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Allianzen : Kritische Praxis an weißen Institutionen / Elisa Liepsch, Julian Warner
| Allianzen : Kritische Praxis an weißen Institutionen / Elisa Liepsch, Julian Warner |
| Edizione | [1st ed.] |
| Pubbl/distr/stampa | Bielefeld, : transcript Verlag, 2018 |
| Descrizione fisica | 1 online resource (305 pages) |
| Disciplina | 327.116 |
| Collana | Postcolonial Studies |
| Soggetto topico | Critical Whiteness; Institutionskritik; Theater; Diversität; Dekolonialismus; Postkolonialismus; Kritik Als Praxis; Rassismusforschung; Interkulturalität; Vermittlung; Handbuch; Kunst; Theaterwissenschaft; Kunsttheorie; Politische Kunst; Kulturwissenschaft; Institutional Critique; Theatre; Diversity; Decolonial Practice; Postcolonialism; Critical Practice; Critical Race Studies; Interculturalism; Imparting; Handbook; Art; Theatre Studies; Theory of Art; Political Art; Cultural Studies |
| Soggetto non controllato |
Art
Critical Practice Critical Race Studies Cultural Studies Decolonial Practice Diversity Handbook Imparting Institutional Critique Interculturalism Political Art Postcolonialism Theatre Studies Theatre Theory of Art |
| ISBN | 3-8394-4340-7 |
| Classificazione | LB 31960 |
| Formato | Materiale a stampa  |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | ger |
| Nota di contenuto | Frontmatter 1 Inhalt 12 Einleitung / Introduction 18 Everyone Has To Learn Everything Or Emotional Labor Rewind 34 "Uh Baby It'S A White World" 50 Vom Schreien Und Brüllen Oder Eine Andere Theatergeschichte Schreiben Ein Gespräch Mit 60 Internationalität Interkultur. Eine Schwarze Deutsche Kritik 74 Theater Als Solidarische Institution 84 A White Institution'S Guide For Welcoming People Of Color* And Their Audiences 98 Niv Acosta Repair / Reparations Part 1; Cultural Institutions Are Colonial Projects, Where'S The Lie 108 Crisis In The Gallery: Curation And The Praxis Of Justice 118 Reflecting Experiences Of Working With White-Dominated, Publicly-Funded Institutions In The Uk 132 Eine Schwelle Bewohnen 154 With Ahmed Isam Aldin And Ulf Aminde Negotiating Opacity And Transparency In The Art Academy 174 Jenseits Des Willkommens. Sounds Und Moves Eines Hartnäckigen Ringens 190 Die Dinge, Die Uns Zusammenhalten, Und Mehr 206 Nelson Munhequete - Begegnungen Mit Einem Madgerman 2009-2017 Eine Text-Bild-Collage Von Malte Wandel 220 Was Würden Wir Atmen, Wenn Weiße Menschen Nicht Die Luft Erfunden Hätten? 244 "Gibt'S Hier Schwarze Profs?" Gespräch Mit Einer Schwarzen Soziologie-Studentin 261 Intelligenter Sein Als Die Situation Matthias Pees Im Gespräch Mit Dieudonné Niangouna 276 Biografien 288 Impressum 302 |
| Record Nr. | UNISA-996328038503316 |
| Bielefeld, : transcript Verlag, 2018 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. di Salerno | ||
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Caring Infrastructures : Transforming the Arts Through Feminist Curating
| Caring Infrastructures : Transforming the Arts Through Feminist Curating |
| Autore | Bailer Sascia |
| Edizione | [1st ed.] |
| Pubbl/distr/stampa | Bielefeld : , : transcript Verlag, , 2024 |
| Descrizione fisica | 1 online resource (345 pages) |
| Altri autori (Persone) |
ShannonFinnegan
SmrekarMaja SchröderThomas CookeHannah GirlsGuerrilla |
| Collana | Edition Museum |
| Soggetto topico | ART / Museum Studies |
| Soggetto non controllato |
Art Education
Art Care Feminism Gender Studies Gender Museology Museum Political Art |
