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Doing Digital Migration Studies : Theories and Practices of the Everyday
| Doing Digital Migration Studies : Theories and Practices of the Everyday |
| Autore | Leurs Koen |
| Edizione | [1st ed.] |
| Pubbl/distr/stampa | Amsterdam : , : Amsterdam University Press, , 2024 |
| Descrizione fisica | 1 online resource (390 pages) |
| Disciplina | 304.8072 |
| Altri autori (Persone) | PonzanesiSandra <1967-> |
| Collana | Media, Culture and Communication in Migrant Societies Series |
| Soggetto topico | SOCIAL SCIENCE / Emigration & Immigration |
| Soggetto non controllato | Migration, belonging, digital practices, digital migration studies, diaspora |
| ISBN | 90-485-5575-2 |
| Formato | Materiale a stampa  |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Cover -- Table of Contents -- Acknowledgements -- Doing Digital Migration Studies: Introduction -- Koen Leurs and Sandra Ponzanesi -- Section I: Creative practices -- Introduction to Section I: Creative Practices -- Karina Horsti -- 1. Against and Beyond Mimeticism: A Cinematic Ethics of Migration Journeys in Documentary Auto-Ethnography -- Nadica Denić -- 2. Archival Participatory Filmmaking in Migration and Border Studies -- Irene Gutiérrez Torres -- 3. Embodying Data, Shifting Perspective: A Conversation with Ahnjili Zhuparris on Future Wake -- Rosa Wevers with Ahnjili Zhuparris -- Section II: Digital Diasporas and Placemaking -- Introduction to Section II: Digital Diasporas and Placemaking -- Mihaela Nedelcu -- 4. Friendship, Connection and Loss: Everyday Digital Kinning and Digital Homing among Chinese Transnational Grandparents in Perth, Australia -- Catriona Stevens, Loretta Baldassar and Raelene Wilding -- 5. An Exploration of African Digital Cosmopolitanism -- Fungai Machirori -- 6. YouTube Became the Place Where "I Could Breathe" and Start "to Sell my Mouth": Congolese Refugee YouTubers in Nairobi, Kenya -- Marie Godin and Bahati Ghislain -- Section III: Affect and Belonging -- Introduction to Section III: Affect and Belonging -- Athina Karatzogianni -- 7. Digital Communication, Transnational Relationships and the Making of Place Among Highly Skilled Migrants during the Covid-19 Pandemic -- Elisabetta Costa -- 8. When Immovable Bodies Meet Unstoppable Media Circulation: The Aporetic Body in Digital Migration Studies -- Nishant Shah -- 9. Queer Digital Migration Research: Two Case Studies -- Yener Bayramoğlu -- Section IV: Visuality and Digital Media -- Introduction to Section IV: Visuality and Digital Media -- Giorgia Aiello -- 10. Migrant Agency and Platformed Belongings: The Case of TikTok.
Daniela Jaramillo-Dent, Amanda Alencar and Yan Asadchy -- 11. Affective Performances of Rooted Cosmopolitanism Through Facebook During the Festival International de Folklore et de Percussion in Louga, Senegal -- Estrella Sendra -- 12. Situating the Body in Digital Migration Research: Embodied Methodologies for Analysing Virtual Reality Films on Displacement -- Moé Suzuki -- Section V: Datafication, Infrastructuring and Securitization -- Introduction to Section V: Datafication, Infrastructuring and Securitization -- Saskia Witteborn -- 13. The Weaponization of Datafied Sound: The Case of Voice Biometrics in German Asylum Procedures -- Daniel Leix Palumbo -- 14. McKinsey Consultants and Technocratic Fantasies: Crafting the Illusion of Orderly Migration Management in Greece -- Luděk Stavinoha -- 15. Undocumented and Datafied: Anticipation, Borders and Everyday Life -- Kaarina Nikunen and Sanna Valtonen -- Section VI: Conclusions -- Conclusions: On Doing Digital Migration Studies -- Koen Leurs and Sandra Ponzanesi -- Index -- List of Figures and Tables -- Figure 0.1. Visual harvesting of ideas, Migrant Belongings. Digital Practices and the Everyday conference, by visual artist Renée van den Kerkhof. -- Figure 1.1. Zahra playing in the camp. Film still from Midnight Traveler (2019). Courtesy of Hassan Fazili. Copyright The Party Film Sales, Old Chilly Pictures, ITVS, POV | American Documentary. -- Table 2.1 Characteristics of the three case studies, including the workshops (process) and the films (results) -- Figure 2.1. Nine of the eleven directors of The Way it Goes in the film's Q& -- A at the Círculo de Bellas Artes de Madrid, IV 1st Person Film Festival A Home. Madrid, 6 November 2019, Photo by Irene Gutiérrez. -- Figure 3.1. Still 1 from Future Wake (2021). Courtesy of Zhuparris and van Ommeren. Figure 3.2. Still 2 from Future Wake (2021). Courtesy of Zhuparris and van Ommeren. -- Figure 6.1. "Be careful in this election period / Going back at home earlier" (Mwirinde Muriki Gihe Camatora / Gutaha Kare Ningombwa). Video by Kanyamukwengo, still from https://www.youtube.com/watch?v=50hbtrRn_VM. -- Figure 