Blowin' the Blues Away : Performance and Meaning on the New York Jazz Scene / / Travis A. Jackson |
Autore | Jackson Travis A. |
Pubbl/distr/stampa | Berkeley, CA : , : University of California Press, , [2012] |
Descrizione fisica | 1 online resource (318 p.) |
Disciplina | 781.6509747109049 |
Collana | Music of the African Diaspora |
Soggetto topico |
Jazz
Jazz - History and criticism - New York (State) - New York |
Soggetto non controllato |
1980s new york
20th century jazz 20th century music 20th century new york african american jazz american music history books for music lovers books for music majors books for musicians ethnomusicology history of jazz jazz age jazz and blues jazz clubs jazz culture jazz icons jazz music music and culture music and entertainment music and race music research music musician stories new york city jazz new york city music clubs nyc history nyc jazz nyc music scene resurgence of jazz |
ISBN |
1-280-49208-2
9786613587312 0-520-95192-1 |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | Front matter -- Contents -- Illustrations -- Acknowledgments -- PART ONE. Black, Brown and Beige -- PART TWO. Scenes in the City -- PART THREE. Blowin' the Blues Away -- Glossary -- Appendix: Excerpt from an Interview with Steve Wilson -- Notes -- References -- Index |
Record Nr. | UNINA-9910790115803321 |
Jackson Travis A.
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Berkeley, CA : , : University of California Press, , [2012] | ||
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Lo trovi qui: Univ. Federico II | ||
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Jazz/Not Jazz : The Music and Its Boundaries / / David Ake, Charles Hiroshi Garrett, Daniel Ira Goldmark |
Pubbl/distr/stampa | Berkeley, California : , : University of California Press, , [2012] |
Descrizione fisica | 1 online resource (312 pages) |
Disciplina | 781.65 |
Soggetto topico |
Jazz - History and criticism
Jazz -- History and criticism |
Soggetto non controllato |
20th century america
20th century music african american history african american jazz afro-latin jazz american music history american music asian american jazz black music books for music lovers caribbean jazz evolution of jazz history of jazz history of music intercultural music jazz and blues jazz icons jazz literature jazz lovers jazz music jazz performers jazz studies jazz tradition latin jazz louis armstrong music and culture music history majors music studies musicians |
ISBN |
1-280-49188-4
9786613587114 0-520-95135-2 |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | Frontmatter -- Contents -- List of Illustrations -- Acknowledgments -- Introduction -- 1. Incorporation and Distinction in Jazz History and Jazz Historiography -- 2. Louis Armstrong Loves Guy Lombardo -- 3. The Humor of Jazz -- 4. Creating Boundaries in the Virtual Jazz Community -- 5. Latin Jazz, Afro- Latin Jazz, Afro- Cuban Jazz, Cubop, Ca rib be an Jazz, Jazz Latin, or Just . . . Jazz: The Politics of Locating an Intercultural Music -- 6. Jazz with Strings: Between Jazz and the Great American Songbook -- 7. "Slightly Left of Center": Atlantic Rec ords and the Problems of Genre -- 8. The Praxis of Composition- Improvisation and the Poetics of Creative Kinship -- 9. The Sound of Struggle: Black Revolutionary Nationalism and Asian American Jazz -- 10. Voices from the Jazz Wilderness: Locating Pacific Northwest Vocal Ensembles within Jazz Education -- 11. Crossing the Street: Rethinking Jazz Education -- 12. Deconstructing the Jazz Tradition: The "Subjectless Subject" of New Jazz Studies -- Contributors -- Index |
Record Nr. | UNINA-9910779284203321 |
Berkeley, California : , : University of California Press, , [2012] | ||
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Lo trovi qui: Univ. Federico II | ||
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Norman Granz [[electronic resource] ] : the man who used jazz for justice / / Tad Hershorn ; foreword by Oscar Peterson |
Autore | Hershorn Tad |
Pubbl/distr/stampa | Berkeley, : University of California Press, c2011 |
Descrizione fisica | 1 online resource (502 p.) |
Disciplina |
781.65092
B |
Soggetto topico |
Impresarios - United States
Jazz - History and criticism |
Soggetto non controllato |
20th century jazz
african american jazz african american performers billie holiday ella fitzgerald entertainment industry history of jazz history of music influential african americans inspiring musicians jazz and blues jazz at the philharmonic jazz biography jazz icons jazz lovers jazz stars music and theater music lovers musician biography musician books oscar peterson overcoming prejudice post war jazz post wwii racial prejudice social activist social prejudice verve records world of jazz |
ISBN |
1-283-29183-5
9786613291837 0-520-94977-3 |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | Frontmatter -- Contents -- Illustrations -- Foreword -- Prologue: "I Made Things Work" -- 1. "A ll I Wanted Was My Freedom" -- 2. "A Marvelous Crucible" -- 3. Cole Train -- 4. "The Opener" -- 5. Let Freedom Swing -- 6. Norman Granz versus . . . -- 7. Mambo Jambo -- 8. Enter Ella and Oscar -- 9. The Continental -- 10. "I Feel Most at Home in the Studio" -- 11. Starry Nights -- 12. "T hat Tall Old Man Standing Next to Ella Fitzgerald" -- 13. The Jazz Hurricane -- 14. "T he Lost Generation" -- 15. Duke, Prez, and Billie -- 16. Joie de Verve -- 17. Across the Sea -- 18. "Musicians Don't Want to Jam" -- 19. Picasso on the Beach -- 20. "One More Once" -- 21. Takin' It on Out - for Good -- 22. "Somewhere There's Music" -- Epilogue: "My Career, Such As It Is . . ." -- Acknowledgments -- Chronology -- Notes -- Selected Bibliography -- Index |
Record Nr. | UNINA-9910781753803321 |
Hershorn Tad
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Berkeley, : University of California Press, c2011 | ||
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Lo trovi qui: Univ. Federico II | ||
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