Info
- Utilizzare la checkbox di selezione a fianco di ciascun documento per attivare le funzionalità di stampa, invio email, download nei formati disponibili del (i) record.
Anerkennen als Erfahrungsprozess : Überlegungen zu einer pragmatistisch-kritischen Theorie / Sebastian Bandelin
| Anerkennen als Erfahrungsprozess : Überlegungen zu einer pragmatistisch-kritischen Theorie / Sebastian Bandelin |
| Autore | Bandelin Sebastian <1982-> |
| Edizione | [First edition.] |
| Pubbl/distr/stampa | Bielefeld : , : transcript Verlag, , 2015 |
| Descrizione fisica | 1 online resource (333 pages) |
| Disciplina | 144.3 |
| Collana | Edition Moderne Postmoderne |
| Soggetto topico | Anerkennung; Erfahrung; Kritische Theorie; Axel Honneth; John Dewey; Sozialität; Sozialphilosophie; Politische Philosophie; Philosophie; Politics of Acknowledgment; Experience; Critical Theory; Social Relations; Social Philosophy; Political Philosophy; Philosophy |
| Soggetto non controllato |
Axel Honneth
Critical Theory Experience John Dewey Philosophy Political Philosophy Social Philosophy Social Relations |
| ISBN | 3-8394-3131-X |
| Classificazione | CI 1110 |
| Formato | Materiale a stampa  |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | ger |
| Nota di contenuto | Frontmatter 1 Inhalt 5 1. Einleitung 7 2. Einführung: Kritische Theorie als Theorie der Kritik 45 3. Anerkennen als Erfahrungsprozess I: Überlegungen zur Ideologiekritik 69 4. Anerkennungsverhältnisse und Kritik 87 5. Zum Wandel von Anerkennungsordnungen. Soziologische Analysen und normative Einschätzungen 165 6. Anerkennen als Erfahrungsprozess II: Selbstreflexion und die Spannung zwischen Handeln und Tun 193 7. Ideologien der Anerkennung 223 8. Anerkennen als Erfahrungsprozess III: Ideologien als Blockierungen des Erfahrungsprozesses 279 9. Anerkennen als Erfahrungsprozess IV: Rekonstruktion, Reflexion, Selbstbestimmung 297 Backmatter 331 |
| Record Nr. | UNINA-9910842265903321 |
Bandelin Sebastian <1982->
|
||
| Bielefeld : , : transcript Verlag, , 2015 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Anerkennen als Erfahrungsprozess : Überlegungen zu einer pragmatistisch-kritischen Theorie / Sebastian Bandelin
| Anerkennen als Erfahrungsprozess : Überlegungen zu einer pragmatistisch-kritischen Theorie / Sebastian Bandelin |
| Autore | Bandelin Sebastian <1982-> |
| Edizione | [First edition.] |
| Pubbl/distr/stampa | Bielefeld : , : transcript Verlag, , 2015 |
| Descrizione fisica | 1 online resource (333 pages) |
| Disciplina | 144.3 |
| Collana | Edition Moderne Postmoderne |
| Soggetto topico | Anerkennung; Erfahrung; Kritische Theorie; Axel Honneth; John Dewey; Sozialität; Sozialphilosophie; Politische Philosophie; Philosophie; Politics of Acknowledgment; Experience; Critical Theory; Social Relations; Social Philosophy; Political Philosophy; Philosophy |
| Soggetto non controllato |
Axel Honneth
Critical Theory Experience John Dewey Philosophy Political Philosophy Social Philosophy Social Relations |
| ISBN | 3-8394-3131-X |
| Classificazione | CI 1110 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | ger |
| Nota di contenuto | Frontmatter 1 Inhalt 5 1. Einleitung 7 2. Einführung: Kritische Theorie als Theorie der Kritik 45 3. Anerkennen als Erfahrungsprozess I: Überlegungen zur Ideologiekritik 69 4. Anerkennungsverhältnisse und Kritik 87 5. Zum Wandel von Anerkennungsordnungen. Soziologische Analysen und normative Einschätzungen 165 6. Anerkennen als Erfahrungsprozess II: Selbstreflexion und die Spannung zwischen Handeln und Tun 193 7. Ideologien der Anerkennung 223 8. Anerkennen als Erfahrungsprozess III: Ideologien als Blockierungen des Erfahrungsprozesses 279 9. Anerkennen als Erfahrungsprozess IV: Rekonstruktion, Reflexion, Selbstbestimmung 297 Backmatter 331 |
| Record Nr. | UNISA-996234847303316 |
|
Bandelin Sebastian <1982->
|
||
| Bielefeld : , : transcript Verlag, , 2015 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. di Salerno | ||
| ||
