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Inventing falsehood, making truth : Vico and Neapolitan painting / / Malcolm Bull
| Inventing falsehood, making truth : Vico and Neapolitan painting / / Malcolm Bull |
| Autore | Bull Malcolm |
| Edizione | [Course Book] |
| Pubbl/distr/stampa | Princeton, New Jersey : , : Princeton University Press, , [2013] |
| Descrizione fisica | 1 online resource (161 p.) |
| Disciplina | 759.5/73 |
| Collana |
Essays in the Arts
Essays in the arts |
| Soggetto topico |
Painting - Philosophy
Art and philosophy - Italy - History - 18th century Painting, Italian - Italy - Naples - 18th century Painting, Baroque - Italy - Naples Truth |
| Soggetto non controllato |
Aesthetics
Analogy Andrea Vaccaro Andrea del Sarto Anecdote Annibale Carracci Anthropomorphism Atheism Atomism Augury Bad Painting Baroque painting Caravaggio Caravaggisti Carlo Maratta Cartesianism Catherine of Siena Certainty Certosa di San Martino Chiaroscuro Cimabue Classical mythology Classicism Consciousness Cubism Daniello Bartoli Democritus Depiction Divine Truth Divine judgment Divine providence Domenichino Drapery Epicurus Exorcism Fall of Simon Magus (Pompeo Batoni) Falsity Flagellation of Christ Francesco Solimena Giambattista Vico Giotto God the Father Guido Reni Henri Bergson Iconoclasm Iconography Illustration Jules Michelet Las Meninas Libri Carolini Lodovico Dolce Luca Giordano Lucretius Ludovico Carracci Mannerism Metaphor Metonymy Michelangelo Museo del Prado Neoplatonism Painting Paragone Parmigianino Penitential Pentimento Petrarch Philosopher Philosophical skepticism Philosophy Pietro Aretino Pietro da Cortona Poetry Putto Religion Rhetoric Roman Baroque Sacristy Saint Dominic Saint Francis Receiving the Stigmata (van Eyck) Salvator Rosa San Domenico Maggiore San Gregorio Armeno Scientific skepticism Simon Magus Skepticism Spanish art Still life Tenebrism The Carracci The Expulsion of Heliodorus from the Temple The Gay Science The New Science The Philosopher Theology Thomas Aquinas Tintoretto Titian Tommaso Campanella Truth Zeuxis |
| ISBN | 1-4008-4974-8 |
| Classificazione | ART015030ART015090HIS020000PHI000000 |
| Formato | Materiale a stampa  |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Frontmatter -- Contents -- Acknowledgments -- Prologue -- One. Vico -- Two. Icastic Painting -- Three. Fantastic Painting -- Four. Theological Painting -- Epilogue -- Notes -- Index |
| Record Nr. | UNINA-9910790629003321 |
Bull Malcolm
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| Princeton, New Jersey : , : Princeton University Press, , [2013] | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Inventing falsehood, making truth : Vico and Neapolitan painting / / Malcolm Bull
| Inventing falsehood, making truth : Vico and Neapolitan painting / / Malcolm Bull |
| Autore | Bull Malcolm |
| Edizione | [Course Book] |
| Pubbl/distr/stampa | Princeton, New Jersey : , : Princeton University Press, , [2013] |
| Descrizione fisica | 1 online resource (161 p.) |
| Disciplina | 759.5/73 |
| Collana |
Essays in the Arts
Essays in the arts |
| Soggetto topico |
Painting - Philosophy
Art and philosophy - Italy - History - 18th century Painting, Italian - Italy - Naples - 18th century Painting, Baroque - Italy - Naples Truth |
| Soggetto non controllato |
Aesthetics
Analogy Andrea Vaccaro Andrea del Sarto Anecdote Annibale Carracci Anthropomorphism Atheism Atomism Augury Bad Painting Baroque painting Caravaggio Caravaggisti Carlo Maratta Cartesianism Catherine of Siena Certainty Certosa di San Martino Chiaroscuro Cimabue Classical mythology Classicism Consciousness Cubism Daniello Bartoli Democritus Depiction Divine Truth Divine judgment Divine providence Domenichino Drapery Epicurus Exorcism Fall of Simon Magus (Pompeo Batoni) Falsity Flagellation of Christ Francesco Solimena Giambattista Vico Giotto God the Father Guido Reni Henri Bergson Iconoclasm Iconography Illustration Jules Michelet Las Meninas Libri Carolini Lodovico Dolce Luca Giordano Lucretius Ludovico Carracci Mannerism Metaphor Metonymy Michelangelo Museo del Prado Neoplatonism Painting Paragone Parmigianino Penitential Pentimento Petrarch Philosopher Philosophical skepticism Philosophy Pietro Aretino Pietro da Cortona Poetry Putto Religion Rhetoric Roman Baroque Sacristy Saint Dominic Saint Francis Receiving the Stigmata (van Eyck) Salvator Rosa San Domenico Maggiore San Gregorio Armeno Scientific skepticism Simon Magus Skepticism Spanish art Still life Tenebrism The Carracci The Expulsion of Heliodorus from the Temple The Gay Science The New Science The Philosopher Theology Thomas Aquinas Tintoretto Titian Tommaso Campanella Truth Zeuxis |
