From fidelity to history [[electronic resource] ] : film adaptations as cultural events in the twentieth century / / Anne-Marie Scholz |
Autore | Scholz Anne-Marie |
Pubbl/distr/stampa | New York, : Berghahn Books, 2013 |
Descrizione fisica | 1 online resource (239 p.) |
Disciplina | 791.43/6 |
Collana |
Transatlantic Perspectives
Transatlantic perspectives |
Soggetto topico |
Film adaptations - History and criticism
Motion pictures and literature Motion pictures and history |
Soggetto non controllato | Cultural Studies (General), History: 20th Century to Present, Film and Television Studies |
ISBN |
1-78533-034-9
0-85745-732-2 |
Classificazione | AP 47600 |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | Introduction -- Adaptation as reception: how film historians can contribute to the "literature to film" debates -- Post Cold War readings of the receptions of Anglo-American Hollywood. Adaptations in Cold War West Germany: 1950-1963 -- "Eine revolution des films": The third man (1949), the Cold War, and alternatives to nationalism and "coca-colonization" in Europe -- The bridge on the River Kwai (1957) revisited: combat cinema, American culture and the German past -- "Josef K von 1963": Orson Welles' "Americanized" version of the the trial and the changing functions of the "Kafkaesque" in Cold War West Germany -- Postfeminist relations between "classic" texts and Hollywood film adaptations in the United States in the 1990s: Introduction. "Jane-mania": the Jane Austen film boom in the 1990s -- Thelma and sense and Louise and sensibility: challenging dichotomies in women's history through film and literature -- "Jamesian proportions": the Henry James film boom in the 1990s -- Conclusion -- A case for the "case study": the future of adaptation studies as a branch of transnational film history. |
Record Nr. | UNINA-9910779978203321 |
Scholz Anne-Marie
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New York, : Berghahn Books, 2013 | ||
![]() | ||
Lo trovi qui: Univ. Federico II | ||
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From fidelity to history [[electronic resource] ] : film adaptations as cultural events in the twentieth century / / Anne-Marie Scholz |
Autore | Scholz Anne-Marie |
Edizione | [1st ed.] |
Pubbl/distr/stampa | New York, : Berghahn Books, 2013 |
Descrizione fisica | 1 online resource (239 p.) |
Disciplina | 791.43/6 |
Collana |
Transatlantic Perspectives
Transatlantic perspectives |
Soggetto topico |
Film adaptations - History and criticism
Motion pictures and literature Motion pictures and history |
Soggetto non controllato | Cultural Studies (General), History: 20th Century to Present, Film and Television Studies |
ISBN |
1-78533-034-9
0-85745-732-2 |
Classificazione | AP 47600 |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | Introduction -- Adaptation as reception: how film historians can contribute to the "literature to film" debates -- Post Cold War readings of the receptions of Anglo-American Hollywood. Adaptations in Cold War West Germany: 1950-1963 -- "Eine revolution des films": The third man (1949), the Cold War, and alternatives to nationalism and "coca-colonization" in Europe -- The bridge on the River Kwai (1957) revisited: combat cinema, American culture and the German past -- "Josef K von 1963": Orson Welles' "Americanized" version of the the trial and the changing functions of the "Kafkaesque" in Cold War West Germany -- Postfeminist relations between "classic" texts and Hollywood film adaptations in the United States in the 1990s: Introduction. "Jane-mania": the Jane Austen film boom in the 1990s -- Thelma and sense and Louise and sensibility: challenging dichotomies in women's history through film and literature -- "Jamesian proportions": the Henry James film boom in the 1990s -- Conclusion -- A case for the "case study": the future of adaptation studies as a branch of transnational film history. |
Record Nr. | UNINA-9910818266103321 |
Scholz Anne-Marie
![]() |
||
New York, : Berghahn Books, 2013 | ||
![]() | ||
Lo trovi qui: Univ. Federico II | ||
|