The Aftermaths of Participation : Outcomes and Consequences of Participatory Work with Forced Migrants in Museums |
Autore | Boersma Susanne |
Edizione | [1st ed.] |
Pubbl/distr/stampa | Bielefeld : , : transcript, , 2022 |
Descrizione fisica | 1 electronic resource (272 p.) |
Collana | Edition Museum |
Soggetto topico |
Museology & heritage studies
Migration, immigration & emigration |
Soggetto non controllato |
Participation
Museum Refugees Migration Colonialism Cultural Management Museum Management Practical Museography Museum Education |
ISBN | 3-8394-6411-0 |
Formato | Materiale a stampa |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | Frontmatter -- Contents -- Acknowledgements -- Introduction -- I. Participatory Museum Work with Forced Migrants -- 1. Contextualising Participation in Museums -- 2. Participatory Projects with Forced Migrants -- II. Outcomes or Consequences? -- 3. Networking ‘Communities’ -- 4. Processes of Empowerment -- 5. The Museum as a ‘Safe Space’ -- 6. Towards a Changed Discourse? -- 7. Material Remnants and Digital Ruins -- III. Challenging Neo-Colonial Museum Practices -- 8. Developing Infrastructures and Sustainable Ethics -- 9. Towards Evaluation-based Participatory Museum Work -- Bibliography |
Altri titoli varianti | Aftermaths of Participation |
Record Nr. | UNISA-996503570703316 |
Boersma Susanne | ||
Bielefeld : , : transcript, , 2022 | ||
Materiale a stampa | ||
Lo trovi qui: Univ. di Salerno | ||
|
The Aftermaths of Participation : Outcomes and Consequences of Participatory Work with Forced Migrants in Museums |
Autore | Boersma Susanne |
Edizione | [1st ed.] |
Pubbl/distr/stampa | Bielefeld : , : transcript, , 2022 |
Descrizione fisica | 1 electronic resource (272 p.) |
Disciplina | 305.8 |
Collana | Edition Museum |
Soggetto topico |
Museology & heritage studies
Migration, immigration & emigration |
Soggetto non controllato |
Participation
Museum Refugees Migration Colonialism Cultural Management Museum Management Practical Museography Museum Education |
ISBN | 3-8394-6411-0 |
Formato | Materiale a stampa |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | Frontmatter -- Contents -- Acknowledgements -- Introduction -- I. Participatory Museum Work with Forced Migrants -- 1. Contextualising Participation in Museums -- 2. Participatory Projects with Forced Migrants -- II. Outcomes or Consequences? -- 3. Networking ‘Communities’ -- 4. Processes of Empowerment -- 5. The Museum as a ‘Safe Space’ -- 6. Towards a Changed Discourse? -- 7. Material Remnants and Digital Ruins -- III. Challenging Neo-Colonial Museum Practices -- 8. Developing Infrastructures and Sustainable Ethics -- 9. Towards Evaluation-based Participatory Museum Work -- Bibliography |
Altri titoli varianti | Aftermaths of Participation |
Record Nr. | UNINA-9910640398103321 |
Boersma Susanne | ||
Bielefeld : , : transcript, , 2022 | ||
Materiale a stampa | ||
Lo trovi qui: Univ. Federico II | ||
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Ausstellen und Vermitteln im Museum der Gegenwart / Carmen Mörsch, Angeli Sachs, Thomas Sieber |
Edizione | [1st ed.] |
Pubbl/distr/stampa | Bielefeld, : transcript Verlag, 2016 |
Descrizione fisica | 1 online resource (345 pages) |
Disciplina | 347.09 |
Collana | Edition Museum |
Soggetto topico | Ausstellen; Kuratieren; Museum; Vermittlung; Educational Turn; Kulturmanagement; Museumspädagogik; Museumswissenschaft; Kulturelle Bildung; Exhibiting; Curating; Imparting; Cultural Management; Museum Education; Museology; Cultural Education |
Soggetto non controllato |
Cultural Education
Cultural Management Curating Educational Turn Imparting Museology Museum Education Museum |
ISBN | 3-8394-3081-X |
Classificazione | AK 86000 |
Formato | Materiale a stampa |
Livello bibliografico | Monografia |
Lingua di pubblicazione | ger |
