David Lynchs »Mulholland Drive« verstehen : Visuelles Erzählen und die Dramaturgie der offenen Form / / Christine Lang |
Autore | Lang Christine |
Pubbl/distr/stampa | Bielefeld : , : transcript Verlag, , [2023] |
Descrizione fisica | 1 online resource (288 p.) |
Collana | Film |
Soggetto topico | SOCIAL SCIENCE / Media Studies |
Soggetto non controllato |
Aesthetics
Analogue Media David Lynch Dramaturgy Film Aesthetics Image Media Aesthetics Media Studies Media Popular Culture Postmodernism Storytelling Visual Studies |
ISBN | 3-8394-6647-4 |
Formato | Materiale a stampa |
Livello bibliografico | Monografia |
Lingua di pubblicazione | ger |
Nota di contenuto | Frontmatter -- Inhalt -- Danksagung -- Einleitung -- I Mulholland Drive: dramaturgische Grundlagen -- II Die dramaturgische Analyse – Szene für Szene -- 1 Die Exposition -- 2 Der Haupterzählstrang: Betty Elms -- 3 Zweiter Handlungsstrang: Adam Kesher -- 4 Die Intrige: Mr. Roque und die Mafia -- 5 Die Nebenintrige: Der Auftragsmörder Joe -- 6 Die Nebenhandlung: Dan -- 7 Der 3. Akt -- III Schlussbemerkung -- Tabellarische Übersicht der Szenen -- Literatur |
Record Nr. | UNISA-996543164903316 |
Lang Christine | ||
Bielefeld : , : transcript Verlag, , [2023] | ||
Materiale a stampa | ||
Lo trovi qui: Univ. di Salerno | ||
|
David Lynchs »Mulholland Drive« verstehen : Visuelles Erzählen und die Dramaturgie der offenen Form / / Christine Lang |
Autore | Lang Christine |
Pubbl/distr/stampa | Bielefeld : , : transcript Verlag, , [2023] |
Descrizione fisica | 1 online resource (288 p.) |
Collana | Film |
Soggetto topico | SOCIAL SCIENCE / Media Studies |
Soggetto non controllato |
Aesthetics
Analogue Media David Lynch Dramaturgy Film Aesthetics Image Media Aesthetics Media Studies Media Popular Culture Postmodernism Storytelling Visual Studies |
ISBN | 3-8394-6647-4 |
Formato | Materiale a stampa |
Livello bibliografico | Monografia |
Lingua di pubblicazione | ger |
Nota di contenuto | Frontmatter -- Inhalt -- Danksagung -- Einleitung -- I Mulholland Drive: dramaturgische Grundlagen -- II Die dramaturgische Analyse – Szene für Szene -- 1 Die Exposition -- 2 Der Haupterzählstrang: Betty Elms -- 3 Zweiter Handlungsstrang: Adam Kesher -- 4 Die Intrige: Mr. Roque und die Mafia -- 5 Die Nebenintrige: Der Auftragsmörder Joe -- 6 Die Nebenhandlung: Dan -- 7 Der 3. Akt -- III Schlussbemerkung -- Tabellarische Übersicht der Szenen -- Literatur |
Record Nr. | UNINA-9910735580703321 |
Lang Christine | ||
Bielefeld : , : transcript Verlag, , [2023] | ||
Materiale a stampa | ||
Lo trovi qui: Univ. Federico II | ||
|
Holding down the Fort : Policing Communities and Community-Oriented Policing in Rural Germany / / by Aaron Bielejewski |
Autore | Bielejewski Aaron |
Edizione | [1st ed. 2023.] |
Pubbl/distr/stampa | Wiesbaden, : Springer Nature, 2023 |
Descrizione fisica | 1 online resource (X, 418 p. 1 illus. in color. Textbook for German language market.) |
Disciplina | 364.4 |
Soggetto topico |
Criminology
Law and the social sciences Crime Control and Security Socio-Legal Studies |
Soggetto non controllato |
Community policing
Dramaturgy Policing Policing in Germany Ethnography Rural communities |
ISBN | 3-658-39773-X |