Auf der Suche nach einer zeitgemäßen Musikästhetik : Adornos »Philosophie der Musik« und die Beethoven-Fragmente / Nikolaus Urbanek
| Auf der Suche nach einer zeitgemäßen Musikästhetik : Adornos »Philosophie der Musik« und die Beethoven-Fragmente / Nikolaus Urbanek |
| Autore | Urbanek Nikolaus |
| Edizione | [1st ed.] |
| Pubbl/distr/stampa | Bielefeld, : transcript Verlag, 2015 |
| Descrizione fisica | 1 online resource (323 p.) |
| Disciplina | 781.1/7 |
| Collana | Edition Moderne Postmoderne |
| Soggetto topico | Adorno; Beethoven; Musikästhetik; Musikalische Sprache; Zeit und Musik; Musik; Ästhetik; Deutsche Philosophiegeschichte; Musikwissenschaft; Kritische Theorie; Philosophie; Music; Aesthetics; German History of Philosophy; Musicology; Critical Theory; Philosophy |
| Soggetto non controllato |
Aesthetics
Critical Theory German History of Philosophy Musicology Philosophy |
| ISBN | 3-8394-1320-6 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | ger |
| Nota di contenuto | Frontmatter 1 Inhalt 5 Einleitung 7 Prolog: Wie ist Musikästhetik heute möglich? 21 Adornos Beethoven 59 Beethoven 131 Beethovens Kritik Beethovens 217 Beethovens Kritik Hegels 257 Epilog: Ist Musikästhetik heute noch möglich? 285 Verzeichnis der zitierten Literatur 297 Verzeichnis der Notenbeispiele 317 Backmatter 319 |
| Record Nr. | UNISA-996571846503316 |
|
Urbanek Nikolaus
|
||
| Bielefeld, : transcript Verlag, 2015 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. di Salerno | ||
| ||
Auf der Suche nach einer zeitgemäßen Musikästhetik : Adornos »Philosophie der Musik« und die Beethoven-Fragmente / Nikolaus Urbanek
| Auf der Suche nach einer zeitgemäßen Musikästhetik : Adornos »Philosophie der Musik« und die Beethoven-Fragmente / Nikolaus Urbanek |
| Autore | Urbanek Nikolaus |
| Edizione | [1st ed.] |
| Pubbl/distr/stampa | Bielefeld, : transcript Verlag, 2015 |
| Descrizione fisica | 1 online resource (323 p.) |
| Disciplina | 781.1/7 |
| Collana | Edition Moderne Postmoderne |
| Soggetto topico | Adorno; Beethoven; Musikästhetik; Musikalische Sprache; Zeit und Musik; Musik; Ästhetik; Deutsche Philosophiegeschichte; Musikwissenschaft; Kritische Theorie; Philosophie; Music; Aesthetics; German History of Philosophy; Musicology; Critical Theory; Philosophy |
| Soggetto non controllato |
Aesthetics
Critical Theory German History of Philosophy Musicology Philosophy |
| ISBN | 3-8394-1320-6 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | ger |
| Nota di contenuto | Frontmatter 1 Inhalt 5 Einleitung 7 Prolog: Wie ist Musikästhetik heute möglich? 21 Adornos Beethoven 59 Beethoven 131 Beethovens Kritik Beethovens 217 Beethovens Kritik Hegels 257 Epilog: Ist Musikästhetik heute noch möglich? 285 Verzeichnis der zitierten Literatur 297 Verzeichnis der Notenbeispiele 317 Backmatter 319 |
| Record Nr. | UNINA-9910842044103321 |
|
Urbanek Nikolaus
|
||
| Bielefeld, : transcript Verlag, 2015 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Bildung dekonstruieren : Grenzgänge im Anschluss an die poststrukturalistische Bildungsphilosophie / / Robert Wartmann
| Bildung dekonstruieren : Grenzgänge im Anschluss an die poststrukturalistische Bildungsphilosophie / / Robert Wartmann |
| Autore | Wartmann Robert |
| Pubbl/distr/stampa | Bielefeld : , : transcript Verlag, , [2024] |
| Descrizione fisica | 1 online resource (328 p.) |
| Collana | Pädagogik |
| Soggetto topico | EDUCATION / Philosophy, Theory & Social Aspects |
| Soggetto non controllato |
Critical Theory
Critique Education History of Education Pedagogy Philosophy Post-structuralism Postcolonialism Representation Subject Theory of Education |
| ISBN | 9783839471241 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | ger |
