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Aging gracefully in the Renaissance : stories of later life from Petrarch to Montaigne / / by Cynthia Skenazi
| Aging gracefully in the Renaissance : stories of later life from Petrarch to Montaigne / / by Cynthia Skenazi |
| Autore | Skenazi Cynthia |
| Pubbl/distr/stampa | Leiden - Boston, : Brill, 2013 |
| Descrizione fisica | 1 online resource (192 p.) |
| Disciplina | 809/.031 |
| Collana | Medieval and Renaissance authors and texts |
| Soggetto topico |
European literature - Renaissance, 1450-1600 - History and criticism
Aging in literature Aging - Europe - History Older people - Europe - History |
| Soggetto non controllato |
Literature
History Aging Erasmus Galen Michel de Montaigne Michel Foucault Petrarch Pierre de Ronsard |
| ISBN | 90-04-25572-9 |
| Formato | Materiale a stampa  |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Preliminary Material -- Introduction -- 1 A Sound Mind in a Healthy Body -- 2 The Circulation of Power and Knowledge -- 3 Love in Old Age -- 4 Then and Now -- Bibliography -- Index. |
| Record Nr. | UNINA-9910139006903321 |
Skenazi Cynthia
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| Leiden - Boston, : Brill, 2013 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Forming sleep : representing consciousness in the English Renaissance / / edited by Nancy L. Simpson-Younger and Margaret Simon
| Forming sleep : representing consciousness in the English Renaissance / / edited by Nancy L. Simpson-Younger and Margaret Simon |
| Pubbl/distr/stampa | University Park, Pennsylvania : , : The Pennsylvania State University Press, , [2020] |
| Descrizione fisica | 1 online resource (247 pages) |
| Disciplina | 820.9353 |
| Collana | Cultural inquiries in English literature, 1400-1700 |
| Soggetto topico |
Consciousness in literature
Sleep in literature English literature - Early modern, 1500-1700 - History and criticism |
| Soggetto non controllato |
Biocultural
Consciousness Drama Early Modern England Epic Form Formalism Genre Literature Lyric Mary Sidney Mary Wroth Milton Petrarch Philip Sidney Renaissance Robert Burton Shakespeare Sleep State Sleep Spenser Thomas Campion |
| ISBN |
0-271-08654-8
0-271-08656-4 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Front matter -- Contents -- Acknowledgments -- Introduction: Forming Sleep -- Part I: Sleep States and Subjectivity in Early Modern Lyric -- 1. Thinking Sleep in the Renaissance Sonnet Sequence -- 2. Rest and Rhyme in Thomas Campion’s Poetry -- 3. “Still in Thought with Thee I Go”: Epistemology and Consciousness in the Sidney Psalms -- Part II: Sleep, Ethics, and Embodied Form in Early Modern Drama -- 4. Making the Moor: Torture, Sleep Deprivation, and Race in Othello -- 5. Sleep, Vulnerability, and Self-Knowledge in A Midsummer Night’s Dream -- 6. “The Heaviness of Sleep”: Monarchical Exhaustion in King Lear -- Part III: Sleep and Personhood in the Early Modern Verse Epic and Prose Treatise -- 7. Life and Labor in the House of Care: Spenserian Ethics and the Aesthetics of Insomnia -- 8. “Sweet Moistning Sleepe”: Perturbations of the Mind and Rest for the Body in Robert Burton’s Anatomy of Melancholy -- 9. The Physiology of Free Will: Faculty Psychology and the Structure of the Miltonic Mind -- Afterword: Beyond the Lost World; Early Modern Sleep Scenarios -- Bibliography -- List of Contributors -- Index |
| Record Nr. | UNINA-9910794023303321 |
| University Park, Pennsylvania : , : The Pennsylvania State University Press, , [2020] | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Forming sleep : representing consciousness in the English Renaissance / / edited by Nancy L. Simpson-Younger and Margaret Simon
| Forming sleep : representing consciousness in the English Renaissance / / edited by Nancy L. Simpson-Younger and Margaret Simon |
