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Curating Contemporary Music Festivals : A New Perspective on Music's Mediation / Brandon Farnsworth
| Curating Contemporary Music Festivals : A New Perspective on Music's Mediation / Brandon Farnsworth |
| Autore | Farnsworth Brandon (Züricher Hochschule der Künste, Switzerland) |
| Edizione | [1st ed.] |
| Pubbl/distr/stampa | Bielefeld, : transcript Verlag, 2020 |
| Descrizione fisica | 1 online resource (326 pages) : illustrations; digital file(s) |
| Disciplina | 780.794 |
| Collana | Musik und Klangkultur |
| Soggetto topico | Contemporary Classical Music; New Music; Neue Musik; Berliner Festspiele; Münchner Biennale Für Neues Musiktheater; Munich Biennale For New Music Theatre; Cultural Management; Music; Music Management; Musicology |
| Soggetto non controllato |
Berliner Festspiele
Cultural Management Munich Biennale For New Music Theatre Music Management Music Musicology Münchner Biennale Für Neues Musiktheater Neue Musik New Music |
| ISBN | 3-8394-5243-0 |
| Formato | Materiale a stampa  |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Frontmatter 1 Contents 5 Image and Figure Rights 9 1.1 Establishing the Field 11 1.2 The State of the Art 15 1.3 Scope and Overview 23 2.1 Introduction 29 2.2 The Anatomy of Festivals and Biennales 40 2.3 Curating Biennales 61 2.4 Curatorial Discourse 80 2.5 Conclusion 94 3.1 Introduction 97 3.2 Reading Shannon Jackson 98 3.3 Curating Dance / Dance Curating 111 3.4 Curating Theatre / Theatre Curating 124 3.5 Conclusion 136 4.1 Introduction 139 4.2 Hans Werner Henze 141 4.3 Music Theatre? 145 4.4 Peter Ruzicka 148 4.5 Daniel Ott and Manos Tsangaris (DOMTS) 162 4.6 The 2016 and 2018 Biennale Editions 169 4.7 Compositional and Curatorial Practices 180 4.8 The Munich Biennale in Numbers. 203 4.9 Conclusion 216 5.1 Introduction 219 5.2 A Brief Prehistory to the Maerzmusik Festival 222 5.3 Maerzmusik 2002-2014 228 5.4 Berno Odo Polzer 230 5.5 2017 Opening Concert: Julius Eastman 247 5.6 Storytelling for Earthly Survival 258 5.7 Curating and the Maerzmusik Festival 268 5.8 Decolonizing Time 273 5.9 Conclusion/Coda/Konzertemacher 277 6. Conclusion/Curating Music 281 Bibliography 289 Appendix: List of Productions at the Munich Biennale for New Music Theatre from 1988-2018 311 |
| Record Nr. | UNISA-996359644503316 |
Farnsworth Brandon (Züricher Hochschule der Künste, Switzerland)
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| Bielefeld, : transcript Verlag, 2020 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. di Salerno | ||
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Das Konzertpublikum der Zukunft : Forschungsperspektiven, Praxisreflexionen und Verortungen im Spannungsfeld einer sich verändernden Gesellschaft / Irena Müller-Brozovic, Barbara Balba Weber
| Das Konzertpublikum der Zukunft : Forschungsperspektiven, Praxisreflexionen und Verortungen im Spannungsfeld einer sich verändernden Gesellschaft / Irena Müller-Brozovic, Barbara Balba Weber |
| Autore | Müller-Brozovic Irena |
| Edizione | [1st ed.] |
| Pubbl/distr/stampa | Bielefeld, : transcript Verlag, 2021 |
| Descrizione fisica | 1 online resource (232 p.) : 753 MB 12 SW-Abbildungen |
| Disciplina | 780 |
| Collana | Forum Musikvermittlung - Perspektiven aus Forschung und Praxis |
| Soggetto topico | Konzert; Publikum; Musikvermittlung; Klassische Musik; Teilhabe; Digitale Medien; Musikfestival; Bildung; Orchester; Kulturmanagement; Musik; Musikwissenschaft; Kulturelle Bildung; Musikmanagement; Kunstpädagogik; Concert; Audience; Music Communication; Participation; Digital Media; Education; Cultural Management; Music; Musicology; Cultural Education; Music Management; Art Education |
| Soggetto genere / forma | History |
| Soggetto non controllato |
Art Education
Audience Cultural Education Cultural Management Digital Media Education Music Communication Music Management Music Musicology Participation |
| ISBN | 3-8394-5276-7 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | ger |
| Nota di contenuto | Cover -- Inhalt -- Zum Geleit -- Vorwort -- Einleitung -- Ausgangsposition -- »Das Konzertpublikum von morgen« -- Interaktion -- Resonanzaffine Public Relations -- Eine Dramaturgie der Nähe -- #freeAudience -- Transformation -- Eine Konzerttheorie -- Musikvermittlung für Erwachsene als kontextuelle Praxis vor und im Konzert -- Wechselwirkungen -- Lokalisation -- Intensität und narkotische Wirkung von Musik -- Neue Musik zwischen Kuhweide und Stadtpalais -- Zu Gast beim Publikum -- Das Foyer Public des Theater Basel -- Zukunftsvision -- Das Konzert ist tot! Oder war das gestern? -- Autor*innen. |
| Record Nr. | UNISA-996453551603316 |
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Müller-Brozovic Irena
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| Bielefeld, : transcript Verlag, 2021 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. di Salerno | ||