| Nota di contenuto | Frontmatter -- Inhalt -- 1. Labyrinthische Bildungswege -- 1.1 Der Anstoß -- 1.2 Fragen -- 1.3 Kritik, Dekonstruktion und Konstruktion -- 1.4 Auswahl des Forschungsgegenstands -- 1.5 Überblick -- 2. Bildungsdenken im Anschluss an Humboldt -- 2.1 Einleitung -- 2.2 Bildung diesseits der Macht -- 2.3 Ein an radikaler Heterogenität orientierter Bildungsprozess -- 2.4 Eine (immer schon) ruinierte Bildung -- 2.5 Die Wiedereröffnung des Kraftfelds der Bildung -- 2.6 Zwischenfazit I: Zwischen Kritik und Dekonstruktion -- 2.7 Zwischenfazit II: (Post), Post und Anti -- 2.8 Das Kreisen um Humboldt -- 2.9 Vergessen wir nicht - die Nation! -- 2.10 Zwischenfazit III: Das Kippen in den kritischen Modus -- 3. Das dezentrierte Subjekt -- 3.1 Einleitung -- 3.2 »Anderswerden statt Selbstwerden« -- 3.3 Linguistic Turn, Widerstreit und Anderswerden -- 3.4 Das ortlose und zerrissene Subjekt -- 3.5 Mediatisierte Singularität und das Problem von Positivierungen -- 3.6 Zwischenfazit I: Der Streit ums Subjekt -- 3.7 (Selbst-)Bildung in einer differenzfreundlichen und diskriminierungskritischen Schule -- 3.8 Eine Schule der radikalen Demokratie und unreinen Vielfalt -- 3.9 Zwischenfazit II: Ein Streit um die Dezentrierungspunkte -- 4. Die Repräsentationskrise -- 4.1 Einleitung -- 4.2 Kritik vs. Genealogie -- 4.3 Widerstreit und Nicht-Identität -- 4.4 Ein hegemonialer Kampf um Bildung -- 4.5 Eine Wissenschaft des Unmöglichen -- 4.6 Zwischenfazit I: Repräsentationsweisen und -problematisierungen -- 4.7 Ein mehrstimmiges Plädoyer für heterogene Differenzen und Verschränkungen -- 4.8 Ein experimentelles Forschungsdesign -- 4.9 Zwischenfazit II: Wissenschaftstheoretische Heterogenisierung -- 4.10 Zwischenfazit III: Zur Eingrenzung der wuchernden Heterogenität -- 5. Die Grenzen des pluralen Stils -- Literatur |
| Record Nr. | UNISA-996582058903316 |
|
Wartmann Robert
|
||
| Bielefeld : , : transcript Verlag, , [2024] | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. di Salerno | ||
| ||
Constellations of a Contemporary Romanticism / / Forest Pyle, Jacques Khalip
| Constellations of a Contemporary Romanticism / / Forest Pyle, Jacques Khalip |
| Pubbl/distr/stampa | New York, NY : , : Fordham University Press, , [2016] |
| Descrizione fisica | 1 online resource (344 p.) |
| Disciplina | 141.6 |
| Collana | Lit Z |
| Soggetto topico | Romanticism |
| Soggetto non controllato |
Constellation
Critical Theory Deconstruction Everyday Richter Romanticism Tansey Twombly Visual Culture contemporary poetry |
| ISBN | 0-8232-7106-4 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Front matter -- Contents -- Introduction: The Present Darkness of Romanticism -- The History of Missed Opportunities: British Romanticism and the Emergence of the Everyday -- The Pathology of the Future, or the Endless Triumphs of Life -- Painting Theory: Mark Tansey’s Derrida Queries de Man -- Here There Is No After (Richter’s History) -- Goya’s Scarcity -- The Tone of Praise -- Endymion: The Text of Undersong -- Dancing in the Dark with Shelley -- The Pastoral Stain: Twombly under the Trees -- The Walter Scott Experience: Living American History after Waverley -- Free Indirect Filmmaking: Jane Austen and the Renditions (On Emma among Its Others) -- Population Aesthetics in Romantic and Post- Romantic Literature -- Technomagism, Coleridge’s Mariner, and the Sentence Image -- Willing Suspension of Disbelief, Here, Now -- Acknowledgments -- List of Contributors -- Index -- Sara Guyer and Brian McGrath, series editors |
| Record Nr. | UNINA-9910798423303321 |
| New York, NY : , : Fordham University Press, , [2016] | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Constellations of a Contemporary Romanticism / / Forest Pyle, Jacques Khalip
| Constellations of a Contemporary Romanticism / / Forest Pyle, Jacques Khalip |
| Edizione | [1st ed.] |
| Pubbl/distr/stampa | New York, NY : , : Fordham University Press, , [2016] |
| Descrizione fisica | 1 online resource (344 p.) |
| Disciplina | 141.6 |
| Collana | Lit Z |
| Soggetto topico | Romanticism |
| Soggetto non controllato |
Constellation
Critical Theory Deconstruction Everyday Richter Romanticism Tansey Twombly Visual Culture contemporary poetry |
