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The idea of a theater : a study of ten plays : the art of drama in changing perspective / / Francis Fergusson
| The idea of a theater : a study of ten plays : the art of drama in changing perspective / / Francis Fergusson |
| Autore | Fergusson Francis |
| Edizione | [First Princeton paperback edition.] |
| Pubbl/distr/stampa | Princeton, N.J. : , : Princeton University Press, , 1949 |
| Descrizione fisica | 1 online resource (x, 242 pages) |
| Disciplina | 808.2 |
| Collana | Princeton Legacy Library |
| Soggetto topico | Drama - History and criticism |
| Soggetto non controllato |
Acting
Anagoge Anecdote Aristotelianism Awareness Before the Revolution Brothel Caricature City Of Classicism Cyclorama (theater) Dithyramb Dolce Stil Novo Drama Dramatization Dramaturgy Drawing room Episode Escapism Farce Fine art Fortinbras Genre Gilbert Murray Gilbert and Sullivan Good and evil Hamlet's Father Hamlet Harold Clurman Heartbreak House High Spirits (musical) Hubris Illustration Imagery Improvisation In Society In This World In the Life Infatuation Irony Jacques Copeau Jean Cocteau Jeux Kilroy was here Laertes (Hamlet) Life Itself Literature Louis Jouvet Luigi Pirandello Macduff (Macbeth) Major Barbara Melodrama Metaphysical poets Mimesis Modernity Molière Murder in the Cathedral Narrative thread Narrative Of Human Action Omnipotence Oscar Wilde Parody Plautus Play (theatre) Playwright Poetic realism Poetry Polonius Primitivism Purgatorio Realism (arts) Reductio ad absurdum Restoration comedy Revenge play Rhetorical device Rosencrantz and Guildenstern (play) Rosencrantz and Guildenstern Scaramouche Sensibility Shakespearean tragedy Six Characters in Search of an Author Sophistication Sophocles Sound effect Struggle (TV series) Suspension of disbelief Terence The Comic The Infernal Machine (play) The Realist The Spirit of the Age The Various The Very Idea Theatre Theatricality Tragedy Valet Ventriloquism William Shakespeare |
| ISBN |
0-691-06143-2
0-691-64910-3 1-4008-7513-7 |
| Formato | Materiale a stampa  |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Front matter -- CONTENTS -- ACKNOWLEDGMENTS -- PART 1. THE IDEA OF A THEATER -- INTRODUCTION. THE IDEA OF A THEATER -- CHAPTER I. OEDIPUS REX: THE TRAGIC RHYTHM OF ACTION -- CHAPTER II. BERENICE: THE ACTION AND THEATER OF REASON -- CHAPTER III. TRISTAN UND ISOLDE: THE ACTION AND THEATER OF PASSION -- CHAPTER IV. HAMLET, PRINCE OF DENMARK: THE ANALOGY OF ACTION -- PART II. THE PARTIAL PERSPECTIVES OF THE MODERN THEATER -- INTRODUCTION. THE PARTIAL PERSPECTIVES OF THE MODERN THEATER -- CHAPTER V. GHOSTS AND THE CHERRY ORCHARD: THE THEATER OF MODERN REALISM -- CHAPTER VI. THE THEATRICALITY OF SHAW AND PIRANDELLO -- CHAPTER VII. POETRY OF THE THEATER AND THE POET IN THE THEATER -- P A R T III. CERTAIN TECHNICAL CONCEPTS USED IN THIS STUDY -- APPENDIX. ON CERTAIN TECHNICAL CONCEPTS USED IN THIS STUDY -- Back matter |
| Record Nr. | UNINA-9910797877203321 |
Fergusson Francis
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| Princeton, N.J. : , : Princeton University Press, , 1949 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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The idea of a theater : a study of ten plays : the art of drama in changing perspective / / Francis Fergusson
| The idea of a theater : a study of ten plays : the art of drama in changing perspective / / Francis Fergusson |
| Autore | Fergusson Francis |
| Edizione | [First Princeton paperback edition.] |
| Pubbl/distr/stampa | Princeton, N.J. : , : Princeton University Press, , 1949 |
| Descrizione fisica | 1 online resource (x, 242 pages) |
| Disciplina | 808.2 |
| Collana | Princeton Legacy Library |
| Soggetto topico | Drama - History and criticism |
| Soggetto non controllato |
Acting