| ISBN |
9783839475454
3839475457 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Frontmatter -- Contents -- Introduction: Actualising the Caring Turn within Arts and Research -- 1. Methods as Feminist Practices of Care -- 2. Uncaring Conditions -- 3. Histories of a Contested Terrain -- 4. Curating with Care -- 5. Caring Infrastructures -- 6. Limits of Curatorial Care -- Conclusion -- Acknowledgements -- List of Figures and Tables -- References -- Appendix |
| Record Nr. | UNINA-9910999596803321 |
Bailer Sascia
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| Bielefeld : , : transcript Verlag, , 2024 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Caring Infrastructures : Transforming the Arts Through Feminist Curating
| Caring Infrastructures : Transforming the Arts Through Feminist Curating |
| Autore | Bailer Sascia |
| Edizione | [1st ed.] |
| Pubbl/distr/stampa | Bielefeld : , : transcript Verlag, , 2024 |
| Descrizione fisica | 1 online resource (345 pages) |
| Altri autori (Persone) |
ShannonFinnegan
SmrekarMaja SchröderThomas CookeHannah GirlsGuerrilla |
| Collana | Edition Museum |
| Soggetto topico | ART / Museum Studies |
| Soggetto non controllato |
Art Education
Art Care Feminism Gender Studies Gender Museology Museum Political Art |
| ISBN |
9783839475454
3839475457 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Frontmatter -- Contents -- Introduction: Actualising the Caring Turn within Arts and Research -- 1. Methods as Feminist Practices of Care -- 2. Uncaring Conditions -- 3. Histories of a Contested Terrain -- 4. Curating with Care -- 5. Caring Infrastructures -- 6. Limits of Curatorial Care -- Conclusion -- Acknowledgements -- List of Figures and Tables -- References -- Appendix |
| Record Nr. | UNISA-996639666803316 |
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Bailer Sascia
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| Bielefeld : , : transcript Verlag, , 2024 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. di Salerno | ||
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InnenStadtAktion - Kunst oder Politik? : Künstlerische Praxis in der neoliberalen Stadt / Nicole Grothe
| InnenStadtAktion - Kunst oder Politik? : Künstlerische Praxis in der neoliberalen Stadt / Nicole Grothe |
| Autore | Grothe Nicole |
| Edizione | [1st ed.] |
| Pubbl/distr/stampa | Bielefeld, : transcript Verlag, 2015 |
| Descrizione fisica | 1 online resource (282) |
| Disciplina | 700 |
| Collana | Urban Studies |
| Soggetto topico | Kunst; Politische Kunst; Stadt; Neoliberalismus; Soziale Bewegungen; Urban Studies; Zivilgesellschaft; Kunstwissenschaft; Arts; Political Art; Urbanity; Neoliberalism; Social Movements; Civil Society; Fine Arts |
| Soggetto non controllato |
Civil Society
Fine Arts Neoliberalism Political Art Social Movements Urban Studies Urbanity |
| ISBN | 3-8394-0413-4 |
| Classificazione | LH 65870 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | ger |
| Nota di contenuto | Frontmatter 1 Inhalt 5 Vorwort 7 Einleitung 9 Neoliberale Stadtpolitik 17 Zur Rolle von Kunst im öffentlichen Raum in den 90er Jahren - drei Beispiele 53 Is it Art? Politische Kunstpraxen der späten 80er und 90er Jahre - drei Beispiele 85 InnenStadtAktion! 119 Fazit 253 Literaturverzeichnis 265 Backmatter 281 |
| Record Nr. | UNISA-996308808703316 |
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Grothe Nicole
