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Performance Spaces and Stage Technologies : A Comparative Perspective on Theatre History / Yuji Nawata, Hans Joachim Dethlefs
| Performance Spaces and Stage Technologies : A Comparative Perspective on Theatre History / Yuji Nawata, Hans Joachim Dethlefs |
| Edizione | [1st ed.] |
| Pubbl/distr/stampa | Bielefeld, : transcript Verlag, 2022 |
| Descrizione fisica | 1 online resource (177 pages) |
| Disciplina | 153.9 |
| Collana | Theater |
| Soggetto topico | Theatre; Performance; Stage; Technology; History; History of Theatre; Theatre Studies |
| Soggetto non controllato |
History of Theater
History Performance Stage Technology Theater Studies |
| ISBN | 3-8394-6112-X |
| Formato | Materiale a stampa  |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Frontmatter 1 Contents 5 Preface 7 Performance Spaces in Ancient Chinese Cities: Street Theatres of the 9th Century Capital Chang'an 13 The Semi-Circular Theatre in Seleucid and Arsacid Babylon 33 The Perspectival Stage in Sebastiano Serlio's Second Book of Architecture (1545) and its German Reception in the Context of Wohlstand 47 Central Perspective in Catholic Churches and on Stage in Europe between the 15th and 17th Centuries 91 Notable Spectacles in the Late 19th-Century Kabuki Stage 103 Berlin and its Theatres between 1870 and 1890 111 The Theatres in Modern Shanghai: From the Perspective of Cultural History 123 Discussions on Theatre Spaces and Theatre Materials by the Leningrad School 133 Projection Technology and the Theatre Stage: Light, Space, Body Politics 143 Cultural Techniques of Play: A Global Perspective 157 Contributors 171 |
| Record Nr. | UNISA-996582050903316 |
| Bielefeld, : transcript Verlag, 2022 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. di Salerno | ||
| ||
Performance Spaces and Stage Technologies : A Comparative Perspective on Theatre History / Yuji Nawata, Hans Joachim Dethlefs
| Performance Spaces and Stage Technologies : A Comparative Perspective on Theatre History / Yuji Nawata, Hans Joachim Dethlefs |
| Edizione | [1st ed.] |
| Pubbl/distr/stampa | Bielefeld, : transcript Verlag, 2022 |
| Descrizione fisica | 1 online resource (177 pages) |
| Disciplina | 153.9 |
| Collana | Theater |
| Soggetto topico | Theatre; Performance; Stage; Technology; History; History of Theatre; Theatre Studies |
| Soggetto non controllato |
History of Theater
History Performance Stage Technology Theater Studies |
| ISBN | 3-8394-6112-X |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Frontmatter 1 Contents 5 Preface 7 Performance Spaces in Ancient Chinese Cities: Street Theatres of the 9th Century Capital Chang'an 13 The Semi-Circular Theatre in Seleucid and Arsacid Babylon 33 The Perspectival Stage in Sebastiano Serlio's Second Book of Architecture (1545) and its German Reception in the Context of Wohlstand 47 Central Perspective in Catholic Churches and on Stage in Europe between the 15th and 17th Centuries 91 Notable Spectacles in the Late 19th-Century Kabuki Stage 103 Berlin and its Theatres between 1870 and 1890 111 The Theatres in Modern Shanghai: From the Perspective of Cultural History 123 Discussions on Theatre Spaces and Theatre Materials by the Leningrad School 133 Projection Technology and the Theatre Stage: Light, Space, Body Politics 143 Cultural Techniques of Play: A Global Perspective 157 Contributors 171 |
| Record Nr. | UNINA-9910831588903321 |
| Bielefeld, : transcript Verlag, 2022 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Theater as Metaphor / / Elena Penskaya, Joachim Küpper
| Theater as Metaphor / / Elena Penskaya, Joachim Küpper |
| Autore | Penskaya Elena |
| Pubbl/distr/stampa | Berlin/Boston, : De Gruyter, 2019 |
| Descrizione fisica | 1 online resource (267 pages) : illustrations; digital file(s) |