Nota di contenuto | Frontmatter 1 Inhalt 5 Vorwort 9 Einleitung 15 Den Radius erweitern 19 Ausstellen & Vermitteln als integriertes Konzept 33 Im Dialog mit den Besuchern 47 Puzzle 57 Kuratieren auf dem Weg zu einer neuen Beziehung zwischen Menschen, Orten und Dingen 69 Einleitung 83 Identität und Zweideutigkeit 87 Partizipation in Stadtgeschichtemuseen 97 Migration exponieren 109 How AccessIting? 125 Das partizipative Stadtmuseum 141 District Six Museum 153 Einleitung 169 Contact Zone (Un)realised 173 Im post-repräsentativen Museum 189 Die Anatomie eines UND 203 Wem gehört das Kunstmuseum? 223 Einleitung 237 Wiphala 241 Dekolonisierung des Mapuche-Museums in Cañete 255 Bildung in Museen, Community-Vermittlung und das Recht auf Stadt im historischen Zentrum von Quito 267 »Schön für dich, aber mir doch egal!« 279 Besucher_in oder Community? 295 Literatur 307 Autor/innen und Herausgeber/innen 333 Abbildungsnachweise 339 |
Record Nr. | UNINA-9910155423303321 |
Bielefeld, : transcript Verlag, 2016 | ||
Materiale a stampa | ||
Lo trovi qui: Univ. Federico II | ||
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Besucher zu Stammgästen machen! : Neue und kreative Wege zur Besucherbindung / Bernd Günter, Hartmut John |
Autore | Günter Bernd |
Edizione | [1st ed.] |
Pubbl/distr/stampa | Bielefeld, : transcript Verlag, 2015 |
Descrizione fisica | 1 online resource (132) |
Disciplina | 025/.00285 |
Collana | Schriften zum Kultur- und Museumsmanagement |
Soggetto topico | Museum; Kulturmanagement; Museumsmanagement; Kulturmarketing; Cultural Management; Museum Management; Cultural Marketing |
Soggetto non controllato |
Cultural Management
Cultural Marketing Museum Management |
ISBN | 3-8394-0057-0 |
Classificazione | AK 86700 |
Formato | Materiale a stampa |
Livello bibliografico | Monografia |
Lingua di pubblicazione | ger |
Nota di contenuto | Frontmatter 1 Inhalt 5 Einführung 7 Event-Marketing im Rheinischen Freilichtmuseum und Landesmuseum für Volkskunde Kommern 13 Das Programm der Kunst- und Ausstellungshalle zwischen Bildungsauftrag und Besucherquote 25 Kundenbindungsprogramme am Beispiel der Galeria Kaufhof Warenhaus AG 41 Der Besucher als Berater 49 Was behindert und was eröffnet Wege zu Besucherbindung und Besucherintegration? 67 Brückenschlag zwischen Museen und ihren Besuchern mittels Vorab-Evaluation 79 Sorry is not enough 95 Partnerschaft mit dem Besucher als strukturelles Element der Museumsarbeit 107 Autoren 129 Backmatter 132 |
Record Nr. | UNINA-9910367586403321 |
Günter Bernd | ||
Bielefeld, : transcript Verlag, 2015 | ||
Materiale a stampa | ||
Lo trovi qui: Univ. Federico II | ||
|
Besucher zu Stammgästen machen! : Neue und kreative Wege zur Besucherbindung / Bernd Günter, Hartmut John |
Edizione | [1st ed.] |
Pubbl/distr/stampa | Bielefeld, : transcript Verlag, 2015 |
Descrizione fisica | 1 online resource (132) |
Collana | Schriften zum Kultur- und Museumsmanagement |
Soggetto topico | Museum; Kulturmanagement; Museumsmanagement; Kulturmarketing; Cultural Management; Museum Management; Cultural Marketing |
Soggetto non controllato |
Cultural Management
Cultural Marketing Museum Management |
ISBN | 3-8394-0057-0 |
Classificazione | AK 86700 |
Formato | Materiale a stampa |
Livello bibliografico | Monografia |
Lingua di pubblicazione | ger |
Nota di contenuto | Frontmatter 1 Inhalt 5 Einführung 7 Event-Marketing im Rheinischen Freilichtmuseum und Landesmuseum für Volkskunde Kommern 13 Das Programm der Kunst- und Ausstellungshalle zwischen Bildungsauftrag und Besucherquote 25 Kundenbindungsprogramme am Beispiel der Galeria Kaufhof Warenhaus AG 41 Der Besucher als Berater 49 Was behindert und was eröffnet Wege zu Besucherbindung und Besucherintegration? 67 Brückenschlag zwischen Museen und ihren Besuchern mittels Vorab-Evaluation 79 Sorry is not enough 95 Partnerschaft mit dem Besucher als strukturelles Element der Museumsarbeit 107 Autoren 129 Backmatter 132 |