| ISBN | 1-4008-4974-8 |
| Classificazione | ART015030ART015090HIS020000PHI000000 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Frontmatter -- Contents -- Acknowledgments -- Prologue -- One. Vico -- Two. Icastic Painting -- Three. Fantastic Painting -- Four. Theological Painting -- Epilogue -- Notes -- Index |
| Record Nr. | UNINA-9910813698803321 |
|
Bull Malcolm
|
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| Princeton, New Jersey : , : Princeton University Press, , [2013] | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Only Connect : Art and the Spectator in the Italian Renaissance / / John K.G. Shearman
| Only Connect : Art and the Spectator in the Italian Renaissance / / John K.G. Shearman |
| Autore | Shearman John K.G. |
| Pubbl/distr/stampa | Princeton, NJ : , : Princeton University Press, , [2019] |
| Descrizione fisica | 1 online resource (329 pages) |
| Disciplina | 709/.45/09024 |
| Collana | Princeton Legacy Library |
| Soggetto topico |
Audiences - Psychology
Art, Renaissance - Italy Art, Italian |
| Soggetto non controllato |
Adolf von Hildebrand
Albrecht Dürer Altarpiece Andrea Fulvio Andrea Mantegna Andrea Solari Andrea del Sarto Antonello da Messina Antonio Rossellino Aretino Bacchus and Ariadne Baptistery Baroque architecture Basilica Bembo Camera degli Sposi Caravaggio Catullus Cecilia Gallerani Chiaroscuro Christ among the Doctors (Dürer) Conceit Cosimo de' Medici Counter-Reformation Cristofano Allori Della Rovere Diego Velázquez Donatello Duke of Florence Edward Burne-Jones Epigram Famulus Feast of the Gods (art) Filarete Filippino Lippi Galleria Borghese Ginevra de' Benci Giorgio Vasari Giorgione Giovanni Bellini Giovanni Pisano Giulio Romano Grand manner Hercules and Cacus Heroides High Renaissance High place Hyperbole Intentionality Jan van Eyck Las Meninas Lateran Baptistery Lodovico Dolce Madonna of the Harpies Mario Equicola Mario Praz Marriage of the Virgin (Perugino) Masaccio Master of the Virgo inter Virgines Michelangelo Mona Lisa Smile Mystery play National Gallery of Art Orlando Furioso Paragone Parmigianino Persius Pesaro Madonna Petrarch Phrenology Pietro da Cortona Poetry Poliziano Pontormo Pope Julius II Pseudo-Bonaventura Putto Reginald Pole Religion Renaissance art Richard Wollheim Rokeby Venus Romanticism Ruggiero (character) Sack of Rome (1527) Saint Roch Sandro Botticelli Simone Martini Sistine Chapel Sleeping Venus (Giorgione) The Feast of the Gods The Fire in the Borgo The Philosopher The School of Athens The Spirit of the Laws The Vision of the Cross The Worship of Venus Tintoretto Titian Work of art |
| ISBN |
0-691-25272-6
0-691-25271-8 0-691-65683-5 0-691-20077-7 0-691-09972-3 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Front matter -- CONTENTS -- LIST OF ILLUSTRATIONS -- INTRODUCTION -- I. A MORE ENGAGED SPECTATOR -- II. A SHARED SPACE -- III. PORTRAITS AND POETS -- IV. DOMES -- V. HISTORY, AND ENERGY -- VI. IMITATION, AND THE SLOW FUSE -- SOURCES OF ILLUSTRATIONS -- INDEX |
| Altri titoli varianti | Art and the spectator in the Italian Renaissance |
| Record Nr. | UNISA-996248327403316 |
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Shearman John K.G.
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| Princeton, NJ : , : Princeton University Press, , [2019] | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. di Salerno | ||
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Schönheit - der Körper als Kunstprodukt : Kommentierte Quellentexte von Cicero bis Goya / / Romana Sammern, Julia Saviello (Hg.)
