Info
- Utilizzare la checkbox di selezione a fianco di ciascun documento per attivare le funzionalità di stampa, invio email, download nei formati disponibili del (i) record.
The decline of sentiment [[electronic resource] ] : American film in the 1920s / / Lea Jacobs
| The decline of sentiment [[electronic resource] ] : American film in the 1920s / / Lea Jacobs |
| Autore | Jacobs Lea |
| Pubbl/distr/stampa | Berkeley, : University of California Press, c2008 |
| Descrizione fisica | 1 online resource (373 p.) |
| Disciplina | 791.43/75 |
| Soggetto topico |
Motion pictures - United States - History
Silent films - United States - History and criticism Melodrama in motion pictures |
| Soggetto non controllato |
20th century american film
american cinema american film charlie chaplin comedy erich von stroheim ernst lubitsch film genres film history film studies film style film filmmakers history hollywood jazz age literary naturalism male adventure story modernization of classical hollywood monta bell movie history movie studies movies narrative form romantic drama seduction plot sentimental art sentimental films sophisticated film trade papers |
| ISBN |
1-282-36050-7
9786612360503 0-520-94153-5 |
| Formato | Materiale a stampa  |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Front matter -- Contents -- Preface -- 1. Toward a History of Taste -- 2. Hollywood Naturalism -- 3. Sophisticated Comedy -- 4. The Male Adventure Story -- 5. The Seduction Plot -- 6. The Romantic Drama -- Afterword -- Notes -- Bibliography -- Filmography -- Index |
| Record Nr. | UNINA-9910777955103321 |
Jacobs Lea
|
||
| Berkeley, : University of California Press, c2008 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
The decline of sentiment : American film in the 1920s / / Lea Jacobs
| The decline of sentiment : American film in the 1920s / / Lea Jacobs |
| Autore | Jacobs Lea |
| Edizione | [1st ed.] |
| Pubbl/distr/stampa | Berkeley, : University of California Press, c2008 |
| Descrizione fisica | 1 online resource (373 p.) |
| Disciplina | 791.43/75 |
| Soggetto topico |
Motion pictures - United States - History
Silent films - United States - History and criticism Melodrama in motion pictures |
| Soggetto non controllato |
20th century american film
american cinema american film charlie chaplin comedy erich von stroheim ernst lubitsch film genres film history film studies film style film filmmakers history hollywood jazz age literary naturalism male adventure story modernization of classical hollywood monta bell movie history movie studies movies narrative form romantic drama seduction plot sentimental art sentimental films sophisticated film trade papers |
| ISBN |
1-282-36050-7
9786612360503 0-520-94153-5 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Front matter -- Contents -- Preface -- 1. Toward a History of Taste -- 2. Hollywood Naturalism -- 3. Sophisticated Comedy -- 4. The Male Adventure Story -- 5. The Seduction Plot -- 6. The Romantic Drama -- Afterword -- Notes -- Bibliography -- Filmography -- Index |
| Record Nr. | UNINA-9910809277203321 |
|
Jacobs Lea
|
||
| Berkeley, : University of California Press, c2008 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Film manifestos and global cinema cultures [[electronic resource] ] : a critical anthology / / Scott MacKenzie
| Film manifestos and global cinema cultures [[electronic resource] ] : a critical anthology / / Scott MacKenzie |
| Autore | MacKenzie Scott <1967-> |
| Pubbl/distr/stampa | Berkeley ; ; London : , : University of California Press, , [2014] |
| Descrizione fisica | 1 online resource (675 p.) |
| Disciplina | 791.4301 |
| Soggetto topico |
Motion pictures - Philosophy
Motion pictures Culture in motion pictures |
| Soggetto non controllato |
american film
australian film avant garde canadian film cinema colonialism cultural studies culture european filmmakers film and digital media film archives film culture film manifestos film studies film filmmaking films from the soviet union french film gender and women studies global cinema global film global history of cinema hollywood international cinema italian film japanese film latin america third cinema motion picture production code national cinema pornography radical film russian film |