Record Nr. | UNISA-996308795003316 |
Bielefeld, : transcript Verlag, 2015 | ||
Materiale a stampa | ||
Lo trovi qui: Univ. di Salerno | ||
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Changing Time - Shaping World : Changemakers in Arts & Education / / ed. by Wanja Kröger, Charlotte Axelsson, Rainer Wenrich, Anna Maria Loffredo |
Autore | Loffredo Anna Maria |
Edizione | [1st ed.] |
Pubbl/distr/stampa | Bielefeld, : transcript Verlag, 2022 |
Descrizione fisica | 1 online resource (310 p.) |
Disciplina | 700.71 |
Collana | Medien- und Gestaltungsästhetik |
Soggetto topico | BUSINESS & ECONOMICS / Management |
Soggetto non controllato |
Art Education
Art Arts Creativity Cultural Management Digital Media Education Future Media Education Media University |
ISBN | 3-8394-6135-9 |
Formato | Materiale a stampa |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | Frontmatter -- EDITOR’S NOTE -- Table of Contents -- Preface. Joy by Changing: Arts and Education -- Gamechanging Education and Future E-Learning in the Arts -- Theoretical Perspectives -- Democracy as a Promise: Leading from Here to There -- The Culture of Openness: How Creativity Fosters Moral Progress -- Methodological Approaches -- Elevating Ideas – Creating Meaning: A Five-Step Framework from Idea to Reality -- Aware, Care, and Share: A Fair World through Entanglement -- Playful Times – Exploring World … PHEW -- Changing Values – Shaping Minds: Flow, Creativity, and Ikigai -- Changing Aesthetics – Shaping Taste: A World of (Dance & Fashion) Communication -- Change and Design Education -- Changing Space – Shaping Communities: The Challenges of Architecture -- Galaxies of Non-/ Human Thinking: Opening Mind – Noticing Kind -- Sustainability in the Fashion Industry: A Business Perspective -- Change in Arts and Cultural Education -- Changing Memory – Shaping Power: The Sound of Music -- Creativity-Based Learning & Competency Building through Public Art -- Conclusion -- From Conclusion to Coda -- Authors and Glossary -- Authors -- Glossary |
Record Nr. | UNISA-996492064903316 |
Loffredo Anna Maria | ||
Bielefeld, : transcript Verlag, 2022 | ||
Materiale a stampa | ||
Lo trovi qui: Univ. di Salerno | ||
|
Changing Time - Shaping World : Changemakers in Arts & Education / / ed. by Wanja Kröger, Charlotte Axelsson, Rainer Wenrich, Anna Maria Loffredo |
Autore | Loffredo Anna Maria |
Edizione | [1st ed.] |
Pubbl/distr/stampa | Bielefeld, : transcript Verlag, 2022 |
Descrizione fisica | 1 online resource (310 p.) |
Disciplina | 700.71 |
Collana | Medien- und Gestaltungsästhetik |
Soggetto topico | BUSINESS & ECONOMICS / Management |
Soggetto non controllato |
Art Education
Art Arts Creativity Cultural Management Digital Media Education Future Media Education Media University |
ISBN | 3-8394-6135-9 |
Formato | Materiale a stampa |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | Frontmatter -- EDITOR’S NOTE -- Table of Contents -- Preface. Joy by Changing: Arts and Education -- Gamechanging Education and Future E-Learning in the Arts -- Theoretical Perspectives -- Democracy as a Promise: Leading from Here to There -- The Culture of Openness: How Creativity Fosters Moral Progress -- Methodological Approaches -- Elevating Ideas – Creating Meaning: A Five-Step Framework from Idea to Reality -- Aware, Care, and Share: A Fair World through Entanglement -- Playful Times – Exploring World … PHEW -- Changing Values – Shaping Minds: Flow, Creativity, and Ikigai -- Changing Aesthetics – Shaping Taste: A World of (Dance & Fashion) Communication -- Change and Design Education -- Changing Space – Shaping Communities: The Challenges of Architecture -- Galaxies of Non-/ Human Thinking: Opening Mind – Noticing Kind -- Sustainability in the Fashion Industry: A Business Perspective -- Change in Arts and Cultural Education -- Changing Memory – Shaping Power: The Sound of Music -- Creativity-Based Learning & Competency Building through Public Art -- Conclusion -- From Conclusion to Coda -- Authors and Glossary -- Authors -- Glossary |
