Info
- Utilizzare la checkbox di selezione a fianco di ciascun documento per attivare le funzionalità di stampa, invio email, download nei formati disponibili del (i) record.
Sex sounds : vectors of difference in electronic music / / Danielle Shlomit Sofer
| Sex sounds : vectors of difference in electronic music / / Danielle Shlomit Sofer |
| Autore | Sofer Danielle |
| Pubbl/distr/stampa | Cambridge, Massachusetts : , : MIT Press, , 2022 |
| Descrizione fisica | 1 online resource (299 pages) : illustrations, music |
| Disciplina | 786.7 |
| Soggetto topico |
Electronic music - History and criticism
Sex in music |
| Soggetto non controllato |
MUSIC / Genres & Styles / Electronic
TECHNOLOGY & ENGINEERING / Acoustics & Sound SOCIAL SCIENCE / Human Sexuality (see also PSYCHOLOGY / Human Sexuality) |
| ISBN |
9780262369954
9780262362054 0262362058 0262369958 0-262-36205-8 0-262-36995-8 9780262045193 |
| Formato | Materiale a stampa  |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Introduction -- Part I: Electroacoustics of the Feminized Voice. Schaeffer and Henry's "Erotica" (1950-51) ; Annea Lockwood's Tiger Balm (1970) ; Luc Ferrari's Les Danses Organiques (1973) and Presque Rien avec Filles, For Dancer and Memorized Sound (1989) ; Robert Normandeau's Jeu De Langues (2009) ; Juliana Hodkinson's and Niels Ronsholdt's Fish and Fowl (2011-12) -- Part II. Electrosexual Disturbance. Donna Summer's "Love to Love You, Baby" (1975) ; Alice Shield's Apocalypse (1990-94) ; Annie Sprinkle's Sluts and Goddesses Video Workshop, Sound Score by Pauline Oliveros (1992) ; Barry Truax's Song of Songs (1992) ; TLC's "I'm Good at Being Bad" (1999) ; Janelle Monae's "It's Code" (2013) ; The Wobble Warp : Theesatisfaction's "Enchantruss" (2012), Janelle Monaes and Esperanza Spalding's "Dorothy Dandridge Eyes" (2013), and Stas thee Boss's "Before Anyone Else" (2017) - Conclusion. |
| Record Nr. | UNINA-9910647498903321 |
Sofer Danielle
|
||
| Cambridge, Massachusetts : , : MIT Press, , 2022 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Sound actions : conceptualizing musical instruments / / Alexander Refsum Jensenius
| Sound actions : conceptualizing musical instruments / / Alexander Refsum Jensenius |
| Autore | Jensenius Alexander Refsum |
| Edizione | [1st ed.] |
| Pubbl/distr/stampa | Cambridge : , : The MIT Press, , 2022 |
| Descrizione fisica | 1 online resource (267 pages) |
| Disciplina | 781.1/1 |
| Soggetto topico |
Music - Performance - Psychological aspects
Music - Psychological aspects Musical instruments Musical perception |
| Soggetto non controllato |
MUSIC / History & Criticism
MUSIC / Instruction & Study / Theory TECHNOLOGY & ENGINEERING / Acoustics & Sound |
| ISBN |
0-262-37221-5
0-262-37220-7 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Acknowledgments ix -- Prelude xi -- Part I Musicking -- 1 Music as an Active Process 3 -- 2 Music as an Embodied Process 23 -- 3 Musical Instruments 39 -- Part II Embodiment -- 4 Music-Related Body Motion 53 -- 5 Functional Aspects 71 -- 6 Representations of Sound Actions 85 -- Part III Interaction -- 7 Action-Sound Couplings 99 -- 8 Action-Sound Mappings 123 -- 9 Spatiotemporality 159 -- Part IV Affection -- 10 From Ivory to Silicone 177 -- Acknowledgments ix -- Prelude xi -- Part I Musicking -- 1 Music as an Active Process 3 -- 2 Music as an Embodied Process 23 -- 3 Musical Instruments 39 -- Part II Embodiment -- 4 Music-Related Body Motion 53 -- 5 Functional Aspects 71 -- 6 Representations of Sound Actions 85 -- Part III Interaction -- 7 Action-Sound Couplings 99 -- 8 Action-Sound Mappings 123 -- 9 Spatiotemporality 159 -- Part IV Affection -- 10 From Ivory to Silicone 177. |
| Record Nr. | UNINA-9910647208203321 |
|
Jensenius Alexander Refsum
|
||
| Cambridge : , : The MIT Press, , 2022 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||