Anagoge Anecdote Aristotelianism Awareness Before the Revolution Brothel Caricature City Of Classicism Cyclorama (theater) Dithyramb Dolce Stil Novo Drama Dramatization Dramaturgy Drawing room Episode Escapism Farce Fine art Fortinbras Genre Gilbert Murray Gilbert and Sullivan Good and evil Hamlet's Father Hamlet Harold Clurman Heartbreak House High Spirits (musical) Hubris Illustration Imagery Improvisation In Society In This World In the Life Infatuation Irony Jacques Copeau Jean Cocteau Jeux Kilroy was here Laertes (Hamlet) Life Itself Literature Louis Jouvet Luigi Pirandello Macduff (Macbeth) Major Barbara Melodrama Metaphysical poets Mimesis Modernity Molière Murder in the Cathedral Narrative thread Narrative Of Human Action Omnipotence Oscar Wilde Parody Plautus Play (theatre) Playwright Poetic realism Poetry Polonius Primitivism Purgatorio Realism (arts) Reductio ad absurdum Restoration comedy Revenge play Rhetorical device Rosencrantz and Guildenstern (play) Rosencrantz and Guildenstern Scaramouche Sensibility Shakespearean tragedy Six Characters in Search of an Author Sophistication Sophocles Sound effect Struggle (TV series) Suspension of disbelief Terence The Comic The Infernal Machine (play) The Realist The Spirit of the Age The Various The Very Idea Theatre Theatricality Tragedy Valet Ventriloquism William Shakespeare |
| ISBN |
0-691-06143-2
0-691-64910-3 1-4008-7513-7 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Front matter -- CONTENTS -- ACKNOWLEDGMENTS -- PART 1. THE IDEA OF A THEATER -- INTRODUCTION. THE IDEA OF A THEATER -- CHAPTER I. OEDIPUS REX: THE TRAGIC RHYTHM OF ACTION -- CHAPTER II. BERENICE: THE ACTION AND THEATER OF REASON -- CHAPTER III. TRISTAN UND ISOLDE: THE ACTION AND THEATER OF PASSION -- CHAPTER IV. HAMLET, PRINCE OF DENMARK: THE ANALOGY OF ACTION -- PART II. THE PARTIAL PERSPECTIVES OF THE MODERN THEATER -- INTRODUCTION. THE PARTIAL PERSPECTIVES OF THE MODERN THEATER -- CHAPTER V. GHOSTS AND THE CHERRY ORCHARD: THE THEATER OF MODERN REALISM -- CHAPTER VI. THE THEATRICALITY OF SHAW AND PIRANDELLO -- CHAPTER VII. POETRY OF THE THEATER AND THE POET IN THE THEATER -- P A R T III. CERTAIN TECHNICAL CONCEPTS USED IN THIS STUDY -- APPENDIX. ON CERTAIN TECHNICAL CONCEPTS USED IN THIS STUDY -- Back matter |
| Record Nr. | UNINA-9910825380403321 |
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Fergusson Francis
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| Princeton, N.J. : , : Princeton University Press, , 1949 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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The mimetic strand in the cello literature : within the context of history, instrument design, iconography and cello performance / / Urszula Mizia ; translated by John Comber
| The mimetic strand in the cello literature : within the context of history, instrument design, iconography and cello performance / / Urszula Mizia ; translated by John Comber |
| Autore | Mizia Urszula |
| Pubbl/distr/stampa | Bern, : Peter Lang International Academic Publishing Group, 2020 |
| Descrizione fisica | 1 online resource (336 pages) |
| Disciplina | 787.4092 |
| Collana | Ars musica (Frankfurt am Main, Germany) |
| Soggetto topico | Cello music - History and criticism |
| Soggetto non controllato |
Akant
budowy Cello Cello construction Cello history Cello iconography Cello performance and emancipation Cello transcriptions Context Design historii History Iconography ikonografii Instrument instrumentu kontekście Literature literaturze Mimesis Mimetic mimetyczny Mizia Nurt oraz Performance Strand Trend wiolonczelowego wiolonczelowej Wydawnictwo wykonawstwa |
| ISBN |
3-631-82629-X
3-631-82628-1 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Record Nr. | UNINA-9910508710003321 |
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Mizia Urszula
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| Bern, : Peter Lang International Academic Publishing Group, 2020 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Plato's Sophist revisited [[electronic resource] /] / edited by Beatriz Bossi, Thomas M. Robinson
| Plato's Sophist revisited [[electronic resource] /] / edited by Beatriz Bossi, Thomas M. Robinson |
| Pubbl/distr/stampa | Berlin ; ; Boston, : De Gruyter, c2013 |
| Descrizione fisica | 1 online resource (316 p.) |
| Disciplina | 183/.1 |
| Altri autori (Persone) |
BossiBeatriz <1957->
RobinsonT. M |
| Collana |
Trends in classics.