| ISBN | 0-520-95741-5 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Film Manifestos and Global Cinema Cultures -- Front matter -- CONTENTS -- ACKNOWLEDGMENTS -- INTRODUCTION -- 1. THE AVANT-GARDE(S) -- THE FUTURIST CINEMA (Italy, 1916) -- LENIN DECREE (USSR, 1919) -- THE ABCs OF CINEMA (France, 1917-1921) -- WE: VARIANT OF A MANIFESTO (USSR, 1922) -- THE METHOD OF MAKING WORKERS' FILMS (USSR, 1925) -- CONSTRUCTIVISM IN THE CINEMA (USSR, 1928) -- PREFACE: UN CHIEN ANDALOU (France, 1928) -- MANIFESTO OF THE SURREALISTS CONCERNING L'AGE D'OR (France, 1930) -- MANIFESTO ON "QUE VIVA MEXICO" (USA, 1933) -- SPIRIT OF TRUTH (France, 1933) -- AN OPEN LETTER TO THE FILM INDUSTRY AND TO ALL WHO ARE INTERESTED IN THE EVOLUTION OF THE GOOD FILM (Hungary, 1934) -- LIGHT*FORM*MOVEMENT *SOUND (USA, 1935) -- PROLEGOMENA FOR ALL FUTURE CINEMA (France, 1952) -- NO MORE FLAT FEET! (France, 1952) -- THE LETTRISTES DISAVOW THE INSULTERS OF CHAPLIN (France, 1952) -- THE ONLY DYNAMIC ART (USA, 1953) -- A STATEMENT OF PRINCIPLES (USA, 1961) -- THE FIRST STATEMENT OF THE NEW AMERICAN CINEMA GROUP (USA, 1961) -- FOUNDATION FOR THE INVENTION AND CREATION OF ABSURD MOVIES (USA, 1962) -- FROM METAPHORS ON VISION (USA, 1963) -- KUCHAR 8mm FILM MANIFESTO (USA, 1964) -- FILM ANDEPANDAN [INDEPENDENTS] MANIFESTO (Japan, 1964) -- DISCONTINUOUS FILMS (Canada, 1967) -- HAND-MADE FILMS MANIFESTO (Australia, 1968) -- CINEMA MANIFESTO (Australia, 1971) -- FOR A METAHISTORY OF FILM: COMMONPLACE NOTES AND HYPOTHESES (USA, 1971) -- ELEMENTS OF THE VOID (Greece, 1972) -- SMALL GAUGE MANIFESTO (USA, 1980) -- CINEMA OF TRANSGRESSION MANIFESTO (USA, 1985) -- MODERN, ALL TOO MODERN (USA, 1988) -- OPEN LETTER TO THE EXPERIMENTAL FILM CONGRESS: LET'S SET THE RECORD STRAIGHT (Canada, 1989) -- ANTI-100 YEARS OF CINEMA MANIFESTO (USA, 1996) -- THE DECALOGUE (Czech Republic, 1999) -- YOUR FILM FARM MANIFESTO ON PROCESS CINEMA (Canada, 2012) -- 2. NATIONAL AND TRANSNATIONAL CINEMAS -- FROM "THE GLASS EYE" (Italy, 1933) -- THE ARCHERS' MANIFESTO (UK, 1942) -- WHAT IS WRONG WITH INDIAN FILMS? (India, 1948) -- BUÑUEL THE POET (Mexico, 1951) -- FRENCH CINEMA IS OVER (France, 1952) -- SOME IDEAS ON THE CINEMA (Italy, 1953) -- A CERTAIN TENDENCY IN FRENCH CINEMA (France, 1954) -- SALAMANCA MANIFESTO & CONCLUSIONS OF THE CONGRESS OF SALAMANCA (Spain, 1955) -- FREE CINEMA MANIFESTOS (UK, 1956-1959) -- THE OBERHAUSEN MANIFESTO (West Germany, 1962) -- UNTITLED [OBERHAUSEN 1965] (West Germany, 1965) -- THE MANNHEIM DECLARATION (West Germany, 1967) -- SITGES MANIFESTO (Spain, 1967) -- HOW TO MAKE A CANADIAN FILM (Canada, 1967) -- HOW TO NOT MAKE A CANADIAN FILM (Canada, 1967) -- FROM "THE ESTATES GENERAL OF THE FRENCH CINEMA, MAY 1968" (France, 1968) -- MANIFESTO OF THE NEW CINEMA MOVEMENT (India, 1968) -- WHAT IS TO BE DONE? (France, 1970) -- THE WINNIPEG MANIFESTO (Canada, 1974) -- HAMBURG DECLARATION OF GERMAN FILMMAKERS (West Germany, 1979) -- MANIFESTO I (Denmark, 1984) -- MANIFESTO II (Denmark, 1987) -- MANIFESTO III: I CONFESS! (Denmark, 1990) -- THE CINEMA WE NEED (Canada, 1985) -- PATHWAYS TO THE ESTABLISHMENT OF A NIGERIAN FILM INDUSTRY (Nigeria, 1985) -- MANIFESTO OF 1988 (German Democratic Republic, 1988) -- IN PRAISE OF A POOR CINEMA (Scotland, 1993) -- DOGME '95 MANIFESTO AND VOW OF CHASTITY (Denmark, 1995) -- I SINEMA MANIFESTO (Indonesia, 1999) -- 3. THIRD CINEMAS, COLONIALISM, DECOLONIZATION, AND POSTCOLONIALISM -- MANIFESTO OF THE NEW CINEMA GROUP (Mexico, 1961) -- CINEMA AND UNDERDEVELOPMENT (Argentina, 1962) -- THE AESTHETICS OF HUNGER (Brazil, 1965) -- FOR AN IMPERFECT CINEMA (Cuba, 1969) -- TOWARDS A THIRD CINEMA: NOTES AND EXPERIENCES FOR THE DEVELOPMENT OF A CINEMA OF LIBERATION IN THE THIRD WORLD (Argentina, 1969) -- FILM MAKERS AND THE POPULAR GOVERNMENT POLITICAL MANIFESTO (Chile, 1970) -- CONSCIOUSNESS OF