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Digital Image Systems : Photography and New Technologies at the Düsseldorf School / Claus Gunti
| Digital Image Systems : Photography and New Technologies at the Düsseldorf School / Claus Gunti |
| Autore | Gunti Claus |
| Edizione | [1st ed.] |
| Pubbl/distr/stampa | Bielefeld, : transcript Verlag, 2020 |
| Descrizione fisica | 1 online resource (352 p.) |
| Disciplina | 771 |
| Collana | Image |
| Soggetto topico | Photography; Art; Digital; Culture; Computer; Germany; Düsseldorf School; Thomas Ruff; Andreas Gursky; Jörg Sasse; Art History of the 21st Century; European Art; Visual Studies; Fine Arts |
| Soggetto non controllato |
Andreas Gursky
Art History of the 21st Century Art Computer Culture Digital Düsseldorf School European Art Fine Arts Germany Jörg Sasse Thomas Ruff Visual Studies |
| ISBN | 3-8394-3902-7 |
| Formato | Materiale a stampa  |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Frontmatter 1 Contents 4 Introduction 8 A FRAMING THE DÜSSELDORF SCHOOL 20 B WHAT IS DIGITAL PHOTOGRAPHY? 31 Introduction 40 A EMERGENCE OF A GERMAN DOCUMENTARY TRADITION 47 B THE END OF PHOTOGRAPHY 77 C DISCOURSE ON DIGITAL PHOTOGRAPHY IN GERMANY 98 Introduction 116 A PRE-DIGITAL MECHANISMS IN CONTEXT: 1960S / 1970S 120 B SERIAL CONSTRUCTIONS AND COMBINATORIAL FUNCTIONS: A TRANS-HISTORICAL PATTERN 137 Introduction 154 A DIGITAL RETOUCHING TOOLS 156 B DIGITAL STITCHING 175 C EARLY DIGITAL COMPOSITIONS 203 D THOMAS RUFF'S ANALOGUE AND DIGITAL EXPERIMENTS WITH THE PORTRAIT 219 Introduction 240 A COMPLEX COMPOSITES: ANDREAS GURSKY'S GENERIC WORLD 243 B IMAGE RECYCLING AND APPROPRIATIVE POSITIONS 259 C THOMAS RUFF'S GENERATED PHOTOGRAPHS AND THE LIMITS OF REPRESENTATION 300 D GENERIC PICTURE REALITIES 314 5 Conclusion 320 A BIBLIOGRAPHY 334 B INDEX 346 C ACKNOWLEDGEMENTS 349 |
| Record Nr. | UNINA-9910404104903321 |
Gunti Claus
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| Bielefeld, : transcript Verlag, 2020 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Digital Image Systems : Photography and New Technologies at the Düsseldorf School / Claus Gunti
| Digital Image Systems : Photography and New Technologies at the Düsseldorf School / Claus Gunti |
| Autore | Gunti Claus |
| Edizione | [1st ed.] |
| Pubbl/distr/stampa | Bielefeld, : transcript Verlag, 2020 |
| Descrizione fisica | 1 online resource (352 p.) |
| Disciplina | 771 |
| Collana | Image |
| Soggetto topico | Photography; Art; Digital; Culture; Computer; Germany; Düsseldorf School; Thomas Ruff; Andreas Gursky; Jörg Sasse; Art History of the 21st Century; European Art; Visual Studies; Fine Arts |
| Soggetto non controllato |
Andreas Gursky
Art History of the 21st Century Art Computer Culture Digital Düsseldorf School European Art Fine Arts Germany Jörg Sasse Thomas Ruff Visual Studies |
| ISBN | 3-8394-3902-7 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Frontmatter 1 Contents 4 Introduction 8 A FRAMING THE DÜSSELDORF SCHOOL 20 B WHAT IS DIGITAL PHOTOGRAPHY? 31 Introduction 40 A EMERGENCE OF A GERMAN DOCUMENTARY TRADITION 47 B THE END OF PHOTOGRAPHY 77 C DISCOURSE ON DIGITAL PHOTOGRAPHY IN GERMANY 98 Introduction 116 A PRE-DIGITAL MECHANISMS IN CONTEXT: 1960S / 1970S 120 B SERIAL CONSTRUCTIONS AND COMBINATORIAL FUNCTIONS: A TRANS-HISTORICAL PATTERN 137 Introduction 154 A DIGITAL RETOUCHING TOOLS 156 B DIGITAL STITCHING 175 C EARLY DIGITAL COMPOSITIONS 203 D THOMAS RUFF'S ANALOGUE AND DIGITAL EXPERIMENTS WITH THE PORTRAIT 219 Introduction 240 A COMPLEX COMPOSITES: ANDREAS GURSKY'S GENERIC WORLD 243 B IMAGE RECYCLING AND APPROPRIATIVE POSITIONS 259 C THOMAS RUFF'S GENERATED PHOTOGRAPHS AND THE LIMITS OF REPRESENTATION 300 D GENERIC PICTURE REALITIES 314 5 Conclusion 320 A BIBLIOGRAPHY 334 B INDEX 346 C ACKNOWLEDGEMENTS 349 |