Trends in Classics - Supplementary Volumes |
| Soggetto topico | Philosophy, Ancient |
| Soggetto non controllato |
Falsity
Logos Mimesis Non-Being Sophistry |
| ISBN | 3-11-028713-7 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Front matter -- Preface -- Contents -- Protagoras and the Definition of ‘Sophist’ in the Sophist -- Why is it so Difficult to Catch a Sophist? Pl. Sph. 218d3 and 261a5 -- Plato’s Enquiry concerning the Sophist as a Way towards ‘Defining’ Philosophy -- The Sixth Definition (Sophist 226a–231c): Transposition of Religious Language -- Remarks on the First Five Definitions of the Sophist (Soph. 221c–235a) -- Socrates and ‘Noble’ Sophistry (Sophist 226b–231c) -- The Method of Division in the Sophist: Plato’s Second Deuteros Plous -- Plato’s Ionian Muses: Sophist 242 d–e -- Does Plato refute Parmenides? -- Back to the Point: Plato and Parmenides – Genuine Parricide? -- Plato’s Eleaticism in the Sophist: The Doctrine of Non-Being -- The relativization of “separation” (khorismos) in the Sophist -- Theaetetus sits – Theaetetus flies. Ontology, predication and truth in Plato’s Sophist (263a–d) -- Difference and Negation: Plato’s Sophist in Proclus -- Difference in Kind: Observations on the Distinction of the Megista Gene -- Mimesis in the Sophist -- Bibliography -- Index Locorum -- Subject Index |
| Record Nr. | UNINA-9910789090303321 |
| Berlin ; ; Boston, : De Gruyter, c2013 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Poetics before Plato [[electronic resource] ] : interpretation and authority in early Greek theories of poetry / / Grace M. Ledbetter
| Poetics before Plato [[electronic resource] ] : interpretation and authority in early Greek theories of poetry / / Grace M. Ledbetter |
| Autore | Ledbetter Grace M. <1965-> |
| Edizione | [Course Book] |
| Pubbl/distr/stampa | Princeton, N.J., : Princeton University Press, 2003 |
| Descrizione fisica | 1 online resource (142 p.) |
| Disciplina | 881/.0109 |
| Soggetto topico |
Greek poetry - History and criticism - Theory, etc
Poetics - History - To 1500 Authority in literature Aesthetics, Ancient |
| Soggetto non controllato |
A Preface to Paradise Lost
Against the Sophists Allegory Ambiguity Archilochus Biographical criticism Concept Counterexample Criticism Crito Demodocus (Odyssey character) Didacticism Dogma Eloquence Epic poetry Euthyphro (prophet) Explanation Falsity Fiction Fifth-century Athens G. (novel) Generosity Genre Hermeneutics Hesiod Hippias Major Hippias Homer Homeric scholarship Iliad Imagery Inference Iris Murdoch Irony Knowledge Literary criticism Literary fiction Literary theory Literature Metaphor Mimesis Moral authority Morality Muse Narrative New Criticism Notion (ancient city) Odes (Horace) Odysseus' scar (Auerbach) Odysseus Oracle Peleus Phemius Philosopher Philosophy and literature Philosophy Pindar Plato Platonism Poet Poetic tradition Poetics (Aristotle) Poetics Poetry Political poetry Post-structuralism Principle of charity Prodicus Protagoras Reason Relativism Rhapsode Rhetoric S. (Dorst novel) Satire Skepticism Socrate Socratic method Socratic Sophist Storytelling Suggestion Superiority (short story) Supplication Swarthmore College Symptom Telemachus The Death of the Author Theogony Theory of Forms Theory Thought Trojan War Uncertainty Veracity (Mark Lavorato novel) Verisimilitude (fiction) Verisimilitude William Shakespeare Works and Days Xenophanes |
| ISBN |
1-282-08764-9
9786612087646 1-4008-2528-8 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Frontmatter -- Contents -- Acknowledgments -- Abbreviations -- Introduction: Poetry, Knowledge, and Interpretation -- Chapter One. Supernatural Knowledge in Homeric Poetics -- Chapter Two. Hesiod's Naturalism -- Chapter Three. Pindar: The Poet as Interpreter -- Chapter Four. Socratic Poetics -- Chapter Five. Toward a Model of Socratic Interpretation -- Bibliographic References -- Index |
| Record Nr. | UNINA-9910777704403321 |
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Ledbetter Grace M. <1965->
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| Princeton, N.J., : Princeton University Press, 2003 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Resonanzen des Tragischen : zwischen Ereignis und Affekt / / Nicole Haitzinger