A NEED (Uruguay, 1970) -- MILITANT CINEMA: AN INTERNAL CATEGORY OF THIRD CINEMA (Argentina, 1971) -- FOR COLOMBIA 1971: MILITANCY AND CINEMA (Colombia, 1971) -- THE CINEMA: ANOTHER FACE OF COLONISED QUÉBEC (Canada, 1971) -- 8 MILLIMETERS VERSUS 8 MILLIONS (Mexico, 1972) -- MANIFESTO OF THE PALESTINIAN CINEMA GROUP (Palestine, 1973) -- RESOLUTIONS OF THE THIRD WORLD FILMMAKERS MEETING (Algeria, 1973) -- THE LUZ E AÇÃO MANIFESTO (Brazil, 1973) -- PROBLEMS OF FORM AND CONTENT IN REVOLUTIONARY CINEMA (Bolivia, 1976) -- MANIFESTO OF THE NATIONAL FRONT OF CINEMATOGRAPHERS (Mexico, 1975) -- THE ALGIERS CHARTER ON AFRICAN CINEMA (Algeria, 1975) -- DECLARATION OF PRINCIPLES AND GOALS OF THE NICARAGUAN INSTITUTE OF CINEMA (Nicaragua, 1979) -- WHAT IS THE CINEMA FOR US? (Mauritania, 1979) -- NIAMEY MANIFESTO OF AFRICAN FILMMAKERS (Niger, 1982) -- BLACK INDEPENDENT FILMMAKING: A STATEMENT BY THE BLACK AUDIO FILM COLLECTIVE (UK, 1983) -- FROM BIRTH CERTIFICATE OF THE INTERNATIONAL SCHOOL OF CINEMA AND TELEVISION IN SAN ANTONIO DE LOS BAÑOS, CUBA, NICKNAMED THE SCHOOL OF THREE WORLDS (Cuba, 1986) -- FeC AViP MANIFESTO (France, 1990) -- FINAL COMMUNIQUE OF THE FIRST FRONTLINE FILM FESTIVAL AND WORKSHOP (Zimbabwe, 1990) -- POCHA MANIFESTO #1 (USA, 1994) -- POOR CINEMA MANIFESTO (Cuba, 2004) -- JOLLYWOOD MANIFESTO (Haiti, 2008) -- THE TORONTO DECLARATION: NO CELEBRATION OF OCCUPATION (Canada, 2009) -- 4. GENDER, FEMINIST, QUEER, SEXUALITY, AND PORN MANIFESTOS -- WOMAN'S PLACE IN PHOTOPLAY PRODUCTION (USA, 1914) -- HANDS OFF LOVE (France, 1927) -- THE PERFECT FILMIC APPOSITENESS OF MARIA MONTEZ (USA, 1962) -- ON FILM NO. 4 (IN TAKING THE BOTTOMS OF 365 SAINTS OF OUR TIME) (UK, 1967) -- STATEMENT (USA, 1969) -- WET DREAM FILM FESTIVAL MANIFESTO (The Netherlands, 1970) -- WOMEN'S CINEMA AS COUNTERCINEMA (UK, 1973) -- MANIFESTO FOR A NON-SEXIST CINEMA (Canada, 1974) -- WOMANIFESTO (USA, 1975) -- VISUAL PLEASURE AND NARRATIVE CINEMA (UK, 1975) -- AN EGRET IN THE PORNO SWAMP: NOTES OF SEX IN THE CINEMA (Sweden, 1977) -- FOR THE SELF-EXPRESSION OF THE ARAB WOMAN (France, 1978) -- MANIFESTO OF THE WOMEN FILMMAKERS (West Germany, 1979) -- WIMMIN'S FIRE BRIGADE COMMUNIQUÉ (Canada, 1982) -- THOUGHTS ON WOMEN'S CINEMA: EATING WORDS, VOICING STRUGGLES (USA, 1986) -- THE POST PORN MODERNIST MANIFESTO (USA, 1989) -- STATEMENT OF AFRICAN WOMEN PROFESSIONALS OF CINEMA, TELEVISION AND VIDEO (Burkina Faso, 1991) -- PUZZY POWER MANIFESTO: THOUGHTS ON WOMEN AND PORNOGRAPHY (Denmark, 1998) -- CINEMA WITH TITS (Spain, 1998) -- MY PORN MANIFESTO (France, 2002) -- NO MORE MR. NICE GAY: A MANIFESTO (USA, 2009) -- BAREFOOT FILMMAKING MANIFESTO (UK, 2009) -- DIRTY DIARIES MANIFESTO (Sweden, 2009) -- 5. MILITATING HOLLYWOOD -- CODE TO GOVERN THE MAKING OF TALKING, SYNCHRONIZED AND SILENT MOTION PICTURES (MOTION PICTURE PRODUCTION CODE) (USA, 1930) -- RED FILMS: SOVIETS SPREADING DOCTRINE IN U.S. THEATRES (USA, 1935) -- STATEMENT OF PRINCIPLES (USA, 1944) -- SCREEN GUIDE FOR AMERICANS (USA, 1947) -- WHITE ELEPHANT ART VS. TERMITE ART (USA, 1962) -- SUPER FLY: A SUMMARY OF OBJECTIONS BY THE KUUMBA WORKSHOP (USA, 1972) -- FULL FRONTAL MANIFESTO (USA, 2001) -- 6. THE CREATIVE TREATMENT OF ACTUALITY -- TOWARDS A SOCIAL CINEMA (France, 1930) -- FROM "FIRST PRINCIPLES OF DOCUMENTARY" (UK, 1932) -- MANIFESTO ON THE DOCUMENTARY FILM (UK, 1933) -- DECLARATION OF THE GROUP OF THIRTY (France, 1953) -- INITIAL STATEMENT OF THE NEWSREEL (USA, 1967) -- NOWSREEL, OR THE POTENTIALITIES OF A POLITICAL CINEMA (USA, 1970) -- DOCUMENTARY FILMMAKERS MAKE THEIR CASE (Poland, 1971) -- THE ASIAN FILMMAKERS AT YAMAGATA YIDFF MANIFESTO (Japan, 1989) -- MINNESOTA DECLARATION: TRUTH AND FACT IN DOCUMENTARY CINEMA (Germany, 1999) -- DEFOCUS MANIFESTO (Denmark, 2000) -- KILL THE DOCUMENTARY AS WE KNOW IT (USA, 2002) -- ETHNOGRAPHIC CINEMA (EC): A MANIFESTO / A PROVOCATION (USA, 2003) -- REALITY CINEMA MANIFESTO (Russia, 2005) -- DOCUMENTARY MANIFESTO (USA, 2008) -- CHINA INDEPENDENT FILM FESTIVAL MANIFESTO: SHAMANS * ANIMALS (People's Republic of China, 2011) -- 7.