| Pubbl/distr/stampa | University Park, Pennsylvania : , : The Pennsylvania State University Press, , [2020] |
| Descrizione fisica | 1 online resource (247 pages) |
| Disciplina | 820.9353 |
| Collana | Cultural inquiries in English literature, 1400-1700 |
| Soggetto topico |
Consciousness in literature
Sleep in literature English literature - Early modern, 1500-1700 - History and criticism |
| Soggetto non controllato |
Biocultural
Consciousness Drama Early Modern England Epic Form Formalism Genre Literature Lyric Mary Sidney Mary Wroth Milton Petrarch Philip Sidney Renaissance Robert Burton Shakespeare Sleep State Sleep Spenser Thomas Campion |
| ISBN |
0-271-08654-8
0-271-08656-4 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Front matter -- Contents -- Acknowledgments -- Introduction: Forming Sleep -- Part I: Sleep States and Subjectivity in Early Modern Lyric -- 1. Thinking Sleep in the Renaissance Sonnet Sequence -- 2. Rest and Rhyme in Thomas Campion’s Poetry -- 3. “Still in Thought with Thee I Go”: Epistemology and Consciousness in the Sidney Psalms -- Part II: Sleep, Ethics, and Embodied Form in Early Modern Drama -- 4. Making the Moor: Torture, Sleep Deprivation, and Race in Othello -- 5. Sleep, Vulnerability, and Self-Knowledge in A Midsummer Night’s Dream -- 6. “The Heaviness of Sleep”: Monarchical Exhaustion in King Lear -- Part III: Sleep and Personhood in the Early Modern Verse Epic and Prose Treatise -- 7. Life and Labor in the House of Care: Spenserian Ethics and the Aesthetics of Insomnia -- 8. “Sweet Moistning Sleepe”: Perturbations of the Mind and Rest for the Body in Robert Burton’s Anatomy of Melancholy -- 9. The Physiology of Free Will: Faculty Psychology and the Structure of the Miltonic Mind -- Afterword: Beyond the Lost World; Early Modern Sleep Scenarios -- Bibliography -- List of Contributors -- Index |
| Record Nr. | UNINA-9910815151303321 |
| University Park, Pennsylvania : , : The Pennsylvania State University Press, , [2020] | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Inventing falsehood, making truth : Vico and Neapolitan painting / / Malcolm Bull
| Inventing falsehood, making truth : Vico and Neapolitan painting / / Malcolm Bull |
| Autore | Bull Malcolm |
| Edizione | [Course Book] |
| Pubbl/distr/stampa | Princeton, New Jersey : , : Princeton University Press, , [2013] |
| Descrizione fisica | 1 online resource (161 p.) |
| Disciplina | 759.5/73 |
| Collana |
Essays in the Arts
Essays in the arts |
| Soggetto topico |
Painting - Philosophy
Art and philosophy - Italy - History - 18th century Painting, Italian - Italy - Naples - 18th century Painting, Baroque - Italy - Naples Truth |
| Soggetto non controllato |
Aesthetics
Analogy Andrea Vaccaro Andrea del Sarto Anecdote Annibale Carracci Anthropomorphism Atheism Atomism Augury Bad Painting Baroque painting Caravaggio Caravaggisti Carlo Maratta Cartesianism Catherine of Siena Certainty Certosa di San Martino Chiaroscuro Cimabue Classical mythology Classicism Consciousness Cubism Daniello Bartoli Democritus Depiction Divine Truth Divine judgment Divine providence Domenichino Drapery Epicurus Exorcism Fall of Simon Magus (Pompeo Batoni) Falsity Flagellation of Christ Francesco Solimena Giambattista Vico Giotto God the Father Guido Reni Henri Bergson Iconoclasm Iconography Illustration Jules Michelet Las Meninas Libri Carolini Lodovico Dolce Luca Giordano Lucretius Ludovico Carracci Mannerism Metaphor Metonymy Michelangelo Museo del Prado Neoplatonism Painting Paragone Parmigianino Penitential Pentimento Petrarch Philosopher Philosophical skepticism Philosophy Pietro Aretino Pietro da Cortona Poetry Putto Religion Rhetoric Roman Baroque Sacristy Saint Dominic Saint Francis Receiving the Stigmata (van Eyck) Salvator Rosa San Domenico Maggiore San Gregorio Armeno Scientific skepticism Simon Magus Skepticism Spanish art Still life Tenebrism The Carracci The Expulsion of Heliodorus from the Temple The Gay Science The New Science The Philosopher Theology Thomas Aquinas Tintoretto Titian Tommaso Campanella Truth Zeuxis |