| ISBN | 0-8232-7106-4 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Front matter -- Contents -- Introduction: The Present Darkness of Romanticism -- The History of Missed Opportunities: British Romanticism and the Emergence of the Everyday -- The Pathology of the Future, or the Endless Triumphs of Life -- Painting Theory: Mark Tansey’s Derrida Queries de Man -- Here There Is No After (Richter’s History) -- Goya’s Scarcity -- The Tone of Praise -- Endymion: The Text of Undersong -- Dancing in the Dark with Shelley -- The Pastoral Stain: Twombly under the Trees -- The Walter Scott Experience: Living American History after Waverley -- Free Indirect Filmmaking: Jane Austen and the Renditions (On Emma among Its Others) -- Population Aesthetics in Romantic and Post- Romantic Literature -- Technomagism, Coleridge’s Mariner, and the Sentence Image -- Willing Suspension of Disbelief, Here, Now -- Acknowledgments -- List of Contributors -- Index -- Sara Guyer and Brian McGrath, series editors |
| Record Nr. | UNINA-9910821406403321 |
| New York, NY : , : Fordham University Press, , [2016] | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Critical by Design? : Genealogies, Practices, Positions / / ed. by Michael Renner, Moritz Greiner-Petter, Claudia Mareis
| Critical by Design? : Genealogies, Practices, Positions / / ed. by Michael Renner, Moritz Greiner-Petter, Claudia Mareis |
| Autore | Mareis Claudia |
| Edizione | [1st ed.] |
| Pubbl/distr/stampa | Bielefeld, : transcript Verlag, 2022 |
| Descrizione fisica | 1 online resource (332 p.) |
| Collana | Design |
| Soggetto topico | DESIGN / History & Criticism |
| Soggetto non controllato |
Critical Design
Critical Theory Cultural Theory Design Politics Material Culture Theory of Art |
| ISBN | 3-8394-6104-9 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Frontmatter -- Contents -- Introduction -- Critical by design? An introduction -- Genealogies -- What is a critical object? Design as «desubjugation» (after Foucault) -- The vitality of the negative: critical design between social philosophy and conceptual art -- Ask what can be! Modal critique and design as drivers of accidence -- What are the politics of ontological design? A critical reflection on the mutual becoming of «the human» and «the world» -- Engaging in epistemic disobedience: on the decolonialization of design discourses -- Practices -- Unsettling individualized design practice through collaboration -- «Ci concimiamo a vicenda»: building support structures as part of design practice -- Re-visioning pelvic care through design -- Trojan horses: ambiguity as a critical design strategy -- Grey design: critical practices of design at the peripheries of the discipline -- Positions -- The ineliminable aesthetic dimension of art -- Design culture as critical practice -- What might be the speculative social? -- Biased design, or the misery of neutrality -- Undesign and understanding -- Epilogue -- The life and death of critical and speculative design: post-disciplinarity, post-truth, post-self and post-capital -- Appendix -- Critical by design? The book's design as SF figures -- List of Figures & Tables -- Biographies -- Imprint |
| Record Nr. | UNISA-996463250903316 |
|
Mareis Claudia
|
||
| Bielefeld, : transcript Verlag, 2022 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. di Salerno | ||
| ||
Critical by Design? : Genealogies, Practices, Positions / / ed. by Michael Renner, Moritz Greiner-Petter, Claudia Mareis
| Critical by Design? : Genealogies, Practices, Positions / / ed. by Michael Renner, Moritz Greiner-Petter, Claudia Mareis |
| Autore | Mareis Claudia |
| Edizione | [1st ed.] |
| Pubbl/distr/stampa | Bielefeld, : transcript Verlag, 2022 |
| Descrizione fisica | 1 online resource (332 p.) |
| Collana | Design |
| Soggetto topico | DESIGN / History & Criticism |
| Soggetto non controllato |
Critical Design
Critical Theory Cultural Theory Design Politics Material Culture Theory of Art |