6.2. "Be careful in these days of election / Go back home earlier // it's important" (Mwirinde murikigihe amatora / Gutaha kare ningombwa). Video by Kanyamukwengo, still from https://www.youtube.com/watch?v=50hbtrRn_VM. -- Figure 7.1. The author is conducting an interview with a research participant who was waiting for the results of a Covid-19 PCR test. Photo by Marina De Giorgi. -- Figure 8.1. Performance artist Anushka Nair, performing the task of naming the unnamed migrant workers in India who died trying to return home during the Covid-19 lockdown. Photo by Anushka Nair. -- Figure 8.2. Participants in the performance performing the labour of writing names on rice to revitalise the names otherwise forgotten. Photo by Anushka Nair. -- Figure 9.1. A screenshot of the main stage of Madi Ancestors. -- Figure 9.2. Leman posting a sticker on a wall in Neukölln, Berlin, 2021. Photo by Yener Bayramoğlu. -- Figure 9.3. A defaced sticker on a lamppost in Kreuzberg, Berlin, 2021. Photo by Yener Bayramoğlu. -- Figure 10.1. Proposed forms of agency and belonging, characteristics and examples. -- Figure 11.1. Audiences gathering at the Place Civique during the 15th FESFOP. Rooted cosmopolitans stay by the back on the left, along with artists performing in the festival. Photo by Estrella Sendra, 30 December 2015. Figure 13.1. Illustration of the use of voice biometrics on asylum applicants. Note. The slide is taken from the training documents for BAMF personnel. It provides an overview explaining in which cases voice biometrics are used and illustrates the procedu -- Figure 13.2. Sample of a voice biometrics result report. Note. The slide shows what a result report produced by BAMF's voice biometrics looks like. The report consists of three different sections: the first lists the dialects/accents assessed for the asyl -- Figure 14.1. McKinsey & -- Company study on the operationalization of the EU-Turkey statement. -- Figure 14.2. McKinsey's breakdown of migrant population on Chios, Greece, in March 2016. |
| Record Nr. | UNISA-996588063903316 |
Leurs Koen
|
||
| Amsterdam : , : Amsterdam University Press, , 2024 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. di Salerno | ||
| ||
Doing Digital Migration Studies : Theories and Practices of the Everyday
| Doing Digital Migration Studies : Theories and Practices of the Everyday |
| Autore | Leurs Koen |
| Edizione | [1st ed.] |
| Pubbl/distr/stampa | Amsterdam : , : Amsterdam University Press, , 2024 |
| Descrizione fisica | 1 online resource (390 pages) |
| Disciplina | 304.8072 |
| Altri autori (Persone) | PonzanesiSandra <1967-> |
| Collana | Media, Culture and Communication in Migrant Societies Series |
| Soggetto topico | SOCIAL SCIENCE / Emigration & Immigration |
| Soggetto non controllato | Migration, belonging, digital practices, digital migration studies, diaspora |
| ISBN | 90-485-5575-2 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Cover -- Table of Contents -- Acknowledgements -- Doing Digital Migration Studies: Introduction -- Koen Leurs and Sandra Ponzanesi -- Section I: Creative practices -- Introduction to Section I: Creative Practices -- Karina Horsti -- 1. Against and Beyond Mimeticism: A Cinematic Ethics of Migration Journeys in Documentary Auto-Ethnography -- Nadica Denić -- 2. Archival Participatory Filmmaking in Migration and Border Studies -- Irene Gutiérrez Torres -- 3. Embodying Data, Shifting Perspective: A Conversation with Ahnjili Zhuparris on Future Wake -- Rosa Wevers with Ahnjili Zhuparris -- Section II: Digital Diasporas and Placemaking -- Introduction to Section II: Digital Diasporas and Placemaking -- Mihaela Nedelcu -- 4. Friendship, Connection and Loss: Everyday Digital Kinning and Digital Homing among Chinese Transnational Grandparents in Perth, Australia -- Catriona Stevens, Loretta Baldassar and Raelene Wilding -- 5. An Exploration of African Digital Cosmopolitanism -- Fungai Machirori -- 6. YouTube Became the Place Where "I Could Breathe" and Start "to Sell my Mouth": Congolese Refugee YouTubers in Nairobi, Kenya -- Marie Godin and Bahati Ghislain -- Section III: Affect and Belonging -- Introduction to Section III: Affect and Belonging -- Athina Karatzogianni -- 7. Digital Communication, Transnational Relationships and the Making of Place Among Highly Skilled Migrants during the Covid-19 Pandemic -- Elisabetta Costa -- 8. When Immovable Bodies Meet Unstoppable Media Circulation: The Aporetic Body in Digital Migration Studies -- Nishant Shah -- 9. Queer Digital Migration Research: Two Case Studies -- Yener Bayramoğlu -- Section IV: Visuality and Digital Media -- Introduction to Section IV: Visuality and Digital Media -- Giorgia Aiello -- 10. Migrant Agency and Platformed Belongings: The Case of TikTok.