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| Bielefeld, : transcript Verlag, 2015 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. di Salerno | ||
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Kritische Kreativität : Perspektiven auf Arbeit, Bildung, Lifestyle und Kunst / Kim Kannler, Valeska Klug, Kristina Petzold, Franziska Schaaf
| Kritische Kreativität : Perspektiven auf Arbeit, Bildung, Lifestyle und Kunst / Kim Kannler, Valeska Klug, Kristina Petzold, Franziska Schaaf |
| Autore | Kannler Kim |
| Edizione | [1st ed.] |
| Pubbl/distr/stampa | Bielefeld, : transcript Verlag, 2019 |
| Descrizione fisica | 1 online resource (272) |
| Disciplina | 306 |
| Collana | Kulturen der Gesellschaft |
| Soggetto topico | Kreativität; Gesellschaftskritik; Subjektivierung; Arbeit; Prekarisierung; Kunst; Gesellschaft; Kunstsoziologie; Arbeits- und Industriesoziologie; Kultursoziologie; Politische Kunst; Soziologie; Creativity; Critique of Society; Subjectivation; Work; Precarity; Art; Society; Sociology of Art; Sociology of Work and Industry; Sociology of Culture; Political Art; Sociology |
| Soggetto non controllato |
Art
Critique of Society Political Art Precarity Society Sociology of Art Sociology of Culture Sociology of Work and Industry Sociology Subjectivation Work |
| ISBN | 3-8376-4619-X |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | ger |
| Nota di contenuto | Frontmatter 1 Inhalt 5 Kritische Kreativität 7 Die Anfänge des schöpferischen Menschen 21 Rhetorik der Kreativität 43 rainbow it over 75 Ist das Arbeit oder ist das Kunst? 87 Kritik oder Affirmation? 105 Entrepreneurship als Lifestyle 125 Kreativität und Kreativitätskritik 143 Im Depot des Kunstregimes 165 Kreativität als visuelle Kommunikation 185 Kreativität zur Partizipationsförderung 203 Ausbildung zur Ausbeutung? 219 "Kackjobs und Projekte" - wie René Pollesch Rainer Werner Fassbinders Gesellschaftskritik aktualisiert 239 Kolleg zur Wiederentdeckung des Klassenbewusstseins 253 Autorinnen und Autoren 267 |
| Record Nr. | UNISA-996318449603316 |
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Kannler Kim
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| Bielefeld, : transcript Verlag, 2019 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. di Salerno | ||
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Picturing the (un)Dead in Beirut : Appropriations of Martyr Posters and Other Images of the Physically Deceased
| Picturing the (un)Dead in Beirut : Appropriations of Martyr Posters and Other Images of the Physically Deceased |
| Autore | Rameder Agnes |
| Edizione | [1st ed.] |
| Pubbl/distr/stampa | Bielefeld : , : transcript Verlag, , 2024 |
| Descrizione fisica | 1 online resource (415 pages) |
| Altri autori (Persone) | ArndtMaria |
| Collana | Image |
| Soggetto topico | ART / History / Contemporary (1945-) |
| Soggetto non controllato |
Art History of the 20th Century
Art History of the 21st Century Art Beirut Contemporary Art Culture Fine Arts Lebanon Martyr Political Art Visual Politics Visual Studies |
| ISBN |
9783839475393
