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Analysis of large and complex data / Adalbert F. X. Wilhelm, Hans A. Kestler editors
| Analysis of large and complex data / Adalbert F. X. Wilhelm, Hans A. Kestler editors |
| Pubbl/distr/stampa | Cham, : Springer, 2016 |
| Descrizione fisica | XXVI, 656 p. : ill. ; 24 cm |
| Soggetto topico |
62-XX - Statistics [MSC 2020]
62R07 - Statistical aspects of big data and data science [MSC 2020] 68T09 - Computational aspects of data analysis and big data [MSC 2020] |
| Soggetto non controllato |
Big Data
Classification Cluster analysis Complex data Computational statistics Data analysis Musicology |
| Formato | Materiale a stampa  |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Titolo uniforme | |
| Record Nr. | UNICAMPANIA-VAN0114420 |
| Cham, : Springer, 2016 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Vanvitelli | ||
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Auf der Suche nach einer zeitgemäßen Musikästhetik : Adornos »Philosophie der Musik« und die Beethoven-Fragmente / Nikolaus Urbanek
| Auf der Suche nach einer zeitgemäßen Musikästhetik : Adornos »Philosophie der Musik« und die Beethoven-Fragmente / Nikolaus Urbanek |
| Autore | Urbanek Nikolaus |
| Edizione | [1st ed.] |
| Pubbl/distr/stampa | Bielefeld, : transcript Verlag, 2015 |
| Descrizione fisica | 1 online resource (323 p.) |
| Disciplina | 781.1/7 |
| Collana | Edition Moderne Postmoderne |
| Soggetto topico | Adorno; Beethoven; Musikästhetik; Musikalische Sprache; Zeit und Musik; Musik; Ästhetik; Deutsche Philosophiegeschichte; Musikwissenschaft; Kritische Theorie; Philosophie; Music; Aesthetics; German History of Philosophy; Musicology; Critical Theory; Philosophy |
| Soggetto non controllato |
Aesthetics
Critical Theory German History of Philosophy Musicology Philosophy |
| ISBN | 3-8394-1320-6 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | ger |
| Nota di contenuto | Frontmatter 1 Inhalt 5 Einleitung 7 Prolog: Wie ist Musikästhetik heute möglich? 21 Adornos Beethoven 59 Beethoven 131 Beethovens Kritik Beethovens 217 Beethovens Kritik Hegels 257 Epilog: Ist Musikästhetik heute noch möglich? 285 Verzeichnis der zitierten Literatur 297 Verzeichnis der Notenbeispiele 317 Backmatter 319 |
| Record Nr. | UNISA-996571846503316 |
Urbanek Nikolaus
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| Bielefeld, : transcript Verlag, 2015 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. di Salerno | ||
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Auf der Suche nach einer zeitgemäßen Musikästhetik : Adornos »Philosophie der Musik« und die Beethoven-Fragmente / Nikolaus Urbanek
| Auf der Suche nach einer zeitgemäßen Musikästhetik : Adornos »Philosophie der Musik« und die Beethoven-Fragmente / Nikolaus Urbanek |
| Autore | Urbanek Nikolaus |
| Edizione | [1st ed.] |
| Pubbl/distr/stampa | Bielefeld, : transcript Verlag, 2015 |
| Descrizione fisica | 1 online resource (323 p.) |
| Disciplina | 781.1/7 |
| Collana | Edition Moderne Postmoderne |
| Soggetto topico | Adorno; Beethoven; Musikästhetik; Musikalische Sprache; Zeit und Musik; Musik; Ästhetik; Deutsche Philosophiegeschichte; Musikwissenschaft; Kritische Theorie; Philosophie; Music; Aesthetics; German History of Philosophy; Musicology; Critical Theory; Philosophy |
| Soggetto non controllato |
Aesthetics
Critical Theory German History of Philosophy Musicology Philosophy |
| ISBN | 3-8394-1320-6 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | ger |
| Nota di contenuto | Frontmatter 1 Inhalt 5 Einleitung 7 Prolog: Wie ist Musikästhetik heute möglich? 21 Adornos Beethoven 59 Beethoven 131 Beethovens Kritik Beethovens 217 Beethovens Kritik Hegels 257 Epilog: Ist Musikästhetik heute noch möglich? 285 Verzeichnis der zitierten Literatur 297 Verzeichnis der Notenbeispiele 317 Backmatter 319 |
| Record Nr. | UNINA-9910842044103321 |
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Urbanek Nikolaus