| Record Nr. | UNISA-996359641303316 |
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Gunti Claus
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| Bielefeld, : transcript Verlag, 2020 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. di Salerno | ||
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Kunst und Landwirtschaft : Realitätsbezüge in der Gegenwartskunst / Anne Kersten
| Kunst und Landwirtschaft : Realitätsbezüge in der Gegenwartskunst / Anne Kersten |
| Autore | Kersten Anne (Hochschule für Gestaltung Offenbach, Deutschland) |
| Edizione | [1st ed.] |
| Pubbl/distr/stampa | Bielefeld, : transcript Verlag, 2021 |
| Descrizione fisica | 1 online resource (259 pages) |
| Collana | Image |
| Soggetto topico | Gegenwartskunst; Landwirtschaft; Realismus; Ökologie; Ländlicher Raum; Kunst; Natur; Medien; Kunsttheorie; Kunstgeschichte des 20. Jahrhunderts; Kunstgeschichte des 21. Jahrhunderts; Europäische Kunst; Kunstwissenschaft; Contemporary Art; Agriculture; Realism; Ecology; Rural Area; Art; Nature; Media; Theory of Art; Art History of the 20th Century; Art History of the 21st Century; European Art; Fine Arts |
| Soggetto non controllato |
Agriculture
Art History of the 20th Century Art History of the 21st Century Art Ecology European Art Fine Arts Media Nature Realism Rural Area Theory of Art |
| ISBN | 3-8394-5748-3 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | ger |
| Nota di contenuto | Frontmatter 1 Inhalt 5 Einleitung 7 1.1 Bilder der Landwirtschaft: Agrarlandschaften von Heinrich Riebesehl (1976-1979) 17 1.2 Landwirtschaft als Bild: Crossroads Community (The Farm) von Bonnie Ora Sherk (1974-1980) 34 2.1 Von den Dingen der Welt zur Welt der Dinge: Machines, Łukasz Skpski (2006) 49 2.2 Epistemologien des Archivs: Aus der Perspektive der Kartoffel auf Kenntnisse in der Pflanzenzucht von Ǻsa Sonjasdotter, 2012 69 2.3 Die Aneignung der Aneignung: Danzig, Havarna, Siauliai (2007) von Tue Greenfort 83 2.4 Bilder der Landwirtschaft als Bilder des Fremden: Ich bin gerne Bauer und möchte es auch gerne bleiben (seit 2000) von Antje Schiffers und Thomas Sprenger 94 2.5 Eine mobile Bibliothek: die Bibliobox (2005 - 2016) von Wapke Feenstra/Myvillages 109 2.6 Partizipation revisited: Von Milch und Menschen (2003) von Kristina Leko 122 Vorwort 137 3.1 Urbane Landwirtschaft, Aktivismus, Gemeinschaft: Neighbourhood Fruit Forages, Fruitmaps (beide seit 2004) und Double Standard (2008) von Fallen Fruit 143 3.2 Eine »ästhetische Infrastruktur«?: Soil Kitchen (2011) von Futurefarmers 159 3.3 Kunst und Landwirtschaft als ›Immersive Life Practice‹ - Guerilla Composting, Feed-Back Berlin (2012), Post-(R)evolutionary Exercises (2011) von Kultivator 175 3.4 Eine alternative Versuchsanordnung als ›Social Landart‹: Das Eichelschwein (2006) von Insa Winkler 189 3.5 Kunst als ›Para-Institution‹: A Shepherd's School (seit 2004) von Fernando García-Dory 201 3.6 Der ländliche Raum als ›Site‹: Internationaler Dorfladen und Neue Dorfwaren (seit 2007) von Myvillages (Kathrin Böhm, Wapke Feenstra, Antje Schiffers) 215 Zusammenfassung/Fazit 229 Literaturverzeichnis 241 Abbildungsnachweise 253 |
| Record Nr. | UNINA-9910554238103321 |
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Kersten Anne (Hochschule für Gestaltung Offenbach, Deutschland)
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| Bielefeld, : transcript Verlag, 2021 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Operatic Pasticcios in 18th-Century Europe : Contexts, Materials and Aesthetics / Berthold Over, Gesa zur Nieden
| Operatic Pasticcios in 18th-Century Europe : Contexts, Materials and Aesthetics / Berthold Over, Gesa zur Nieden |
