Audiotopia [[electronic resource] ] : music, race, and America / / Josh Kun |
Autore | Kun Josh |
Pubbl/distr/stampa | Berkeley, Calif., : University of California Press, 2005 |
Descrizione fisica | 1 online resource (321 p.) |
Disciplina | 782.42164/0973/0904 |
Collana | American Crossroads |
Soggetto topico |
Popular music - United States - History and criticism
Music - Social aspects - United States Multiculturalism - United States |
Soggetto non controllato |
america
american culture american identity american studies art and music artists bronx critical analysis cultural studies discussion books ethnic demographic studies ethnic differences ethnic minorities havana hip hop klezmer latin rock literary movements los angeles modern history music and culture music historians music history music lovers music studies music nonfiction popular music race issues racial history racial issues retrospective us borders |
ISBN |
1-282-76321-0
9786612763212 1-4237-1729-5 0-520-93864-X 1-59875-582-X |
Formato | Materiale a stampa |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | Front matter -- Contents -- Acknowledgments -- Introduction: Strangers among Sounds -- One. Against Easy Listening -- Two. The Yiddish Are Coming -- Three. Life According to the Beat -- Four. Basquiat's Ear, Rahsaan's Eye -- Five. I,Too, Sing América -- Six. Rock's Reconquista -- Conclusion: La Misma Canción -- Notes -- Bibliography -- Discography -- Index |
Record Nr. | UNINA-9910783318803321 |
Kun Josh | ||
Berkeley, Calif., : University of California Press, 2005 | ||
Materiale a stampa | ||
Lo trovi qui: Univ. Federico II | ||
|
Audiotopia [[electronic resource] ] : music, race, and America / / Josh Kun |
Autore | Kun Josh |
Edizione | [1st ed.] |
Pubbl/distr/stampa | Berkeley, Calif., : University of California Press, 2005 |
Descrizione fisica | 1 online resource (321 p.) |
Disciplina | 782.42164/0973/0904 |
Collana | American Crossroads |
Soggetto topico |
Popular music - United States - History and criticism
Music - Social aspects - United States Multiculturalism - United States |
Soggetto non controllato |
america
american culture american identity american studies art and music artists bronx critical analysis cultural studies discussion books ethnic demographic studies ethnic differences ethnic minorities havana hip hop klezmer latin rock literary movements los angeles modern history music and culture music historians music history music lovers music studies music nonfiction popular music race issues racial history racial issues retrospective us borders |
ISBN |
1-282-76321-0
9786612763212 1-4237-1729-5 0-520-93864-X 1-59875-582-X |
Formato | Materiale a stampa |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | Front matter -- Contents -- Acknowledgments -- Introduction: Strangers among Sounds -- One. Against Easy Listening -- Two. The Yiddish Are Coming -- Three. Life According to the Beat -- Four. Basquiat's Ear, Rahsaan's Eye -- Five. I,Too, Sing América -- Six. Rock's Reconquista -- Conclusion: La Misma Canción -- Notes -- Bibliography -- Discography -- Index |
Record Nr. | UNINA-9910813982503321 |
Kun Josh | ||
Berkeley, Calif., : University of California Press, 2005 | ||
Materiale a stampa | ||
Lo trovi qui: Univ. Federico II | ||
|
Music and revolution [[electronic resource] ] : cultural change in socialist Cuba / / Robin D. Moore |
Autore | Moore Robin <1964-> |
Pubbl/distr/stampa | Berkeley, : University of California Press, c2006 |
Descrizione fisica | 1 online resource (367 p.) |
Disciplina | 780/.97291/0904 |
Collana | Music of the African diaspora |
Soggetto topico |
Music - Political aspects - Cuba
Music - Cuba - 20th century - History and criticism Socialism and music |
Soggetto non controllato |
20th century
african diaspora art and music black music cuba cuban history cuban revolution cubans cultural historians cultural history dance styles ethnomusicologists ethnomusicology folklore international relations latin american studies music and culture music and politics music historians music history musical styles musicians political history political revolution religious traditions socialism soviet union |
ISBN |
1-282-35836-7
0-520-93946-8 9786612358364 1-4237-8966-0 |
Formato | Materiale a stampa |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | Music and the arts in socialist Cuba -- Revelry and revolution : the paradox of the 1950s -- Music and social change in the first years -- Artistic institutions, initiatives, and policies -- Dance music and the politics of fun -- Transformations in Nueva Trova -- Afro-Cuban folklore in a raceless society -- Ay, dios ampárame : sacred music and revolution -- Music and ideological crisis -- Musical politics into the new millennium. |
Record Nr. | UNINA-9910783666903321 |
Moore Robin <1964-> | ||
Berkeley, : University of California Press, c2006 | ||
Materiale a stampa | ||
Lo trovi qui: Univ. Federico II | ||
|
Music and revolution [[electronic resource] ] : cultural change in socialist Cuba / / Robin D. Moore |
Autore | Moore Robin <1964-> |
Edizione | [1st ed.] |
Pubbl/distr/stampa | Berkeley, : University of California Press, c2006 |
Descrizione fisica | 1 online resource (367 p.) |
Disciplina | 780/.97291/0904 |
Collana | Music of the African diaspora |
Soggetto topico |
Music - Political aspects - Cuba
Music - Cuba - 20th century - History and criticism Socialism and music |
Soggetto non controllato |
20th century
african diaspora art and music black music cuba cuban history cuban revolution cubans cultural historians cultural history dance styles ethnomusicologists ethnomusicology folklore international relations latin american studies music and culture music and politics music historians music history musical styles musicians political history political revolution religious traditions socialism soviet union |
ISBN |
1-282-35836-7