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Musik und Klangkultur. Women's Leadership in Music : Modes, Legacies, Alliances / / ed. by Linda Cimardi, Iva Nenic
| Musik und Klangkultur. Women's Leadership in Music : Modes, Legacies, Alliances / / ed. by Linda Cimardi, Iva Nenic |
| Edizione | [1st ed.] |
| Pubbl/distr/stampa | Bielefeld : , : transcript Verlag, , [2023] |
| Descrizione fisica | 1 online resource (258 p.) |
| Collana | Musik und Klangkultur |
| Soggetto topico | MUSIC / History & Criticism |
| Soggetto non controllato |
Culture
Gender Studies Gender Leadership Music Management Music Musicology |
| ISBN | 3-8394-6546-X |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Frontmatter -- Contents -- Introduction. Women’s Modes, Legacies and Futures in Music -- Uneven Terrains of Struggle: Towards the Transformative Notion of Female Music Leadership -- Between Home and International Scenes. Sarah Ndagire’s Way to World Music -- Plucking a Liberal Sound: Japanese Women’s Resignification of Finnish Kantele in a Hobbyist Club -- Female Balkan Romani Singers: Charting Innovative Performance Paths -- Assumptions of Normality: How Three Women with a Disability Changed the Face of Music -- Female Leadership in Iranian-Arab Shiʻa Rituals from Khorramshahr, South-western Iran -- God Has a Woman’s Voice. Liturgical Music and Agency of Eastern European Migrant Women in Rome -- Winds of Change? Gender Segregation in Music Education and Production in Italy -- Introducing WMLON: The Women’s Musical Leadership Online Network -- Women in Music: Possibilities and Responsibilities of Cultural Management and Policy -- Women’s Role in Sustaining the Practice of Tamburitza Instruments in Vojvodina -- Performing Trauma in Privileged Spaces: Empowering Turkish Women’s Voices of the Past -- Women’s Actions to Revitalize the Practice of Kaval Playing in Serbia -- Female Leadership in Serbian Metal Music. Frontwomen at the Crossroads of Visibility, Genre and Voice -- Female Agency, Genres and Aesthetics of Sorrow in Persian Classical Music -- “What Moves the World, Moves My Ass as Well”: Mimi Mercedez as an Anti-heroine of Postsocialist Serbia -- Notes on Contributors |
| Record Nr. | UNISA-996517766803316 |
| Bielefeld : , : transcript Verlag, , [2023] | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. di Salerno | ||
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Musik und Klangkultur. Women's Leadership in Music : Modes, Legacies, Alliances / / ed. by Linda Cimardi, Iva Nenic
| Musik und Klangkultur. Women's Leadership in Music : Modes, Legacies, Alliances / / ed. by Linda Cimardi, Iva Nenic |
| Edizione | [1st ed.] |
| Pubbl/distr/stampa | Bielefeld, : transcript Verlag, 2023 |
| Descrizione fisica | 1 online resource (258 p.) |
| Disciplina | 780.82 |
| Collana | Musik und Klangkultur |
| Soggetto topico | MUSIC / History & Criticism |
| Soggetto non controllato |
Culture
Gender Studies Gender Leadership Music Management Music Musicology |
| ISBN |
9783839465462
383946546X |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Frontmatter -- Contents -- Introduction. Women’s Modes, Legacies and Futures in Music -- Uneven Terrains of Struggle: Towards the Transformative Notion of Female Music Leadership -- Between Home and International Scenes. Sarah Ndagire’s Way to World Music -- Plucking a Liberal Sound: Japanese Women’s Resignification of Finnish Kantele in a Hobbyist Club -- Female Balkan Romani Singers: Charting Innovative Performance Paths -- Assumptions of Normality: How Three Women with a Disability Changed the Face of Music -- Female Leadership in Iranian-Arab Shiʻa Rituals from Khorramshahr, South-western Iran -- God Has a Woman’s Voice. Liturgical Music and Agency of Eastern European Migrant Women in Rome -- Winds of Change? Gender Segregation in Music Education and Production in Italy -- Introducing WMLON: The Women’s Musical Leadership Online Network -- Women in Music: Possibilities and Responsibilities of Cultural Management and Policy -- Women’s Role in Sustaining the Practice of Tamburitza Instruments in Vojvodina -- Performing Trauma in Privileged Spaces: Empowering Turkish Women’s Voices of the Past -- Women’s Actions to Revitalize the Practice of Kaval Playing in Serbia -- Female Leadership in Serbian Metal Music. Frontwomen at the Crossroads of Visibility, Genre and Voice -- Female Agency, Genres and Aesthetics of Sorrow in Persian Classical Music -- “What Moves the World, Moves My Ass as Well”: Mimi Mercedez as an Anti-heroine of Postsocialist Serbia -- Notes on Contributors |
| Record Nr. | UNINA-9910683397303321 |
| Bielefeld, : transcript Verlag, 2023 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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