The melancholy art [[electronic resource] /] / Michael Ann Holly |
Autore | Holly Michael Ann |
Edizione | [Course Book] |
Pubbl/distr/stampa | Princeton, New Jersey, : Princeton University Press, 2013 |
Descrizione fisica | 1 online resource (225 p.) |
Disciplina | 707.2/2 |
Collana | Essays in the arts |
Soggetto topico |
Art - Historiography
Melancholy |
Soggetto non controllato |
Aby Warburg
Aestheticism Aesthetics Allegory Alois Riegl Anachronism Analytic confidence Ancient art Aphorism Art criticism Art history Arthur Schopenhauer Artistic merit Ben Nicholson Bernard Berenson Bernard Bosanquet (philosopher) Beyond the Pleasure Principle Caspar David Friedrich Christopher Bollas Classicism Connoisseur Consciousness Contemporary art Criticism Critique of Judgment Death drive Deconstruction Ernst Gombrich Erwin Panofsky Explanation Fra Angelico Friedrich Nietzsche Fritz Saxl Garry Wills Georg Wilhelm Friedrich Hegel George Steiner Giovanni Morelli Hannah Arendt Hans Ulrich Gumbrecht Hayden White Iconography Illusionism (art) Isabella Stewart Gardner Museum Jacques Derrida Jacques Lacan Jacques-Alain Miller James Strachey Jan van Eyck Johann Joachim Winckelmann Josef Strzygowski Julia Kristeva Linguistic turn Literary theory Marion Milner Marsilio Ficino Martin Heidegger Maurice Blanchot Melanie Klein Metahistory Metonymy Meyer Schapiro Michael Baxandall Minima Moralia Modernism Modernity Museum Oceanic feeling Oskar Kokoschka Overpainting Paul de Man Petrarch Philosopher Philosophy Positivism Post-structuralism Postmodernism Psychoanalysis Putto Rainer Maria Rilke Renaissance art Rhetoric Richard Wollheim Romanticism Saint Francis Receiving the Stigmata (van Eyck) Sandro Botticelli Simone Martini Svetlana Alpers The Art of Memory The Gaze of Orpheus The Origin of German Tragic Drama The Philosopher Theses on the Philosophy of History Thought Tintoretto Unthought known W. G. Sebald Walter Benjamin Walter Pater Work of art Writing |
ISBN |
1-299-05141-3
1-4008-4495-9 |
Classificazione | EC 2440 |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | Front matter -- Contents -- Preface -- Acknowledgments -- 1. The Melancholy Art -- 2. Viennese Ghosts -- 3. Stones of Solace -- 4. Patterns in the Shadows -- 5. Mourning and Method -- Postscript -- Notes -- Bibliography -- Index |
Record Nr. | UNINA-9910786008203321 |
Holly Michael Ann
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Princeton, New Jersey, : Princeton University Press, 2013 | ||
![]() | ||
Lo trovi qui: Univ. Federico II | ||
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The melancholy art [[electronic resource] /] / Michael Ann Holly |
Autore | Holly Michael Ann |
Edizione | [Course Book] |
Pubbl/distr/stampa | Princeton, New Jersey, : Princeton University Press, 2013 |
Descrizione fisica | 1 online resource (225 p.) |
Disciplina | 707.2/2 |
Collana | Essays in the arts |
Soggetto topico |
Art - Historiography
Melancholy |
Soggetto non controllato |
Aby Warburg
Aestheticism Aesthetics Allegory Alois Riegl Anachronism Analytic confidence Ancient art Aphorism Art criticism Art history Arthur Schopenhauer Artistic merit Ben Nicholson Bernard Berenson Bernard Bosanquet (philosopher) Beyond the Pleasure Principle Caspar David Friedrich Christopher Bollas Classicism Connoisseur Consciousness Contemporary art Criticism Critique of Judgment Death drive Deconstruction Ernst Gombrich Erwin Panofsky Explanation Fra Angelico Friedrich Nietzsche Fritz Saxl Garry Wills Georg Wilhelm Friedrich Hegel George Steiner Giovanni Morelli Hannah Arendt Hans Ulrich Gumbrecht Hayden White Iconography Illusionism (art) Isabella Stewart Gardner Museum Jacques Derrida Jacques Lacan Jacques-Alain Miller James Strachey Jan van Eyck Johann Joachim Winckelmann Josef Strzygowski Julia Kristeva Linguistic turn Literary theory Marion Milner Marsilio Ficino Martin Heidegger Maurice Blanchot Melanie Klein Metahistory Metonymy Meyer Schapiro Michael Baxandall Minima Moralia Modernism Modernity Museum Oceanic feeling Oskar Kokoschka Overpainting Paul de Man Petrarch Philosopher Philosophy Positivism Post-structuralism Postmodernism Psychoanalysis Putto Rainer Maria Rilke Renaissance art Rhetoric Richard Wollheim Romanticism Saint Francis Receiving the Stigmata (van Eyck) Sandro Botticelli Simone Martini Svetlana Alpers The Art of Memory The Gaze of Orpheus The Origin of German Tragic Drama The Philosopher Theses on the Philosophy of History Thought Tintoretto Unthought known W. G. Sebald Walter Benjamin Walter Pater Work of art Writing |