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| Bielefeld, : transcript Verlag, 2015 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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The beginnings of polish musicology / / Małgorzata Sieradz ; translated by Lindsay Davidson
| The beginnings of polish musicology / / Małgorzata Sieradz ; translated by Lindsay Davidson |
| Autore | Sieradz Małgorzata |
| Pubbl/distr/stampa | Bern, : Peter Lang International Academic Publishing Group, 2020 |
| Descrizione fisica | 1 online resource (578 pages) |
| Disciplina | 780.720 |
| Altri autori (Persone) | DavidsonLindsay <1973-> |
| Collana | Eastern European studies in musicology |
| Soggetto topico | Musicology - History |
| Soggetto genere / forma | History |
| Soggetto non controllato |
1928
1950 History of Musical Periods Instytutu Kwartalnik Music Musical Sociology Musicology Muzyczny muzykologii początki Polish polskiej Sieradz Sociology Sztuki Wydawnictwo |
| ISBN |
3-631-82378-9
3-631-82377-0 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Cover -- Copyright information -- Contents -- Introduction -- I. Socio-institutional contexts of the establishment of Kwartalnik Muzyczn y -- 1. Panorama of Polish musicological journalism until 1910 -- Roman Chojnacki's Młoda Muzyka and Przegląd Muzyczny -- WTM and Henryk Opieński's Kwartalnik Muzyczny (1911-14) -- collaboration with Adolf Chybiński -- clarification of the concept of a musicological quarterly -- university series
2. Societies, associations, institutes of the interwar period: 'Club of professional music press' -- Polish Society for Contemporary Music -- Polish Musicological Society -- Frederic Chopin Institute -- Association of Early Music Lovers and Publishing Society -- 3. Music magazines of the interwar period: Lwowskie Wiadomości Muzyczne i Literackie, Poznań's Przegląd Muzyczny, Mateusz Gliński's Muzyka -- other environmental and local musical magazines -- controversies over the model of an expert journal of the milieu 1. Panorama of Polish musicological journalism until 1910 -- Roman Chojnacki's M ł oda Muzyka and Przegl ą d Muzyczny -- WTM and Henryk Opieński's Kwartalnik Muzyczny (1911-14) -- collaboration with Adolf Chybi ń ski -- clarification of the concept of a -- II. Hopes of Polish musicology -- Kwartalnik Muzyczny in the years 1928-1933 -- 1. The idea of publishing a musicological quarterly -- preparatory work -- establishing Kwartalnik Muzyczny : the periodical's concept -- programme assumptions: the first editorial -- reactions of the milieu 2. Musicological circles in Poland (Lviv, Cracow, Poznań, Warsaw) as addresses of the Kwartalnik -- socio-scientific contexts: ideas about the functioning of the musicological environment -- main topics of interest -- other possibilities of publishing musicological studies: academic publishing -- 3. Musicology among academic disciplines in the interwar period -- systematics, discussions -- III. Difficult years -- Kwartalnik Muzyczny in the years 1948-1950 -- 1. New context of the functioning of the academic milieu and their publications -- 'bourgeoisie musicology' 2. Ideologisation of learning about music -- conferences, conventions, congresses -- Marxist musicology -- Państwowy Instytut Sztuki -- gradual radicalisation in academia -- 3. An attempt to continue the formula of the magazine -- Adolf Chybiński and his collaborators (Zofia Lissa, Tadeusz Ochlewski, Józef M. Chomiński -- scope of cooperation and organisation of editorial work) -- new organisation of publishing work (PWM, PIS) 4. Authors and subjects as well as concepts, problems and work methods -- continuation of the pre-war work -- around the current issues of musical socialist realism -- thematic projects |
| Record Nr. | UNINA-9910508506303321 |
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Sieradz Małgorzata
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| Bern, : Peter Lang International Academic Publishing Group, 2020 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Clipped Differences : Geschlechterrepräsentationen im Musikvideo / Dietrich Helms, Thomas Phleps (verst.)
