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Closely watched films : an introduction to the art of narrative film technique / / Marilyn Fabe
| Closely watched films : an introduction to the art of narrative film technique / / Marilyn Fabe |
| Autore | Fabe Marilyn |
| Pubbl/distr/stampa | Oakland, California : , : University of California Press, , 2004 |
| Descrizione fisica | 1 online resource (313 p.) |
| Disciplina | 791.43/015 |
| Soggetto topico |
Motion pictures - Evaluation
Motion pictures - Aesthetics Motion pictures |
| Soggetto non controllato |
analytical tools
auteur theory avatar classic films classical hollywood film classical sound theory digital media expressionism in film feminist film theory feminist theory film history film medium film scholarship film studies film theory film french new wave film hollywood italian neorealism modern sound theory modernism in film narrative film political cinema postmodernism in film realism in film shot by shot analysis soviet montage special effects the birth of a nation visual narratives |
| ISBN | 0-520-95901-9 |
| Formato | Materiale a stampa  |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Front matter -- Contents -- List of Illustrations -- Acknowledgments -- Introduction -- 1. The Beginnings of Film Narrative: D.W. Griffith's The Birth of a Nation -- 2 The Art of Montage: Sergei Eisenstein's The Battleship Potemkin -- 3. Expressionism and Realism in Film Form: F.W. Murnau's The Last Laugh and Charles Chaplin's The Adventurer -- 4. The Conversion to Sound and the Classical Hollywood Film: Howard Hawks's His Girl Friday -- 5. Expressive Realism: Orson Welles's Citizen Kane -- 6. Italian Neorealism: Vittorio De Sica's The Bicycle Thief -- 7. Auteur Theory and the French New Wave: François Truffaut's The 400 Blows -- 8. Hollywood Auteur: Alfred Hitchcock's Notorious -- 9. The European Art Film: Federico Fellini's 8 1/2 -- 10. Film and Postmodernism: Woody Allen's Annie Hall -- 11. Political Cinema: Spike Lee's Do the Right Thing -- 12. Feminism and Film Form: Patricia Rozema's I've Heard the Mermaids Singing -- 13. Digital Video and New Forms of Narrative: Mike Figgis's Timecode and James Cameron's Avatar -- Notes -- Glossary -- Bibliography -- Index |
| Record Nr. | UNINA-9910787197203321 |
Fabe Marilyn
|
||
| Oakland, California : , : University of California Press, , 2004 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Closely watched films : an introduction to the art of narrative film technique / / Marilyn Fabe
| Closely watched films : an introduction to the art of narrative film technique / / Marilyn Fabe |
| Autore | Fabe Marilyn |
| Pubbl/distr/stampa | Oakland, California : , : University of California Press, , 2004 |
| Descrizione fisica | 1 online resource (313 p.) |
| Disciplina | 791.43/015 |
| Soggetto topico |
Motion pictures - Evaluation
Motion pictures - Aesthetics Motion pictures |
| Soggetto non controllato |
analytical tools
auteur theory avatar classic films classical hollywood film classical sound theory digital media expressionism in film feminist film theory feminist theory film history film medium film scholarship film studies film theory film french new wave film hollywood italian neorealism modern sound theory modernism in film narrative film political cinema postmodernism in film realism in film shot by shot analysis soviet montage special effects the birth of a nation visual narratives |
| ISBN | 0-520-95901-9 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Front matter -- Contents -- List of Illustrations -- Acknowledgments -- Introduction -- 1. The Beginnings of Film Narrative: D.W. Griffith's The Birth of a Nation -- 2 The Art of Montage: Sergei Eisenstein's The Battleship Potemkin -- 3. Expressionism and Realism in Film Form: F.W. Murnau's The Last Laugh and Charles Chaplin's The Adventurer -- 4. The Conversion to Sound and the Classical Hollywood Film: Howard Hawks's His Girl Friday -- 5. Expressive Realism: Orson Welles's Citizen Kane -- 6. Italian Neorealism: Vittorio De Sica's The Bicycle Thief -- 7. Auteur Theory and the French New Wave: François Truffaut's The 400 Blows -- 8. Hollywood Auteur: Alfred Hitchcock's Notorious -- 9. The European Art Film: Federico Fellini's 8 1/2 -- 10. Film and Postmodernism: Woody Allen's Annie Hall -- 11. Political Cinema: Spike Lee's Do the Right Thing -- 12. Feminism and Film Form: Patricia Rozema's I've Heard the Mermaids Singing -- 13. Digital Video and New Forms of Narrative: Mike Figgis's Timecode and James Cameron's Avatar -- Notes -- Glossary -- Bibliography -- Index |
| Record Nr. | UNINA-9910820139803321 |
|
Fabe Marilyn
|
||
| Oakland, California : , : University of California Press, , 2004 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Edgar G. Ulmer : a filmmaker at the margins / / Noah Isenberg
| Edgar G. Ulmer : a filmmaker at the margins / / Noah Isenberg |
| Autore | Isenberg Noah William |
| Pubbl/distr/stampa | Berkeley : , : University of California Press, , 2013 |
| Descrizione fisica | 1 online resource (384 pages) |
| Disciplina |
791.43/0233092
B |
| Collana | Weimar and now: German cultural criticism |
| Soggetto topico | Motion picture producers and directors - United States |
| Soggetto non controllato |
20th century directors
american films austrian american austrian directors auteur theory b movies detour directors eclectic films emigre directors film criticism film director film history film noir film filmmaker genre films german directors hollywood career hollywood horror films jewish film directors low budget productions minority audience movies noir people on sunday performing arts personal life ruthless sci fi films studio era the black cat unconventional |
| ISBN | 0-520-95717-2 |
| Classificazione | AP 51400 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Preface -- Traces of a Viennese youth -- Toward a cinema at the margins -- Hollywood horror -- Songs of exile -- Capra of PRC -- Back in black -- Independence days -- Postscript. |
| Record Nr. | UNINA-9910790539303321 |
|
Isenberg Noah William
|
||
| Berkeley : , : University of California Press, , 2013 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Edgar G. Ulmer : a filmmaker at the margins / / Noah Isenberg
| Edgar G. Ulmer : a filmmaker at the margins / / Noah Isenberg |
| Autore | Isenberg Noah William |
| Pubbl/distr/stampa | Berkeley : , : University of California Press, , 2013 |
| Descrizione fisica | 1 online resource (384 pages) |
| Disciplina |
791.43/0233092
B |
| Collana | Weimar and now: German cultural criticism |
| Soggetto topico | Motion picture producers and directors - United States |
| Soggetto non controllato |
20th century directors
american films austrian american austrian directors auteur theory b movies detour directors eclectic films emigre directors film criticism film director film history film noir film filmmaker genre films german directors hollywood career hollywood horror films jewish film directors low budget productions minority audience movies noir people on sunday performing arts personal life ruthless sci fi films studio era the black cat unconventional |
| ISBN | 0-520-95717-2 |
| Classificazione | AP 51400 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Preface -- Traces of a Viennese youth -- Toward a cinema at the margins -- Hollywood horror -- Songs of exile -- Capra of PRC -- Back in black -- Independence days -- Postscript. |
| Record Nr. | UNINA-9910820190203321 |
|
Isenberg Noah William
|
||
| Berkeley : , : University of California Press, , 2013 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||