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Die Debatte zwischen Rammohan Roy und Joshua Marshman von 1820 bis 1825 : Ein Streit um die Auslegung der Bibel zwischen interreligiöser Begegnung und Unversöhnlichkeit / / Armin Pöhlmann
Die Debatte zwischen Rammohan Roy und Joshua Marshman von 1820 bis 1825 : Ein Streit um die Auslegung der Bibel zwischen interreligiöser Begegnung und Unversöhnlichkeit / / Armin Pöhlmann
Autore Pöhlmann Armin
Pubbl/distr/stampa [s.l.] : , : Logos Verlag Berlin, , 2022
Descrizione fisica 1 electronic resource (553 p.)
Soggetto topico c 1800 to c 1900
Cultural studies
Interfaith relations
Hinduism
Christianity
Baptist Churches
Religious institutions & organizations
Soggetto non controllato Interkulturelle Theologie
Missionsgeschichte
Hinduismus
Rammohan Roy
Biblische Exegese
Formato Materiale a stampa
Livello bibliografico Monografia
Lingua di pubblicazione ger
Record Nr. UNINA-9910595096103321
Pöhlmann Armin  
[s.l.] : , : Logos Verlag Berlin, , 2022
Materiale a stampa
Lo trovi qui: Univ. Federico II
Opac: Controlla la disponibilità qui
Naiṇī mātā - Cobra Mum : Unearthing and Enacting the Feelings of Nine Himalayan Hindu Goddesses / / Gerrit Lange
Naiṇī mātā - Cobra Mum : Unearthing and Enacting the Feelings of Nine Himalayan Hindu Goddesses / / Gerrit Lange
Autore Lange Gerrit
Edizione [1st ed.]
Pubbl/distr/stampa De Gruyter, 2025
Descrizione fisica 1 online resource (XX, 346 p.)
Disciplina 294.52114
Collana Religion in Contemporary Asia
Soggetto topico PSYCHOLOGY / Emotions
RELIGION / Hinduism / General
SOCIAL SCIENCE / Anthropology / Cultural & Social
SOCIAL SCIENCE / Regional Studies
Soggetto non controllato Hinduismus
Himalaja
Göttin
Gefühl
Hindu goddess
contemporary Himalayan religion
emotions
ISBN 3-11-163149-4
Formato Materiale a stampa
Livello bibliografico Monografia
Lingua di pubblicazione eng
Nota di contenuto Intro -- Contents -- Acknowledgements -- Preface -- Abbreviations and fonts -- 1 Arrival -- 1.1 A "longing mother" (tarastī mātā): Research questions -- 1.2 A very good boy: What brought me to Pindar valley -- 1.3 āj āī Naiṇī devī - Naiṇī devī has come today -- 2 itihās: A landscape and its history, a storyand its setting -- 2.1 Disentangling narrative threads -- 2.2 Clothed in "myths" -- 2.3 devbhūmī: The land of goddesses and gods -- 2.3.1 Piṇḍār valley: Geography, history, and migrations -- 2.3.2  Kinship: How the the goddesses' human sisters (dhyāṇī) shape their territory -- 2.3.3 Kingship and queenship: Aesthetics and moods of divine rule in Garhwal -- 2.3.4 Places as agents and divine bodies -- 3 sambandh: The web of social bonds,narrative threads and family ties -- 3.1 Vāsukī kī nāg kanyā: A serpent girl -- 3.1.1 Krishna, Garuḍa, and the nāgas -- 3.1.2 nāgas as underground beings and "serpentine natives" -- 3.1.3 From nāg to kanyā, from serpent hood to womanhood -- 3.2 Bhagvatī daiṇī: "The Goddess" among multiple goddesses -- 3.2.1  The mild and vegetarian Naiṇīs and their wild, hot and bloodthirsty cousins, the Chandikas -- 3.2.2 Mountain daughters: In the shadow of Nanda devī -- 3.3  ṛṣiyoṃ kī betī: The human brothers and sisters of a "daughter of sages" -- 3.3.1 The gaṇve pujārī and other priests -- 3.3.2 Two airvālā "sisters" and four cinvālā "brothers" -- 3.3.3 Drummers, trumpeteers, and other staff members -- 3.4  devtāo kī dhyāṃṇ, "sister of the gods": When gods and ghosts join the party -- 3.5  brahm-bandhan: Materialized bonds and family ties -- 4.1 Divine bodies: ghaṛā and niśān, aṃśa and visarjan -- 4.1.1 The bamboo body: Pole and "symbol" (niśān/cihn/pratīk) -- 4.1.2 The grass body: A rope (śirā), being several snakes at once -- 4.1.3 Trees and grasses: Plant intimacies -- 4 avatār: The goddess is present.
4.1 Divine bodies: ghaṛā and niśān, aṃśa and visarjan -- 4.1.1 The bamboo body: Pole and "symbol" (niśān/cihn/pratīk) -- 4.1.2 The grass body: A rope (śirā), being several snakes at once -- 4.1.3 Trees and grasses: Plant intimacies -- 4.2  The tenderness of pūjā: Divine senses, ritual substances and affordance -- 4.2.1  The smell of purity: Motherly love and the five products of the cow (pañcagāvya) -- 4.2.3 The charm of music -- 4.3  Signature moves: Possession as divine embodiment -- 4.3.1 devnāc, the dance of deities through human bodies -- 4.3.2 Sk. āveśa: Being "entered" or "seized" by emotion -- 5 "Your sisters' darling": Divine and humanfeelings -- 5.1  Feeling, emotion, affect: Tentative definitions and their dissolution -- 5.1.1 rasas and bhāvas -- 5.1.2  The object of my study: Feelings named, displayed and ritualized -- 5.2 Naiṇī devī's feelings, as named by villagers of Pindar valley -- 5.2.1 khuśī, mitratā and prem: Happiness, friendship and love -- 5.2.2  prakop and nārāzgī: Anger and frustration -- 5.2.6 raṅge royu: Bringing divine emotions from stories to life -- 5.3 The emotional reality of goddesses and gods -- 5.3.1  Divine intentionality, addressability, and the experience of resonance -- 5.3.2  How to live with a restless goddess: Divine emotions as collective emotions -- 6 Dancing deities: The dramaturgy of religion -- 6.1 hāsya nāṭak: Ridiculous gods in a dance battle -- 6.2 The drama of incarnation: Filming feelings and deities -- 6.3  Dancing ethnographers: The participant observation of feelings -- 6.3.1  Knowing the ropes: Do we "grasp" feelings by being "gripped"? -- 6.3.2 Atmosphere and discharge: Emotion metaphors shared by Hindu practitioners and ethnographers -- 6.4  śakti or vyakti? Naiṇī devī as impersonal force and as person -- 6.4.1 śaktitva: The goddess as manifestation and appearence (māyā, kalpanā, rūp).
6.4.2 vyaktitva: The goddess as an (in)dividual self -- 7 Departure -- 7.1  Human and divine identities, blending through feeling (bhāv) -- 7.2 Looking back and forth -- 7.3 Epilogue: Staying in Touch -- Bibliography -- Index.
Record Nr. UNISA-996670478803316
Lange Gerrit  
De Gruyter, 2025
Materiale a stampa
Lo trovi qui: Univ. di Salerno
Opac: Controlla la disponibilità qui