| ISBN | 1-4008-4974-8 |
| Classificazione | ART015030ART015090HIS020000PHI000000 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Frontmatter -- Contents -- Acknowledgments -- Prologue -- One. Vico -- Two. Icastic Painting -- Three. Fantastic Painting -- Four. Theological Painting -- Epilogue -- Notes -- Index |
| Record Nr. | UNINA-9910790629003321 |
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Bull Malcolm
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| Princeton, New Jersey : , : Princeton University Press, , [2013] | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Inventing falsehood, making truth : Vico and Neapolitan painting / / Malcolm Bull
| Inventing falsehood, making truth : Vico and Neapolitan painting / / Malcolm Bull |
| Autore | Bull Malcolm |
| Edizione | [Course Book] |
| Pubbl/distr/stampa | Princeton, New Jersey : , : Princeton University Press, , [2013] |
| Descrizione fisica | 1 online resource (161 p.) |
| Disciplina | 759.5/73 |
| Collana |
Essays in the Arts
Essays in the arts |
| Soggetto topico |
Painting - Philosophy
Art and philosophy - Italy - History - 18th century Painting, Italian - Italy - Naples - 18th century Painting, Baroque - Italy - Naples Truth |
| Soggetto non controllato |
Aesthetics
Analogy Andrea Vaccaro Andrea del Sarto Anecdote Annibale Carracci Anthropomorphism Atheism Atomism Augury Bad Painting Baroque painting Caravaggio Caravaggisti Carlo Maratta Cartesianism Catherine of Siena Certainty Certosa di San Martino Chiaroscuro Cimabue Classical mythology Classicism Consciousness Cubism Daniello Bartoli Democritus Depiction Divine Truth Divine judgment Divine providence Domenichino Drapery Epicurus Exorcism Fall of Simon Magus (Pompeo Batoni) Falsity Flagellation of Christ Francesco Solimena Giambattista Vico Giotto God the Father Guido Reni Henri Bergson Iconoclasm Iconography Illustration Jules Michelet Las Meninas Libri Carolini Lodovico Dolce Luca Giordano Lucretius Ludovico Carracci Mannerism Metaphor Metonymy Michelangelo Museo del Prado Neoplatonism Painting Paragone Parmigianino Penitential Pentimento Petrarch Philosopher Philosophical skepticism Philosophy Pietro Aretino Pietro da Cortona Poetry Putto Religion Rhetoric Roman Baroque Sacristy Saint Dominic Saint Francis Receiving the Stigmata (van Eyck) Salvator Rosa San Domenico Maggiore San Gregorio Armeno Scientific skepticism Simon Magus Skepticism Spanish art Still life Tenebrism The Carracci The Expulsion of Heliodorus from the Temple The Gay Science The New Science The Philosopher Theology Thomas Aquinas Tintoretto Titian Tommaso Campanella Truth Zeuxis |
| ISBN | 1-4008-4974-8 |
| Classificazione | ART015030ART015090HIS020000PHI000000 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Frontmatter -- Contents -- Acknowledgments -- Prologue -- One. Vico -- Two. Icastic Painting -- Three. Fantastic Painting -- Four. Theological Painting -- Epilogue -- Notes -- Index |
| Record Nr. | UNINA-9910813698803321 |
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Bull Malcolm
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| Princeton, New Jersey : , : Princeton University Press, , [2013] | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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The melancholy art [[electronic resource] /] / Michael Ann Holly
| The melancholy art [[electronic resource] /] / Michael Ann Holly |
| Autore | Holly Michael Ann |
| Edizione | [Course Book] |
| Pubbl/distr/stampa | Princeton, New Jersey, : Princeton University Press, 2013 |
| Descrizione fisica | 1 online resource (225 p.) |
