESTO (Australia, 1971) -- FOR A METAHISTORY OF FILM: COMMONPLACE NOTES AND HYPOTHESES (USA, 1971) -- ELEMENTS OF THE VOID (Greece, 1972) -- SMALL GAUGE MANIFESTO (USA, 1980) -- CINEMA OF TRANSGRESSION MANIFESTO (USA, 1985) -- MODERN, ALL TOO MODERN (USA, 1988) -- OPEN LETTER TO THE EXPERIMENTAL FILM CONGRESS: LET'S SET THE RECORD STRAIGHT (Canada, 1989) -- ANTI-100 YEARS OF CINEMA MANIFESTO (USA, 1996) -- THE DECALOGUE (Czech Republic, 1999) -- YOUR FILM FARM MANIFESTO ON PROCESS CINEMA (Canada, 2012) -- 2. NATIONAL AND TRANSNATIONAL CINEMAS -- FROM "THE GLASS EYE" (Italy, 1933) -- THE ARCHERS' MANIFESTO (UK, 1942) -- WHAT IS WRONG WITH INDIAN FILMS? (India, 1948) -- BUÑUEL THE POET (Mexico, 1951) -- FRENCH CINEMA IS OVER (France, 1952) -- SOME IDEAS ON THE CINEMA (Italy, 1953) -- A CERTAIN TENDENCY IN FRENCH CINEMA (France, 1954) -- SALAMANCA MANIFESTO & CONCLUSIONS OF THE CONGRESS OF SALAMANCA (Spain, 1955) -- FREE CINEMA MANIFESTOS (UK, 1956-1959) -- THE OBERHAUSEN MANIFESTO (West Germany, 1962) -- UNTITLED [OBERHAUSEN 1965] (West Germany, 1965) -- THE MANNHEIM DECLARATION (West Germany, 1967) -- SITGES MANIFESTO (Spain, 1967) -- HOW TO MAKE A CANADIAN FILM (Canada, 1967) -- HOW TO NOT MAKE A CANADIAN FILM (Canada, 1967) -- FROM "THE ESTATES GENERAL OF THE FRENCH CINEMA, MAY 1968" (France, 1968) -- MANIFESTO OF THE NEW CINEMA MOVEMENT (India, 1968) -- WHAT IS TO BE DONE? (France, 1970) -- THE WINNIPEG MANIFESTO (Canada, 1974) -- HAMBURG DECLARATION OF GERMAN FILMMAKERS (West Germany, 1979) -- MANIFESTO I (Denmark, 1984) -- MANIFESTO II (Denmark, 1987) -- MANIFESTO III: I CONFESS! (Denmark, 1990) -- THE CINEMA WE NEED (Canada, 1985) -- PATHWAYS TO THE ESTABLISHMENT OF A NIGERIAN FILM INDUSTRY (Nigeria, 1985) -- MANIFESTO OF 1988 (German Democratic Republic, 1988) -- IN PRAISE OF A POOR CINEMA (Scotland, 1993) -- DOGME '95 MANIFESTO AND VOW OF CHASTITY (Denmark, 1995) -- I SINEMA MANIFESTO (Indonesia, 1999) -- 3. THIRD CINEMAS, COLONIALISM, DECOLONIZATION, AND POSTCOLONIALISM -- MANIFESTO OF THE NEW CINEMA GROUP (Mexico, 1961) -- CINEMA AND UNDERDEVELOPMENT (Argentina, 1962) -- THE AESTHETICS OF HUNGER (Brazil, 1965) -- FOR AN IMPERFECT CINEMA (Cuba, 1969) -- TOWARDS A THIRD CINEMA: NOTES AND EXPERIENCES FOR THE DEVELOPMENT OF A CINEMA OF LIBERATION IN THE THIRD WORLD (Argentina, 1969) -- FILM MAKERS AND THE POPULAR GOVERNMENT POLITICAL MANIFESTO (Chile, 1970) -- CONSCIOUSNESS OF A NEED (Uruguay, 1970) -- MILITANT CINEMA: AN INTERNAL CATEGORY OF THIRD CINEMA (Argentina, 1971) -- FOR COLOMBIA 1971: MILITANCY AND CINEMA (Colombia, 1971) -- THE CINEMA: ANOTHER FACE OF COLONISED QUÉBEC (Canada, 1971) -- 8 MILLIMETERS VERSUS 8 MILLIONS (Mexico, 1972) -- MANIFESTO OF THE PALESTINIAN CINEMA GROUP (Palestine, 1973) -- RESOLUTIONS OF THE THIRD WORLD FILMMAKERS MEETING (Algeria, 1973) -- THE LUZ E AÇÃO MANIFESTO (Brazil, 1973) -- PROBLEMS OF FORM AND CONTENT IN REVOLUTIONARY CINEMA (Bolivia, 1976) -- MANIFESTO OF THE NATIONAL FRONT OF CINEMATOGRAPHERS (Mexico, 1975) -- THE ALGIERS CHARTER ON AFRICAN CINEMA (Algeria, 1975) -- DECLARATION OF PRINCIPLES AND GOALS OF THE NICARAGUAN INSTITUTE OF CINEMA (Nicaragua, 1979) -- WHAT IS THE CINEMA FOR US? (Mauritania, 1979) -- NIAMEY MANIFESTO OF AFRICAN