Formato | Materiale a stampa |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | Introduction -- Our town: the sociology of policing communities -- Setting the stage: setting, method, and perspective -- Framing police encounters: the dramaturgy of authority -- Violence and the police -- Community tales: storytelling, experience, and local knowledge -- The police and community maintenance -- Postscript: retrospective auto-ethnography. |
Record Nr. | UNINA-9910632468403321 |
Bielejewski Aaron | ||
Wiesbaden, : Springer Nature, 2023 | ||
Materiale a stampa | ||
Lo trovi qui: Univ. Federico II | ||
|
The idea of a theater : a study of ten plays : the art of drama in changing perspective / / Francis Fergusson |
Autore | Fergusson Francis |
Edizione | [First Princeton paperback edition.] |
Pubbl/distr/stampa | Princeton, N.J. : , : Princeton University Press, , 1949 |
Descrizione fisica | 1 online resource (x, 242 pages) |
Disciplina | 808.2 |
Collana | Princeton Legacy Library |
Soggetto topico | Drama - History and criticism |
Soggetto non controllato |
Acting
Anagoge Anecdote Aristotelianism Awareness Before the Revolution Brothel Caricature City Of Classicism Cyclorama (theater) Dithyramb Dolce Stil Novo Drama Dramatization Dramaturgy Drawing room Episode Escapism Farce Fine art Fortinbras Genre Gilbert Murray Gilbert and Sullivan Good and evil Hamlet's Father Hamlet Harold Clurman Heartbreak House High Spirits (musical) Hubris Illustration Imagery Improvisation In Society In This World In the Life Infatuation Irony Jacques Copeau Jean Cocteau Jeux Kilroy was here Laertes (Hamlet) Life Itself Literature Louis Jouvet Luigi Pirandello Macduff (Macbeth) Major Barbara Melodrama Metaphysical poets Mimesis Modernity Molière Murder in the Cathedral Narrative thread Narrative Of Human Action Omnipotence Oscar Wilde Parody Plautus Play (theatre) Playwright Poetic realism Poetry Polonius Primitivism Purgatorio Realism (arts) Reductio ad absurdum Restoration comedy Revenge play Rhetorical device Rosencrantz and Guildenstern (play) Rosencrantz and Guildenstern Scaramouche Sensibility Shakespearean tragedy Six Characters in Search of an Author Sophistication Sophocles Sound effect Struggle (TV series) Suspension of disbelief Terence The Comic The Infernal Machine (play) The Realist The Spirit of the Age The Various The Very Idea Theatre Theatricality Tragedy Valet Ventriloquism William Shakespeare |
ISBN |
0-691-06143-2
0-691-64910-3 1-4008-7513-7 |
Formato | Materiale a stampa |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | Front matter -- CONTENTS -- ACKNOWLEDGMENTS -- PART 1. THE IDEA OF A THEATER -- INTRODUCTION. THE IDEA OF A THEATER -- CHAPTER I. OEDIPUS REX: THE TRAGIC RHYTHM OF ACTION -- CHAPTER II. BERENICE: THE ACTION AND THEATER OF REASON -- CHAPTER III. TRISTAN UND ISOLDE: THE ACTION AND THEATER OF PASSION -- CHAPTER IV. HAMLET, PRINCE OF DENMARK: THE ANALOGY OF ACTION -- PART II. THE PARTIAL PERSPECTIVES OF THE MODERN THEATER -- INTRODUCTION. THE PARTIAL PERSPECTIVES OF THE MODERN THEATER -- CHAPTER V. GHOSTS AND THE CHERRY ORCHARD: THE THEATER OF MODERN REALISM -- CHAPTER VI. THE THEATRICALITY OF SHAW AND PIRANDELLO -- CHAPTER VII. POETRY OF THE THEATER AND THE POET IN THE THEATER -- P A R T III. CERTAIN TECHNICAL CONCEPTS USED IN THIS STUDY -- APPENDIX. ON CERTAIN TECHNICAL CONCEPTS USED IN THIS STUDY -- Back matter |