STATES, DICTATORSHIPS, THE COMINTERN, AND THEOCRACIES -- CAPTURE THE FILM! HINTS ON THE USE OF, OUT OF THE USE OF, PROLETARIAN FILM PROPAGANDA (USA, 1925) -- THE LEGION OF DECENCY PLEDGE (USA, 1934) -- CREATIVE FILM (Germany, 1935) -- VIGILANTI CURA: ON MOTION PICTURES (Vatican City, 1936) -- FOUR CARDINAL POINTS OF A REVOLUÇÃO DE MAIO (Portugal, 1937) -- FROM ON THE ART OF CINEMA (North Korea, 1973) -- 8. ARCHIVES, MUSEUMS, FESTIVALS, AND CINEMATHEQUES -- A NEW SOURCE OF HISTORY: THE CREATION OF A DEPOSITORY FOR HISTORICAL CINEMATOGRAPHY (Poland/France, 1898) -- THE FILM PRAYER (USA, c. 1920) -- THE FILM SOCIETY (UK, 1925) -- FILMLIGA MANIFESTO (The Netherlands, 1927) -- STATEMENT OF PURPOSES (USA, 1948) -- THE IMPORTANCE OF FILM ARCHIVES (UK, 1948) -- A PLEA FOR A CANADIAN FILM ARCHIVE (Canada, 1949) -- OPEN LETTER TO FILM-MAKERS OF THE WORLD (USA, 1966) -- A DECLARATION FROM THE COMMITTEE FOR THE DEFENSE OF LA CINÉMATHÈQUE FRANÇAISE (France, 1968) -- FILMMAKERS VERSUS THE MUSEUM OF MODERN ART (USA, 1969) -- ANTHOLOGY FILM ARCHIVES MANIFESTO (USA, 1970) -- TOWARD AN ETHNOGRAPHIC FILM ARCHIVE (USA, 1971) -- BROOKLYN BABYLON CINEMA MANIFESTO (USA, 1998) -- DON'T THROW FILM AWAY: THE FIAF 70th ANNIVERSARY MANIFESTO (France, 2008) -- THE LINDGREN MANIFESTO: THE FILM CURATOR OF THE FUTURE (Italy, 2010) -- FILM FESTIVAL FORM: A MANIFESTO (UK, 2012) -- 9. SOUNDS AND SILENCE -- A STATEMENT ON SOUND (USSR, 1928) -- A REJECTION OF THE TALKIES (USA, 1931) -- A DIALOGUE ON SOUND: A MANIFESTO (UK, 1934) -- AMALFI MANIFESTO (Italy, 1967) -- 10. THE DIGITAL REVOLUTION -- CULTURE: INTERCOM AND EXPANDED CINEMA: A PROPOSAL AND MANIFESTO (USA, 1966) -- THE DIGITAL REVOLUTION AND THE FUTURE CINEMA (Iran, 2000) -- THE PLUGINMANIFESTO (UK, 2001) -- DIGITAL DEKALOGO: A MANIFESTO FOR A FILMLESS PHILIPPINES (The Philippines, 2003) -- 11. AESTHETICS AND THE FUTURES OF THE CINEMA -- THE BIRTH OF THE SIXTH ART (France, 1911) -- THE BIRTH OF A NEW AVANT GARDE: LA CAMÉRA-STYLO (France, 1948) -- FROM PREFACE TO FILM (UK, 1954) -- THE SNAKESKIN (Sweden, 1965) -- MANIFESTO (Italy, 1965) -- MANIFESTO ON THE RELEASE OF LA CHINOISE (France, 1967) -- DIRECT ACTION CINEMA MANIFESTO (USA, 1985) -- REMODERNIST FILM MANIFESTO (USA, 2008) -- THE AGE OF AMATEUR CINEMA WILL RETURN (People's Republic of China, 2010) -- APPENDIX -- NOTES -- ACKNOWLEDGMENTS OF PERMISSIONS -- INDEX |
| Record Nr. | UNINA-9910789286303321 |
|
MacKenzie Scott <1967->
|
||
| Berkeley ; ; London : , : University of California Press, , [2014] | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Film manifestos and global cinema cultures [[electronic resource] ] : a critical anthology / / Scott MacKenzie
| Film manifestos and global cinema cultures [[electronic resource] ] : a critical anthology / / Scott MacKenzie |
| Autore | MacKenzie Scott <1967-> |
| Pubbl/distr/stampa | Berkeley ; ; London : , : University of California Press, , [2014] |
| Descrizione fisica | 1 online resource (675 p.) |
| Disciplina | 791.4301 |
| Soggetto topico |
Motion pictures - Philosophy
Motion pictures Culture in motion pictures |
| Soggetto non controllato |
american film
australian film avant garde canadian film cinema colonialism cultural studies culture european filmmakers film and digital media film archives film culture film manifestos film studies film filmmaking films from the soviet union french film gender and women studies global cinema global film global history of cinema hollywood international cinema italian film japanese film latin america third cinema motion picture production code national cinema pornography radical film russian film |