Daniela Jaramillo-Dent, Amanda Alencar and Yan Asadchy -- 11. Affective Performances of Rooted Cosmopolitanism Through Facebook During the Festival International de Folklore et de Percussion in Louga, Senegal -- Estrella Sendra -- 12. Situating the Body in Digital Migration Research: Embodied Methodologies for Analysing Virtual Reality Films on Displacement -- Moé Suzuki -- Section V: Datafication, Infrastructuring and Securitization -- Introduction to Section V: Datafication, Infrastructuring and Securitization -- Saskia Witteborn -- 13. The Weaponization of Datafied Sound: The Case of Voice Biometrics in German Asylum Procedures -- Daniel Leix Palumbo -- 14. McKinsey Consultants and Technocratic Fantasies: Crafting the Illusion of Orderly Migration Management in Greece -- Luděk Stavinoha -- 15. Undocumented and Datafied: Anticipation, Borders and Everyday Life -- Kaarina Nikunen and Sanna Valtonen -- Section VI: Conclusions -- Conclusions: On Doing Digital Migration Studies -- Koen Leurs and Sandra Ponzanesi -- Index -- List of Figures and Tables -- Figure 0.1. Visual harvesting of ideas, Migrant Belongings. Digital Practices and the Everyday conference, by visual artist Renée van den Kerkhof. -- Figure 1.1. Zahra playing in the camp. Film still from Midnight Traveler (2019). Courtesy of Hassan Fazili. Copyright The Party Film Sales, Old Chilly Pictures, ITVS, POV | American Documentary. -- Table 2.1 Characteristics of the three case studies, including the workshops (process) and the films (results) -- Figure 2.1. Nine of the eleven directors of The Way it Goes in the film's Q& -- A at the Círculo de Bellas Artes de Madrid, IV 1st Person Film Festival A Home. Madrid, 6 November 2019, Photo by Irene Gutiérrez. -- Figure 3.1. Still 1 from Future Wake (2021). Courtesy of Zhuparris and van Ommeren. Figure 3.2. Still 2 from Future Wake (2021). Courtesy of Zhuparris and van Ommeren. -- Figure 6.1. "Be careful in this election period / Going back at home earlier" (Mwirinde Muriki Gihe Camatora / Gutaha Kare Ningombwa). Video by Kanyamukwengo, still from https://www.youtube.com/watch?v=50hbtrRn_VM. -- Figure 6.2. "Be careful in these days of election / Go back home earlier // it's important" (Mwirinde murikigihe amatora / Gutaha kare ningombwa). Video by Kanyamukwengo, still from https://www.youtube.com/watch?v=50hbtrRn_VM. -- Figure 7.1. The author is conducting an interview with a research participant who was waiting for the results of a Covid-19 PCR test. Photo by Marina De Giorgi. -- Figure 8.1. Performance artist Anushka Nair, performing the task of naming the unnamed migrant workers in India who died trying to return home during the Covid-19 lockdown. Photo by Anushka Nair. -- Figure 8.2. Participants in the performance performing the labour of writing names on rice to revitalise the names otherwise forgotten. Photo by Anushka Nair. -- Figure 9.1. A screenshot of the main stage of Madi Ancestors. -- Figure 9.2. Leman posting a sticker on a wall in Neukölln, Berlin, 2021. Photo by Yener Bayramoğlu. -- Figure 9.3. A defaced sticker on a lamppost in Kreuzberg, Berlin, 2021. Photo by Yener Bayramoğlu. -- Figure 10.1. Proposed forms of agency and belonging, characteristics and examples. -- Figure 11.1. Audiences gathering at the Place Civique during the 15th FESFOP. Rooted cosmopolitans stay by the back on the left, along with artists performing in the festival. Photo by Estrella Sendra, 30 December 2015. Figure 13.1. Illustration of the use of voice biometrics on asylum applicants. Note. The slide is taken from the training documents for BAMF personnel. It provides an overview explaining in which cases voice biometrics are used and illustrates the procedu -- Figure 13.2. Sample of a voice biometrics result report. Note. The slide shows what a result report produced by BAMF's voice biometrics looks like. The report consists of three different sections: the first lists the dialects/accents assessed for the asyl -- Figure 14.1. McKinsey & -- Company study on the operationalization of the EU-Turkey statement. -- Figure 14.2. McKinsey's breakdown of migrant population on Chios, Greece, in March 2016. |
| Record Nr. | UNINA-9910805999903321 |
|
Leurs Koen
|
||
| Amsterdam : , : Amsterdam University Press, , 2024 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||