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Aesthetic computing / / edited by Paul Fishwick
| Aesthetic computing / / edited by Paul Fishwick |
| Pubbl/distr/stampa | Cambridge, Mass., : MIT Press, ©2006 |
| Descrizione fisica | 1 online resource (477 p.) |
| Disciplina | 004 |
| Altri autori (Persone) | FishwickPaul A |
| Collana | Leonardo |
| Soggetto topico |
Computer science
Aesthetics |
| Soggetto non controllato |
DIGITAL HUMANITIES & NEW MEDIA/New Media Art
COMPUTER SCIENCE/General DESIGN/Interactive Design |
| ISBN |
0-262-27273-3
1-282-09744-X 9786612097447 1-4294-7728-8 |
| Formato | Materiale a stampa  |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Aesthetic Computing; I Philosophy and Representation; 1 An Introduction to Aesthetic Computing; 2 Goodman's Aesthetics and the Languages of Computing; 3 A Forty-Year Perspective on Aesthetic Computing in the LeonardoJournal; 4 The Interface as Sign and as Aesthetic Event; 5 Metaphorical Dimensions of Diagrammatic Graph Representations; II Art and Design; 6 Metaphoric Mappings: The Art of Visualization; 7 Public Space of Knowledge: Artistic Practice in Aesthetic Computing; 8 Visually Encoding Numbers Utilizing Prime Factors; 9 From the Poesy of Programming to Research as Art Form
10 Transdisciplinary Collaboration in ''Cell''11 Processing Code: Programming within the Context of Visual Art and Design; III Mathematics and Computing; 12 Aesthetics and the Visualization and Quality of Software; 13 Aesthetics and Mathematics: Connections Throughout History; 14 Aesthetic Computing and Shape; 15 The Foundations of Aesthetics; 16 Aesthetics of Large-Scale Relational Information Visualization in Practice; 17 The Well-Tempered Compiler? The Aesthetics of Program Auralization; IV Interface and Interaction 19 Transparency and Reflectivity: Digital Art and the Aesthetics of Interface Design20 Articulating the Use Qualities of Digital Designs; 21 Exploring Attributes of Skins as Potential Antecedents of Emotion in HCI; About the Authors; Index |
| Record Nr. | UNINA-9910777515003321 |
| Cambridge, Mass., : MIT Press, ©2006 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Aesthetic computing / / edited by Paul Fishwick
| Aesthetic computing / / edited by Paul Fishwick |
| Pubbl/distr/stampa | Cambridge, Mass., : MIT Press, ©2006 |
| Descrizione fisica | 1 online resource (477 p.) |
| Disciplina | 004 |
| Altri autori (Persone) | FishwickPaul A |
| Collana | Leonardo |
| Soggetto topico |
Computer science
Aesthetics |
| Soggetto non controllato |
DIGITAL HUMANITIES & NEW MEDIA/New Media Art
COMPUTER SCIENCE/General DESIGN/Interactive Design |
| ISBN |
0-262-27273-3
1-282-09744-X 9786612097447 1-4294-7728-8 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Aesthetic Computing; I Philosophy and Representation; 1 An Introduction to Aesthetic Computing; 2 Goodman's Aesthetics and the Languages of Computing; 3 A Forty-Year Perspective on Aesthetic Computing in the LeonardoJournal; 4 The Interface as Sign and as Aesthetic Event; 5 Metaphorical Dimensions of Diagrammatic Graph Representations; II Art and Design; 6 Metaphoric Mappings: The Art of Visualization; 7 Public Space of Knowledge: Artistic Practice in Aesthetic Computing; 8 Visually Encoding Numbers Utilizing Prime Factors; 9 From the Poesy of Programming to Research as Art Form
10 Transdisciplinary Collaboration in ''Cell''11 Processing Code: Programming within the Context of Visual Art and Design; III Mathematics and Computing; 12 Aesthetics and the Visualization and Quality of Software; 13 Aesthetics and Mathematics: Connections Throughout History; 14 Aesthetic Computing and Shape; 15 The Foundations of Aesthetics; 16 Aesthetics of Large-Scale Relational Information Visualization in Practice; 17 The Well-Tempered Compiler? The Aesthetics of Program Auralization; IV Interface and Interaction 19 Transparency and Reflectivity: Digital Art and the Aesthetics of Interface Design20 Articulating the Use Qualities of Digital Designs; 21 Exploring Attributes of Skins as Potential Antecedents of Emotion in HCI; About the Authors; Index |