| ISBN | 0-520-95741-5 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Film Manifestos and Global Cinema Cultures -- Front matter -- CONTENTS -- ACKNOWLEDGMENTS -- INTRODUCTION -- 1. THE AVANT-GARDE(S) -- THE FUTURIST CINEMA (Italy, 1916) -- LENIN DECREE (USSR, 1919) -- THE ABCs OF CINEMA (France, 1917-1921) -- WE: VARIANT OF A MANIFESTO (USSR, 1922) -- THE METHOD OF MAKING WORKERS' FILMS (USSR, 1925) -- CONSTRUCTIVISM IN THE CINEMA (USSR, 1928) -- PREFACE: UN CHIEN ANDALOU (France, 1928) -- MANIFESTO OF THE SURREALISTS CONCERNING L'AGE D'OR (France, 1930) -- MANIFESTO ON "QUE VIVA MEXICO" (USA, 1933) -- SPIRIT OF TRUTH (France, 1933) -- AN OPEN LETTER TO THE FILM INDUSTRY AND TO ALL WHO ARE INTERESTED IN THE EVOLUTION OF THE GOOD FILM (Hungary, 1934) -- LIGHT*FORM*MOVEMENT *SOUND (USA, 1935) -- PROLEGOMENA FOR ALL FUTURE CINEMA (France, 1952) -- NO MORE FLAT FEET! (France, 1952) -- THE LETTRISTES DISAVOW THE INSULTERS OF CHAPLIN (France, 1952) -- THE ONLY DYNAMIC ART (USA, 1953) -- A STATEMENT OF PRINCIPLES (USA, 1961) -- THE FIRST STATEMENT OF THE NEW AMERICAN CINEMA GROUP (USA, 1961) -- FOUNDATION FOR THE INVENTION AND CREATION OF ABSURD MOVIES (USA, 1962) -- FROM METAPHORS ON VISION (USA, 1963) -- KUCHAR 8mm FILM MANIFESTO (USA, 1964) -- FILM ANDEPANDAN [INDEPENDENTS] MANIFESTO (Japan, 1964) -- DISCONTINUOUS FILMS (Canada, 1967) -- HAND-MADE FILMS MANIFESTO (Australia, 1968) -- CINEMA MANIFESTO (Australia, 1971) -- FOR A METAHISTORY OF FILM: COMMONPLACE NOTES AND HYPOTHESES (USA, 1971) -- ELEMENTS OF THE VOID (Greece, 1972) -- SMALL GAUGE MANIFESTO (USA, 1980) -- CINEMA OF TRANSGRESSION MANIFESTO (USA, 1985) -- MODERN, ALL TOO MODERN (USA, 1988) -- OPEN LETTER TO THE EXPERIMENTAL FILM CONGRESS: LET'S SET THE RECORD STRAIGHT (Canada, 1989) -- ANTI-100 YEARS OF CINEMA MANIFESTO (USA, 1996) -- THE DECALOGUE (Czech Republic, 1999) -- YOUR FILM FARM MANIFESTO ON PROCESS CINEMA (Canada, 2012) -- 2. NATIONAL AND TRANSNATIONAL CINEMAS -- FROM "THE GLASS EYE" (Italy, 1933) -- THE ARCHERS' MANIFESTO (UK, 1942) -- WHAT IS WRONG WITH INDIAN FILMS? (India, 1948) -- BUÑUEL THE POET (Mexico, 1951) -- FRENCH CINEMA IS OVER (France, 1952) -- SOME IDEAS ON THE CINEMA (Italy, 1953) -- A CERTAIN TENDENCY IN FRENCH CINEMA (France, 1954) -- SALAMANCA MANIFESTO & CONCLUSIONS OF THE CONGRESS OF SALAMANCA (Spain, 1955) -- FREE CINEMA MANIFESTOS (UK, 1956-1959) -- THE OBERHAUSEN MANIFESTO (West Germany, 1962) -- UNTITLED [OBERHAUSEN 1965] (West Germany, 1965) -- THE MANNHEIM DECLARATION (West Germany, 1967) -- SITGES MANIFESTO (Spain, 1967) -- HOW TO MAKE A CANADIAN FILM (Canada, 1967) -- HOW TO NOT MAKE A CANADIAN FILM (Canada, 1967) -- FROM "THE ESTATES GENERAL OF THE FRENCH CINEMA, MAY 1968" (France, 1968) -- MANIFESTO OF THE NEW CINEMA MOVEMENT (India, 1968) -- WHAT IS TO BE DONE? (France, 1970) -- THE WINNIPEG MANIFESTO (Canada, 1974) -- HAMBURG DECLARATION OF GERMAN FILMMAKERS (West Germany, 1979) -- MANIFESTO I (Denmark, 1984) -- MANIFESTO II (Denmark, 1987) -- MANIFESTO III: I CONFESS! (Denmark, 1990) -- THE CINEMA WE NEED (Canada, 1985) -- PATHWAYS TO THE ESTABLISHMENT OF A NIGERIAN FILM INDUSTRY (Nigeria, 1985) -- MANIFESTO OF 1988 (German Democratic Republic, 1988) -- IN PRAISE OF A POOR CINEMA (Scotland, 1993) -- DOGME '95 MANIFESTO AND VOW OF CHASTITY (Denmark, 1995) -- I SINEMA MANIFESTO (Indonesia, 1999) -- 3. THIRD CINEMAS, COLONIALISM, DECOLONIZATION, AND POSTCOLONIALISM -- MANIFESTO OF THE NEW CINEMA GROUP (Mexico, 1961) -- CINEMA AND UNDERDEVELOPMENT (Argentina, 1962) -- THE AESTHETICS OF HUNGER (Brazil, 1965) -- FOR AN IMPERFECT CINEMA (Cuba, 1969) -- TOWARDS A THIRD CINEMA: NOTES AND EXPERIENCES FOR THE DEVELOPMENT OF A CINEMA OF LIBERATION IN THE THIRD WORLD (Argentina, 1969) -- FILM MAKERS AND THE POPULAR GOVERNMENT POLITICAL MANIFESTO (Chile, 1970) -- CONSCIOUSNESS OF A NEED (Uruguay, 1970) -- MILITANT CINEMA: AN INTERNAL CATEGORY OF THIRD CINEMA (Argentina, 1971) -- FOR COLOMBIA 1971: MILITANCY AND CINEMA (Colombia, 1971) -- THE CINEMA: ANOTHER FACE OF COLONISED QUÉBEC (Canada, 