Bread and Circuses : Theories of Mass Culture as Social Decay / / by Patrick Brantlinger |
Autore | Brantlinger Patrick <1941-> |
Pubbl/distr/stampa | Cornell University Press, 1983 |
Descrizione fisica | 1 online resource (310 pages) |
Disciplina | 302.2/34 |
Soggetto topico |
Classicism
Popular culture Culture Mass society - History Mass media - Social aspects - History |
Soggetto non controllato |
decadence
historical inevitability crowd psychology Sigmund Freud popular culture mass culture classicism mass media social decay Marshall McLuhan |
ISBN |
1-5017-0763-9
1-5017-0764-7 |
Formato | Materiale a stampa |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | Frontmatter -- Contents -- Preface -- 1. Introduction: The Two Classicisms -- 2. The Classical Roots of the Mass Culture Debate -- 3. "The Opium of the People" -- 4. Some Nineteenth-Century Themes: Decadence, Masses, Empire, Gothic Revivals -- 5. Crowd Psychology and Freud's Model of Perpetual Decadence -- 6. Three Versions of Modern Classicism: Ortega, Eliot, Camus -- 7. The Dialectic of Enlightenment -- 8. Television: Spectacularity vs. McLuhanism -- 9. Conclusion: Toward Post-Industrial Society -- Index |
Record Nr. | UNINA-9910136647003321 |
Brantlinger Patrick <1941-> | ||
Cornell University Press, 1983 | ||
Materiale a stampa | ||
Lo trovi qui: Univ. Federico II | ||
|
Cyberpunk in a Transnational Context |
Autore | Tatsumi Takayuki |
Pubbl/distr/stampa | MDPI - Multidisciplinary Digital Publishing Institute, 2019 |
Descrizione fisica | 1 electronic resource (122 p.) |
Soggetto non controllato |
virtual reality
Tobi Hirotaka collage cyberpunk co-productions virtual worlds European cinema reception history Metropia transnational cinema layers manga cinematism Lo Tek audience 2000s techno-Orientalism outlaw technologist YLEM artists using science and technology animation Masaki Gor? "rich sight" Germany extraterritorial proscenium views care Japanese science fiction United States post-utopia comics flattened screens William Gibson science fiction animatism post-apocalyptic narrative genre SCAN HyperCard bOING bOING nostalgia global capitalism virtual idol MONDO 2000 Timothy Leary Walter Benjamin visuality fractal space Marshall McLuhan Renaissance Hyperart Thomasson Pattern Recognition dystopia Kowloon Walled City participatory aesthetics Guerrilla Games translation intertextuality nuclear politics end of history Horizon: Zero Dawn detritus Blade Runner |
ISBN | 3-03921-422-5 |
Formato | Materiale a stampa |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Record Nr. | UNINA-9910367567303321 |
Tatsumi Takayuki | ||
MDPI - Multidisciplinary Digital Publishing Institute, 2019 | ||
Materiale a stampa | ||
Lo trovi qui: Univ. Federico II | ||
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