Edgar G. Ulmer : a filmmaker at the margins / / Noah Isenberg |
Autore | Isenberg Noah William |
Pubbl/distr/stampa | Berkeley : , : University of California Press, , 2013 |
Descrizione fisica | 1 online resource (384 pages) |
Disciplina |
791.43/0233092
B |
Collana | Weimar and now: German cultural criticism |
Soggetto topico | Motion picture producers and directors - United States |
Soggetto non controllato |
20th century directors
american films austrian american austrian directors auteur theory b movies detour directors eclectic films emigre directors film criticism film director film history film noir film filmmaker genre films german directors hollywood career hollywood horror films jewish film directors low budget productions minority audience movies noir people on sunday performing arts personal life ruthless sci fi films studio era the black cat unconventional |
ISBN | 0-520-95717-2 |
Classificazione | AP 51400 |
Formato | Materiale a stampa |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | Preface -- Traces of a Viennese youth -- Toward a cinema at the margins -- Hollywood horror -- Songs of exile -- Capra of PRC -- Back in black -- Independence days -- Postscript. |
Record Nr. | UNINA-9910790539303321 |
Isenberg Noah William | ||
Berkeley : , : University of California Press, , 2013 | ||
Materiale a stampa | ||
Lo trovi qui: Univ. Federico II | ||
|
Edgar G. Ulmer : a filmmaker at the margins / / Noah Isenberg |
Autore | Isenberg Noah William |
Pubbl/distr/stampa | Berkeley : , : University of California Press, , 2013 |
Descrizione fisica | 1 online resource (384 pages) |
Disciplina |
791.43/0233092
B |
Collana | Weimar and now: German cultural criticism |
Soggetto topico | Motion picture producers and directors - United States |
Soggetto non controllato |
20th century directors
american films austrian american austrian directors auteur theory b movies detour directors eclectic films emigre directors film criticism film director film history film noir film filmmaker genre films german directors hollywood career hollywood horror films jewish film directors low budget productions minority audience movies noir people on sunday performing arts personal life ruthless sci fi films studio era the black cat unconventional |
ISBN | 0-520-95717-2 |
Classificazione | AP 51400 |
Formato | Materiale a stampa |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | Preface -- Traces of a Viennese youth -- Toward a cinema at the margins -- Hollywood horror -- Songs of exile -- Capra of PRC -- Back in black -- Independence days -- Postscript. |
Record Nr. | UNINA-9910820190203321 |
Isenberg Noah William | ||
Berkeley : , : University of California Press, , 2013 | ||
Materiale a stampa | ||
Lo trovi qui: Univ. Federico II | ||
|
Film criticism, the Cold War, and the blacklist : reading the Hollywood Reds / / Jeff Smith |
Autore | Smith Jeff <1962 December 17-> |
Pubbl/distr/stampa | Berkeley, California : , : University of California Press, , 2014 |
Descrizione fisica | 1 online resource (365 p.) |
Disciplina | 791.43/6582825 |
Soggetto topico |
Motion pictures - Political aspects - United States
Motion pictures - United States - History - 20th century Cold War in motion pictures Communism and motion pictures - United States Blacklisting of entertainers - United States - History - 20th century |
Soggetto non controllato |
20th century american culture
20th century american history allegory american entertainment culture american films anti communist propaganda cold war communism critical lens entertainment blacklist film and television film criticism film history historical films hollywood blacklist hollywood house committee on un american activities huac literary allegory movie studies police procedures political politics postwar period propaganda films propaganda science fiction films villains westerns |
ISBN |
0-520-28068-7
0-520-95851-9 |
Formato | Materiale a stampa |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | Frontmatter -- Contents -- Illustrations -- Tables -- Acknowledgments -- Introduction: What More Can Be Said about the Hollywood Blacklist? -- 1. A Bifocal View of Hollywood during the Blacklist Period: Film as Propaganda and Allegory -- 2. I Was a Communist for RKO: Hollywood Anti-Communism and the Problem of Representing Political Beliefs -- 3. Reds and Blacks: Representing Race in Anti-Communist Films -- 4. Stoolies, Cheese-Eaters, and Tie Sellers: Genre, Allegory, and the HUAC Informer -- 5. The Cross and the Sickle: Allegorical Representations of the Blacklist in Historical Films -- 6. Roaming the Plains along the "New Frontier": The Western as Allegory of the Blacklist and the Cold War -- 7. Loving the Alien: Science Fiction Cinema as Cold War Allegory -- Conclusion: Old Wounds and the Texas Sharpshooter -- Notes -- Bibliography -- Index |
Record Nr. | UNINA-9910790960603321 |
Smith Jeff <1962 December 17-> | ||