1971) -- 8 MILLIMETERS VERSUS 8 MILLIONS (Mexico, 1972) -- MANIFESTO OF THE PALESTINIAN CINEMA GROUP (Palestine, 1973) -- RESOLUTIONS OF THE THIRD WORLD FILMMAKERS MEETING (Algeria, 1973) -- THE LUZ E AÇÃO MANIFESTO (Brazil, 1973) -- PROBLEMS OF FORM AND CONTENT IN REVOLUTIONARY CINEMA (Bolivia, 1976) -- MANIFESTO OF THE NATIONAL FRONT OF CINEMATOGRAPHERS (Mexico, 1975) -- THE ALGIERS CHARTER ON AFRICAN CINEMA (Algeria, 1975) -- DECLARATION OF PRINCIPLES AND GOALS OF THE NICARAGUAN INSTITUTE OF CINEMA (Nicaragua, 1979) -- WHAT IS THE CINEMA FOR US? (Mauritania, 1979) -- NIAMEY MANIFESTO OF AFRICAN FILMMAKERS (Niger, 1982) -- BLACK INDEPENDENT FILMMAKING: A STATEMENT BY THE BLACK AUDIO FILM COLLECTIVE (UK, 1983) -- FROM BIRTH CERTIFICATE OF THE INTERNATIONAL SCHOOL OF CINEMA AND TELEVISION IN SAN ANTONIO DE LOS BAÑOS, CUBA, NICKNAMED THE SCHOOL OF THREE WORLDS (Cuba, 1986) -- FeC AViP MANIFESTO (France, 1990) -- FINAL COMMUNIQUE OF THE FIRST FRONTLINE FILM FESTIVAL AND WORKSHOP (Zimbabwe, 1990) -- POCHA MANIFESTO #1 (USA, 1994) -- POOR CINEMA MANIFESTO (Cuba, 2004) -- JOLLYWOOD MANIFESTO (Haiti, 2008) -- THE TORONTO DECLARATION: NO CELEBRATION OF OCCUPATION (Canada, 2009) -- 4. GENDER, FEMINIST, QUEER, SEXUALITY, AND PORN MANIFESTOS -- WOMAN'S PLACE IN PHOTOPLAY PRODUCTION (USA, 1914) -- HANDS OFF LOVE (France, 1927) -- THE PERFECT FILMIC APPOSITENESS OF MARIA MONTEZ (USA, 1962) -- ON FILM NO. 4 (IN TAKING THE BOTTOMS OF 365 SAINTS OF OUR TIME) (UK, 1967) -- STATEMENT (USA, 1969) -- WET DREAM FILM FESTIVAL MANIFESTO (The Netherlands, 1970) -- WOMEN'S CINEMA AS COUNTERCINEMA (UK, 1973) -- MANIFESTO FOR A NON-SEXIST CINEMA (Canada, 1974) -- WOMANIFESTO (USA, 1975) -- VISUAL PLEASURE AND NARRATIVE CINEMA (UK, 1975) -- AN EGRET IN THE PORNO SWAMP: NOTES OF SEX IN THE CINEMA (Sweden, 1977) -- FOR THE SELF-EXPRESSION OF THE ARAB WOMAN (France, 1978) -- MANIFESTO OF THE WOMEN FILMMAKERS (West Germany, 1979) -- WIMMIN'S FIRE BRIGADE COMMUNIQUÉ (Canada, 1982) -- THOUGHTS ON WOMEN'S CINEMA: EATING WORDS, VOICING STRUGGLES (USA, 1986) -- THE POST PORN MODERNIST MANIFESTO (USA, 1989) -- STATEMENT OF AFRICAN WOMEN PROFESSIONALS OF CINEMA, TELEVISION AND VIDEO (Burkina Faso, 1991) -- PUZZY POWER MANIFESTO: THOUGHTS ON WOMEN AND PORNOGRAPHY (Denmark, 1998) -- CINEMA WITH TITS (Spain, 1998) -- MY PORN MANIFESTO (France, 2002) -- NO MORE MR. NICE GAY: A MANIFESTO (USA, 2009) -- BAREFOOT FILMMAKING MANIFESTO (UK, 2009) -- DIRTY DIARIES MANIFESTO (Sweden, 2009) -- 5. MILITATING HOLLYWOOD -- CODE TO GOVERN THE MAKING OF TALKING, SYNCHRONIZED AND SILENT MOTION PICTURES (MOTION PICTURE PRODUCTION CODE) (USA, 1930) -- RED FILMS: SOVIETS SPREADING DOCTRINE IN U.S. THEATRES (USA, 1935) -- STATEMENT OF PRINCIPLES (USA, 1944) -- SCREEN GUIDE FOR AMERICANS (USA, 1947) -- WHITE ELEPHANT ART VS. TERMITE ART (USA, 1962) -- SUPER FLY: A SUMMARY OF OBJECTIONS BY THE KUUMBA WORKSHOP (USA, 1972) -- FULL FRONTAL MANIFESTO (USA, 2001) -- 6. THE CREATIVE TREATMENT OF ACTUALITY -- TOWARDS A SOCIAL CINEMA (France, 1930) -- FROM "FIRST PRINCIPLES OF DOCUMENTARY" (UK, 1932) -- MANIFESTO ON THE DOCUMENTARY FILM (UK, 1933) -- DECLARATION OF THE GROUP OF THIRTY (France, 1953) -- INITIAL STATEMENT OF THE NEWSREEL (USA, 1967) -- NOWSREEL, OR THE POTENTIALITIES OF A POLITICAL CINEMA (USA, 1970) -- DOCUMENTARY FILMMAKERS MAKE THEIR CASE (Poland, 1971) -- THE ASIAN FILMMAKERS AT YAMAGATA YIDFF MANIFESTO (Japan, 1989) -- MINNESOTA DECLARATION: TRUTH AND FACT IN DOCUMENTARY CINEMA (Germany, 1999) -- DEFOCUS MANIFESTO (Denmark, 2000) -- KILL THE DOCUMENTARY AS WE KNOW IT (USA, 2002) -- ETHNOGRAPHIC CINEMA (EC): A MANIFESTO / A PROVOCATION (USA, 2003) -- REALITY CINEMA MANIFESTO (Russia, 2005) -- DOCUMENTARY MANIFESTO (USA, 2008) -- CHINA INDEPENDENT FILM FESTIVAL MANIFESTO: SHAMANS * ANIMALS (People's Republic of China, 2011) -- 7.