| Edizione | [1st ed.] |
| Pubbl/distr/stampa | Bielefeld, : transcript Verlag, 2021 |
| Descrizione fisica | 1 online resource (798 p.) |
| Disciplina | 782.109033 |
| Collana | Mainzer Historische Kulturwissenschaften |
| Soggetto topico | Opera; Pastiche; Work Concept; Music Aesthetics; Arts; Cultural History; Art; Art History; European Art; Fine Arts |
| Soggetto non controllato |
Art History
Art Arts Cultural History European Art Fine Arts Music Aesthetics Pastiche Work Concept |
| ISBN | 3-8394-4885-9 |
| Classificazione | LR 54171 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Frontmatter -- Editorial -- Content -- Introduction -- The World of Pasticcio Reflections on Pre-Existing T ext and Music -- Italian Pasticcio Opera, 1700-1750 Practices and Repertoires -- 1. Pasticcio Principles in Different Arts -- Antoine Watteau’s pasticci -- Pasticcio Practice in 18th-Century German Theater -- Adaptations of Stage Directions and Stage Designs in Pietro Metastasio’ s drammi per musica -- Between Dwarfs and Giants. Aesthetics of the Pasticcio between London and Hamburg -- 2. Pasticcio vs. Pastiche -- The Musical pasticcio: A Plea for a Readymade Ontology for the Musical Work -- Pasticcio en littérature? -- On the New Significance of the Pastiche in Copyright Law -- 3. Traveling Musicians – Traveling Music? -- A Voice of Two Cities: Francesco Borosini between the Habsburg Court and the Royal Academy -- Debts and Destiny New Findings on Antonio Maria Peruzzi and the Origin of His Opera Touring Business -- Italian operisti, Repertoire and the aria di baule: Insights from the Pirker Correspondence -- Dido Abandoned? Shifts of Focus and Artistic Choices in Didone Pasticcios of the Mingotti Opera T roupe -- Palladio as a Tool for opera buffa Research. Mapping Opera Troupes and opera buffa Outside of Italy (1745-1765) -- 4. Local Conditions of Pasticcio Production and Reception -- Collaboration, Arrangement, ‘Dressing’: The Different Recipes for the pasticcio alla napoletana in the First Half of the 18th Century -- Production of Opera Pasticcios in Venice in the Early 18th Century. The Impresario’s Role -- Artaserse (Rome, 1721), Nicola Porpora’s First Pasticcio -- Singers of the V iennese Kärntnertortheater in the 1730s in the Light of Aria Substitutions and Pasticcios -- The Book of Pasticcios: Listening to Ormisda’s Material Texts -- Borrowed Voices. Legal Ownership of Insertion Arias in 18th-Century London -- Local Conditions of Pasticcio Production and Reception: Between Prague, W rocław and Moravia -- The Graz 1740 Pasticcio Amor, odio e pentimento: A Special Case or Mingottis’ s Common Practice? -- A Granted Royal Wish, or Carlo Goldoni’ s La buona figliuola with Music by Niccolò Piccinni and Il mercato di Malmantile with Music by Domenico Fischietti, Staged in Warsaw in 1765 -- 5. Pasticcio Practices Beyond Opera -- Bad Habits in Theater – Late Forms of Operatic Pasticcios in Vienna Around 1800 -- Dance in Pasticcios – Pasticcios in Dance -- Ballet Performance as Motivation for Pasticcio Practices – Gluck’ s and Berton’s Cythère assiégée (1775) -- The Use of Extracts of Mozart’ s Operas in Polish Sacred Music -- Pasticcio da chiesa: Transforming Opera Arias into an Oratorio The Case of Contrafacted Oratorios in Wrocław and Żagań from the Mid-18th Century -- 6. Pasticcio Between Philology and Materiality -- Apostolo Zeno’s Venceslao (Venice 1703) and its Pasticcio Version Vincislao re di Polonia (London 1717) A Case Study with Stops in Florence, Milan and Naples -- The Musical and Physical Mobility of Material in Handel Sources -- Pasticcios in Darmstadt? Christoph Graupner and the Use of Non-domestic Librettos in the Early 18th Century -- Gluck’s Contribution to the Pasticcios Arsace and La finta schiava -- Digital Music Editions Beyond [Edited] Musical Text -- The pasticci Tree: Manual and Computing Solutions -- Ways of Replacement – Loss and Enrichment -- Epilogue -- List of Contributors -- Index of Persons -- Index of Places |
