(God) after Auschwitz : tradition and change in post-Holocaust Jewish thought / / Zachary Braiterman
| (God) after Auschwitz : tradition and change in post-Holocaust Jewish thought / / Zachary Braiterman |
| Autore | Braiterman Zachary <1963-> |
| Edizione | [Core Textbook] |
| Pubbl/distr/stampa | Princeton, N.J., : Princeton University Press, c1998 |
| Descrizione fisica | 1 online resource (219 pages) |
| Disciplina | 296.3/1174 |
| Soggetto topico |
Holocaust (Jewish theology)
Theodicy Judaism - 20th century |
| Soggetto non controllato |
Abraham Joshua Heschel
Absolute (philosophy) Aggadah Agnon Anguish Antinomianism Apocalyptic and post-apocalyptic fiction Arnold Eisen Atheism Avi Weiss Bible Book of Deuteronomy Book of Job Book of Leviticus Bruno Bettelheim Buber Censure Christianity and antisemitism Deity Deuteronomist Divine judgment Elie Wiesel Eliezer Berkovits Elisha Emil Fackenheim Emil Nolde Ephraim Urbach Exegesis Extermination camp Finkelstein Franz Rosenzweig Gershom Scholem God is dead God Good and evil Hans-Georg Gadamer Haredi Judaism Hebrew Bible Hermann Cohen Hermeneutics Hyperbole Image of God Isaac Luria Israelites Jewish history Jewish philosophy Jews Job (biblical figure) Judaism Judith Plaskow Justification (theology) Kabbalah Korah Land of Israel Leon Uris Literature Martin Buber Martin Heidegger Midrash Mila 18 Mitzvah Modernity Mysticism Narrative Nazism Omnibenevolence Omnipotence Philosopher Philosophy Postmodern philosophy Postmodernism Primo Levi Princeton University Press Problem of evil Rabbi Rabbinic Judaism Rabbinic literature Radical evil Rebuke Reform Judaism Religion Religious text Rhetoric Rhetorical device Righteousness Rosenzweig Scholem Soloveitchik Sources of the Self Steven Zipperstein Supervisor The Exodus The History of Sexuality Theism Theodicy Theology Thought Torah Wissenschaft des Judentums Writing |
| ISBN |
1-4008-2276-9
1-282-93521-6 9786612935213 1-4008-1112-0 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Front matter -- CONTENTS -- ACKNOWLEDGMENTS -- INTRODUCTION. Modernity Surpassed: Jewish Religious Thought after Auschwitz -- PART I -- ONE. Theodicy and Its Others: Forms of Religious Response to the Problem of Evil -- TWO. Anti/Theodicy: In Bible and Midrash -- THREE. Theodicies: In Modern Jewish Thought -- PART II -- FOUR. "Hitler's Accomplice"?! Revisioning Richard Rubenstein -- FIVE. Do I Belong to the Race of Words? Anti/Theodic Faith and Textual Revision in the Thought of Eliezer Berkovits -- SIX. Why Is the World Today Not Water? Revelation, Fragmentation, and Solidarity in the Thought of Emil Fackenheim -- CONCLUSION. Discourse, Sign, Diptych: Remarks on Jewish Thought after Auschwitz -- NOTES -- BIBLIOGRAPHY -- INDEX |
| Record Nr. | UNINA-9910780052503321 |
Braiterman Zachary <1963->
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| Princeton, N.J., : Princeton University Press, c1998 | ||
| Lo trovi qui: Univ. Federico II | ||
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The idea of a theater : a study of ten plays : the art of drama in changing perspective / / Francis Fergusson
| The idea of a theater : a study of ten plays : the art of drama in changing perspective / / Francis Fergusson |
| Autore | Fergusson Francis |
| Edizione | [First Princeton paperback edition.] |
| Pubbl/distr/stampa | Princeton, N.J. : , : Princeton University Press, , 1949 |
| Descrizione fisica | 1 online resource (x, 242 pages) |
| Disciplina | 808.2 |
| Collana | Princeton Legacy Library |
| Soggetto topico | Drama - History and criticism |
| Soggetto non controllato |
Acting
Anagoge Anecdote Aristotelianism Awareness Before the Revolution Brothel Caricature City Of Classicism Cyclorama (theater) Dithyramb Dolce Stil Novo Drama Dramatization Dramaturgy Drawing room Episode Escapism Farce Fine art Fortinbras Genre Gilbert Murray Gilbert and Sullivan Good and evil Hamlet's Father Hamlet Harold Clurman Heartbreak House High Spirits (musical) Hubris Illustration Imagery Improvisation In Society In This World In the Life Infatuation Irony Jacques Copeau Jean Cocteau Jeux Kilroy was here Laertes (Hamlet) Life Itself Literature Louis Jouvet Luigi Pirandello Macduff (Macbeth) Major Barbara Melodrama Metaphysical poets Mimesis Modernity Molière Murder in the Cathedral Narrative thread Narrative Of Human Action Omnipotence Oscar Wilde Parody Plautus Play (theatre) Playwright Poetic realism Poetry Polonius Primitivism Purgatorio Realism (arts) Reductio ad absurdum Restoration comedy Revenge play Rhetorical device Rosencrantz and Guildenstern (play) Rosencrantz and Guildenstern Scaramouche Sensibility Shakespearean tragedy Six Characters in Search of an Author Sophistication Sophocles Sound effect Struggle (TV series) Suspension of disbelief Terence The Comic The Infernal Machine (play) The Realist The Spirit of the Age The Various The Very Idea Theatre Theatricality Tragedy Valet Ventriloquism William Shakespeare |