Record Nr. | UNINA-9910592289603321 |
Loffredo Anna Maria | ||
Bielefeld, : transcript Verlag, 2022 | ||
Materiale a stampa | ||
Lo trovi qui: Univ. Federico II | ||
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Curating Contemporary Music Festivals : A New Perspective on Music's Mediation / Brandon Farnsworth |
Autore | Farnsworth Brandon (Züricher Hochschule der Künste, Switzerland) |
Edizione | [1st ed.] |
Pubbl/distr/stampa | Bielefeld, : transcript Verlag, 2020 |
Descrizione fisica | 1 online resource (326 pages) : illustrations; digital file(s) |
Disciplina | 780.794 |
Collana | Musik und Klangkultur |
Soggetto topico | Contemporary Classical Music; New Music; Neue Musik; Berliner Festspiele; Münchner Biennale Für Neues Musiktheater; Munich Biennale For New Music Theatre; Cultural Management; Music; Music Management; Musicology |
Soggetto non controllato |
Berliner Festspiele
Cultural Management Munich Biennale For New Music Theatre Music Management Music Musicology Münchner Biennale Für Neues Musiktheater Neue Musik New Music |
ISBN | 3-8394-5243-0 |
Formato | Materiale a stampa |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | Frontmatter 1 Contents 5 Image and Figure Rights 9 1.1 Establishing the Field 11 1.2 The State of the Art 15 1.3 Scope and Overview 23 2.1 Introduction 29 2.2 The Anatomy of Festivals and Biennales 40 2.3 Curating Biennales 61 2.4 Curatorial Discourse 80 2.5 Conclusion 94 3.1 Introduction 97 3.2 Reading Shannon Jackson 98 3.3 Curating Dance / Dance Curating 111 3.4 Curating Theatre / Theatre Curating 124 3.5 Conclusion 136 4.1 Introduction 139 4.2 Hans Werner Henze 141 4.3 Music Theatre? 145 4.4 Peter Ruzicka 148 4.5 Daniel Ott and Manos Tsangaris (DOMTS) 162 4.6 The 2016 and 2018 Biennale Editions 169 4.7 Compositional and Curatorial Practices 180 4.8 The Munich Biennale in Numbers. 203 4.9 Conclusion 216 5.1 Introduction 219 5.2 A Brief Prehistory to the Maerzmusik Festival 222 5.3 Maerzmusik 2002-2014 228 5.4 Berno Odo Polzer 230 5.5 2017 Opening Concert: Julius Eastman 247 5.6 Storytelling for Earthly Survival 258 5.7 Curating and the Maerzmusik Festival 268 5.8 Decolonizing Time 273 5.9 Conclusion/Coda/Konzertemacher 277 6. Conclusion/Curating Music 281 Bibliography 289 Appendix: List of Productions at the Munich Biennale for New Music Theatre from 1988-2018 311 |
Record Nr. | UNINA-9910418343903321 |
Farnsworth Brandon (Züricher Hochschule der Künste, Switzerland) | ||
Bielefeld, : transcript Verlag, 2020 | ||
Materiale a stampa | ||
Lo trovi qui: Univ. Federico II | ||
|
Curating Contemporary Music Festivals : A New Perspective on Music's Mediation / Brandon Farnsworth |
Autore | Farnsworth Brandon (Züricher Hochschule der Künste, Switzerland) |
Edizione | [1st ed.] |
Pubbl/distr/stampa | Bielefeld, : transcript Verlag, 2020 |
Descrizione fisica | 1 online resource (326 pages) : illustrations; digital file(s) |
Disciplina | 780.794 |
Collana | Musik und Klangkultur |
Soggetto topico | Contemporary Classical Music; New Music; Neue Musik; Berliner Festspiele; Münchner Biennale Für Neues Musiktheater; Munich Biennale For New Music Theatre; Cultural Management; Music; Music Management; Musicology |
Soggetto non controllato |
Berliner Festspiele
Cultural Management Munich Biennale For New Music Theatre Music Management Music Musicology Münchner Biennale Für Neues Musiktheater Neue Musik New Music |
ISBN | 3-8394-5243-0 |