| ISBN | 3-8394-6104-9 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Frontmatter -- Contents -- Introduction -- Critical by design? An introduction -- Genealogies -- What is a critical object? Design as «desubjugation» (after Foucault) -- The vitality of the negative: critical design between social philosophy and conceptual art -- Ask what can be! Modal critique and design as drivers of accidence -- What are the politics of ontological design? A critical reflection on the mutual becoming of «the human» and «the world» -- Engaging in epistemic disobedience: on the decolonialization of design discourses -- Practices -- Unsettling individualized design practice through collaboration -- «Ci concimiamo a vicenda»: building support structures as part of design practice -- Re-visioning pelvic care through design -- Trojan horses: ambiguity as a critical design strategy -- Grey design: critical practices of design at the peripheries of the discipline -- Positions -- The ineliminable aesthetic dimension of art -- Design culture as critical practice -- What might be the speculative social? -- Biased design, or the misery of neutrality -- Undesign and understanding -- Epilogue -- The life and death of critical and speculative design: post-disciplinarity, post-truth, post-self and post-capital -- Appendix -- Critical by design? The book's design as SF figures -- List of Figures & Tables -- Biographies -- Imprint |
| Record Nr. | UNINA-9910553081303321 |
|
Mareis Claudia
|
||
| Bielefeld, : transcript Verlag, 2022 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Decoding Digital Culture with Science Fiction : Hyper-Modernism, Hyperreality, and Posthumanism
| Decoding Digital Culture with Science Fiction : Hyper-Modernism, Hyperreality, and Posthumanism |
| Autore | Shapiro Alan N |
| Edizione | [1st ed.] |
| Pubbl/distr/stampa | Bielefeld : , : transcript Verlag, , 2024 |
| Descrizione fisica | 1 online resource (375 pages) |
| Disciplina | 809.3/8762 |
| Collana | Digitale Gesellschaft Series |
| Soggetto topico |
Popular culture
Science fiction - Social aspects SOCIAL SCIENCE / Media Studies |
| Soggetto non controllato |
Creative Coding
Critical Theory Cultural Theory Culture Digital Cuture Digital Media Film Marxism Media Studies Media Theory Media Posthumanism |
| ISBN | 9783839472422 |
| Classificazione | AP 13550 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Cover -- Contents -- Acknowledgements -- Introduction -- The Three Central Hypotheses -- The Logical Progression of the Three Concepts or Hypotheses -- Part One - Hyper‐Modernism: Digital Media Technologies and Science Fiction -- Part One to Part Two: From Hyper‐Modernism to Hyperreality -- Part Two - Hyperreality: Reevaluation of Jean Baudrillard's Media Theory and the Simulacrum -- Part Two to Part Three: From Hyperreality to Post‐Humanism and Creative Coding -- Part Three - Posthumanism: N. Katherine Hayles' History of Cybernetics, Creative Coding, and the Future of Informatics -- Originally Published Versions -- Methodology -- Thirty Minute Statement at my Ph.D. Oral Defense Alan N. Shapiro, April 12, 2024 -- Part One - Hyper‐Modernism: Digital Media Technologies and Science Fiction -- Overview of Part One -- Short Definitions of Modernity, Postmodernism, and Hyper‐Modernism -- The Three Essays of Part One -- Mobility and Science Fiction -- Introduction -- We Do Not Live in a Society Where Mobility is Encouraged -- The Dream of the Tomorrow‐Car -- Henri Matisse Paints "the Vision Machine" -- The New Vision Machine -- Close Encounters of the Third Kind: The Menace of Verticality -- The "Spinner" Flying Cars of Blade Runner: Simulation and Surveillance -- Blade Runner: We Are All Replicants -- Blade Runner 2049: Android Liberation Between Old and New Informatic Power -- Minority Report: The Utopia/Dystopia of Surveillance Technologies -- The Fifth Element: When Manhattan has no More Ways to Expand -- Back to the Future: A Speed So Fast that the Laws of Spacetime Get Shattered -- Total Recall: You're in a Johnny Cab -- Robots Versus Androids -- Self‐Owning Cars -- Enhance the Physical World -- The Simulacra, Do Androids Dream of Electric Sheep?, and Dr. Bloodmoney -- The "Science Fiction World" of Philip K. Dick's Ubik.
