The cultural politics of contemporary Hollywood film : power, culture, and society / / Chris Beasley and Heather Brook |
Autore | Beasley Chris |
Pubbl/distr/stampa | Manchester, UK : , : Manchester University Press, , 2019 |
Descrizione fisica | 1 online resource (xi, 367 pages) : digital file(s) |
Disciplina | 791.436581 |
Soggetto topico |
Politics in motion pictures
Motion pictures - California - Los Angeles - History - 20th century Motion pictures - California - Los Angeles - History - 21st century Film and Media Film Theory & Criticism PERFORMING ARTS / Film / History & Criticism |
Soggetto non controllato |
Cultural politics
Feminism Film history Globalisation Hollywood Masculinity Political myths Power Security Social critique gender/sexuality |
ISBN | 1-5261-3574-4 |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | Foreword by Douglas Kellner -- 1. Introduction: the cultural politics of popular film -- 2. Frames -- Part I: Security -- 3. Security: order and disorder -- 4. War and order -- 5. Disorder and fear -- 6. Fearsome monsters -- Part II: Relationalities -- 7. Gender and intimate relationships -- 8. Romance -- 9. Bromance -- Part III: Social critique -- 10. Against the grain? Socially critical movies -- 11. Questioning the critical -- Part IV: Global agendas -- 12. The big picture: the 'metropole' and peripheral 'others' -- 13. Responses from 'the margins' -- Index. |
Record Nr. | UNINA-9910793600203321 |
Beasley Chris
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Manchester, UK : , : Manchester University Press, , 2019 | ||
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Lo trovi qui: Univ. Federico II | ||
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The cultural politics of contemporary Hollywood film : power, culture, and society / / Chris Beasley and Heather Brook |
Autore | Beasley Chris |
Pubbl/distr/stampa | Manchester, UK : , : Manchester University Press, , 2019 |
Descrizione fisica | 1 online resource (xi, 367 pages) : digital file(s) |
Disciplina | 791.436581 |
Soggetto topico |
Politics in motion pictures
Motion pictures - California - Los Angeles - History - 20th century Motion pictures - California - Los Angeles - History - 21st century Film and Media Film Theory & Criticism PERFORMING ARTS / Film / History & Criticism |
Soggetto non controllato |
Cultural politics
Feminism Film history Globalisation Hollywood Masculinity Political myths Power Security Social critique gender/sexuality |
ISBN | 1-5261-3574-4 |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | Foreword by Douglas Kellner -- 1. Introduction: the cultural politics of popular film -- 2. Frames -- Part I: Security -- 3. Security: order and disorder -- 4. War and order -- 5. Disorder and fear -- 6. Fearsome monsters -- Part II: Relationalities -- 7. Gender and intimate relationships -- 8. Romance -- 9. Bromance -- Part III: Social critique -- 10. Against the grain? Socially critical movies -- 11. Questioning the critical -- Part IV: Global agendas -- 12. The big picture: the 'metropole' and peripheral 'others' -- 13. Responses from 'the margins' -- Index. |
Record Nr. | UNINA-9910815554103321 |
Beasley Chris
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Manchester, UK : , : Manchester University Press, , 2019 | ||
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Lo trovi qui: Univ. Federico II | ||
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Film Museum Practice and Film Historiography / Bregt Lameris |
Autore | Lameris Bregt |
Pubbl/distr/stampa | Amsterdam University Press, 2018 |
Descrizione fisica | 1 online resource (271 pages) |
Disciplina | 791 |
Collana | Framing film |
Soggetto topico |
Motion pictures - Historiography
Film archives - Netherlands - Amsterdam - History - 20th century |
Soggetto genere / forma | Electronic books. |
Soggetto non controllato |
Film history
canon discourse film archives historiography |
ISBN | 90-485-2674-4 |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | Frontmatter -- TABLE OF CONTENTS -- ACKNOWLEDGEMENTS -- Introduction -- PART I COLLECTIONS -- CHAPTER 1. Private Collectors -- CHAPTER 2. Blind Choices: Parameters and Repetitions -- CHAPTER 3. Eyes Wide Open: Duplicates -- CHAPTER 4. Passive Preservation: An Historical Overview -- CHAPTER 5. Impressions: Restoration of the Film Image -- CHAPTER 6. Reconstructions -- PART III PRESENTATIONS -- CHAPTER 7. Film Museum Exhibition Spaces -- CHAPTER 8. Framing Programmes -- CHAPTER 9. Performances -- Coda: Past Futures, Future Pasts -- NOTES -- BIBLIOGRAPHY -- INDEX |
Record Nr. | UNISA-996379039103316 |
Lameris Bregt
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Amsterdam University Press, 2018 | ||
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Lo trovi qui: Univ. di Salerno | ||
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