STATES, DICTATORSHIPS, THE COMINTERN, AND THEOCRACIES -- CAPTURE THE FILM! HINTS ON THE USE OF, OUT OF THE USE OF, PROLETARIAN FILM PROPAGANDA (USA, 1925) -- THE LEGION OF DECENCY PLEDGE (USA, 1934) -- CREATIVE FILM (Germany, 1935) -- VIGILANTI CURA: ON MOTION PICTURES (Vatican City, 1936) -- FOUR CARDINAL POINTS OF A REVOLUÇÃO DE MAIO (Portugal, 1937) -- FROM ON THE ART OF CINEMA (North Korea, 1973) -- 8. ARCHIVES, MUSEUMS, FESTIVALS, AND CINEMATHEQUES -- A NEW SOURCE OF HISTORY: THE CREATION OF A DEPOSITORY FOR HISTORICAL CINEMATOGRAPHY (Poland/France, 1898) -- THE FILM PRAYER (USA, c. 1920) -- THE FILM SOCIETY (UK, 1925) -- FILMLIGA MANIFESTO (The Netherlands, 1927) -- STATEMENT OF PURPOSES (USA, 1948) -- THE IMPORTANCE OF FILM ARCHIVES (UK, 1948) -- A PLEA FOR A CANADIAN FILM ARCHIVE (Canada, 1949) -- OPEN LETTER TO FILM-MAKERS OF THE WORLD (USA, 1966) -- A DECLARATION FROM THE COMMITTEE FOR THE DEFENSE OF LA CINÉMATHÈQUE FRANÇAISE (France, 1968) -- FILMMAKERS VERSUS THE MUSEUM OF MODERN ART (USA, 1969) -- ANTHOLOGY FILM ARCHIVES MANIFESTO (USA, 1970) -- TOWARD AN ETHNOGRAPHIC FILM ARCHIVE (USA, 1971) -- BROOKLYN BABYLON CINEMA MANIFESTO (USA, 1998) -- DON'T THROW FILM AWAY: THE FIAF 70th ANNIVERSARY MANIFESTO (France, 2008) -- THE LINDGREN MANIFESTO: THE FILM CURATOR OF THE FUTURE (Italy, 2010) -- FILM FESTIVAL FORM: A MANIFESTO (UK, 2012) -- 9. SOUNDS AND SILENCE -- A STATEMENT ON SOUND (USSR, 1928) -- A REJECTION OF THE TALKIES (USA, 1931) -- A DIALOGUE ON SOUND: A MANIFESTO (UK, 1934) -- AMALFI MANIFESTO (Italy, 1967) -- 10. THE DIGITAL REVOLUTION -- CULTURE: INTERCOM AND EXPANDED CINEMA: A PROPOSAL AND MANIFESTO (USA, 1966) -- THE DIGITAL REVOLUTION AND THE FUTURE CINEMA (Iran, 2000) -- THE PLUGINMANIFESTO (UK, 2001) -- DIGITAL DEKALOGO: A MANIFESTO FOR A FILMLESS PHILIPPINES (The Philippines, 2003) -- 11. AESTHETICS AND THE FUTURES OF THE CINEMA -- THE BIRTH OF THE SIXTH ART (France, 1911) -- THE BIRTH OF A NEW AVANT GARDE: LA CAMÉRA-STYLO (France, 1948) -- FROM PREFACE TO FILM (UK, 1954) -- THE SNAKESKIN (Sweden, 1965) -- MANIFESTO (Italy, 1965) -- MANIFESTO ON THE RELEASE OF LA CHINOISE (France, 1967) -- DIRECT ACTION CINEMA MANIFESTO (USA, 1985) -- REMODERNIST FILM MANIFESTO (USA, 2008) -- THE AGE OF AMATEUR CINEMA WILL RETURN (People's Republic of China, 2010) -- APPENDIX -- NOTES -- ACKNOWLEDGMENTS OF PERMISSIONS -- INDEX |
| Record Nr. | UNINA-9910821412003321 |
|
MacKenzie Scott <1967->
|
||
| Berkeley ; ; London : , : University of California Press, , [2014] | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Moving viewers [[electronic resource] ] : American film and the spectator's experience / / Carl Plantinga
| Moving viewers [[electronic resource] ] : American film and the spectator's experience / / Carl Plantinga |
| Autore | Plantinga Carl R |
| Pubbl/distr/stampa | Berkeley, : University of California Press, c2009 |
| Descrizione fisica | 1 online resource (295 p.) |
| Disciplina | 302.23/43 |
| Soggetto topico |
Motion picture audiences - Psychology
Motion pictures - United States |
| Soggetto non controllato |
american film
audience theory cinema and film cognitive science cultural studies desires emotional experience film criticism film studies film hollywood films mainstream narratives media studies movie criticism movie studies movie watching movies and emotions movies moving viewers negative emotions philosophical aesthetics pleasures psychology of spectatorship ritualistic fantasy sensual films spectators sympathetic narratives synesthesia the paradox of negative emotion watching a movie |
| ISBN |
1-282-77262-7
9786612772627 0-520-94391-0 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Front matter -- Contents -- Illustrations -- Acknowledgments -- Introduction: Affect and the Movies -- 1. Pleasures, Desires, Fantasies -- 2. Movies and Emotions -- 3. Stories and Sympathies -- 4. The Sensual Medium -- 5. Affective Trajectories and Synesthesia -- 6. Negative Emotions and Sympathetic Narratives -- 7. The Rhetoric of Emotion -- Conclusion: Moving Viewers -- Notes -- Bibliography -- Index |
| Record Nr. | UNINA-9910788998403321 |
|
Plantinga Carl R
|
||
| Berkeley, : University of California Press, c2009 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Moving viewers : American film and the spectator's experience / / Carl Plantinga
| Moving viewers : American film and the spectator's experience / / Carl Plantinga |
| Autore | Plantinga Carl R |
| Edizione | [1st ed.] |
| Pubbl/distr/stampa | Berkeley, : University of California Press, c2009 |
| Descrizione fisica | 1 online resource (295 p.) |
| Disciplina | 302.23/43 |
| Soggetto topico |
Motion picture audiences - Psychology
Motion pictures - United States |
| Soggetto non controllato |
american film
audience theory cinema and film cognitive science cultural studies desires emotional experience film criticism film studies film hollywood films mainstream narratives media studies movie criticism movie studies movie watching movies and emotions movies moving viewers negative emotions philosophical aesthetics pleasures psychology of spectatorship ritualistic fantasy sensual films spectators sympathetic narratives synesthesia the paradox of negative emotion watching a movie |
| ISBN |
1-282-77262-7
9786612772627 0-520-94391-0 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Front matter -- Contents -- Illustrations -- Acknowledgments -- Introduction: Affect and the Movies -- 1. Pleasures, Desires, Fantasies -- 2. Movies and Emotions -- 3. Stories and Sympathies -- 4. The Sensual Medium -- 5. Affective Trajectories and Synesthesia -- 6. Negative Emotions and Sympathetic Narratives -- 7. The Rhetoric of Emotion -- Conclusion: Moving Viewers -- Notes -- Bibliography -- Index |
| Record Nr. | UNISA-996248201903316 |
|
Plantinga Carl R
|
||
| Berkeley, : University of California Press, c2009 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. di Salerno | ||
| ||
Moving viewers : American film and the spectator's experience / / Carl Plantinga
| Moving viewers : American film and the spectator's experience / / Carl Plantinga |
| Autore | Plantinga Carl R |
| Edizione | [1st ed.] |
| Pubbl/distr/stampa | Berkeley, : University of California Press, c2009 |
| Descrizione fisica | 1 online resource (295 p.) |
| Disciplina | 302.23/43 |
| Soggetto topico |
Motion picture audiences - Psychology