ISBN |
1-299-05141-3
1-4008-4495-9 |
Classificazione | EC 2440 |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | Front matter -- Contents -- Preface -- Acknowledgments -- 1. The Melancholy Art -- 2. Viennese Ghosts -- 3. Stones of Solace -- 4. Patterns in the Shadows -- 5. Mourning and Method -- Postscript -- Notes -- Bibliography -- Index |
Record Nr. | UNINA-9910815622103321 |
Holly Michael Ann
![]() |
||
Princeton, New Jersey, : Princeton University Press, 2013 | ||
![]() | ||
Lo trovi qui: Univ. Federico II | ||
|
Meyer Schapiro’s Critical Debates : Art Through a Modern American Mind / / C. Oliver O'Donnell |
Autore | O'Donnell C. Oliver (Charles Oliver), <1983-> |
Pubbl/distr/stampa | University Park, Pennsylvania : , : The Pennsylvania State University Press, , [2019] |
Descrizione fisica | 1 online resource (xii, 253 pages) : illustrations |
Disciplina | 701.18 |
Soggetto topico |
ART / Criticism & Theory
Art criticism Art Art - History Art criticism - United States - History - 20th century |
Soggetto genere / forma | History |
Soggetto non controllato |
Abstract Expressionism
Art Historiography Cold War Cultural Cold War Formalism Intellectual History Marxist Meyer Schapiro Modernism New York Intellectuals Psychoanalysis Semiotics |
ISBN |
0-271-08554-1
0-271-08556-8 |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | 1929, formalism and perception : from Löwy and Fry to Wertheimer and Gombrich -- 1936, reviewing Kunstwissenschaft : foreshadowing the two cultures debate -- 1941, science and the dialectic : Raphael and Dewey, Courbet and Picasso -- 1947, the "aesthetic attitude," Coomaraswamy's metaphysics, and the Westernness of art's history -- 1956, pragmatic psychoanalysis and the confirmation of Woman I -- 1961, debating Berenson with Berlin : two concepts of art-historical liberty -- 1968, Heidegger and Goldstein : Van Gogh's Shoes and the liabilities of Ekphrasis -- 1973, Worlds and pictures : a color field critique of structuralist semiotics. |
Record Nr. | UNINA-9910793950403321 |
O'Donnell C. Oliver (Charles Oliver), <1983->
![]() |
||
University Park, Pennsylvania : , : The Pennsylvania State University Press, , [2019] | ||
![]() | ||
Lo trovi qui: Univ. Federico II | ||
|
Meyer Schapiro’s Critical Debates : Art Through a Modern American Mind / / C. Oliver O'Donnell |
Autore | O'Donnell C. Oliver (Charles Oliver), <1983-> |
Pubbl/distr/stampa | University Park, Pennsylvania : , : The Pennsylvania State University Press, , [2019] |
Descrizione fisica | 1 online resource (xii, 253 pages) : illustrations |
Disciplina | 701.18 |
Soggetto topico |
ART / Criticism & Theory
Art criticism Art Art - History Art criticism - United States - History - 20th century |
Soggetto genere / forma | History |
Soggetto non controllato |
Abstract Expressionism
Art Historiography Cold War Cultural Cold War Formalism Intellectual History Marxist Meyer Schapiro Modernism New York Intellectuals Psychoanalysis Semiotics |
ISBN |
0-271-08554-1
0-271-08556-8 |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | 1929, formalism and perception : from Löwy and Fry to Wertheimer and Gombrich -- 1936, reviewing Kunstwissenschaft : foreshadowing the two cultures debate -- 1941, science and the dialectic : Raphael and Dewey, Courbet and Picasso -- 1947, the "aesthetic attitude," Coomaraswamy's metaphysics, and the Westernness of art's history -- 1956, pragmatic psychoanalysis and the confirmation of Woman I -- 1961, debating Berenson with Berlin : two concepts of art-historical liberty -- 1968, Heidegger and Goldstein : Van Gogh's Shoes and the liabilities of Ekphrasis -- 1973, Worlds and pictures : a color field critique of structuralist semiotics. |
Record Nr. | UNINA-9910816871503321 |
O'Donnell C. Oliver (Charles Oliver), <1983->
![]() |
||
University Park, Pennsylvania : , : The Pennsylvania State University Press, , [2019] | ||
![]() | ||
Lo trovi qui: Univ. Federico II | ||
|