Berkeley, California : , : University of California Press, , 2014 | ||
Materiale a stampa | ||
Lo trovi qui: Univ. Federico II | ||
|
Film criticism, the Cold War, and the blacklist : reading the Hollywood Reds / / Jeff Smith |
Autore | Smith Jeff <1962 December 17-> |
Pubbl/distr/stampa | Berkeley, California : , : University of California Press, , 2014 |
Descrizione fisica | 1 online resource (365 p.) |
Disciplina | 791.43/6582825 |
Soggetto topico |
Motion pictures - Political aspects - United States
Motion pictures - United States - History - 20th century Cold War in motion pictures Communism and motion pictures - United States Blacklisting of entertainers - United States - History - 20th century |
Soggetto non controllato |
20th century american culture
20th century american history allegory american entertainment culture american films anti communist propaganda cold war communism critical lens entertainment blacklist film and television film criticism film history historical films hollywood blacklist hollywood house committee on un american activities huac literary allegory movie studies police procedures political politics postwar period propaganda films propaganda science fiction films villains westerns |
ISBN |
0-520-28068-7
0-520-95851-9 |
Formato | Materiale a stampa |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | Frontmatter -- Contents -- Illustrations -- Tables -- Acknowledgments -- Introduction: What More Can Be Said about the Hollywood Blacklist? -- 1. A Bifocal View of Hollywood during the Blacklist Period: Film as Propaganda and Allegory -- 2. I Was a Communist for RKO: Hollywood Anti-Communism and the Problem of Representing Political Beliefs -- 3. Reds and Blacks: Representing Race in Anti-Communist Films -- 4. Stoolies, Cheese-Eaters, and Tie Sellers: Genre, Allegory, and the HUAC Informer -- 5. The Cross and the Sickle: Allegorical Representations of the Blacklist in Historical Films -- 6. Roaming the Plains along the "New Frontier": The Western as Allegory of the Blacklist and the Cold War -- 7. Loving the Alien: Science Fiction Cinema as Cold War Allegory -- Conclusion: Old Wounds and the Texas Sharpshooter -- Notes -- Bibliography -- Index |
Record Nr. | UNINA-9910816881103321 |
Smith Jeff <1962 December 17-> | ||
Berkeley, California : , : University of California Press, , 2014 | ||
Materiale a stampa | ||
Lo trovi qui: Univ. Federico II | ||
|
Hollywood in the neighborhood [[electronic resource] ] : historical case studies of local moviegoing / / edited by Kathryn H. Fuller-Seeley |
Pubbl/distr/stampa | Berkeley, : University of California Press, c2008 |
Descrizione fisica | 1 online resource (284 p.) |
Disciplina | 791.430973 |
Altri autori (Persone) | Fuller-SeeleyKathryn |
Soggetto topico |
Motion pictures - United States - History
Motion picture audiences - United States - History Motion picture theaters - United States - History |
Soggetto non controllato |
20th century american films
american audiences american films american heartland american midwest early film exhibition entertainment industry ethnography film audiences film industry film studies film government film exhibition great depression history of hollywood history hollywood local moviegoing media studies motion pictures movie show movie studies movies national mass media political race in film regional cultures religion in film retrospective small town theatre united states of america |
ISBN |
0-520-94022-9
1-281-38560-3 9786611385606 1-4356-5361-0 |
Formato | Materiale a stampa |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | Front matter -- Contents -- 1.Introduction: Researching And Writing The History Of Local Moviegoing -- 2.Decente Ring Historical Audience Studies: A Modest Proposal -- 3.The Itinerant Movie Show And The Development Of The Film Industry -- 4.Early Film Exhibition In Wilmington, North Carolina -- 5.Building Movie Audiences In Placerville, California, 1908-1915 -- 6.Cinema Virtue, Cinema Vice: Race, Religion, And Film Exhibition In Norfolk, Virginia, 1908-1922 -- 7.The Movies In A "Not So Visible Place": Des Moines, Iowa, 1911-1914 -- 8.Digging The Finest Potatoes From Their Acre: Government Film Exhibition In Rural Ontario, 1917-1934 -- 9.At The Movies In The "Biggest Little City In Wisconsin" -- 10.Imagining And Promoting The Small-Town Theater -- 11.What The Picture Did For Me": Small-Town Exhibitors' Strategies For Surviving The Great Depression -- 12."Something For Nothing": Bank Night And The Refashioning Of The American Dream -- 13.Bad Sound And Sticky Floors: An Ethnographic Look At The Symbolic Value Of Historic Small-Town Movie Theaters -- 14.Conclusion: When Theory Hits The Road -- Contributors -- Selected Bibliography -- Index |
Record Nr. | UNINA-9910782160603321 |
Berkeley, : University of California Press, c2008 | ||
Materiale a stampa | ||
Lo trovi qui: Univ. Federico II | ||
|