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War and remembrance : recollecting and representing war / / edited by Renée Dickason [and three others]
| War and remembrance : recollecting and representing war / / edited by Renée Dickason [and three others] |
| Edizione | [1st ed.] |
| Pubbl/distr/stampa | Montreal, Quebec : , : McGill-Queen's University Press, , [2022] |
| Descrizione fisica | 1 online resource (505 pages) |
| Disciplina | 909 |
| Collana | Human Dimensions in Foreign Policy, Military Studies, and Security Studies |
| Soggetto topico |
Collective memory
Memorialization Memory - Social aspects War and society War in mass media |
| Soggetto non controllato |
Collective
Individual Intimate Subjective civil colonial fights forgetting hegemony memory narrative official peoples histories |
| ISBN |
0-2280-1267-8
0-2280-1268-6 |
| Formato | Materiale a stampa  |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Intro -- Title Page -- Copyright -- Contents -- Dedication -- Figures -- Acknowledgments -- Introduction: Renée Dickason, Delphine Letort, Michel Prum, Stéphanie Bélanger -- Part 1: Remembering War from Indigenous Perspectives -- 1: War Voices: Australian Aboriginal Political Revolt Post-First World War -- 2: War Memories and Indigenous Stereotypes: The Fabrication of the Maori Warrior -- 3: "This Day Is Not for You": The Commemorative Displacement of Black Wars in White Australia -- 4: Allies or Enemies? The Representation of Black Soldiers in Recent French, British, and Canadian Great War Fiction -- 5: Selective Remembering and Motivated Forgetting: The Primacy of National Identity in Australia's Differential Memorialization of Its Wars -- Part 2: Memories of Colonial Involvement and Civil Wars -- 6: The Gurkha with the Khukuri between His Teeth: First World War Postcards and Combat Representations of Nepalese and Indian Colonial Troops -- 7: The Humour of an Indian Soldier's Memories of the First World War in M.R. Anand's Across the Black Waters (1939) -- 8: Picturing Control: The Visual Representation of the Kenya Emergency -- 9: The Meaning of the American Civil War in Southern Memory -- 10: Between Nigeria and Biafra: Locating Ethnic Minorities in Narratives of the Nigerian Civil War, 1967-70 -- Part 3: Recollections of World Wars -- 11: Light and Not-So-Light Reflections in the Wipers Times' Trench Journal and in the Satirical Magazine Punch or The London Charivari (1939-45): What Narratives, What Recollections? -- 12: Writing the Blitz, Listening to the Nation: Personal Narratives of the Blitz and the Construction of a Collective Aural Identity in British Cinema of the Second World War -- 13: The Literature of Intervention: US Participation in the Second World War -- 14: Fighting Fascism? The Second World War in British Far-Right Memory.
15: The National World War II Museum, New Orleans: An Architectural Interpretation of War -- Part 4: Remembering and Forgetting War -- 16: War on Memorialization: Constructive and Destructive Holocaust Remembrance on American Sitcoms, 1990-2000s -- 17: Of Wars, Scars, and Celluloid Memory: Representations of War in Sri Lankan Cinema (2000-10) -- 18: The Spanish-American War on Film: An International Approach -- 19: Wings (William Wellman, 1927) and Broken Lullaby (Ernst Lubitsch, 1932): The Psychological Drama of Memory and the Modern Pacifist Narrative -- 20: Peacekeeping Forces and Their Filmic Representations: The Case of Peter Kosminsky's Warriors (1999) and The Promise (2011) -- Part 5: Intimate Memories of War -- 21: Requiem for a Tommy: Impersonality and Subjectivity in Stuart Cooper's Overlord (1975) -- 22: "Our Visit to Waterloo": Representing the Battlefield in the Memoirs of Charlotte Eaton and Elizabeth Butler -- 23: Historically Estranged Generations: Memorials and the Relevance Effect in Nigel Farndale's The Blasphemer and Tatiana de Rosnay's Sarah's Key -- 24: An "Abominable Epoch": An Australian Woman's Perception of Occupied France -- 25: Robert Briffault's War Letters: A Divided Self under Fire -- Contributors -- Index. |
| Record Nr. | UNINA-9910795873403321 |
| Montreal, Quebec : , : McGill-Queen's University Press, , [2022] | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