| Clipped Differences : Geschlechterrepräsentationen im Musikvideo / Dietrich Helms, Thomas Phleps (verst.) |
| Autore | Helms Dietrich |
| Edizione | [1st ed.] |
| Pubbl/distr/stampa | Bielefeld, : transcript Verlag, 2015 |
| Descrizione fisica | 1 online resource (130) |
| Collana | Beiträge zur Popularmusikforschung |
| Soggetto topico | Videoclip Analyse; Rezeptionsforschung; Gender Studies; HipHop; Popkultur; Musik; Gender; Popmusik; Musikwissenschaft; Popular Culture; Music; Pop Music; Musicology |
| Soggetto non controllato |
Gender
Music Musicology Pop Music Popular Culture |
| ISBN | 3-8394-0146-1 |
| Classificazione | AP 48750 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | ger |
| Nota di contenuto | Frontmatter 1 INHALT 5 EDITORIAL 7 Bilderwelt der Klänge - Klangwelt der Bilder. Beobachtungen zur Konvergenz der Sinne 9 Kontextuelle Kontingenz: Musikclips im wissenschaftlichen Umgang 27 Chromatische Identität und Mainstream der Subkulturen. Eine audiovisuelle Annäherung an das Stilphänomen Madonna am Beispiel des Songs »Music« 41 Musikvideos im Alltag: Geschlechtsspezifische Darstellungsweisen 55 It's the real Queen Bee. Eine Analyse des Videoclips »No Matter What They Say« der Rapperin Lil' Kim 69 Repräsentationsräume: Kleine Utopien und weibliche Fluchten. Grotesken im HipHop-Clip 81 In Bed with Madonna. Gedanken zur Analyse von Videoclips aus medientheoretischer Sicht 99 Gender im Musikvideo. Eine Bibliographie der Forschungsliteratur 119 Zu den Autoren 125 Backmatter 128 |
| Record Nr. | UNISA-996308800003316 |
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Helms Dietrich
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| Bielefeld, : transcript Verlag, 2015 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. di Salerno | ||
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Clipped Differences : Geschlechterrepräsentationen im Musikvideo / Dietrich Helms, Thomas Phleps (verst.)
| Clipped Differences : Geschlechterrepräsentationen im Musikvideo / Dietrich Helms, Thomas Phleps (verst.) |
| Autore | Helms Dietrich |
| Edizione | [1st ed.] |
| Pubbl/distr/stampa | Bielefeld, : transcript Verlag, 2015 |
| Descrizione fisica | 1 online resource (130) |
| Disciplina | 780 |
| Collana | Beiträge zur Popularmusikforschung |
| Soggetto topico | Videoclip Analyse; Rezeptionsforschung; Gender Studies; HipHop; Popkultur; Musik; Gender; Popmusik; Musikwissenschaft; Popular Culture; Music; Pop Music; Musicology |
| Soggetto non controllato |
Gender
Music Musicology Pop Music Popular Culture |
| ISBN | 3-8394-0146-1 |
| Classificazione | AP 48750 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | ger |
| Nota di contenuto | Frontmatter 1 INHALT 5 EDITORIAL 7 Bilderwelt der Klänge - Klangwelt der Bilder. Beobachtungen zur Konvergenz der Sinne 9 Kontextuelle Kontingenz: Musikclips im wissenschaftlichen Umgang 27 Chromatische Identität und Mainstream der Subkulturen. Eine audiovisuelle Annäherung an das Stilphänomen Madonna am Beispiel des Songs »Music« 41 Musikvideos im Alltag: Geschlechtsspezifische Darstellungsweisen 55 It's the real Queen Bee. Eine Analyse des Videoclips »No Matter What They Say« der Rapperin Lil' Kim 69 Repräsentationsräume: Kleine Utopien und weibliche Fluchten. Grotesken im HipHop-Clip 81 In Bed with Madonna. Gedanken zur Analyse von Videoclips aus medientheoretischer Sicht 99 Gender im Musikvideo. Eine Bibliographie der Forschungsliteratur 119 Zu den Autoren 125 Backmatter 128 |
| Record Nr. | UNINA-9910372812903321 |
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Helms Dietrich
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| Bielefeld, : transcript Verlag, 2015 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Composing the party line : music and politics in early cold war Poland and East Germany / / David G. Tompkins
| Composing the party line : music and politics in early cold war Poland and East Germany / / David G. Tompkins |
| Autore | Tompkins David G |
| Pubbl/distr/stampa | West Lafayette, : Purdue University Press, 2013 |
| Descrizione fisica | 1 online resource (313 pages) : illustrations; digital, PDF file(s) |