| Disciplina | 707.2/2 |
| Collana | Essays in the arts |
| Soggetto topico |
Art - Historiography
Melancholy |
| Soggetto non controllato |
Aby Warburg
Aestheticism Aesthetics Allegory Alois Riegl Anachronism Analytic confidence Ancient art Aphorism Art criticism Art history Arthur Schopenhauer Artistic merit Ben Nicholson Bernard Berenson Bernard Bosanquet (philosopher) Beyond the Pleasure Principle Caspar David Friedrich Christopher Bollas Classicism Connoisseur Consciousness Contemporary art Criticism Critique of Judgment Death drive Deconstruction Ernst Gombrich Erwin Panofsky Explanation Fra Angelico Friedrich Nietzsche Fritz Saxl Garry Wills Georg Wilhelm Friedrich Hegel George Steiner Giovanni Morelli Hannah Arendt Hans Ulrich Gumbrecht Hayden White Iconography Illusionism (art) Isabella Stewart Gardner Museum Jacques Derrida Jacques Lacan Jacques-Alain Miller James Strachey Jan van Eyck Johann Joachim Winckelmann Josef Strzygowski Julia Kristeva Linguistic turn Literary theory Marion Milner Marsilio Ficino Martin Heidegger Maurice Blanchot Melanie Klein Metahistory Metonymy Meyer Schapiro Michael Baxandall Minima Moralia Modernism Modernity Museum Oceanic feeling Oskar Kokoschka Overpainting Paul de Man Petrarch Philosopher Philosophy Positivism Post-structuralism Postmodernism Psychoanalysis Putto Rainer Maria Rilke Renaissance art Rhetoric Richard Wollheim Romanticism Saint Francis Receiving the Stigmata (van Eyck) Sandro Botticelli Simone Martini Svetlana Alpers The Art of Memory The Gaze of Orpheus The Origin of German Tragic Drama The Philosopher Theses on the Philosophy of History Thought Tintoretto Unthought known W. G. Sebald Walter Benjamin Walter Pater Work of art Writing |
| ISBN |
1-299-05141-3
1-4008-4495-9 |
| Classificazione | EC 2440 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Front matter -- Contents -- Preface -- Acknowledgments -- 1. The Melancholy Art -- 2. Viennese Ghosts -- 3. Stones of Solace -- 4. Patterns in the Shadows -- 5. Mourning and Method -- Postscript -- Notes -- Bibliography -- Index |
| Record Nr. | UNINA-9910786008203321 |
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Holly Michael Ann
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| Princeton, New Jersey, : Princeton University Press, 2013 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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The melancholy art [[electronic resource] /] / Michael Ann Holly
| The melancholy art [[electronic resource] /] / Michael Ann Holly |
| Autore | Holly Michael Ann |
| Edizione | [Course Book] |
| Pubbl/distr/stampa | Princeton, New Jersey, : Princeton University Press, 2013 |
| Descrizione fisica | 1 online resource (225 p.) |
| Disciplina | 707.2/2 |
| Collana | Essays in the arts |
| Soggetto topico |
Art - Historiography
Melancholy |
| Soggetto non controllato |
Aby Warburg
Aestheticism Aesthetics Allegory Alois Riegl Anachronism Analytic confidence Ancient art Aphorism Art criticism Art history Arthur Schopenhauer Artistic merit Ben Nicholson Bernard Berenson Bernard Bosanquet (philosopher) Beyond the Pleasure Principle Caspar David Friedrich Christopher Bollas Classicism Connoisseur Consciousness Contemporary art Criticism Critique of Judgment Death drive Deconstruction Ernst Gombrich Erwin Panofsky Explanation Fra Angelico Friedrich Nietzsche Fritz Saxl Garry Wills Georg Wilhelm Friedrich Hegel George Steiner Giovanni Morelli Hannah Arendt Hans Ulrich Gumbrecht Hayden White Iconography Illusionism (art) Isabella Stewart Gardner Museum Jacques Derrida Jacques Lacan Jacques-Alain Miller James Strachey Jan van Eyck Johann Joachim Winckelmann Josef Strzygowski Julia Kristeva Linguistic turn Literary theory Marion Milner Marsilio Ficino Martin Heidegger Maurice Blanchot Melanie Klein Metahistory Metonymy Meyer Schapiro Michael Baxandall Minima