| Record Nr. | UNINA-9910823362203321 |
| Cambridge, Mass., : MIT Press, ©2006 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Aesthetics of interaction in digital art / / Katja Kwastek ; foreword by Dieter Daniels ; translated by Niamh Warde
| Aesthetics of interaction in digital art / / Katja Kwastek ; foreword by Dieter Daniels ; translated by Niamh Warde |
| Autore | Kwastek Katja |
| Pubbl/distr/stampa | Cambridge, Massachusetts : , : The MIT Press, , [2013] |
| Descrizione fisica | 1 online resource (381 p.) |
| Disciplina | 776.01 |
| Soggetto topico |
Interactive art
New media art Aesthetics, Modern - 20th century Aesthetics, Modern - 21st century |
| Soggetto non controllato |
DIGITAL HUMANITIES & NEW MEDIA/New Media Art
ARTS/Art History/Contemporary Art SOCIAL SCIENCES/Media Studies |
| ISBN |
0-262-31722-2
0-262-31721-4 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Interactive art: definition and origins -- Interaction as an aesthetic experience -- The aesthetics of purposeless behavior: play as a boundary concept -- The aesthetics of interaction in digital art -- Case studies. |
| Record Nr. | UNINA-9910790529003321 |
Kwastek Katja
|
||
| Cambridge, Massachusetts : , : The MIT Press, , [2013] | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Aesthetics of interaction in digital art / / Katja Kwastek ; foreword by Dieter Daniels ; translated by Niamh Warde
| Aesthetics of interaction in digital art / / Katja Kwastek ; foreword by Dieter Daniels ; translated by Niamh Warde |
| Autore | Kwastek Katja |
| Pubbl/distr/stampa | Cambridge, Massachusetts : , : The MIT Press, , [2013] |
| Descrizione fisica | 1 online resource (381 p.) |
| Disciplina | 776.01 |
| Soggetto topico |
Interactive art
New media art Aesthetics, Modern - 20th century Aesthetics, Modern - 21st century |
| Soggetto non controllato |
DIGITAL HUMANITIES & NEW MEDIA/New Media Art
ARTS/Art History/Contemporary Art SOCIAL SCIENCES/Media Studies |
| ISBN |
0-262-31722-2
0-262-31721-4 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Interactive art: definition and origins -- Interaction as an aesthetic experience -- The aesthetics of purposeless behavior: play as a boundary concept -- The aesthetics of interaction in digital art -- Case studies. |
| Record Nr. | UNINA-9910823992203321 |
|
Kwastek Katja
|
||
| Cambridge, Massachusetts : , : The MIT Press, , [2013] | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Alien agency : experimental encounters with art in the making / / Chris Salter ; afterword by Andrew Pickering
| Alien agency : experimental encounters with art in the making / / Chris Salter ; afterword by Andrew Pickering |
| Autore | Salter Chris <1967-> |
| Pubbl/distr/stampa | Cambridge, Massachusetts : , : The MIT Press, , [2015] |
| Descrizione fisica | 1 online resource (327 p.) |
| Disciplina | 303.48/33 |
| Soggetto topico |
Artificial life
Experience Creation (Literary, artistic, etc.) Technology - Philosophy Tissue culture - Philosophy Senses and sensation |
| Soggetto non controllato |
DIGITAL HUMANITIES & NEW MEDIA/New Media Art
ARTS/Art Theory & Criticism SOCIAL SCIENCES/Media Studies |
| ISBN |
0-262-32360-5
0-262-32359-1 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Contents; Acknowledgments; Preface; Introduction; I Resonances; 1 Hearing Perspectives; 2 From Agency to Practice; 3 Green Belts in Goethe's City; 4 Stories Told of Sonic Reals; 5 Four Ears, or Listening as Making; 6 Can Architecture Hear?; 7 Hearing View; 8 Affects and Atmospheres; 9 Tuning; II Cellular Vitality; 1 A Living Machine?; 2 Suspicions of a Wet Kind; 3 Experiments in a Lab at the End of the World; 4 The Tissue Culture Point of View - Part I; 5 Techniques for Immortality; 6 The Tissue Culture Point of View - Part II; 7 Surface Tensions; 8 The Tissue Culture Point of View - Part III