| Disciplina | 780.943/109045 |
| Collana | Central European studies series |
| Soggetto topico |
Music - Political aspects - Poland - History - 20th century
Music - Political aspects - Germany (East) - History - 20th century Music and state - Poland - History - 20th century Music and state - Germany (East) - History - 20th century |
| Soggetto non controllato |
Music
East Germany Musicology Poland Polish United Workers' Party Socialist realism Socialist Unity Party of Germany Soviet Union |
| ISBN |
1-4619-5715-X
1-61249-289-4 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | The rise and decline of socialist realism in music -- The composers' unions between party aims and professional autonomy -- The struggle over commissions -- The music festival as pedagogical experience -- The concert landscape. |
| Record Nr. | UNINA-9910132246403321 |
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Tompkins David G
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| West Lafayette, : Purdue University Press, 2013 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Curating Contemporary Music Festivals : A New Perspective on Music's Mediation / Brandon Farnsworth
| Curating Contemporary Music Festivals : A New Perspective on Music's Mediation / Brandon Farnsworth |
| Autore | Farnsworth Brandon (Züricher Hochschule der Künste, Switzerland) |
| Edizione | [1st ed.] |
| Pubbl/distr/stampa | Bielefeld, : transcript Verlag, 2020 |
| Descrizione fisica | 1 online resource (326 pages) : illustrations; digital file(s) |
| Disciplina | 780.794 |
| Collana | Musik und Klangkultur |
| Soggetto topico | Contemporary Classical Music; New Music; Neue Musik; Berliner Festspiele; Münchner Biennale Für Neues Musiktheater; Munich Biennale For New Music Theatre; Cultural Management; Music; Music Management; Musicology |
| Soggetto non controllato |
Berliner Festspiele
Cultural Management Munich Biennale For New Music Theatre Music Management Music Musicology Münchner Biennale Für Neues Musiktheater Neue Musik New Music |
| ISBN | 3-8394-5243-0 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Frontmatter 1 Contents 5 Image and Figure Rights 9 1.1 Establishing the Field 11 1.2 The State of the Art 15 1.3 Scope and Overview 23 2.1 Introduction 29 2.2 The Anatomy of Festivals and Biennales 40 2.3 Curating Biennales 61 2.4 Curatorial Discourse 80 2.5 Conclusion 94 3.1 Introduction 97 3.2 Reading Shannon Jackson 98 3.3 Curating Dance / Dance Curating 111 3.4 Curating Theatre / Theatre Curating 124 3.5 Conclusion 136 4.1 Introduction 139 4.2 Hans Werner Henze 141 4.3 Music Theatre? 145 4.4 Peter Ruzicka 148 4.5 Daniel Ott and Manos Tsangaris (DOMTS) 162 4.6 The 2016 and 2018 Biennale Editions 169 4.7 Compositional and Curatorial Practices 180 4.8 The Munich Biennale in Numbers. 203 4.9 Conclusion 216 5.1 Introduction 219 5.2 A Brief Prehistory to the Maerzmusik Festival 222 5.3 Maerzmusik 2002-2014 228 5.4 Berno Odo Polzer 230 5.5 2017 Opening Concert: Julius Eastman 247 5.6 Storytelling for Earthly Survival 258 5.7 Curating and the Maerzmusik Festival 268 5.8 Decolonizing Time 273 5.9 Conclusion/Coda/Konzertemacher 277 6. Conclusion/Curating Music 281 Bibliography 289 Appendix: List of Productions at the Munich Biennale for New Music Theatre from 1988-2018 311 |
| Record Nr. | UNINA-9910418343903321 |
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Farnsworth Brandon (Züricher Hochschule der Künste, Switzerland)
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| Bielefeld, : transcript Verlag, 2020 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Curating Contemporary Music Festivals : A New Perspective on Music's Mediation / Brandon Farnsworth
| Curating Contemporary Music Festivals : A New Perspective on Music's Mediation / Brandon Farnsworth |
| Autore | Farnsworth Brandon (Züricher Hochschule der Künste, Switzerland) |
| Edizione | [1st ed.] |
| Pubbl/distr/stampa | Bielefeld, : transcript Verlag, 2020 |
| Descrizione fisica | 1 online resource (326 pages) : illustrations; digital file(s) |
| Disciplina | 780.794 |
| Collana | Musik und Klangkultur |