3839475392 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Frontmatter -- Acknowledgements -- Abbrevations -- Figures -- Contents -- 1. Introduction -- Description -- 1.1 An Underview of Pictures of the (Un)Dead in Beirut -- 1.2 Through the Chapters -- 1.3 Research in a Context One Has Not Been Socialised in and the Author’s Background -- 2. The Martyr and the Picture -- 2.1 Constructing the Martyr -- 2.2 The Dead Are on the Walls: Re-Tracing Images of Martyrs in Lebanon -- 2.3 Martyrs and Posters in Lebanon -- 3. Introducing Nancy and the Play’s Context -- 3.1 Beirut’s Art Scene and Contemporary Lebanese Art Discourses -- 3.2 About Nancy -- 3.3 Reading Nancy as an Interplay of Text and Image -- 3.4 Nancy as Mroué’s Most Evasive Artwork on Martyrdom -- 3.5 Four Sectarian Martyrs on Their Way to Murr Tower: The Protagonists, and the Historical Background of Nancy -- 3.6 Martyr Posters from the Wars and Their Appropriation in Nancy -- 3.7 Similar Stories, Similar Visuals, and a Common Meeting Point -- 4. Appropriating and Questioning Images of the Sectarian Martyr in Nancy -- Introduction -- 4.1 The Sectarian Use of Logos, Symbols, and Slogans -- 4.2 The Martyr and the Photographic Image: Indexicality, Iconicity, and Truth Claims -- 4.3 Constructed Nuances of Visual Memory: Hierarchies of Remembrance and the Oblivion of the Dead -- 4.4 Gendered Martyrdom: Performances in the Image After Death and the Martyr Poster as an Advertising Image -- 4.5 Premature Historicist: The Martyr Poster and the Ruin as Presents Framed as Past -- 4.6 The Time Is Out of Joint: The Martyr as a Spectral Ghost -- 4.7 How Nancy Shows Us via Appropriation That the Martyr Image Is Fabricated -- 5. Images of the Dead Around 4 August 2020 -- 5.1 Coexistence: Sectarian Martyrs, the Martyrs of the Thawra, and the Dead of 4 August -- 5.2 Artistic Reflections of 4 August -- 5.3 A Continuation of Violence, Ghosts, Ruins, and Impossible Truths -- 6. Martyrs and Other (Un)Dead in Beirut and Beyond -- 6.1 Nancy and the Construction of Images of Martyrs -- 6.2 Old and New Pictures of the (Un)Dead: Beirut 2020–23 -- 6.3 Looking Further: Martyrs in Northern Ireland -- Afterword: An Ongoing Mass Production of Martyrs and a Stabilised Dystopia -- After the Afterword: War Again -- Bibliography |
| Record Nr. | UNINA-9910947815803321 |
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Rameder Agnes
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| Bielefeld : , : transcript Verlag, , 2024 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Picturing the (un)Dead in Beirut : Appropriations of Martyr Posters and Other Images of the Physically Deceased
| Picturing the (un)Dead in Beirut : Appropriations of Martyr Posters and Other Images of the Physically Deceased |
| Autore | Rameder Agnes |
| Edizione | [1st ed.] |
| Pubbl/distr/stampa | Bielefeld : , : transcript Verlag, , 2024 |
| Descrizione fisica | 1 online resource (415 pages) |
| Altri autori (Persone) | ArndtMaria |
| Collana | Image |
| Soggetto topico | ART / History / Contemporary (1945-) |
| Soggetto non controllato |
Art History of the 20th Century
Art History of the 21st Century Art Beirut Contemporary Art Culture Fine Arts Lebanon Martyr Political Art Visual Politics Visual Studies |
| ISBN |
9783839475393
3839475392 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Frontmatter -- Acknowledgements -- Abbrevations -- Figures -- Contents -- 1. Introduction -- Description -- 1.1 An Underview of Pictures of the (Un)Dead in Beirut -- 1.2 Through the Chapters -- 1.3 Research in a Context One Has Not Been Socialised in and the Author’s Background -- 2. The Martyr and the Picture -- 2.1 Constructing the Martyr -- 2.2 The Dead Are on the Walls: Re-Tracing Images of Martyrs in Lebanon -- 2.3 Martyrs and Posters in Lebanon -- 3. Introducing Nancy and the Play’s Context -- 3.1 Beirut’s Art Scene and Contemporary Lebanese Art Discourses -- 3.2 About Nancy -- 3.3 