Arts, religion, and the environment : exploring nature's texture / / edited by Sigurd Bergmann, Forrest Clingerman |
Autore | Bergmann Sigurd |
Pubbl/distr/stampa | Brill, 2018 |
Descrizione fisica | 1 online resource (xi, 220 pages) |
Disciplina | 111.85 |
Altri autori (Persone) |
BergmannSigurd <1956->
ClingermanForrest |
Collana | Studies in environmental humanities |
Soggetto topico |
Nature (Aesthetics)
Art - Psychology Human ecology |
Soggetto non controllato |
The arts
The arts: general issues |
ISBN | 90-04-35898-6 |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | Front Matter -- Copyright Page -- Contents -- Notes on Contributors -- Introduction: Exploring Nature’s Texture / Sigurd Bergmann and Forrest Clingerman -- Seeing -- With-In: Towards an Aesth/Ethics of Prepositions / Sigurd Bergmann -- The Atmospheric Turn / Karolina Sobecka -- Wondering -- Wonder and Ernst Haeckel’s Aesthetics of Nature / Whitney Bauman -- Art without an Object but with Impact / George Steinmann -- Between Science and Art: An Anthropological Odyssey / Tim Ingold -- Connecting -- The Black Wood: Relations, Empathy and a Feeling of Oneness in Caledonian Pine Forests / Reiko Goto and Tim Collins -- Cultivated and Governed or Free and Wild? On Assessing Gardens and Parks Aesthetically / Arto Haapala -- Where Embodiment Meets Environment: A Meditation on the Work of Hans Breder and Ana Mendieta with an Accompanying Interview with Hans Breder / J. Sage Elwell -- Conclusion: The Aesthetic Roots of Environmental Amnesia / Forrest Clingerman. |
Record Nr. | UNINA-9910539060703321 |
Bergmann Sigurd
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Brill, 2018 | ||
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Lo trovi qui: Univ. Federico II | ||
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Shrines in a Fluid Space : The Shaping of New Holy Sites in the Ionian Islands, the Peloponnese and Crete under Venetian Rule (14th-16th Centuries) / / Argyri Dermitzaki |
Autore | Dermitzaki Argyri |
Pubbl/distr/stampa | Brill, 2022 |
Descrizione fisica | 1 online resource (233 pages) |
Disciplina | 263.042495 |
Collana | Mediterranean Art Histories |
Soggetto topico |
Christian pilgrims and pilgrimages
Christianity and geography |
Soggetto non controllato |
The arts
History of art / art & design styles |
ISBN | 90-04-49954-7 |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | Entering the Ionian : the Island of Corfu -- Sailing towards the Peloponnese : the Strophades Islands -- Crete : the port of Modon -- The Island of Crete and the town of Candia. |
Altri titoli varianti | Shrines in a Fluid Space |
Record Nr. | UNINA-9910520106403321 |
Dermitzaki Argyri
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Brill, 2022 | ||
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Lo trovi qui: Univ. Federico II | ||
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Theatre and Its Other : Abhinavagupta on Dance and Dramatic Acting |
Autore | Ganser Elisa |
Edizione | [1st ed.] |
Pubbl/distr/stampa | Boston : , : BRILL, , 2022 |
Descrizione fisica | 1 electronic resource (428 p.) |
Disciplina | 792 |
Altri autori (Persone) |
Bharata Muni
Abhinavagupta, Rājānaka |
Collana | Gonda indological studies |
Soggetto topico | Dance & other performing arts |
Soggetto genere / forma | Criticism, interpretation, etc. |
Soggetto non controllato |
The arts
Dance & other performing arts |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto |
Intro -- Contents -- Preface -- Introduction -- Chapter 1. Nāṭyaśāstra and Abhinavabhāratī: Trends and Open Questions -- 1.1. Editorial History and Textual Reception -- 1.2. Archiving Performance: Texts and Images -- 1.3. The Nāṭyaśāstra and the Place of Dance -- 1.3.1. Composition, Authorship, and Date -- 1.3.2. Narrative Structure -- 1.3.3. The Tāṇḍavādhyāya -- 1.4. The Abhinavabhāratī: A Medieval Document on Performance -- 1.4.1. The Many Voices Recorded in the Chapter on Dance -- Part 1. Practice and Aesthetics of Indian Dance -- Chapter 2. Formalizing Dance, Codifying Performance -- 2.1. Nāṭya, nṛtta, and nṛtya between Movement and Mimesis -- 2.2. Dance as Technique: aṅgahāra, karaṇa, recaka -- 2.3. Between Gender and Genre: tāṇḍava, sukumāra, lāsya -- 2.3.1. Grace and Vehemence in the Nāṭyaśāstra -- 2.3.2. Grace and Vehemence in the Abhinavabhāratī -- 2.4. Expanding the Idea of nṛtta -- 2.5. Tradition, Creativity, and Artistry: A Śaiva Perspective -- Chapter 3. The Aesthetics of Dance -- 3.1. Dance within Theatre, Dance without Theatre -- 3.2. Enacting Emotions: A vademecum for the Actor -- 3.3. Communication without Words -- 3.3.1. Dramatic Mimesis vs Imitation -- 3.4. Dance, Beauty, and the Fabrication of Dramatic Fiction -- 3.4.1. On the Psychagogic Power of Dance -- 3.4.2. Like a Fire-Wheel: Dance and Fiction -- 3.5. Reshaping the Idea of abhinaya in Dance -- Part 2. Critical Edition and Annotated Translation of Abhinavabhāratī ad Nāṭyaśāstra 4.261cd-269ab -- Chapter 4. Introduction to the Edition -- 4.1. General Remarks on the Transmission of the Abhinavabhāratī -- 4.2. Genealogy of the Present Text: The Sources -- 4.2.1. Editions -- 4.2.1.1. The Baroda or Gaekwad Edition (= E1) -- 4.2.1.2. The Madhusudan Shastri Edition (= E2) -- 4.2.1.3. The Nagar Edition (= E3).
4.2.1.4. The Dvivedi Edition (= E4) -- 4.2.2. Manuscripts -- 4.2.2.1. Manuscripts Containing the Fourth Chapter -- 4.2.2.2. Relationship between the Manuscripts -- 4.3. A Note on the Sanskrit Text and Translation -- 4.4. Symbols and Abbreviations in the Apparatus -- Analysis of ABh ad NŚ 4.261cd-269ab -- Edition and Translation: Abhinavabhāratī ad Nāṭyaśāstra 4.261cd-269ab -- Appendix: Hemacandra's Kāvyānuśāsana -- Bibliography -- Index. |
Record Nr. | UNINA-9910558095403321 |
Ganser Elisa
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Boston : , : BRILL, , 2022 | ||
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Lo trovi qui: Univ. Federico II | ||
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