| Record Nr. | UNINA-9910642294903321 |
| Bielefeld, : transcript Verlag, 2021 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Operatic Pasticcios in 18th-Century Europe : Contexts, Materials and Aesthetics / Berthold Over, Gesa zur Nieden
| Operatic Pasticcios in 18th-Century Europe : Contexts, Materials and Aesthetics / Berthold Over, Gesa zur Nieden |
| Edizione | [1st ed.] |
| Pubbl/distr/stampa | Bielefeld, : transcript Verlag, 2021 |
| Descrizione fisica | 1 online resource (798 p.) |
| Disciplina | 782.109033 |
| Collana | Mainzer Historische Kulturwissenschaften |
| Soggetto topico | Opera; Pastiche; Work Concept; Music Aesthetics; Arts; Cultural History; Art; Art History; European Art; Fine Arts |
| Soggetto non controllato |
Art History
Art Arts Cultural History European Art Fine Arts Music Aesthetics Pastiche Work Concept |
| ISBN | 3-8394-4885-9 |
| Classificazione | LR 54171 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Frontmatter -- Editorial -- Content -- Introduction -- The World of Pasticcio Reflections on Pre-Existing T ext and Music -- Italian Pasticcio Opera, 1700-1750 Practices and Repertoires -- 1. Pasticcio Principles in Different Arts -- Antoine Watteau’s pasticci -- Pasticcio Practice in 18th-Century German Theater -- Adaptations of Stage Directions and Stage Designs in Pietro Metastasio’ s drammi per musica -- Between Dwarfs and Giants. Aesthetics of the Pasticcio between London and Hamburg -- 2. Pasticcio vs. Pastiche -- The Musical pasticcio: A Plea for a Readymade Ontology for the Musical Work -- Pasticcio en littérature? -- On the New Significance of the Pastiche in Copyright Law -- 3. Traveling Musicians – Traveling Music? -- A Voice of Two Cities: Francesco Borosini between the Habsburg Court and the Royal Academy -- Debts and Destiny New Findings on Antonio Maria Peruzzi and the Origin of His Opera Touring Business -- Italian operisti, Repertoire and the aria di baule: Insights from the Pirker Correspondence -- Dido Abandoned? Shifts of Focus and Artistic Choices in Didone Pasticcios of the Mingotti Opera T roupe -- Palladio as a Tool for opera buffa Research. Mapping Opera Troupes and opera buffa Outside of Italy (1745-1765) -- 4. Local Conditions of Pasticcio Production and Reception -- Collaboration, Arrangement, ‘Dressing’: The Different Recipes for the pasticcio alla napoletana in the First Half of the 18th Century -- Production of Opera Pasticcios in Venice in the Early 18th Century. The Impresario’s Role -- Artaserse (Rome, 1721), Nicola Porpora’s First Pasticcio -- Singers of the V iennese Kärntnertortheater in the 1730s in the Light of Aria Substitutions and Pasticcios -- The Book of Pasticcios: Listening to Ormisda’s Material Texts -- Borrowed Voices. Legal Ownership of Insertion Arias in 18th-Century London -- Local Conditions of Pasticcio Production and Reception: Between Prague, W rocław and Moravia -- The Graz 1740 Pasticcio Amor, odio e pentimento: A Special Case or Mingottis’ s Common Practice? -- A Granted Royal Wish, or Carlo Goldoni’ s La buona figliuola with Music by Niccolò Piccinni and Il mercato di Malmantile with Music by Domenico Fischietti, Staged in Warsaw in 1765 -- 5. Pasticcio Practices Beyond Opera -- Bad Habits in Theater – Late Forms of Operatic Pasticcios in Vienna Around 1800 -- Dance in Pasticcios – Pasticcios in Dance -- Ballet Performance as Motivation for Pasticcio Practices – Gluck’ s and Berton’s Cythère assiégée (1775) -- The Use of Extracts of Mozart’ s Operas in Polish Sacred Music -- Pasticcio da chiesa: Transforming Opera Arias into an Oratorio The Case of Contrafacted Oratorios in Wrocław and Żagań from the Mid-18th Century -- 6. Pasticcio Between Philology and Materiality -- Apostolo Zeno’s Venceslao (Venice 1703) and its Pasticcio Version Vincislao re di Polonia (London 1717) A Case Study with Stops in Florence, Milan and Naples -- The Musical and Physical Mobility of Material in Handel Sources -- Pasticcios in Darmstadt? Christoph Graupner and the Use of Non-domestic Librettos in the Early 18th Century -- Gluck’s Contribution to the Pasticcios Arsace and La finta schiava -- Digital Music Editions Beyond [Edited] Musical Text -- The pasticci Tree: Manual and Computing Solutions -- Ways of Replacement – Loss and Enrichment -- Epilogue -- List of Contributors -- Index of Persons -- Index of Places |
| Record Nr. | UNISA-996509963903316 |
| Bielefeld, : transcript Verlag, 2021 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. di Salerno | ||
| ||
Postmoderne Bildparodien : Sigmar Polke und das Potential parodistischer Interventionen / / Johanna Hornauer
| Postmoderne Bildparodien : Sigmar Polke und das Potential parodistischer Interventionen / / Johanna Hornauer |
| Autore | Hornauer Johanna |
| Edizione | [First edition.] |
| Pubbl/distr/stampa | Bielefeld : , : transcript Verlag, , [2023] |
| Descrizione fisica | 1 online resource (320 pages) : illustrations |
| Disciplina | 621.367 |
| Collana | Image |
| Soggetto topico | Image processing |
| Soggetto non controllato |
20th Century
Aesthetics Art History of the 20th Century Art Cultural Studies Culture Discourse European Art Fine Arts Image Theory Image Intervention Media Memory Work Myth Criticism Myth Palimpsest Politics Postmodernism Power Relations Visual Communication Visual Studies |
| ISBN | 3-8394-6567-2 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | ger |
| Nota di contenuto | Frontmatter -- Inhalt -- Danksagung -- 1. Einleitung -- 2. Forschungsstand zur Parodie -- 3. Drei Thesen -- 4. Bildparodie als Verweisungsspiel -- 5. Bildparodie als Gedächtnisarbeit -- 6. Bildparodie als Reflexionsfigur -- 7. Rückblick und Ausblick -- Literaturverzeichnis -- Abbildungen |
| Record Nr. | UNINA-9910686491203321 |
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Hornauer Johanna
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| Bielefeld : , : transcript Verlag, , [2023] | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Postmoderne Bildparodien : Sigmar Polke und das Potential parodistischer Interventionen / / Johanna Hornauer
| Postmoderne Bildparodien : Sigmar Polke und das Potential parodistischer Interventionen / / Johanna Hornauer |
| Autore | Hornauer Johanna |
| Edizione | [First edition.] |
| Pubbl/distr/stampa | Bielefeld : , : transcript Verlag, , [2023] |
| Descrizione fisica | 1 online resource (320 pages) : illustrations |
| Disciplina | 621.367 |
| Collana | Image |
| Soggetto topico | Image processing |
| Soggetto non controllato |
20th Century
Aesthetics Art History of the 20th Century Art Cultural Studies Culture Discourse European Art Fine Arts Image Theory Image Intervention Media Memory Work Myth Criticism Myth Palimpsest Politics Postmodernism Power Relations Visual Communication Visual Studies |
| ISBN | 3-8394-6567-2 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | ger |
| Nota di contenuto | Frontmatter -- Inhalt -- Danksagung -- 1. Einleitung -- 2. Forschungsstand zur Parodie -- 3. Drei Thesen -- 4. Bildparodie als Verweisungsspiel -- 5. Bildparodie als Gedächtnisarbeit -- 6. Bildparodie als Reflexionsfigur -- 7. Rückblick und Ausblick -- Literaturverzeichnis -- Abbildungen |