Record Nr. | UNINA-9910797877203321 |
Fergusson Francis | ||
Princeton, N.J. : , : Princeton University Press, , 1949 | ||
Materiale a stampa | ||
Lo trovi qui: Univ. Federico II | ||
|
The idea of a theater : a study of ten plays : the art of drama in changing perspective / / Francis Fergusson |
Autore | Fergusson Francis |
Edizione | [First Princeton paperback edition.] |
Pubbl/distr/stampa | Princeton, N.J. : , : Princeton University Press, , 1949 |
Descrizione fisica | 1 online resource (x, 242 pages) |
Disciplina | 808.2 |
Collana | Princeton Legacy Library |
Soggetto topico | Drama - History and criticism |
Soggetto non controllato |
Acting
Anagoge Anecdote Aristotelianism Awareness Before the Revolution Brothel Caricature City Of Classicism Cyclorama (theater) Dithyramb Dolce Stil Novo Drama Dramatization Dramaturgy Drawing room Episode Escapism Farce Fine art Fortinbras Genre Gilbert Murray Gilbert and Sullivan Good and evil Hamlet's Father Hamlet Harold Clurman Heartbreak House High Spirits (musical) Hubris Illustration Imagery Improvisation In Society In This World In the Life Infatuation Irony Jacques Copeau Jean Cocteau Jeux Kilroy was here Laertes (Hamlet) Life Itself Literature Louis Jouvet Luigi Pirandello Macduff (Macbeth) Major Barbara Melodrama Metaphysical poets Mimesis Modernity Molière Murder in the Cathedral Narrative thread Narrative Of Human Action Omnipotence Oscar Wilde Parody Plautus Play (theatre) Playwright Poetic realism Poetry Polonius Primitivism Purgatorio Realism (arts) Reductio ad absurdum Restoration comedy Revenge play Rhetorical device Rosencrantz and Guildenstern (play) Rosencrantz and Guildenstern Scaramouche Sensibility Shakespearean tragedy Six Characters in Search of an Author Sophistication Sophocles Sound effect Struggle (TV series) Suspension of disbelief Terence The Comic The Infernal Machine (play) The Realist The Spirit of the Age The Various The Very Idea Theatre Theatricality Tragedy Valet Ventriloquism William Shakespeare |
ISBN |
0-691-06143-2
0-691-64910-3 1-4008-7513-7 |
Formato | Materiale a stampa |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | Front matter -- CONTENTS -- ACKNOWLEDGMENTS -- PART 1. THE IDEA OF A THEATER -- INTRODUCTION. THE IDEA OF A THEATER -- CHAPTER I. OEDIPUS REX: THE TRAGIC RHYTHM OF ACTION -- CHAPTER II. BERENICE: THE ACTION AND THEATER OF REASON -- CHAPTER III. TRISTAN UND ISOLDE: THE ACTION AND THEATER OF PASSION -- CHAPTER IV. HAMLET, PRINCE OF DENMARK: THE ANALOGY OF ACTION -- PART II. THE PARTIAL PERSPECTIVES OF THE MODERN THEATER -- INTRODUCTION. THE PARTIAL PERSPECTIVES OF THE MODERN THEATER -- CHAPTER V. GHOSTS AND THE CHERRY ORCHARD: THE THEATER OF MODERN REALISM -- CHAPTER VI. THE THEATRICALITY OF SHAW AND PIRANDELLO -- CHAPTER VII. POETRY OF THE THEATER AND THE POET IN THE THEATER -- P A R T III. CERTAIN TECHNICAL CONCEPTS USED IN THIS STUDY -- APPENDIX. ON CERTAIN TECHNICAL CONCEPTS USED IN THIS STUDY -- Back matter |
Record Nr. | UNINA-9910825380403321 |
Fergusson Francis | ||
Princeton, N.J. : , : Princeton University Press, , 1949 | ||
Materiale a stampa | ||