Reading Nancy as an Interplay of Text and Image -- 3.4 Nancy as Mroué’s Most Evasive Artwork on Martyrdom -- 3.5 Four Sectarian Martyrs on Their Way to Murr Tower: The Protagonists, and the Historical Background of Nancy -- 3.6 Martyr Posters from the Wars and Their Appropriation in Nancy -- 3.7 Similar Stories, Similar Visuals, and a Common Meeting Point -- 4. Appropriating and Questioning Images of the Sectarian Martyr in Nancy -- Introduction -- 4.1 The Sectarian Use of Logos, Symbols, and Slogans -- 4.2 The Martyr and the Photographic Image: Indexicality, Iconicity, and Truth Claims -- 4.3 Constructed Nuances of Visual Memory: Hierarchies of Remembrance and the Oblivion of the Dead -- 4.4 Gendered Martyrdom: Performances in the Image After Death and the Martyr Poster as an Advertising Image -- 4.5 Premature Historicist: The Martyr Poster and the Ruin as Presents Framed as Past -- 4.6 The Time Is Out of Joint: The Martyr as a Spectral Ghost -- 4.7 How Nancy Shows Us via Appropriation That the Martyr Image Is Fabricated -- 5. Images of the Dead Around 4 August 2020 -- 5.1 Coexistence: Sectarian Martyrs, the Martyrs of the Thawra, and the Dead of 4 August -- 5.2 Artistic Reflections of 4 August -- 5.3 A Continuation of Violence, Ghosts, Ruins, and Impossible Truths -- 6. Martyrs and Other (Un)Dead in Beirut and Beyond -- 6.1 Nancy and the Construction of Images of Martyrs -- 6.2 Old and New Pictures of the (Un)Dead: Beirut 2020–23 -- 6.3 Looking Further: Martyrs in Northern Ireland -- Afterword: An Ongoing Mass Production of Martyrs and a Stabilised Dystopia -- After the Afterword: War Again -- Bibliography |
| Record Nr. | UNISA-996647835503316 |
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Rameder Agnes
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| Bielefeld : , : transcript Verlag, , 2024 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. di Salerno | ||
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Politische Bilder lesen : Ein Werkzeugkasten zur Bildanalyse / / hrsg. von Nicole Kreckel, Melanie M. Dietz
| Politische Bilder lesen : Ein Werkzeugkasten zur Bildanalyse / / hrsg. von Nicole Kreckel, Melanie M. Dietz |
| Edizione | [1st ed.] |
| Pubbl/distr/stampa | Bielefeld : , : transcript Verlag, , [2022] |
| Descrizione fisica | 1 online resource (246 p.) |
| Disciplina | 659.1 |
| Collana | Image |
| Soggetto topico | ART / Criticism |
| Soggetto non controllato |
Advertising
Art Civic Education Fine Arts Image Interdisciplinarity Media Meme Metaphor Political Art Politics Qualitative Methods Society Visual Studies |
| ISBN | 3-8394-6234-7 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | ger |
| Nota di contenuto | Frontmatter -- Inhalt -- Politische Bilder lesen -- Künstlerische Fotografie -- Jax Back/Jax Revealed -- Ambige Fotokunst & queer(end)-politisches Engagement -- Das kleine Einmaleins der Kunstgeschichte -- Plakatbilder im Öffentlichen Raum -- Plakativ(es Lesen) -- Eine Litfaßsäule im Frankfurter Bahnhofsviertel -- Protest- und Krisenbilder -- »Und dann kniet da ein weißer Polizist!« -- Die »Karen-Debatte« und ein Protestbild -- Bildmetaphern und Bildmetaphorik -- Politiker*innen im Bild -- Merkel trifft Klimaaktivist*innen -- Ein über Proteste jubelnder Präsident -- Memes und Memefizierung -- After Inauguration -- Peter Altmaier, Peter Parker und der Meerjungfraumann -- Autor*innen -- Danksagung |
| Record Nr. | UNISA-996582042303316 |