| Resonanzen des Tragischen : zwischen Ereignis und Affekt / / Nicole Haitzinger |
| Autore | Haitzinger Nicole |
| Pubbl/distr/stampa | Turia und Kant, 2015 |
| Descrizione fisica | 1 online resource (364 pages) : illustrations; digital, PDF file(s) |
| Disciplina | 792.78 |
| Collana |
Open Access e-Books
Knowledge Unlatched |
| Soggetto topico |
Tragic, The - History
Dance - Themes, motives Emotions in dance Gesture in dance |
| Soggetto non controllato |
Tragic
Staging Pathos Effect Tanztheater Figur chorische Formationen Tragisch Inszenierung Affektdarstellungen Antike Ästhetik Gestik Jean Georges Noverre Mimesis |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | ger |
| Nota di contenuto | Einleitung -- Exkurs : Antikenkonstruktionen und -rezeptionen -- Zum Antiken Tragischen als Methode -- Pathos : Widerfahrnis und Darstellbarkeit -- Chor, Chorisches : zu Figurationen der Anwesenheit -- Phantasma und Mimesis : zu Figuren der Abwesenheit -- Vorschau : Aischylos' Agamemnon als Regiebuch gelesen -- Das Tragische als Ereignis -- Einführung -- Grosse Leidenschaften : zur Pathosvorstellung des 18. Jahrhunderts -- Zur Inszenierung von Tragischen Figuren im 18. Jahrhundert -- Vorgestellte Einheit -- Ausdruckskörper -- Ausdrucksgeste -- Jean Georges Noverres der Gerächte Agamemnon (1771) -- Pathos-Pose, Pathos-Geste -- Erscheinungsauftritte -- Tragisches Corps de Ballet -- Der Rückzug des Tragischen in den Affekt -- Einführung -- Gemässigte Gefühle : zur Vorstellung des Pathetischen im 19. Jahrhundert -- Zur Konstruktion von Tragischen Figuren im 19. Jahrhundert -- Dreiteilung des Menschen -- Konzeption des sublim-expressiven Körpers -- Phänomenologie des Ausdrucks -- Zu Figurationen und Formationen des A-Tragischen -- Arabeske -- Ornamentale und geometrische Tanzgruppen -- Luigi Manzottis Excelsior (1881) -- Pathetische Gesten -- Rhythmisierte Gruppen -- Rückblick und Ausblick -- Anmerkung 1 : Orpheus und Eurydike (1975) von Pina Bausch -- Anmerkung 2 : Maybe Forever (2007) von Philipp Gehmacherl Meg Stuart. |
| Record Nr. | UNINA-9910563172703321 |
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Haitzinger Nicole
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| Turia und Kant, 2015 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Zwischen Spiel und Story : Mimetische Strukturen im Computerspiel / / Moritz Hillmayer
| Zwischen Spiel und Story : Mimetische Strukturen im Computerspiel / / Moritz Hillmayer |
| Autore | Hillmayer Moritz |
| Edizione | [1st ed.] |
| Pubbl/distr/stampa | Bielefeld : , : transcript Verlag, , [2022] |
| Descrizione fisica | 1 online resource (320 p.) |
| Collana | Literatur in der digitalen Gesellschaft |
| Soggetto topico | LITERARY CRITICISM / European / German |
| Soggetto non controllato |
Agency
Analysis Computer Game Computer Games Digital Media Game Studies German Literature Interpretation Literary Studies Literature Media Mimesis Narrative Popular Culture |
| ISBN | 3-8394-6203-7 |
| Classificazione | AP 15963 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | ger |
| Nota di contenuto | Frontmatter -- Inhalt -- Danksagung -- Vorbemerkungen -- Hinführung -- 1. Hitman und die ludonarrative Grätsche -- 2. Metal Gear Solid und die sinnliche Ästhetik -- 3. Skyrim und die lebendige Interaktivität der Welt -- 4. Assassin’s Creed und die Identität des Avatars -- 5. Grand Theft Auto und die Glaubwürdigkeit -- 6. Red Dead Redemption und die Involvierung -- 7. Hellblade und die innere Mimesis -- Schlussbetrachtungen -- Anhang A: Dialog aus Grand Theft Auto V -- Anhang B: Inhaltszusammenfassung Hellblade: Senua’s Sacrifice -- Anhang C: Hellblade: Senua’s Sacrifice – Ereignisgrafik -- Quellenverzeichnis |
| Record Nr. | UNISA-996582056003316 |
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Hillmayer Moritz
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| Bielefeld : , : transcript Verlag, , [2022] | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. di Salerno | ||
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