FILMMAKERS (Niger, 1982) -- BLACK INDEPENDENT FILMMAKING: A STATEMENT BY THE BLACK AUDIO FILM COLLECTIVE (UK, 1983) -- FROM BIRTH CERTIFICATE OF THE INTERNATIONAL SCHOOL OF CINEMA AND TELEVISION IN SAN ANTONIO DE LOS BAÑOS, CUBA, NICKNAMED THE SCHOOL OF THREE WORLDS (Cuba, 1986) -- FeC AViP MANIFESTO (France, 1990) -- FINAL COMMUNIQUE OF THE FIRST FRONTLINE FILM FESTIVAL AND WORKSHOP (Zimbabwe, 1990) -- POCHA MANIFESTO #1 (USA, 1994) -- POOR CINEMA MANIFESTO (Cuba, 2004) -- JOLLYWOOD MANIFESTO (Haiti, 2008) -- THE TORONTO DECLARATION: NO CELEBRATION OF OCCUPATION (Canada, 2009) -- 4. GENDER, FEMINIST, QUEER, SEXUALITY, AND PORN MANIFESTOS -- WOMAN'S PLACE IN PHOTOPLAY PRODUCTION (USA, 1914) -- HANDS OFF LOVE (France, 1927) -- THE PERFECT FILMIC APPOSITENESS OF MARIA MONTEZ (USA, 1962) -- ON FILM NO. 4 (IN TAKING THE BOTTOMS OF 365 SAINTS OF OUR TIME) (UK, 1967) -- STATEMENT (USA, 1969) -- WET DREAM FILM FESTIVAL MANIFESTO (The Netherlands, 1970) -- WOMEN'S CINEMA AS COUNTERCINEMA (UK, 1973) -- MANIFESTO FOR A NON-SEXIST CINEMA (Canada, 1974) -- WOMANIFESTO (USA, 1975) -- VISUAL PLEASURE AND NARRATIVE CINEMA (UK, 1975) -- AN EGRET IN THE PORNO SWAMP: NOTES OF SEX IN THE CINEMA (Sweden, 1977) -- FOR THE SELF-EXPRESSION OF THE ARAB WOMAN (France, 1978) -- MANIFESTO OF THE WOMEN FILMMAKERS (West Germany, 1979) -- WIMMIN'S FIRE BRIGADE COMMUNIQUÉ (Canada, 1982) -- THOUGHTS ON WOMEN'S CINEMA: EATING WORDS, VOICING STRUGGLES (USA, 1986) -- THE POST PORN MODERNIST MANIFESTO (USA, 1989) -- STATEMENT OF AFRICAN WOMEN PROFESSIONALS OF CINEMA, TELEVISION AND VIDEO (Burkina Faso, 1991) -- PUZZY POWER MANIFESTO: THOUGHTS ON WOMEN AND PORNOGRAPHY (Denmark, 1998) -- CINEMA WITH TITS (Spain, 1998) -- MY PORN MANIFESTO (France, 2002) -- NO MORE MR. NICE GAY: A MANIFESTO (USA, 2009) -- BAREFOOT FILMMAKING MANIFESTO (UK, 2009) -- DIRTY DIARIES MANIFESTO (Sweden, 2009) -- 5. MILITATING HOLLYWOOD -- CODE TO GOVERN THE MAKING OF TALKING, SYNCHRONIZED AND SILENT MOTION PICTURES (MOTION PICTURE PRODUCTION CODE) (USA, 1930) -- RED FILMS: SOVIETS SPREADING DOCTRINE IN U.S. THEATRES (USA, 1935) -- STATEMENT OF PRINCIPLES (USA, 1944) -- SCREEN GUIDE FOR AMERICANS (USA, 1947) -- WHITE ELEPHANT ART VS. TERMITE ART (USA, 1962) -- SUPER FLY: A SUMMARY OF OBJECTIONS BY THE KUUMBA WORKSHOP (USA, 1972) -- FULL FRONTAL MANIFESTO (USA, 2001) -- 6. THE CREATIVE TREATMENT OF ACTUALITY -- TOWARDS A SOCIAL CINEMA (France, 1930) -- FROM "FIRST PRINCIPLES OF DOCUMENTARY" (UK, 1932) -- MANIFESTO ON THE DOCUMENTARY FILM (UK, 1933) -- DECLARATION OF THE GROUP OF THIRTY (France, 1953) -- INITIAL STATEMENT OF THE NEWSREEL (USA, 1967) -- NOWSREEL, OR THE POTENTIALITIES OF A POLITICAL CINEMA (USA, 1970) -- DOCUMENTARY FILMMAKERS MAKE THEIR CASE (Poland, 1971) -- THE ASIAN FILMMAKERS AT YAMAGATA YIDFF MANIFESTO (Japan, 1989) -- MINNESOTA DECLARATION: TRUTH AND FACT IN DOCUMENTARY CINEMA (Germany, 1999) -- DEFOCUS MANIFESTO (Denmark, 2000) -- KILL THE DOCUMENTARY AS WE KNOW IT (USA, 2002) -- ETHNOGRAPHIC CINEMA (EC): A MANIFESTO / A PROVOCATION (USA, 2003) -- REALITY CINEMA MANIFESTO (Russia, 2005) -- DOCUMENTARY MANIFESTO (USA, 2008) -- CHINA INDEPENDENT FILM FESTIVAL MANIFESTO: SHAMANS * ANIMALS (People's Republic of China, 2011) -- 7.