| Soggetto topico | Contemporary Classical Music; New Music; Neue Musik; Berliner Festspiele; Münchner Biennale Für Neues Musiktheater; Munich Biennale For New Music Theatre; Cultural Management; Music; Music Management; Musicology |
| Soggetto non controllato |
Berliner Festspiele
Cultural Management Munich Biennale For New Music Theatre Music Management Music Musicology Münchner Biennale Für Neues Musiktheater Neue Musik New Music |
| ISBN | 3-8394-5243-0 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Frontmatter 1 Contents 5 Image and Figure Rights 9 1.1 Establishing the Field 11 1.2 The State of the Art 15 1.3 Scope and Overview 23 2.1 Introduction 29 2.2 The Anatomy of Festivals and Biennales 40 2.3 Curating Biennales 61 2.4 Curatorial Discourse 80 2.5 Conclusion 94 3.1 Introduction 97 3.2 Reading Shannon Jackson 98 3.3 Curating Dance / Dance Curating 111 3.4 Curating Theatre / Theatre Curating 124 3.5 Conclusion 136 4.1 Introduction 139 4.2 Hans Werner Henze 141 4.3 Music Theatre? 145 4.4 Peter Ruzicka 148 4.5 Daniel Ott and Manos Tsangaris (DOMTS) 162 4.6 The 2016 and 2018 Biennale Editions 169 4.7 Compositional and Curatorial Practices 180 4.8 The Munich Biennale in Numbers. 203 4.9 Conclusion 216 5.1 Introduction 219 5.2 A Brief Prehistory to the Maerzmusik Festival 222 5.3 Maerzmusik 2002-2014 228 5.4 Berno Odo Polzer 230 5.5 2017 Opening Concert: Julius Eastman 247 5.6 Storytelling for Earthly Survival 258 5.7 Curating and the Maerzmusik Festival 268 5.8 Decolonizing Time 273 5.9 Conclusion/Coda/Konzertemacher 277 6. Conclusion/Curating Music 281 Bibliography 289 Appendix: List of Productions at the Munich Biennale for New Music Theatre from 1988-2018 311 |
| Record Nr. | UNISA-996359644503316 |
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Farnsworth Brandon (Züricher Hochschule der Künste, Switzerland)
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| Bielefeld, : transcript Verlag, 2020 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. di Salerno | ||
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Deutscher Gangsta-Rap III : Soziale Konflikte und kulturelle Repräsentationen / / hrsg. von Martin Seeliger, Marc Dietrich
| Deutscher Gangsta-Rap III : Soziale Konflikte und kulturelle Repräsentationen / / hrsg. von Martin Seeliger, Marc Dietrich |
| Edizione | [1st ed.] |
| Pubbl/distr/stampa | Bielefeld : , : transcript Verlag, , [2022] |
| Descrizione fisica | 1 online resource (378 p.) |
| Disciplina | 415 |
| Collana | Cultural Studies |
| Soggetto topico | SOCIAL SCIENCE / Popular Culture |
| Soggetto non controllato |
Cultural Studies
Gangsta-rap Intersectionality Migration Music Musicology Pop Music Popular Culture Social Inequality Social Media Society Sociology of Culture |
| ISBN | 3-8394-6055-7 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | ger |
| Nota di contenuto | Frontmatter -- Inhalt -- Deutscher Gangsta-Rap III: Soziale Konflikte und kulturelle Repräsentationen -- Gangsta-Rap und die Verhandlung von Ordnungen des Populären -- Gangsta-Rap und die umstrittene Bedeutung von Gewalt -- »Keiner kann mich ficken«. Die Justiz als performatives Element einer Gesamtinszenierung? -- Gangsta-Rap im Kontext der (west-)deutschen Einwanderungsgeschichte -- Rassistische Ereignisse, Gangsta-Rap und journalistische Rezeption -- »Immer wenn ich rede … episch« – Transmedialität zwischen Social Media und Musik beim Berliner Gangsta-Rapper Fler -- »Ich denke an blaues Licht auf schwarzer Haut« – immersives Storytelling im Spannungsfeld zwischen Polizeigewalt, racial profiling, Rassismus, Depression und (OG-)Realness -- »Wir lungern auf Straße, aber wir sind keine Gangster« -- Von Kritik bis Ironie: Wie junge Erwachsene politische Themen anhand von Gangsta-Rap diskutieren -- 40 Jahre Rap in Deutschland -- Pokerspiele in der Ghettoökonomie -- »Glücksspiel ist natürlich Alpha« -- Das Phänomen Cloud-Rap -- Straßenrapper als popkulturelle Märtyrer -- Autor*innen |
| Record Nr. | UNINA-9910831600303321 |
| Bielefeld : , : transcript Verlag, , [2022] | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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