| Record Nr. | UNISA-996524970203316 |
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Hornauer Johanna
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| Bielefeld : , : transcript Verlag, , [2023] | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. di Salerno | ||
| ||
Ästhetische Eigenlogiken des europäischen Genrebildes : Temporalität, Ambiguität, Latenz / / hrsg. von Dominik Brabant, Britta Hochkirchen
| Ästhetische Eigenlogiken des europäischen Genrebildes : Temporalität, Ambiguität, Latenz / / hrsg. von Dominik Brabant, Britta Hochkirchen |
| Pubbl/distr/stampa | Bielefeld : , : Bielefeld University Press, , [2023] |
| Descrizione fisica | 1 online resource (360 p.) |
| Soggetto topico | ART / History / General |
| Soggetto non controllato |
Aesthetics of Reception
Aesthetics Ambiguity Art History of the 19th Century Art History Art Bielefeld University Press Early Modernity European Art Genre Picture Genre History Painting Iconography Image Theory Image Modernity Temporality Visual Studies |
| ISBN | 3-8394-6898-1 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | ger |
| Nota di contenuto | Frontmatter -- Inhalt -- Ästhetische Eigenlogiken des europäischen Genrebildes: Temporalität, Ambiguität, Latenz -- Trinken, Vergnügen, Elternzeit -- Der latente Prodigus -- Antike Gattungstheorie, die implizite Gattungsreflexion der frühen italienischen Genrebilder und Annibale Carraccis Knabenbilder -- Vieldeutige Begegnungen und latente Wirkkräfte -- Kritische Bildkonstellationen -- Frei/Zeit/Bild -- Aufgeteilte Sichtbarkeit -- Skulpturale Lebendigkeit im Zeitalter der Aufklärung -- Genremalerei als Operation des »Romantisierens«? -- Augenblick und Fragment in Adolph Menzels Genremalerei -- Öffentliche Privatheit -- Rosemary’s Baby und Blue Velvet -- Autorinnen und Autoren |
| Record Nr. | UNISA-996552369803316 |
| Bielefeld : , : Bielefeld University Press, , [2023] | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. di Salerno | ||
| ||
Ästhetische Eigenlogiken des europäischen Genrebildes : Temporalität, Ambiguität, Latenz / / hrsg. von Dominik Brabant, Britta Hochkirchen
| Ästhetische Eigenlogiken des europäischen Genrebildes : Temporalität, Ambiguität, Latenz / / hrsg. von Dominik Brabant, Britta Hochkirchen |
| Pubbl/distr/stampa | Bielefeld : , : Bielefeld University Press, , [2023] |
| Descrizione fisica | 1 online resource (360 p.) |
| Soggetto topico | ART / History / General |
| Soggetto non controllato |
Aesthetics of Reception
Aesthetics Ambiguity Art History of the 19th Century Art History Art Bielefeld University Press Early Modernity European Art Genre Picture Genre History Painting Iconography Image Theory Image Modernity Temporality Visual Studies |
| ISBN | 3-8394-6898-1 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | ger |
| Nota di contenuto | Frontmatter -- Inhalt -- Ästhetische Eigenlogiken des europäischen Genrebildes: Temporalität, Ambiguität, Latenz -- Trinken, Vergnügen, Elternzeit -- Der latente Prodigus -- Antike Gattungstheorie, die implizite Gattungsreflexion der frühen italienischen Genrebilder und Annibale Carraccis Knabenbilder -- Vieldeutige Begegnungen und latente Wirkkräfte -- Kritische Bildkonstellationen -- Frei/Zeit/Bild -- Aufgeteilte Sichtbarkeit -- Skulpturale Lebendigkeit im Zeitalter der Aufklärung -- Genremalerei als Operation des »Romantisierens«? -- Augenblick und Fragment in Adolph Menzels Genremalerei -- Öffentliche Privatheit -- Rosemary’s Baby und Blue Velvet -- Autorinnen und Autoren |
| Record Nr. | UNINA-9910746986503321 |
| Bielefeld : , : Bielefeld University Press, , [2023] | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||