Who Is Jory Miller and What is Ubik? -- Fredric Jameson on Postmodernism -- Sonja Yeh on the Postmodern Media Theorists -- Donna J. Haraway's "A Manifesto for Cyborgs" -- Science Fiction Heterotopia: The Economy of the Future -- Introduction: Foucault's Heterotopia -- The Technologizing of Memory -- Black Mirror: "The Entire History of You" - Scenes from a Marriage -- Similar Technologies in the Real World Today -- Brain‐Computer Interface -- Designing the Brain‐Computer Interface -- Hyper‐Modernist Literature -- The Economy of the Future -- Post‐Capitalism and Technological Anarchism -- Star Trek Replicators and Star Trek Economics -- Ecologically Aware or Sustainable 3D Printers -- Additive Manufacturing and Living Organisms -- Andre Gorz: Human Liberation Beyond Work -- Murray Bookchin, Post‐Scarcity Anarchism -- Yanis Varoufakis' Vision of Post‐Capitalism -- Conclusion -- Geert Lovink on Post‐Capitalism -- Blockchain Decentralized Idealism -- Smart Contracts -- Between Law and Code -- Decentralized Autonomous Organization -- Between Corporate Intellectual Property Rights and the Rights of Users -- Fiction and Power in Postmodernism -- Cornelius Castoriadis, The Imaginary Institution of Society -- Donna J. Haraway on the Informatics of Domination -- Michel Foucault's Analytics of Power -- Jean Baudrillard, Forget Foucault -- Gilles Deleuze, "Postscript on the Societies of Control" -- Fiction, Power, and Codes in Hyper‐Modernism -- John Armitage on Hyper‐Modernism -- Albert Borgmann on Hyper‐Modernism -- Gilles Lipovetsky on Hyper‐Modernism -- What is Hyper‐Modernism? -- Introduction -- Access to History -- The Carnivalesque -- Modernity, Postmodernism, Hyper‐Modernism -- Gustave Flaubert: To Write a Novel About Nothing -- Hyper‐Modernist Creativity -- Body, Self, and Code in Hyper‐Modernism -- Sincerity and Authenticity. Darko Suvin on Science Fiction Studies -- Carl Freedman on Science Fiction Studies -- Istvan Ciscsery‐Ronay, Jr. on Science Fiction Studies -- Part Two - Hyperreality: Reevaluation of Jean Baudrillard's Media Theory and the Simulacrum -- Overview of Part Two -- Defining the Simulacrum and Hyperreality -- Thinking Hyperreality: From Rhetoric to Code -- Baudrillard's Importance for the Future -- Baudrillard and the Situationists -- Baudrillard and Trump -- Baudrillard's Importance for the Future -- The Controversy Around Baudrillard -- Yes - Everything is Simulation! -- Early Baudrillard: The Consumer Society and For a Critique of the Political Economy of the Sign -- Symbolic Exchange and the Gift Economy -- The First Order of Simulacra: The Student of Prague -- The Second Order of Simulacra: The First Industrial Revolution -- The Third Order of Simulacra: Simulation and Hyperreality -- First‐Wave Digitalization as Interactive Performance -- The Fourth Order of Simulacra: Value Radiates in All Directions -- From Descartes to Baudrillard: The "Evil Demon" of Images -- Arthur C. Clarke, "The Nine Billion Names of God" -- The Trapdoor Escape Hatch Way Out of Hyperreality -- High Life: The Black Hole of Humanity's Extinction and New Hope -- Poetic Resolution in Baudrillard's Thought -- Daniel Boorstin, The Image: Hyperreality Overtakes America -- Umberto Eco, Travels in Hyperreality -- Roland Barthes, Mythologies -- Taking the Side of Objects -- Plato and the Simulacrum -- Plato as Software Designer -- Brian Gogan on Plato, Baudrillard, and Rhetoric -- Deleuze on "Plato and the Simulacrum" -- Upgrading Hyperreality and the Simulacrum for Digitalization -- Personalized Advertising -- Transdisciplinarity is Good for (Post‑)Humanity -- Virtual Reality, Augmented Reality, and the Metaverse -- Baudrillard and the Situationists -- Introduction. "Taking the Side of Objects" and the Situationists -- Baudrillard's Paradigm Shift -- Is