9 A Tutorial on Muscle-Cell Energetics10 Where the Art Is . . .; 11 The Tacit Knowing of Tissue; 12 A Revealing School Seminar; 13 Goals and Purposes; 14 Tissue Culture Hands On; 15 Life's Triumph in the Dish; 16 Eight Failed Experiments in Substrate Sketching; 17 Reflections on Bare Life at the Bench; 18 Collagen Trials While the Clock Ticks; 19 Suspension; 20 Is Life in Bodies?; III Sensorium; 1 Limens; 2 Mediations of Sensation; 3 Three Tensions; 4 Four Seminars in Sensory Experience; 5 Translation and Enactment; 6 Atmospheres Unveiled; 7 Technologies of the Senses; 8 Seeding Alter 9 How to Invoke the Cosmos10 Experience Near-Far; 11 The Missing Sense; 12 The Conditions of Sensory Assemblage; 13 Displace; 14 "Death, Limbo, and then Heaven down the Hall"; 15 Is Sense in Culture?; Conclusion: Is the World a Laboratory?; Afterword; Notes; References; Index |
| Record Nr. | UNINA-9910796909303321 |
|
Salter Chris <1967->
|
||
| Cambridge, Massachusetts : , : The MIT Press, , [2015] | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Alien agency : experimental encounters with art in the making / / Chris Salter ; afterword by Andrew Pickering
| Alien agency : experimental encounters with art in the making / / Chris Salter ; afterword by Andrew Pickering |
| Autore | Salter Chris <1967-> |
| Pubbl/distr/stampa | Cambridge, Massachusetts : , : The MIT Press, , [2015] |
| Descrizione fisica | 1 online resource (327 p.) |
| Disciplina | 303.48/33 |
| Soggetto topico |
Artificial life
Experience Creation (Literary, artistic, etc.) Technology - Philosophy Tissue culture - Philosophy Senses and sensation |
| Soggetto non controllato |
DIGITAL HUMANITIES & NEW MEDIA/New Media Art
ARTS/Art Theory & Criticism SOCIAL SCIENCES/Media Studies |
| ISBN |
0-262-32360-5
0-262-32359-1 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Contents; Acknowledgments; Preface; Introduction; I Resonances; 1 Hearing Perspectives; 2 From Agency to Practice; 3 Green Belts in Goethe's City; 4 Stories Told of Sonic Reals; 5 Four Ears, or Listening as Making; 6 Can Architecture Hear?; 7 Hearing View; 8 Affects and Atmospheres; 9 Tuning; II Cellular Vitality; 1 A Living Machine?; 2 Suspicions of a Wet Kind; 3 Experiments in a Lab at the End of the World; 4 The Tissue Culture Point of View - Part I; 5 Techniques for Immortality; 6 The Tissue Culture Point of View - Part II; 7 Surface Tensions; 8 The Tissue Culture Point of View - Part III
9 A Tutorial on Muscle-Cell Energetics10 Where the Art Is . . .; 11 The Tacit Knowing of Tissue; 12 A Revealing School Seminar; 13 Goals and Purposes; 14 Tissue Culture Hands On; 15 Life's Triumph in the Dish; 16 Eight Failed Experiments in Substrate Sketching; 17 Reflections on Bare Life at the Bench; 18 Collagen Trials While the Clock Ticks; 19 Suspension; 20 Is Life in Bodies?; III Sensorium; 1 Limens; 2 Mediations of Sensation; 3 Three Tensions; 4 Four Seminars in Sensory Experience; 5 Translation and Enactment; 6 Atmospheres Unveiled; 7 Technologies of the Senses; 8 Seeding Alter 9 How to Invoke the Cosmos10 Experience Near-Far; 11 The Missing Sense; 12 The Conditions of Sensory Assemblage; 13 Displace; 14 "Death, Limbo, and then Heaven down the Hall"; 15 Is Sense in Culture?; Conclusion: Is the World a Laboratory?; Afterword; Notes; References; Index |
| Record Nr. | UNINA-9910807634103321 |
|
Salter Chris <1967->
|
||
| Cambridge, Massachusetts : , : The MIT Press, , [2015] | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
At a distance : precursors to art and activism on the Internet / / edited by Annmarie Chandler and Norie Neumark