| Schönheit - der Körper als Kunstprodukt : Kommentierte Quellentexte von Cicero bis Goya / / Romana Sammern, Julia Saviello (Hg.) |
| Pubbl/distr/stampa | Reimer Verlag, 2018 |
| Descrizione fisica | 1 electronic resource (374 p.) |
| Soggetto topico |
Aesthetics
Human body (Philosophy) |
| Soggetto non controllato |
beauty
Apuleius Ovid Schönheit Leonardo da Vinci Agnolo Firenzuola body history of ideas Körper cosmetics Isidor von Sevilla Ideengeschichte Kosmetik Alexander Cozens Ästhetik Alessandro Allori Gérard Audran Baldassare Castiglione Benedetto Varchi Giambattista della Porta Leon Battista Alberti Erasmus von Rotterdam Lodovico Dolce Gian Lorenzo Bernini William Hogarth anthology aesthetics Francisco de Goya Lorenzo Valla Peter Paul Rubens Cicero Giovanni Paolo Lomazzo Gerard de Lairesse Hildegard von Bingen Francesco Petrarca Albrecht Dürer Vincent von Beauvais art theory Giovanni Marinello Girard Thibault Kunsttheorie Anthologie Franco Sacchetti William Shakespeare |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | ger |
| Nota di contenuto | ; Einleitung : der schöne Körper als Kunstprodukt -- Cicero : Perfekte Schönheit als Komposit (ca. 86-84 v. Chr.) : Kommentar : Julia Saviello -- Ovid : der Anschein von Natürlichkeit (1. Jh. n. Chr.) : Kommentar : Romana Sammern -- Apuleius : Schönes Haar als Verlockung (ca. 160-170) : Kommentar : Julia Saviello -- Isidor von Sevilla : Malerei ist Schminke (ca. 620) : Kommentar : Wolf-Dietrich Löhr -- Hildegard von Bingen : das Haar und der Schmuck der Nonnen (ca. 1150) : Kommentar : Philippe Cordez -- Vinzenz von Beauvais : Schminke als Verlust des göttlichen Bildes (1247-1249) : Kommentar : Wolf-Dietrich Löhr -- Francesco Petrarca : Fragmente und Farben der Schönheit (ca. 1336-1374) : Kommentar : Julia Saviello -- Franco Sacchetti : Frauenkunst als Korrektur der Schöpfung (ca. 1390) : Kommentar : Wolf-Dietrich Löhr -- Lorenzo Valla : die Lust an der Schönheit (1431) : Kommentar : Alberto Saviello -- Leon Battista Alberti : Genealogie der Schönheit (1433-1434) : Kommentar : Julia Saviello -- Leonardo da Vinci : Ungekämmt und natürlich schön (ca. 1492) : Kommentar : Julia Saviello -- Baldassare Castiglione : der Reiz der Nachlässigkeit (1528) : Kommentar : Romana Sammern -- Albrecht Dürer : die Vielfalt des menschlichen Körpers (1528) : Kommentar : Romana Sammern -- Erasmus von Rotterdam : der Körper als bewegtes Bild (1530) : Kommentar : Wolf-Dietrich Löhr -- Agnolo Firenzuola : die Frau als schönes Objekt (1541) : Kommentar : Romana Sammern -- Benedetto Varchi : Schönheit und Anmut (1540er Jahre?) : Kommentar : Fabian Jonietz -- Giovanni Marinello : Kosmetische Rezepte (1562) : Kommentar : Elena Lazzarini -- Alessandro Allori : Schöne Oberfläche und traurig stimmende Knochen (1560er Jahre) : Kommentar : Helen Barr -- Lodovico Dolce : die Schönheit des weiblichen Inkarnats (1565) : Kommentar : Romana Sammern -- Giovanni Paolo Lomazzo : Anmutige Falten : die textile Hülle des Körpers (1584) : Kommentar : Julia Saviello -- Giovan Battista Deila Porta : die Physiognomie der schönen Gestalt (1586) : Kommentar : Romana Sammern -- Peter Paul Rubens : die Schönheit trainierter Körper (ca. 1610) : Kommentar : Romana Sammern -- William Shakespeare : die Natur des Schönen (ca. 1610/1611) : Kommentar : Laura Gronius -- Girard Thibault : Bewegung in Harmonie mit dem Körper (1630) : Kommentar : Julia Saviello -- Gian Lorenzo Bernini : Ähnlichkeit und Idealisierung (1665) : Kommentar : Heiko Damm -- Gérard Audran : die Vermessung des antiken Idealkörpers (1683) : Kommentar : Julia Saviello -- Gerard de Lairesse : die Farben der Natur (1707) : Kommentar : Ulrike Kern -- William Hogarth : Locken und andere schöne Verwicklungen (1753) : Kommentar : Julia Saviello -- Alexander Cozens : das Ende des Schönheitskanons (1778) : Kommentar : Anja Zimmermann -- Francisco de Goya : Malerei als Schminke (1794) : Kommentar : Wolfram Pichler -- ; Bildnachweis -- ; Nachweis der Textabdrucke -- ; Register historischer Personen. |
| Altri titoli varianti | Schönheit â Der Körper als Kunstprodukt |
| Record Nr. | UNINA-9910404109903321 |
| Reimer Verlag, 2018 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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