Lo trovi qui: Univ. Federico II | ||
|
Postdramatic Dramaturgies : Resonances between Asia and Europe / / ed. by Kai Tuchmann |
Pubbl/distr/stampa | Bielefeld : , : transcript Verlag, , [2022] |
Descrizione fisica | 1 online resource (308 p.) |
Collana | Theater |
Soggetto topico | PERFORMING ARTS / Theater / History & Criticism |
Soggetto non controllato |
Asian Theatre
China Culture Dramaturgy East Asia History of Theatre Interculturalism Theatre Studies Theatre |
ISBN | 3-8394-5997-4 |
Formato | Materiale a stampa |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | Frontmatter -- Content -- Acknowledgments -- Foreword -- I POSTDRAMATIC RESONANCE BETWEEN EUROPE AND ASIA -- Introduction -- Rethinking Theatricality -- Hans-Thies Lehmann’s Postdramatic Theatre and the New Aesthetics of Juchang -- II POSTDRAMATIC RESONANCE IN THEATRE PRACTICES -- There Is No Empty Space on Earth -- WORLD FACTORY -- How to Work With Things That Really Happened -- STOLPERSTEINE STAATSTHEATER—Documentary Theatre -- RED—A Documentary Performance -- From the Red Detachment to the Women: A Postscript -- Don’t Be Yourself. Notes on the Impossibility of Documentary -- HAMLET -- Practice of Theatre—Rehearsal of Life -- LOVE STORY -- III POSTSCRIPT -- Shame and Power A Critical Conversation on the Postdramatic Condition -- Biographies -- List of Figures and Online Resources |
Record Nr. | UNISA-996465261103316 |
Bielefeld : , : transcript Verlag, , [2022] | ||
Materiale a stampa | ||
Lo trovi qui: Univ. di Salerno | ||
|
Postdramatic Dramaturgies : Resonances between Asia and Europe / / ed. by Kai Tuchmann |
Pubbl/distr/stampa | Bielefeld : , : transcript Verlag, , [2022] |
Descrizione fisica | 1 online resource (308 p.) |
Collana | Theater |
Soggetto topico | PERFORMING ARTS / Theater / History & Criticism |
Soggetto non controllato |
Asian Theatre
China Culture Dramaturgy East Asia History of Theatre Interculturalism Theatre Studies Theatre |
ISBN | 3-8394-5997-4 |
Formato | Materiale a stampa |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | Frontmatter -- Content -- Acknowledgments -- Foreword -- I POSTDRAMATIC RESONANCE BETWEEN EUROPE AND ASIA -- Introduction -- Rethinking Theatricality -- Hans-Thies Lehmann’s Postdramatic Theatre and the New Aesthetics of Juchang -- II POSTDRAMATIC RESONANCE IN THEATRE PRACTICES -- There Is No Empty Space on Earth -- WORLD FACTORY -- How to Work With Things That Really Happened -- STOLPERSTEINE STAATSTHEATER—Documentary Theatre -- RED—A Documentary Performance -- From the Red Detachment to the Women: A Postscript -- Don’t Be Yourself. Notes on the Impossibility of Documentary -- HAMLET -- Practice of Theatre—Rehearsal of Life -- LOVE STORY -- III POSTSCRIPT -- Shame and Power A Critical Conversation on the Postdramatic Condition -- Biographies -- List of Figures and Online Resources |
Record Nr. | UNINA-9910831808203321 |
Bielefeld : , : transcript Verlag, , [2022] | ||
Materiale a stampa | ||
Lo trovi qui: Univ. Federico II | ||
|
Wie wir uns an der Universität aufführen / / Anna Suchard |
Autore | Suchard Anna |
Pubbl/distr/stampa | Bielefeld, : transcript Verlag, 2022 |
Descrizione fisica | 1 online resource (292 pages) |
Disciplina | 153.69 |
Collana | Edition Kulturwissenschaft |