Formato | Materiale a stampa |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | Frontmatter 1 Contents 5 Image and Figure Rights 9 1.1 Establishing the Field 11 1.2 The State of the Art 15 1.3 Scope and Overview 23 2.1 Introduction 29 2.2 The Anatomy of Festivals and Biennales 40 2.3 Curating Biennales 61 2.4 Curatorial Discourse 80 2.5 Conclusion 94 3.1 Introduction 97 3.2 Reading Shannon Jackson 98 3.3 Curating Dance / Dance Curating 111 3.4 Curating Theatre / Theatre Curating 124 3.5 Conclusion 136 4.1 Introduction 139 4.2 Hans Werner Henze 141 4.3 Music Theatre? 145 4.4 Peter Ruzicka 148 4.5 Daniel Ott and Manos Tsangaris (DOMTS) 162 4.6 The 2016 and 2018 Biennale Editions 169 4.7 Compositional and Curatorial Practices 180 4.8 The Munich Biennale in Numbers. 203 4.9 Conclusion 216 5.1 Introduction 219 5.2 A Brief Prehistory to the Maerzmusik Festival 222 5.3 Maerzmusik 2002-2014 228 5.4 Berno Odo Polzer 230 5.5 2017 Opening Concert: Julius Eastman 247 5.6 Storytelling for Earthly Survival 258 5.7 Curating and the Maerzmusik Festival 268 5.8 Decolonizing Time 273 5.9 Conclusion/Coda/Konzertemacher 277 6. Conclusion/Curating Music 281 Bibliography 289 Appendix: List of Productions at the Munich Biennale for New Music Theatre from 1988-2018 311 |
Record Nr. | UNISA-996359644503316 |
Farnsworth Brandon (Züricher Hochschule der Künste, Switzerland) | ||
Bielefeld, : transcript Verlag, 2020 | ||
Materiale a stampa | ||
Lo trovi qui: Univ. di Salerno | ||
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Dinge - Nutzer - Netze: Von der Virtualisierung des Musealen zur Musealisierung des Virtuellen / Dennis Niewerth |
Autore | Niewerth Dennis |
Edizione | [1st ed.] |
Pubbl/distr/stampa | Bielefeld, : transcript Verlag, 2018 |
Descrizione fisica | 1 online resource |
Disciplina | 700 |
Collana | Edition Museum |
Soggetto topico | Museum; Virtualität; Kulturerbe; Digitalisierung; Neue Medien; Kulturmanagement; Museumswissenschaft; Digitale Medien; Mediengeschichte; Virtuality; Cultural Heritage; Digitalization; New Media; Cultural Management; Museology; Digital Media; Media History |
Soggetto non controllato |
Cultural Heritage
Cultural Management Digital Media Digitalization Media History Museology New Media Virtuality |
ISBN | 3-8394-4232-X |
Classificazione | AK 85700 |
Formato | Materiale a stampa |
Livello bibliografico | Monografia |
Lingua di pubblicazione | ger |
Nota di contenuto | Frontmatter 1 Inhalt 5 Danksagungen 11 Einleitung 13 1.1 Das Museum: Begriff und Institution 31 1.2 »Wilde Semiosen« und »epistemische Dinge«: Die Sperrigkeit des Materials 38 1.3 Räume im Museum: Physikalisch, semantisch, transitiv 50 1.4 Statt einer Definition: Das Museum als Dispositiv 75 2.1 ›Virtualität‹ zwischen Ontologie und Technologie 84 2.2 Zum Begriff des ›Netzwerks‹ 92 2.3 Hypertext 95 2.4 Zurechtfindung und Navigation in vernetzten Texten 104 3.1 Zum Begriff des ›virtuellen Museums‹ 123 3.2 Museen ohne Dinge 127 3.3 Museen ohne Raum 152 4.1 Virtuelle Texte: Die Eigendynamik des Codes 189 4.2 Nahes und fernes Wissen 196 4.3 André Malraux: Das imaginäre Museum 210 4.4 Pfade durch das Weltmuseum 222 5.1 Verwurzelte und verteilte Texte 228 5.2 Partizipation als rhizomatisches Phänomen 230 5.3 Das vermessene Publikum 234 5.4 Cybertext: Emanzipation und Fremdbestimmung im gerankten Web 237 5.5 Algorithmische Autorschaften 241 5.6 Cultural Analytics: Die Quantifizierung kultureller Phänomene 245 6.1 Museum und Web: Zwei abduktive Paradigmen 257 6.2 ›Kurzer Kopf‹ und ›langer Schwanz‹ des kulturellen Bewusstseins 262 6.3 Datenbank und Netzwerk: Architekturen des virtuellen Museums 271 6.4 Digitale Authentizität 282 6.5 Die Dispositive des virtuellen Museums 299 7.1 Virtuelle Museen als Verlängerungen der physischen Ausstellung 319 7.2 Virtuelle Ausstellungen, distribuierte Sammlungen 327 7.3 Virtuelle Museen als Amateurprojekte 359 7.4 Das Virtuelle als Ausstellungsobjekt 372 7.5 Grenzgebiete des Musealen und Virtuellen 381 Schluss und Ausblick 397 Literatur 409 |
Record Nr. | UNISA-996308778803316 |
Niewerth Dennis | ||
Bielefeld, : transcript Verlag, 2018 | ||
Materiale a stampa | ||
Lo trovi qui: Univ. di Salerno | ||
|