Baudrillard Fair to the Situationists? -- "Baudrillard and the Situationists" Commentators Douglas Kellner and Sadie Plant, and the Tension between Critical Theory and Fatal Theory -- Exhibit A (Baudrillard self‐simplifies): -- Exhibit B (Baudrillard's critique of the Situationists is reductionist): -- Exhibit C (Sadie Plant's critique of Baudrillard is reductionist): -- Situationist Practices -- Wandering or the Drift - Le Dérive -- Psycho‐Geography -- The Diverting of Technologies - Le détournement -- The Making or Creating or Construction of Situations -- The Radical Illusion Beyond Art -- Neo‐Situationism in the Field of Advanced Digital Technologies -- Urban and Street Art Activism -- Augmented Reality versus Wall Street -- Conclusion -- McKenzie Wark on the Situationists -- Play Don't Work -- Existential Encounter with the Object -- From the Subject to the Object in Jean‐Paul Sartre's Nausea -- The Myth of Sisyphus: Albert Camus on the Side of Objects -- Simone de Beauvoir, The Ethics of Ambiguity -- Jean Baudrillard and the Donald: Is Trump a Fascist or is He the Parody of Fascism? -- Epistemology of True and False -- Society of the Spectacle and Hyperreality -- Donald Trump the Empty Signifier -- From Simulation to the Grotesque and the Self‐Parody -- Springtime for Hitler -- Serge Latouche Remembers Baudrillard -- Biosphere 2: The Artificial Paradise of Nature -- Reality TV and Baudrillard's Telemorphosis -- The Truman Show: "The Last Thing That I Would Ever Do is Lie to You" -- My Two Key Differences from Baudrillard -- Part Three - Posthumanism: N. Katherine Hayles' History of Cybernetics, Creative Coding, and the Future of Informatics -- Overview of Part Three -- The Science Fiction of Star Trek. Star Trek's Spock, Data, and Seven of Nine and the Three Orders of Cybernetics -- What is Posthumanism? -- The Concept of Nature in Whitehead and Merleau‐Ponty -- Rosi Braidotti's Celebratory Posthuman Philosophy -- A Fully Posthuman Situation -- Wendy Chun on Software Code -- Software Code as Expanded Narration -- The Software of the Future -- Star Trek: Technologies of Disappearance -- Technoscience and Storytelling -- From Liberal Humanism to Posthumanism -- Cyborg Spock and NASA's Cyborg -- First Order Cybernetics -- How Information Lost Its Body -- Claus Pias on First‐Order Cybernetics -- Gene Roddenberry Designs His First Alien -- "The Devil in the Dark": Empathy for Radical Otherness -- Second Order Cybernetics -- Bernhard Dotzler on Second‐Order Cybernetics -- The Android Data of Star Trek: The Next Generation -- "The Offspring": Data's Daughter Lal -- Third Order Cybernetics -- "Becoming‐Borg" Seven of Nine -- Star Trek: Picard, "Remembrance" -- "Embodied Informatics" is a Science Fiction Idea -- Hayles on Writing and Software Code -- Hyper‐Modernist Science -- I, Robot and the Moral Dilemmas of the Three Laws of Robotics -- The Zeroth Law of Robotics and the Robot Unconscious -- Hayles on the Cognitive Nonconscious -- Marie‐Luise Angerer Critiques Hayles -- Judith Butler and Gender Theory -- Ex Machina and the Turing Test -- Ex Machina: The Performance of Female and Human -- Monique Wittig, The Straight Mind -- Software Code as Expanded Narration -- Software Code as Expressive Media -- Friedrich Kittler: The Numeric Kernel is Decisive -- Kittler's Media Archaeology -- Wolfgang Hagen on Programming Languages -- Ten Paradigms of Informatics and Programming -- The First Hyper‐Modern Computers -- Enter Software Studies -- Enter Creative Coding -- Alan Turing: The Imitation Game and Befriending the Evil Demon. Alan Turing: The Scientific and Cultural Levels of Computing. |
| Record Nr. | UNINA-9910875596503321 |
|
Shapiro Alan N
|
||
| Bielefeld : , : transcript Verlag, , 2024 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