Soggetto topico | Body language |
Soggetto non controllato |
Performativität
Performanz Universität Gesellschaft Digitaler Wandel Dramaturgie Diversität Epistemologie Bildungsphilosophie Prekarisierung Ethnografie Aufführungsanalyse Körperwissen Implizites Wissen Wissenschaft Bildung Wissenschaftssoziologie Bildungsforschung Theaterwissenschaft Soziologie Performativity Performance University Society Digital Change Dramaturgy Diversity Epistemology Precarity Ethnography Performance Studies Body Knowledge Implicit Knowledge Science Education Sociology of Science Educational Research Theatre Studies Sociology |
ISBN | 3-8394-6194-4 |
Formato | Materiale a stampa |
Livello bibliografico | Monografia |
Lingua di pubblicazione | ger |
Nota di contenuto | Frontmatter -- Inhalt -- Vorwort -- I. Einleitung -- II. Kaleidoskop: Methoden und theoretische Einbettungen -- III. Performative Feldforschung zur Performanz von akademischen Forschungs-, Lehr- und Lernweisen -- IV. Inszenierungsanalyse akademischer Forschungs-, Lehr- und Lernweisen -- V. Bildung und Menschenbild -- VI. Performatives Wissen im digitalen Zeitalter -- VII. Praktische Anwendung und Rücküberprüfung der theoretischen Ergebnisse -- VIII. Fazit und Ausblick -- Quellenindex -- Bibliografie |
Altri titoli varianti | Wie wir uns an der Universität aufführen |
Record Nr. | UNISA-996483166403316 |
Suchard Anna | ||
Bielefeld, : transcript Verlag, 2022 | ||
Materiale a stampa | ||
Lo trovi qui: Univ. di Salerno | ||
|
Wie wir uns an der Universität aufführen / / Anna Suchard |
Autore | Suchard Anna |
Pubbl/distr/stampa | Bielefeld, : transcript Verlag, 2022 |
Descrizione fisica | 1 online resource (292 pages) |
Disciplina | 153.69 |
Collana | Edition Kulturwissenschaft |
Soggetto topico | Body language |
Soggetto non controllato |
Performativität
Performanz Universität Gesellschaft Digitaler Wandel Dramaturgie Diversität Epistemologie Bildungsphilosophie Prekarisierung Ethnografie Aufführungsanalyse Körperwissen Implizites Wissen Wissenschaft Bildung Wissenschaftssoziologie Bildungsforschung Theaterwissenschaft Soziologie Performativity Performance University Society Digital Change Dramaturgy Diversity Epistemology Precarity Ethnography Performance Studies Body Knowledge Implicit Knowledge Science Education Sociology of Science Educational Research Theatre Studies Sociology |
ISBN | 3-8394-6194-4 |
Formato | Materiale a stampa |
Livello bibliografico | Monografia |
Lingua di pubblicazione | ger |
Nota di contenuto | Frontmatter -- Inhalt -- Vorwort -- I. Einleitung -- II. Kaleidoskop: Methoden und theoretische Einbettungen -- III. Performative Feldforschung zur Performanz von akademischen Forschungs-, Lehr- und Lernweisen -- IV. Inszenierungsanalyse akademischer Forschungs-, Lehr- und Lernweisen -- V. Bildung und Menschenbild -- VI. Performatives Wissen im digitalen Zeitalter -- VII. Praktische Anwendung und Rücküberprüfung der theoretischen Ergebnisse -- VIII. Fazit und Ausblick -- Quellenindex -- Bibliografie |
Altri titoli varianti | Wie wir uns an der Universität aufführen |
Record Nr. | UNINA-9910591170203321 |
Suchard Anna | ||
Bielefeld, : transcript Verlag, 2022 | ||
Materiale a stampa | ||
Lo trovi qui: Univ. Federico II | ||
|