Motion pictures - United States |
| Soggetto non controllato |
american film
audience theory cinema and film cognitive science cultural studies desires emotional experience film criticism film studies film hollywood films mainstream narratives media studies movie criticism movie studies movie watching movies and emotions movies moving viewers negative emotions philosophical aesthetics pleasures psychology of spectatorship ritualistic fantasy sensual films spectators sympathetic narratives synesthesia the paradox of negative emotion watching a movie |
| ISBN |
1-282-77262-7
9786612772627 0-520-94391-0 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Front matter -- Contents -- Illustrations -- Acknowledgments -- Introduction: Affect and the Movies -- 1. Pleasures, Desires, Fantasies -- 2. Movies and Emotions -- 3. Stories and Sympathies -- 4. The Sensual Medium -- 5. Affective Trajectories and Synesthesia -- 6. Negative Emotions and Sympathetic Narratives -- 7. The Rhetoric of Emotion -- Conclusion: Moving Viewers -- Notes -- Bibliography -- Index |
| Record Nr. | UNINA-9910816873503321 |
|
Plantinga Carl R
|
||
| Berkeley, : University of California Press, c2009 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Museum movies : the museum of modern art and the birth of art cinema / / Haidee Wasson
| Museum movies : the museum of modern art and the birth of art cinema / / Haidee Wasson |
| Autore | Wasson Haidee <1970-> |
| Edizione | [1st ed.] |
| Pubbl/distr/stampa | Berkeley, : University of California Press, 2005 |
| Descrizione fisica | 1 online resource (331 p.) |
| Disciplina | 026/.79143/097471 |
| Collana | Simpson imprint in humanities |
| Soggetto topico |
Motion pictures - Preservation - United States
Motion pictures - United States - History |
| Soggetto non controllato |
1935
american film art cinema art forms art history birth of art cinema canadian film cinema scholars cinemas transformation cultural history european film film analysis film archives film historians film history film library film museum film students historical historiography information sciences libraries modern life modern politics moma movie theory museum of modern art new york popular films universities |
| ISBN |
1-282-76303-2
9786612763038 0-520-93783-X 1-59875-534-X |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Front matter -- Contents -- Illustrations -- Acknowledgments -- 1. Making Cinema A Modern Art -- 2. Mannered Cinema/ Mobile Theaters -- 3. The Mass Museology Of The Modern -- 4. An Awkward And Dangerous Task -- 5. Rearguard Exhibition -- 6. Enduring Legacies -- Appendix: Film Programs Of The Museum Of Modern Art, 1934-1949 -- Notes -- Bibliography -- Index |
| Record Nr. | UNISA-996248198403316 |
|
Wasson Haidee <1970->
|
||
| Berkeley, : University of California Press, 2005 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. di Salerno | ||
| ||
Music makes me [[electronic resource] ] : Fred Astaire and jazz / / Todd Decker
| Music makes me [[electronic resource] ] : Fred Astaire and jazz / / Todd Decker |
| Autore | Decker Todd R |
| Pubbl/distr/stampa | Berkeley, : University of California Press, 2011 |
| Descrizione fisica | 1 online resource (391 p.) |
| Disciplina | 781.65092 |
| Collana | Roth Family Foundation music in America imprint |
| Soggetto topico |
Jazz musicians - United States
Dancers - United States Motion picture actors and actresses - United States |
| Soggetto non controllato |
1930s movie musicals
20th century dance 20th century film 20th century jazz 20th century musicals 20th century african american musicians american choreographers american film american jazz american music culture american musicians dance easter parade funny face george gershwin history of film history of jazz history of music irving berlin jazz and blues jazz icons jazz musician biographies jerome kern johnny mercer music and dance music and race music legends musicians performing arts top hat |
| ISBN |
1-283-27836-7
0-520-95006-2 9786613278364 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | pt. 1. Astaire among others: "There's a difference and Astaire is it" ; "I am a creator" -- pt. 2. Astaire at the studios: "I play with the very best bands" ; "Tell them to let it swing" ; "Fixing up" tunes -- pt. 3. Astaire in jazz and popular music: "Keep time with the time and with the times" ; "Jazz means the blues" ; "Anything that will send me" ; "You play and I'll dance." |
| Altri titoli varianti | Fred Astaire and jazz |
| Record Nr. | UNINA-9910786708203321 |
|
Decker Todd R
|
||
| Berkeley, : University of California Press, 2011 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Music makes me : Fred Astaire and jazz / / Todd Decker
| Music makes me : Fred Astaire and jazz / / Todd Decker |
| Autore | Decker Todd R |
| Edizione | [1st ed.] |
| Pubbl/distr/stampa | Berkeley, : University of California Press, 2011 |
| Descrizione fisica | 1 online resource (391 p.) |
| Disciplina | 781.65092 |
| Collana | Roth Family Foundation music in America imprint |
| Soggetto topico |
Jazz musicians - United States
Dancers - United States Motion picture actors and actresses - United States |
| Soggetto non controllato |
1930s movie musicals
20th century dance 20th century film 20th century jazz 20th century musicals 20th century african american musicians american choreographers american film american jazz american music culture american musicians dance easter parade funny face george gershwin history of film history of jazz history of music irving berlin jazz and blues jazz icons jazz musician biographies jerome kern johnny mercer music and dance music and race music legends musicians performing arts top hat |
| ISBN |
1-283-27836-7
0-520-95006-2 9786613278364 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | pt. 1. Astaire among others: "There's a difference and Astaire is it" ; "I am a creator" -- pt. 2. Astaire at the studios: "I play with the very best bands" ; "Tell them to let it swing" ; "Fixing up" tunes -- pt. 3. Astaire in jazz and popular music: "Keep time with the time and with the times" ; "Jazz means the blues" ; "Anything that will send me" ; "You play and I'll dance." |
| Altri titoli varianti | Fred Astaire and jazz |
| Record Nr. | UNINA-9910818644403321 |
|
Decker Todd R
|
||
| Berkeley, : University of California Press, 2011 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