| Disciplina | 792.01 |
| Soggetto topico |
Theater - Philosophy
Theater and philosophy Theater in literature Literature: history & criticism Literary studies: plays & playwrights |
| Soggetto non controllato |
Literary History
Metaphor Theater Studies |
| ISBN | 3-11-062203-3 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Frontmatter -- Acknowledgments -- Contents -- Introduction -- Between Metaphor and Cultural Practices: Theatrum and scena in the German- Speaking Sphere before 1648 -- Speсtacularity before the "Renaissance" of Theater: Visuality and Self-Image of the Quattrocento papacy -- Literal and Figurative Uses of the Pícaro: Graded Salience in Seventeenth-Century Picaresque Narrations -- Theater as Metaphor and Guiding Principle: The French Anecdote Tradition from the Seventeenth to the Nineteenth Century -- "Dressed for life's short comedy": Desengaño and connivere libenter as Ethical Paradigms in William Shakespeare's Plays -- The Conceptualization of the World as Stage in Calderón and Cervantes - Christian Didacticism and its Ironic Rebuttal -- The King as a "Maker" of Theater: Le ballet de la nuit and Louis XIV -- War, Peace, and Territory in Late Eighteenth-Century Russian Outdoor Performances -- Lucis an caliginis theatrum: Theatrical Metaphors in the Early Modern historia literaria -- Theater, World History, and Mythology: Theatrical Metaphors in Schelling's Philosophy -- The Philosophical Narrative as a Semiotic Laboratory of Theatrical Language: The Case of Jean Paul in the Context of the Russian Reception -- Theatrical Metaphor and the Discourse of History: Nikolai Karamzin -- Theater as Metaphor in the Drama of Alexander Ostrovsky -- The Theater of the Absurd and the Absurdity of Theater: The Early Plays of Beckett and Ionesco -- Chico Buarque's Gota d'água, uma tragédia carioca: Theater as Metaphor in Brazil during the Military Dictatorship, 1964-1985 -- From theatrum mundi to Theatricality -- Notes on Contributors |
| Record Nr. | UNINA-9910345978503321 |
Penskaya Elena
|
||
| Berlin/Boston, : De Gruyter, 2019 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Theater as Metaphor / / Elena Penskaya, Joachim Küpper
| Theater as Metaphor / / Elena Penskaya, Joachim Küpper |
| Autore | Penskaya Elena |
| Pubbl/distr/stampa | Berlin/Boston, : De Gruyter, 2019 |
| Descrizione fisica | 1 online resource (267 pages) : illustrations; digital file(s) |
| Disciplina | 792.01 |
| Soggetto topico |
Theater - Philosophy
Theater and philosophy Theater in literature Literature: history & criticism Literary studies: plays & playwrights |
| Soggetto non controllato |
Literary History
Metaphor Theater Studies |
| ISBN | 3-11-062203-3 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Frontmatter -- Acknowledgments -- Contents -- Introduction -- Between Metaphor and Cultural Practices: Theatrum and scena in the German- Speaking Sphere before 1648 -- Speсtacularity before the "Renaissance" of Theater: Visuality and Self-Image of the Quattrocento papacy -- Literal and Figurative Uses of the Pícaro: Graded Salience in Seventeenth-Century Picaresque Narrations -- Theater as Metaphor and Guiding Principle: The French Anecdote Tradition from the Seventeenth to the Nineteenth Century -- "Dressed for life's short comedy": Desengaño and connivere libenter as Ethical Paradigms in William Shakespeare's Plays -- The Conceptualization of the World as Stage in Calderón and Cervantes - Christian Didacticism and its Ironic Rebuttal -- The King as a "Maker" of Theater: Le ballet de la nuit and Louis XIV -- War, Peace, and Territory in Late Eighteenth-Century Russian Outdoor Performances -- Lucis an caliginis theatrum: Theatrical Metaphors in the Early Modern historia literaria -- Theater, World History, and Mythology: Theatrical Metaphors