| At a distance : precursors to art and activism on the Internet / / edited by Annmarie Chandler and Norie Neumark |
| Pubbl/distr/stampa | Cambridge, Mass., : MIT Press, 2005 |
| Descrizione fisica | 1 online resource (501 p.) |
| Disciplina | 709/.047 |
| Altri autori (Persone) |
ChandlerAnnmarie
NeumarkNorie |
| Collana | Leonardo |
| Soggetto topico |
Art and telecommunication
Art, Modern - 20th century Art and society |
| Soggetto non controllato |
DIGITAL HUMANITIES & NEW MEDIA/New Media Art
ARTS/Art History/Contemporary Art |
| ISBN |
0-262-31136-4
1-282-09810-1 9786612098109 0-262-27014-5 1-4237-9654-3 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Series Foreword; Foreword; Acknowledgments; Introduction: Relays, Delays, and Distance Art/Activism; Part I Critical Perspectives on Distance Art/Activist Practices; 1 Interactive, Algorithmic, Networked: Aesthetics of New Media Art; 2 Immaterial Material: Physicality, Corporality, and Dematerialization in Telecommunication Artworks; 3 From Representation to Networks: Interplays of Visualities, Apparatuses, Discourses, Territories, and Bodies; 4 The Mail Art Exhibition: Personal Worlds to Cultural Strategies; 5 Fluxus Praxis: An Exploration of Connections, Creativity, and Community
Part II Artists/Activists Re-view Their Projects 6 Animating the Social: Mobile Image/Kit Galloway and Sherrie Rabinowitz; 7 An Unsuspected Future in Broadcasting: Negativland; 8 Mini-FM: Performing Microscopic Distance (An E-Mail Interview with Tetsuo Kogawa); 9 From the Gulf War to the Battle of Seattle: Building an International Alternative Media Network; 10 The Form: 1970-1979 and Other Extemporaneous Anomalous Assemblings; 11 Networked Psychoanalysis: A Dialogue with Anna Freud Banana 12 From Mail Art to Telepresence: Communication at a Distance in the Works of Paulo Bruscky and Eduardo Kac13 Distance Makes the Art Grow Further: Distributed Authorship and Telematic Textuality in La Plissure du Texte; 14 From BBS to Wireless: A Story of Art in Chips; 15 REALTIME- Radio Art, Telematic Art, and Telerobotics: Two Examples; Part III Networking Art/Activist Practices; 16 Estri-dentistas: Taking the Teeth out of Futurism; 17 Computer Network Music Bands: A History of The League of Automatic Music Composers and The Hub; 18 Assembling Magazines and Alternative Artists' Networks 19 The Wealth and Poverty of Networks 20 From Internationalism to Transnations: Networked Art and Activism; Conclusion; Timeline; List of Contributors; Index |
| Record Nr. | UNINA-9910777571403321 |
| Cambridge, Mass., : MIT Press, 2005 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
At a distance : precursors to art and activism on the Internet / / edited by Annmarie Chandler and Norie Neumark
| At a distance : precursors to art and activism on the Internet / / edited by Annmarie Chandler and Norie Neumark |
| Pubbl/distr/stampa | Cambridge, Mass., : MIT Press, 2005 |
| Descrizione fisica | 1 online resource (501 p.) |
| Disciplina | 709/.047 |
| Altri autori (Persone) |
ChandlerAnnmarie
NeumarkNorie |
| Collana | Leonardo |
| Soggetto topico |
Art and telecommunication
Art, Modern - 20th century Art and society |
| Soggetto non controllato |
DIGITAL HUMANITIES & NEW MEDIA/New Media Art
ARTS/Art History/Contemporary Art |
| ISBN |
0-262-31136-4
1-282-09810-1 9786612098109 0-262-27014-5 1-4237-9654-3 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Series Foreword; Foreword; Acknowledgments; Introduction: Relays, Delays, and Distance Art/Activism; Part I Critical Perspectives on Distance Art/Activist Practices; 1 Interactive, Algorithmic, Networked: Aesthetics of New Media Art; 2 Immaterial Material: Physicality, Corporality, and Dematerialization in Telecommunication Artworks; 3 From Representation to Networks: Interplays of Visualities, Apparatuses, Discourses, Territories, and Bodies; 4 The Mail Art Exhibition: Personal Worlds to Cultural Strategies; 5 Fluxus Praxis: An Exploration of Connections, Creativity, and Community