Moralia Modernism Modernity Museum Oceanic feeling Oskar Kokoschka Overpainting Paul de Man Petrarch Philosopher Philosophy Positivism Post-structuralism Postmodernism Psychoanalysis Putto Rainer Maria Rilke Renaissance art Rhetoric Richard Wollheim Romanticism Saint Francis Receiving the Stigmata (van Eyck) Sandro Botticelli Simone Martini Svetlana Alpers The Art of Memory The Gaze of Orpheus The Origin of German Tragic Drama The Philosopher Theses on the Philosophy of History Thought Tintoretto Unthought known W. G. Sebald Walter Benjamin Walter Pater Work of art Writing |
| ISBN |
1-299-05141-3
1-4008-4495-9 |
| Classificazione | EC 2440 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Front matter -- Contents -- Preface -- Acknowledgments -- 1. The Melancholy Art -- 2. Viennese Ghosts -- 3. Stones of Solace -- 4. Patterns in the Shadows -- 5. Mourning and Method -- Postscript -- Notes -- Bibliography -- Index |
| Record Nr. | UNINA-9910815622103321 |
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Holly Michael Ann
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| Princeton, New Jersey, : Princeton University Press, 2013 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Only Connect : Art and the Spectator in the Italian Renaissance / / John K.G. Shearman
| Only Connect : Art and the Spectator in the Italian Renaissance / / John K.G. Shearman |
| Autore | Shearman John K.G. |
| Pubbl/distr/stampa | Princeton, NJ : , : Princeton University Press, , [2019] |
| Descrizione fisica | 1 online resource (329 pages) |
| Disciplina | 709/.45/09024 |
| Collana | Princeton Legacy Library |
| Soggetto topico |
Audiences - Psychology
Art, Renaissance - Italy Art, Italian |
| Soggetto non controllato |
Adolf von Hildebrand
Albrecht Dürer Altarpiece Andrea Fulvio Andrea Mantegna Andrea Solari Andrea del Sarto Antonello da Messina Antonio Rossellino Aretino Bacchus and Ariadne Baptistery Baroque architecture Basilica Bembo Camera degli Sposi Caravaggio Catullus Cecilia Gallerani Chiaroscuro Christ among the Doctors (Dürer) Conceit Cosimo de' Medici Counter-Reformation Cristofano Allori Della Rovere Diego Velázquez Donatello Duke of Florence Edward Burne-Jones Epigram Famulus Feast of the Gods (art) Filarete Filippino Lippi Galleria Borghese Ginevra de' Benci Giorgio Vasari Giorgione Giovanni Bellini Giovanni Pisano Giulio Romano Grand manner Hercules and Cacus Heroides High Renaissance High place Hyperbole Intentionality Jan van Eyck Las Meninas Lateran Baptistery Lodovico Dolce Madonna of the Harpies Mario Equicola Mario Praz Marriage of the Virgin (Perugino) Masaccio Master of the Virgo inter Virgines Michelangelo Mona Lisa Smile Mystery play National Gallery of Art Orlando Furioso Paragone Parmigianino Persius Pesaro Madonna Petrarch Phrenology Pietro da Cortona Poetry Poliziano Pontormo Pope Julius II Pseudo-Bonaventura Putto Reginald Pole Religion Renaissance art Richard Wollheim Rokeby Venus Romanticism Ruggiero (character) Sack of Rome (1527) Saint Roch Sandro Botticelli Simone Martini Sistine Chapel Sleeping Venus (Giorgione) The Feast of the Gods The Fire in the Borgo The Philosopher The School of Athens The Spirit of the Laws The Vision of the Cross The Worship of Venus Tintoretto Titian Work of art |
| ISBN |
0-691-25272-6
0-691-25271-8 0-691-65683-5 0-691-20077-7 0-691-09972-3 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Front matter -- CONTENTS -- LIST OF ILLUSTRATIONS -- INTRODUCTION -- I. A MORE ENGAGED SPECTATOR -- II. A SHARED SPACE -- III. PORTRAITS AND POETS -- IV. DOMES -- V. HISTORY, AND ENERGY -- VI. IMITATION, AND THE SLOW FUSE -- SOURCES OF ILLUSTRATIONS -- INDEX |
| Altri titoli varianti | Art and the spectator in the Italian Renaissance |
| Record Nr. | UNISA-996248327403316 |
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Shearman John K.G.