in Schelling's Philosophy -- The Philosophical Narrative as a Semiotic Laboratory of Theatrical Language: The Case of Jean Paul in the Context of the Russian Reception -- Theatrical Metaphor and the Discourse of History: Nikolai Karamzin -- Theater as Metaphor in the Drama of Alexander Ostrovsky -- The Theater of the Absurd and the Absurdity of Theater: The Early Plays of Beckett and Ionesco -- Chico Buarque's Gota d'água, uma tragédia carioca: Theater as Metaphor in Brazil during the Military Dictatorship, 1964-1985 -- From theatrum mundi to Theatricality -- Notes on Contributors |
| Record Nr. | UNISA-996309121403316 |
|
Penskaya Elena
|
||
| Berlin/Boston, : De Gruyter, 2019 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. di Salerno | ||
| ||
Zwischen Narzissmus und Selbsthass [[electronic resource] ] : Das Bild des ästhetizistischen Künstlers im Theater der Jahrhundertwende und der Zwischenkriegszeit / / Sebastian Stauss
| Zwischen Narzissmus und Selbsthass [[electronic resource] ] : Das Bild des ästhetizistischen Künstlers im Theater der Jahrhundertwende und der Zwischenkriegszeit / / Sebastian Stauss |
| Autore | Stauss Sebastian |
| Pubbl/distr/stampa | Berlin, : De Gruyter, 2010 |
| Descrizione fisica | 1 online resource (260 p.) |
| Disciplina |
792.094
809.29357 |
| Collana | Theatron : Studien zur Geschichte und Theorie der dramatischen Künste |
| Soggetto topico |
Aesthetics
Narcissism Musical theater - History and criticism Music - Philosophy and aesthetics Performing arts |
| Soggetto non controllato |
Gide, André
Literary Studies Shaw, George Bernhard Theater Studies Weininger, Otto |
| ISBN |
1-282-71615-8
9786612716157 3-11-174435-3 3-11-023311-8 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | ger |
| Nota di contenuto | Frontmatter -- Inhalt -- 1. Einführung -- 2. Grundlagen -- 3. Künstleroper und Künstlerdrama des fin de siècle -- 4. Kult und Mysterien -- 5. Grandiosität und Inferiorität - Künstlerdrama als Beziehungsdrama -- 6. Provokation und Prophetie -- 7. Franz Schreker und Alexander Zemlinsky: Das ›andere‹ Musikdrama -- 8. Geschichte und Mythos -- 9. Schlussworte -- Backmatter |
| Record Nr. | UNINA-9910792329103321 |
|
Stauss Sebastian
|
||
| Berlin, : De Gruyter, 2010 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Zwischen Narzissmus und Selbsthass : Das Bild des ästhetizistischen Künstlers im Theater der Jahrhundertwende und der Zwischenkriegszeit / / Sebastian Stauss
| Zwischen Narzissmus und Selbsthass : Das Bild des ästhetizistischen Künstlers im Theater der Jahrhundertwende und der Zwischenkriegszeit / / Sebastian Stauss |
| Autore | Stauss Sebastian |
| Edizione | [1st ed.] |
| Pubbl/distr/stampa | Berlin, : De Gruyter, 2010 |
| Descrizione fisica | 1 online resource (260 p.) |
| Disciplina |
792.094
809.29357 |
| Collana | Theatron : Studien zur Geschichte und Theorie der dramatischen Künste |
| Soggetto topico |
Aesthetics
Narcissism Musical theater - History and criticism Music - Philosophy and aesthetics Performing arts |
| Soggetto non controllato |
Gide, André
Literary Studies Shaw, George Bernhard Theater Studies Weininger, Otto |
| ISBN |
1-282-71615-8
9786612716157 3-11-174435-3 3-11-023311-8 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | ger |
| Nota di contenuto | Frontmatter -- Inhalt -- 1. Einführung -- 2. Grundlagen -- 3. Künstleroper und Künstlerdrama des fin de siècle -- 4. Kult und Mysterien -- 5. Grandiosität und Inferiorität - Künstlerdrama als Beziehungsdrama -- 6. Provokation und Prophetie -- 7. Franz Schreker und Alexander Zemlinsky: Das ›andere‹ Musikdrama -- 8. Geschichte und Mythos -- 9. Schlussworte -- Backmatter |
| Record Nr. | UNINA-9910810243203321 |
|
Stauss Sebastian
|
||
| Berlin, : De Gruyter, 2010 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||