| Bielefeld : , : transcript Verlag, , [2022] | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. di Salerno | ||
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Spektakel und Möglichkeitsraum : Kunst und der lange Sommer der Migration / Nanna Heidenreich
| Spektakel und Möglichkeitsraum : Kunst und der lange Sommer der Migration / Nanna Heidenreich |
| Autore | Heidenreich Nanna |
| Edizione | [1st ed.] |
| Pubbl/distr/stampa | Bielefeld, : transcript Verlag, 2022 |
| Descrizione fisica | 1 online resource (180 p.) |
| Disciplina | 304.8 |
| Collana | Post_koloniale Medienwissenschaft |
| Soggetto topico | Migration; Flucht; Medien; Kunst; Politik; Aktivismus; Digitale Kultur; Hype; Spektakel; Zivilgesellschaft; Grenzregime; Politische Kunst; Medienästhetik; Flüchtlingsforschung; Medienwissenschaft; Fleeing; Media; Art; Politics; Activism; Digital Culture; Civil Society; Border-regime; Political Art; Media Aesthetics; Refugee Studies; Media Studies |
| Soggetto non controllato |
Media Aesthetics
Media Studies Media Migration Political Art Refugee Studies |
| ISBN | 3-8394-4808-5 |
| Classificazione | LH 60240 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | ger |
| Nota di contenuto | Frontmatter -- Inhalt -- Anfang -- Die Kunst der Migration -- Future Waves -- Die Farben des Meeres -- (Ende) -- Abbildungsverzeichnis -- Quellenverzeichnis |
| Record Nr. | UNISA-996500572703316 |
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Heidenreich Nanna
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| Bielefeld, : transcript Verlag, 2022 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. di Salerno | ||
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Vom Publicum : Das Öffentliche in der Kunst / Dietmar Kammerer
| Vom Publicum : Das Öffentliche in der Kunst / Dietmar Kammerer |
| Edizione | [1st ed.] |
| Pubbl/distr/stampa | Bielefeld, : transcript Verlag, 2014 |
| Descrizione fisica | 1 online resource (247 p.) |
| Disciplina | 701 |
| Collana | Image |
| Soggetto topico | Kunst; Ästhetische Praxis; Öffentlichkeit; Rezeption; Politik; Medien; Kultur; Politische Kunst; Kunstgeschichte; Ästhetik; Kunstwissenschaft; Arts; Politics; Media; Culture; Political Art; Art History; Aesthetics; Fine Arts |
| Soggetto non controllato |
Aesthetics
Art History Culture Fine Arts Media Political Art Politics |
| ISBN | 3-8394-1673-6 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | ger |
| Nota di contenuto | Frontmatter 1 Inhalt 5 Vorwort. Vom Publicum 7 Biertrinken als höchste Kunstform? 13 Die Öffentlichkeit der Verschwörung 29 Das Publikum in der kunsttheoretischen Tradition: Wege zur Öffentlichkeit (und zurück) 49 Genuss und Kritik. Partizipieren im Theaterpublikum 73 Wir sitzen alle am Schneidetisch. Für eine Politik der Zuschauer 91 Kunst im Stadtraum Berlins vor und nach 1989. Formationen des Öffentlichen in Ost und West 113 Das Forum der Masken. Ein Beitrag aus Architektur und Kunst 129 Stadien/Medien . Eine Archäologie des Public Viewing 141 Für eine neue Heteronomieästhetik. Überlegungen zu Kunst, Politik und Stadtraum 161 Wie politisch ist Rancières ästhetische »Neuaufteilung des Sinnlichen«? 181 Ästhetik und Vernunft. Jacques Rancières politische Philosophie 197 »Eine Sendung für Alle und Keinen« 223 Autorinnen und Autoren 237 Bildnachweise 241 |
| Record Nr. | UNISA-996308829403316 |
| Bielefeld, : transcript Verlag, 2014 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. di Salerno | ||
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