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| Princeton, NJ : , : Princeton University Press, , [2019] | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. di Salerno | ||
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The Poetics of Ruins in Renaissance Literature / / Andrew Hui
| The Poetics of Ruins in Renaissance Literature / / Andrew Hui |
| Autore | Hui Andrew |
| Edizione | [First edition.] |
| Pubbl/distr/stampa | New York, NY : , : Fordham University Press, , [2017] |
| Descrizione fisica | 1 online resource (229 pages) : illustrations (some color) |
| Disciplina | 809.02 |
| Collana | Verbal Arts: Studies in Poetics |
| Soggetto topico |
Ruins in literature
European literature - Renaissance, 1450-1600 - History and criticism |
| Soggetto genere / forma | Electronic books. |
| Soggetto non controllato |
Aesthetic of Ruins
Cultural Philology Du Bellay Hypnerotomachia Poliphili Monuments Petrarch Poetic Immortality Renaissance Aesthetics Spenser |
| ISBN |
0-8232-7337-7
0-8232-7336-9 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Front matter -- Contents -- Figures and Color Plates -- Introduction. A Japanese Friend -- Chapter 1. The Rebirth of Poetics -- Chapter 2. The Rebirth of Ruins -- Chapter 3. Petrarch’s Vestigia and the Presence of Absence -- Chapter 4. The Hypnerotomachia Poliphili and the Erotics of Fragments -- Chapter 5. Du Bellay’s Cendre and the Formless Signifier -- Chapter 6. Spenser’s Moniment and the Allegory of Ruins -- Epilogue. Fallen Castles and Summer Grass -- Acknowledgments -- Notes -- Index |
| Record Nr. | UNINA-9910480080703321 |
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Hui Andrew
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| New York, NY : , : Fordham University Press, , [2017] | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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The Poetics of Ruins in Renaissance Literature / / Andrew Hui
| The Poetics of Ruins in Renaissance Literature / / Andrew Hui |
| Autore | Hui Andrew |
| Edizione | [First edition.] |
| Pubbl/distr/stampa | New York, NY : , : Fordham University Press, , [2017] |
| Descrizione fisica | 1 online resource (229 pages) : illustrations (some color) |
| Disciplina | 809.02 |
| Collana | Verbal Arts: Studies in Poetics |
| Soggetto topico |
Ruins in literature
European literature - Renaissance, 1450-1600 - History and criticism |
| Soggetto non controllato |
Aesthetic of Ruins
Cultural Philology Du Bellay Hypnerotomachia Poliphili Monuments Petrarch Poetic Immortality Renaissance Aesthetics Spenser |
| ISBN |
0-8232-7337-7
0-8232-7336-9 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Front matter -- Contents -- Figures and Color Plates -- Introduction. A Japanese Friend -- Chapter 1. The Rebirth of Poetics -- Chapter 2. The Rebirth of Ruins -- Chapter 3. Petrarch’s Vestigia and the Presence of Absence -- Chapter 4. The Hypnerotomachia Poliphili and the Erotics of Fragments -- Chapter 5. Du Bellay’s Cendre and the Formless Signifier -- Chapter 6. Spenser’s Moniment and the Allegory of Ruins -- Epilogue. Fallen Castles and Summer Grass -- Acknowledgments -- Notes -- Index |
| Record Nr. | UNINA-9910794859303321 |
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Hui Andrew
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| New York, NY : , : Fordham University Press, , [2017] | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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