STATES, DICTATORSHIPS, THE COMINTERN, AND THEOCRACIES -- CAPTURE THE FILM! HINTS ON THE USE OF, OUT OF THE USE OF, PROLETARIAN FILM PROPAGANDA (USA, 1925) -- THE LEGION OF DECENCY PLEDGE (USA, 1934) -- CREATIVE FILM (Germany, 1935) -- VIGILANTI CURA: ON MOTION PICTURES (Vatican City, 1936) -- FOUR CARDINAL POINTS OF A REVOLUÇÃO DE MAIO (Portugal, 1937) -- FROM ON THE ART OF CINEMA (North Korea, 1973) -- 8. ARCHIVES, MUSEUMS, FESTIVALS, AND CINEMATHEQUES -- A NEW SOURCE OF HISTORY: THE CREATION OF A DEPOSITORY FOR HISTORICAL CINEMATOGRAPHY (Poland/France, 1898) -- THE FILM PRAYER (USA, c. 1920) -- THE FILM SOCIETY (UK, 1925) -- FILMLIGA MANIFESTO (The Netherlands, 1927) -- STATEMENT OF PURPOSES (USA, 1948) -- THE IMPORTANCE OF FILM ARCHIVES (UK, 1948) -- A PLEA FOR A CANADIAN FILM ARCHIVE (Canada, 1949) -- OPEN LETTER TO FILM-MAKERS OF THE WORLD (USA, 1966) -- A DECLARATION FROM THE COMMITTEE FOR THE DEFENSE OF LA CINÉMATHÈQUE FRANÇAISE (France, 1968) -- FILMMAKERS VERSUS THE MUSEUM OF MODERN ART (USA, 1969) -- ANTHOLOGY FILM ARCHIVES MANIFESTO (USA, 1970) -- TOWARD AN ETHNOGRAPHIC FILM ARCHIVE (USA, 1971) -- BROOKLYN BABYLON CINEMA MANIFESTO (USA, 1998) -- DON'T THROW FILM AWAY: THE FIAF 70th ANNIVERSARY MANIFESTO (France, 2008) -- THE LINDGREN MANIFESTO: THE FILM CURATOR OF THE FUTURE (Italy, 2010) -- FILM FESTIVAL FORM: A MANIFESTO (UK, 2012) -- 9. SOUNDS AND SILENCE -- A STATEMENT ON SOUND (USSR, 1928) -- A REJECTION OF THE TALKIES (USA, 1931) -- A DIALOGUE ON SOUND: A MANIFESTO (UK, 1934) -- AMALFI MANIFESTO (Italy, 1967) -- 10. THE DIGITAL REVOLUTION -- CULTURE: INTERCOM AND EXPANDED CINEMA: A PROPOSAL AND MANIFESTO (USA, 1966) -- THE DIGITAL REVOLUTION AND THE FUTURE CINEMA (Iran, 2000) -- THE PLUGINMANIFESTO (UK, 2001) -- DIGITAL DEKALOGO: A MANIFESTO FOR A FILMLESS PHILIPPINES (The Philippines, 2003) -- 11. AESTHETICS AND THE FUTURES OF THE CINEMA -- THE BIRTH OF THE SIXTH ART (France, 1911) -- THE BIRTH OF A NEW AVANT GARDE: LA CAMÉRA-STYLO (France, 1948) -- FROM PREFACE TO FILM (UK, 1954) -- THE SNAKESKIN (Sweden, 1965) -- MANIFESTO (Italy, 1965) -- MANIFESTO ON THE RELEASE OF LA CHINOISE (France, 1967) -- DIRECT ACTION CINEMA MANIFESTO (USA, 1985) -- REMODERNIST FILM MANIFESTO (USA, 2008) -- THE AGE OF AMATEUR CINEMA WILL RETURN (People's Republic of China, 2010) -- APPENDIX -- NOTES -- ACKNOWLEDGMENTS OF PERMISSIONS -- INDEX |
| Record Nr. | UNINA-9910821412003321 |
|
MacKenzie Scott <1967->
|
||
| Berkeley ; ; London : , : University of California Press, , [2014] | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