0-520-93946-8 9786612358364 1-4237-8966-0 |
Formato | Materiale a stampa |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | Music and the arts in socialist Cuba -- Revelry and revolution : the paradox of the 1950s -- Music and social change in the first years -- Artistic institutions, initiatives, and policies -- Dance music and the politics of fun -- Transformations in Nueva Trova -- Afro-Cuban folklore in a raceless society -- Ay, dios ampárame : sacred music and revolution -- Music and ideological crisis -- Musical politics into the new millennium. |
Record Nr. | UNINA-9910823981103321 |
Moore Robin <1964-> | ||
Berkeley, : University of California Press, c2006 | ||
Materiale a stampa | ||
Lo trovi qui: Univ. Federico II | ||
|
The queer composition of America's sound [[electronic resource] ] : gay modernists, American music, and national identity / / Nadine Hubbs |
Autore | Hubbs Nadine |
Pubbl/distr/stampa | Berkeley, : University of California Press, c2004 |
Descrizione fisica | 1 online resource (295 p.) |
Disciplina | 780/.86/640973 |
Soggetto topico |
Music - United States - 20th century - History and criticism
National music - United States - History and criticism Gay composers - United States |
Soggetto non controllato |
america
american culture american identity american music american sound art and music biographical composers famous musicians french culture gay composers gay modernists gender identity gender studies history of homosexuality homosexuality lgbtq manhattan modern america music and culture music historians music history music students music studies musicology national identity nonfiction queer studies self identification tonal music |
ISBN |
0-520-93795-3
1-282-76306-7 1-59734-842-2 9786612763069 |
Formato | Materiale a stampa |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | Modernist abstraction and the abstract art : Four Saints and the queer composition of America's sound -- Being musical : gender, sexuality, and musical identity in twentieth-century America -- Intermezzo. My dear Freddy : identity excesses and evasions chez Paul Bowles -- A French connection : modernist codes in the musical closet -- Queerness, eruption, bursting : U.S. musical modernism at midcentury -- Coda. Composing oneself (reprise). |
Record Nr. | UNINA-9910783386403321 |
Hubbs Nadine | ||
Berkeley, : University of California Press, c2004 | ||
Materiale a stampa | ||
Lo trovi qui: Univ. Federico II | ||
|
The queer composition of America's sound : gay modernists, American music, and national identity / / Nadine Hubbs |
Autore | Hubbs Nadine |
Edizione | [1st ed.] |
Pubbl/distr/stampa | Berkeley, : University of California Press, c2004 |
Descrizione fisica | 1 online resource (295 p.) |
Disciplina | 780/.86/640973 |
Soggetto topico |
Music - United States - 20th century - History and criticism
National music - United States - History and criticism Gay composers - United States |
Soggetto non controllato |
america
american culture american identity american music american sound art and music biographical composers famous musicians french culture gay composers gay modernists gender identity gender studies history of homosexuality homosexuality lgbtq manhattan modern america music and culture music historians music history music students music studies musicology national identity nonfiction queer studies self identification tonal music |
ISBN |
0-520-93795-3
1-282-76306-7 1-59734-842-2 9786612763069 |
Formato | Materiale a stampa |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | Modernist abstraction and the abstract art : Four Saints and the queer composition of America's sound -- Being musical : gender, sexuality, and musical identity in twentieth-century America -- Intermezzo. My dear Freddy : identity excesses and evasions chez Paul Bowles -- A French connection : modernist codes in the musical closet -- Queerness, eruption, bursting : U.S. musical modernism at midcentury -- Coda. Composing oneself (reprise). |
Record Nr. | UNISA-996248185003316 |
Hubbs Nadine | ||
Berkeley, : University of California Press, c2004 | ||
Materiale a stampa | ||
Lo trovi qui: Univ. di Salerno | ||
|
The queer composition of America's sound : gay modernists, American music, and national identity / / Nadine Hubbs |
Autore | Hubbs Nadine |
Edizione | [1st ed.] |
Pubbl/distr/stampa | Berkeley, : University of California Press, c2004 |
Descrizione fisica | 1 online resource (295 p.) |
Disciplina | 780/.86/640973 |
Soggetto topico |
Music - United States - 20th century - History and criticism
National music - United States - History and criticism Gay composers - United States |
Soggetto non controllato |
america
american culture american identity american music american sound art and music biographical composers famous musicians french culture gay composers gay modernists gender identity gender studies history of homosexuality homosexuality lgbtq manhattan modern america music and culture music historians music history music students music studies musicology national identity nonfiction queer studies self identification tonal music |
ISBN |
0-520-93795-3
1-282-76306-7 1-59734-842-2 9786612763069 |
Formato | Materiale a stampa |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | Modernist abstraction and the abstract art : Four Saints and the queer composition of America's sound -- Being musical : gender, sexuality, and musical identity in twentieth-century America -- Intermezzo. My dear Freddy : identity excesses and evasions chez Paul Bowles -- A French connection : modernist codes in the musical closet -- Queerness, eruption, bursting : U.S. musical modernism at midcentury -- Coda. Composing oneself (reprise). |
Record Nr. | UNINA-9910816167603321 |
Hubbs Nadine | ||
Berkeley, : University of California Press, c2004 | ||
Materiale a stampa | ||
Lo trovi qui: Univ. Federico II | ||
|