Part II Artists/Activists Re-view Their Projects 6 Animating the Social: Mobile Image/Kit Galloway and Sherrie Rabinowitz; 7 An Unsuspected Future in Broadcasting: Negativland; 8 Mini-FM: Performing Microscopic Distance (An E-Mail Interview with Tetsuo Kogawa); 9 From the Gulf War to the Battle of Seattle: Building an International Alternative Media Network; 10 The Form: 1970-1979 and Other Extemporaneous Anomalous Assemblings; 11 Networked Psychoanalysis: A Dialogue with Anna Freud Banana 12 From Mail Art to Telepresence: Communication at a Distance in the Works of Paulo Bruscky and Eduardo Kac13 Distance Makes the Art Grow Further: Distributed Authorship and Telematic Textuality in La Plissure du Texte; 14 From BBS to Wireless: A Story of Art in Chips; 15 REALTIME- Radio Art, Telematic Art, and Telerobotics: Two Examples; Part III Networking Art/Activist Practices; 16 Estri-dentistas: Taking the Teeth out of Futurism; 17 Computer Network Music Bands: A History of The League of Automatic Music Composers and The Hub; 18 Assembling Magazines and Alternative Artists' Networks 19 The Wealth and Poverty of Networks 20 From Internationalism to Transnations: Networked Art and Activism; Conclusion; Timeline; List of Contributors; Index |
| Record Nr. | UNINA-9910816276903321 |
| Cambridge, Mass., : MIT Press, 2005 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Closer : performance, technologies, phenomenology / / Susan Kozel
| Closer : performance, technologies, phenomenology / / Susan Kozel |
| Autore | Kozel Susan |
| Pubbl/distr/stampa | Cambridge, Mass., : MIT Press, 2008 |
| Descrizione fisica | 1 online resource (385 p.) |
| Disciplina | 001.2 |
| Collana | Leonardo |
| Soggetto topico |
Phenomenology
Human-computer interaction Human body (Philosophy) Act (Philosophy) |
| Soggetto non controllato |
DIGITAL HUMANITIES & NEW MEDIA/New Media Art
ARTS/Performance Studies/General SOCIAL SCIENCES/Media Studies |
| ISBN |
0-262-26344-0
1-282-09944-2 9786612099441 0-262-27756-5 1-4356-3303-2 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | CONTENTS; SERIES FOREWORD; PREFACE; ACKNOWLEDGMENTS; 1 PERFORMING PHENOMENOLOGY; 2 TELEMATICS EXTENDING BODIES; 3 RESPONSIVE ARCHITECTURES AN EMBODIED POETICS; 4 MOTION CAPTURE PERFORMING ALTERITY; 5 WEARABLES THE FLESH OF SOCIAL COMPUTING; CLOSING; NOTES; BIBLIOGRAPHY; PHOTO CREDITS; INDEX |
| Record Nr. | UNINA-9910781813203321 |
|
Kozel Susan
|
||
| Cambridge, Mass., : MIT Press, 2008 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Closer : performance, technologies, phenomenology / / Susan Kozel
| Closer : performance, technologies, phenomenology / / Susan Kozel |
| Autore | Kozel Susan |
| Pubbl/distr/stampa | Cambridge, Mass., : MIT Press, 2008 |
| Descrizione fisica | 1 online resource (385 p.) |
| Disciplina | 001.2 |
| Collana | Leonardo |
| Soggetto topico |
Phenomenology
Human-computer interaction Human body (Philosophy) Act (Philosophy) |
| Soggetto non controllato |
DIGITAL HUMANITIES & NEW MEDIA/New Media Art
ARTS/Performance Studies/General SOCIAL SCIENCES/Media Studies |
| ISBN |
0-262-26344-0
1-282-09944-2 9786612099441 0-262-27756-5 1-4356-3303-2 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | CONTENTS; SERIES FOREWORD; PREFACE; ACKNOWLEDGMENTS; 1 PERFORMING PHENOMENOLOGY; 2 TELEMATICS EXTENDING BODIES; 3 RESPONSIVE ARCHITECTURES AN EMBODIED POETICS; 4 MOTION CAPTURE PERFORMING ALTERITY; 5 WEARABLES THE FLESH OF SOCIAL COMPUTING; CLOSING; NOTES; BIBLIOGRAPHY; PHOTO CREDITS; INDEX |
| Record Nr. | UNINA-9910808270103321 |
|
Kozel Susan
|
||
| Cambridge, Mass., : MIT Press, 2008 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