War and remembrance : recollecting and representing war / / edited by Renée Dickason [and three others]
| War and remembrance : recollecting and representing war / / edited by Renée Dickason [and three others] |
| Edizione | [1st ed.] |
| Pubbl/distr/stampa | Montreal, Quebec : , : McGill-Queen's University Press, , [2022] |
| Descrizione fisica | 1 online resource (505 pages) |
| Disciplina | 909 |
| Collana | Human Dimensions in Foreign Policy, Military Studies, and Security Studies |
| Soggetto topico |
Collective memory
Memorialization Memory - Social aspects War and society War in mass media |
| Soggetto non controllato |
Collective
Individual Intimate Subjective civil colonial fights forgetting hegemony memory narrative official peoples histories |
| ISBN |
0-2280-1267-8
0-2280-1268-6 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Intro -- Title Page -- Copyright -- Contents -- Dedication -- Figures -- Acknowledgments -- Introduction: Renée Dickason, Delphine Letort, Michel Prum, Stéphanie Bélanger -- Part 1: Remembering War from Indigenous Perspectives -- 1: War Voices: Australian Aboriginal Political Revolt Post-First World War -- 2: War Memories and Indigenous Stereotypes: The Fabrication of the Maori Warrior -- 3: "This Day Is Not for You": The Commemorative Displacement of Black Wars in White Australia -- 4: Allies or Enemies? The Representation of Black Soldiers in Recent French, British, and Canadian Great War Fiction -- 5: Selective Remembering and Motivated Forgetting: The Primacy of National Identity in Australia's Differential Memorialization of Its Wars -- Part 2: Memories of Colonial Involvement and Civil Wars -- 6: The Gurkha with the Khukuri between His Teeth: First World War Postcards and Combat Representations of Nepalese and Indian Colonial Troops -- 7: The Humour of an Indian Soldier's Memories of the First World War in M.R. Anand's Across the Black Waters (1939) -- 8: Picturing Control: The Visual Representation of the Kenya Emergency -- 9: The Meaning of the American Civil War in Southern Memory -- 10: Between Nigeria and Biafra: Locating Ethnic Minorities in Narratives of the Nigerian Civil War, 1967-70 -- Part 3: Recollections of World Wars -- 11: Light and Not-So-Light Reflections in the Wipers Times' Trench Journal and in the Satirical Magazine Punch or The London Charivari (1939-45): What Narratives, What Recollections? -- 12: Writing the Blitz, Listening to the Nation: Personal Narratives of the Blitz and the Construction of a Collective Aural Identity in British Cinema of the Second World War -- 13: The Literature of Intervention: US Participation in the Second World War -- 14: Fighting Fascism? The Second World War in British Far-Right Memory.
15: The National World War II Museum, New Orleans: An Architectural Interpretation of War -- Part 4: Remembering and Forgetting War -- 16: War on Memorialization: Constructive and Destructive Holocaust Remembrance on American Sitcoms, 1990-2000s -- 17: Of Wars, Scars, and Celluloid Memory: Representations of War in Sri Lankan Cinema (2000-10) -- 18: The Spanish-American War on Film: An International Approach -- 19: Wings (William Wellman, 1927) and Broken Lullaby (Ernst Lubitsch, 1932): The Psychological Drama of Memory and the Modern Pacifist Narrative -- 20: Peacekeeping Forces and Their Filmic Representations: The Case of Peter Kosminsky's Warriors (1999) and The Promise (2011) -- Part 5: Intimate Memories of War -- 21: Requiem for a Tommy: Impersonality and Subjectivity in Stuart Cooper's Overlord (1975) -- 22: "Our Visit to Waterloo": Representing the Battlefield in the Memoirs of Charlotte Eaton and Elizabeth Butler -- 23: Historically Estranged Generations: Memorials and the Relevance Effect in Nigel Farndale's The Blasphemer and Tatiana de Rosnay's Sarah's Key -- 24: An "Abominable Epoch": An Australian Woman's Perception of Occupied France -- 25: Robert Briffault's War Letters: A Divided Self under Fire -- Contributors -- Index. |
| Record Nr. | UNINA-9910820221203321 |
| Montreal, Quebec : , : McGill-Queen's University Press, , [2022] | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||