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Musical bodies, musical minds : enactive cognitive science and the meaning of human musicality / / Dylan van der Schyff, Andrea Schiavio, and David J. Elliott
| Musical bodies, musical minds : enactive cognitive science and the meaning of human musicality / / Dylan van der Schyff, Andrea Schiavio, and David J. Elliott |
| Autore | Van der Schyff Dylan <1970-> |
| Edizione | [1st ed.] |
| Pubbl/distr/stampa | Cambridge : , : The MIT Press, , 2022 |
| Descrizione fisica | 1 online resource (323 pages) |
| Disciplina | 781.1/1 |
| Altri autori (Persone) | ElliottDavid J <1948-> (David James) |
| Collana | The MIT Press |
| Soggetto topico |
Music - Psychological aspects
Cognitive psychology Cognition |
| Soggetto non controllato |
MUSIC / Instruction & Study / Theory
SCIENCE / Cognitive Science PSYCHOLOGY / Cognitive Neuroscience & Cognitive Neuropsychology |
| ISBN |
0-262-36210-4
0-262-37033-6 |
| Formato | Materiale a stampa  |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Intro -- Contents -- Acknowledgments -- 1. Getting Situated -- Perspectives on the Musical Mind -- Music and the Computational Mind -- Language and the Rules of Musical Perception -- Embodied Music Cognition -- Interdisciplinary Musicology and Enactive Music Cognition -- Looking Ahead -- 2. Basic Principles of Enactive Cognitive Science -- The Ecological Stance -- Autopoiesis and Autonomy -- Sense-Making -- Basic Cognition without Mental Representation? -- The Dynamical Perspective -- Life, Mind, and Culture -- The 4E Framework -- 3. Music and Consciousness -- Experience and the Computational Mind -- The Mind-Mind Problem -- Questioning Qualia -- A Propositional Proposal -- Whence the Nuances? -- Musical Consciousness as Situated Embodiment -- From Perceptual Bundles to Behavioral Forms -- 4. Phenomenology and the Musical Body -- Beginning Phenomenology -- Intentionality and the Modes of Experience -- Ghanaian Polyrhythm -- Revisiting Representation -- Embodied Mind as a "Metaphorical" Phenomenon -- Some Implications for Future Research and Theory -- 5. Music and Emotion -- Searching for Musical Emotions -- Routes and Mechanisms -- Are Musical Emotions Basic? -- The Component Process Model -- The Emotional Meaning of Musical Experience -- Musical Emotions as Dynamical and Emergent -- Music, Emotion, and Social Life -- 6. The Empathic Connection -- Embodied Simulation Theory -- Interaction Theory -- Psychological Precursors to Interaction Theory -- Musical Scaffolding -- Empathic Space -- Toward an Enactive View of Musical Empathy -- Therapeutic Interventions -- 7. The Evolution of the Musical Mind -- Music and the Dichotomy of Adaptation -- A Biocultural Perspective -- Looking beyond Adaptationism -- The Rhythmic Origins of the Musical Mind -- Plastic Brains -- Evolving Embodied Minds -- Enactivism Meets the Biocultural Perspective.
Life, Music, and Meaning -- 8. Teleomusicality -- The Biocognitive Foundations of Infant Musicality -- Perception in Action -- Toward Teleomusicality -- Varieties of Teleomusical Acts -- 9. Creative Musical Bodies -- The Corporeal Foundations of Creativity -- The Es of Musical Creativity -- Musical Worldviews -- Musical Learning as Embodied, Exploratory, and Creative -- 10. Praxis -- Music Education and the "Aesthetic View" -- Rediscovering the Musical Body -- Praxis, Enaction, and Music Education -- Relationality and the Ethics of Care -- Implications for Curriculum -- Critical Ontology -- Parting Thoughts -- Notes -- 1 Getting Situated -- 2 Basic Principles of Enactive Cognitive Science -- 3 Music and Consciousness -- 4 Phenomenology and the Musical Body -- 5 Music and Emotion -- 6 The Empathic Connection -- 7 The Evolution of the Musical Mind -- 8 Teleomusicality -- 9 Creative Musical Bodies -- 10 Praxis -- References -- Index. |
| Record Nr. | UNINA-9910619461203321 |
Van der Schyff Dylan <1970->
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| Cambridge : , : The MIT Press, , 2022 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Sound actions : conceptualizing musical instruments / / Alexander Refsum Jensenius
| Sound actions : conceptualizing musical instruments / / Alexander Refsum Jensenius |
| Autore | Jensenius Alexander Refsum |
| Edizione | [1st ed.] |
| Pubbl/distr/stampa | Cambridge : , : The MIT Press, , 2022 |
| Descrizione fisica | 1 online resource (267 pages) |
| Disciplina | 781.1/1 |
| Soggetto topico |
Music - Performance - Psychological aspects
Music - Psychological aspects Musical instruments Musical perception |
| Soggetto non controllato |
MUSIC / History & Criticism
MUSIC / Instruction & Study / Theory TECHNOLOGY & ENGINEERING / Acoustics & Sound |
| ISBN |
0-262-37221-5
0-262-37220-7 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Acknowledgments ix -- Prelude xi -- Part I Musicking -- 1 Music as an Active Process 3 -- 2 Music as an Embodied Process 23 -- 3 Musical Instruments 39 -- Part II Embodiment -- 4 Music-Related Body Motion 53 -- 5 Functional Aspects 71 -- 6 Representations of Sound Actions 85 -- Part III Interaction -- 7 Action-Sound Couplings 99 -- 8 Action-Sound Mappings 123 -- 9 Spatiotemporality 159 -- Part IV Affection -- 10 From Ivory to Silicone 177 -- Acknowledgments ix -- Prelude xi -- Part I Musicking -- 1 Music as an Active Process 3 -- 2 Music as an Embodied Process 23 -- 3 Musical Instruments 39 -- Part II Embodiment -- 4 Music-Related Body Motion 53 -- 5 Functional Aspects 71 -- 6 Representations of Sound Actions 85 -- Part III Interaction -- 7 Action-Sound Couplings 99 -- 8 Action-Sound Mappings 123 -- 9 Spatiotemporality 159 -- Part IV Affection -- 10 From Ivory to Silicone 177. |
| Record Nr. | UNINA-9910647208203321 |
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Jensenius Alexander Refsum
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| Cambridge : , : The MIT Press, , 2022 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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