| ISBN |
0-691-06143-2
0-691-64910-3 1-4008-7513-7 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Front matter -- CONTENTS -- ACKNOWLEDGMENTS -- PART 1. THE IDEA OF A THEATER -- INTRODUCTION. THE IDEA OF A THEATER -- CHAPTER I. OEDIPUS REX: THE TRAGIC RHYTHM OF ACTION -- CHAPTER II. BERENICE: THE ACTION AND THEATER OF REASON -- CHAPTER III. TRISTAN UND ISOLDE: THE ACTION AND THEATER OF PASSION -- CHAPTER IV. HAMLET, PRINCE OF DENMARK: THE ANALOGY OF ACTION -- PART II. THE PARTIAL PERSPECTIVES OF THE MODERN THEATER -- INTRODUCTION. THE PARTIAL PERSPECTIVES OF THE MODERN THEATER -- CHAPTER V. GHOSTS AND THE CHERRY ORCHARD: THE THEATER OF MODERN REALISM -- CHAPTER VI. THE THEATRICALITY OF SHAW AND PIRANDELLO -- CHAPTER VII. POETRY OF THE THEATER AND THE POET IN THE THEATER -- P A R T III. CERTAIN TECHNICAL CONCEPTS USED IN THIS STUDY -- APPENDIX. ON CERTAIN TECHNICAL CONCEPTS USED IN THIS STUDY -- Back matter |
| Record Nr. | UNINA-9910797877203321 |
Fergusson Francis
|
||
| Princeton, N.J. : , : Princeton University Press, , 1949 | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
The idea of a theater : a study of ten plays : the art of drama in changing perspective / / Francis Fergusson
| The idea of a theater : a study of ten plays : the art of drama in changing perspective / / Francis Fergusson |
| Autore | Fergusson Francis |
| Edizione | [First Princeton paperback edition.] |
| Pubbl/distr/stampa | Princeton, N.J. : , : Princeton University Press, , 1949 |
| Descrizione fisica | 1 online resource (x, 242 pages) |
| Disciplina | 808.2 |
| Collana | Princeton Legacy Library |
| Soggetto topico | Drama - History and criticism |
| Soggetto non controllato |
Acting
Anagoge Anecdote Aristotelianism Awareness Before the Revolution Brothel Caricature City Of Classicism Cyclorama (theater) Dithyramb Dolce Stil Novo Drama Dramatization Dramaturgy Drawing room Episode Escapism Farce Fine art Fortinbras Genre Gilbert Murray Gilbert and Sullivan Good and evil Hamlet's Father Hamlet Harold Clurman Heartbreak House High Spirits (musical) Hubris Illustration Imagery Improvisation In Society In This World In the Life Infatuation Irony Jacques Copeau Jean Cocteau Jeux Kilroy was here Laertes (Hamlet) Life Itself Literature Louis Jouvet Luigi Pirandello Macduff (Macbeth) Major Barbara Melodrama Metaphysical poets Mimesis Modernity Molière Murder in the Cathedral Narrative thread Narrative Of Human Action Omnipotence Oscar Wilde Parody Plautus Play (theatre) Playwright Poetic realism Poetry Polonius Primitivism Purgatorio Realism (arts) Reductio ad absurdum Restoration comedy Revenge play Rhetorical device Rosencrantz and Guildenstern (play) Rosencrantz and Guildenstern Scaramouche Sensibility Shakespearean tragedy Six Characters in Search of an Author Sophistication Sophocles Sound effect Struggle (TV series) Suspension of disbelief Terence The Comic The Infernal Machine (play) The Realist The Spirit of the Age The Various The Very Idea Theatre Theatricality Tragedy Valet Ventriloquism William Shakespeare |
| ISBN |
0-691-06143-2
0-691-64910-3 1-4008-7513-7 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Front matter -- CONTENTS -- ACKNOWLEDGMENTS -- PART 1. THE IDEA OF A THEATER -- INTRODUCTION. THE IDEA OF A THEATER -- CHAPTER I. OEDIPUS REX: THE TRAGIC RHYTHM OF ACTION -- CHAPTER II. BERENICE: THE ACTION AND THEATER OF REASON -- CHAPTER III. TRISTAN UND ISOLDE: THE ACTION AND THEATER OF PASSION -- CHAPTER IV. HAMLET, PRINCE OF DENMARK: THE ANALOGY OF ACTION -- PART II. THE PARTIAL PERSPECTIVES OF THE MODERN THEATER -- INTRODUCTION. THE PARTIAL PERSPECTIVES OF THE MODERN THEATER -- CHAPTER V. GHOSTS AND THE CHERRY ORCHARD: THE THEATER OF MODERN REALISM -- CHAPTER VI. THE THEATRICALITY OF SHAW AND PIRANDELLO -- CHAPTER VII. POETRY OF THE THEATER AND THE POET IN THE THEATER -- P A R T III. CERTAIN TECHNICAL CONCEPTS USED IN THIS STUDY -- APPENDIX. ON CERTAIN TECHNICAL CONCEPTS USED IN THIS STUDY -- Back matter |
| Record Nr. | UNINA-9910825380403321 |
Fergusson Francis
|
||
| Princeton, N.J. : , : Princeton University Press, , 1949 | ||
| Lo trovi qui: Univ. Federico II | ||
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