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Choreophonien : Konstellationen von Stimme und Körper im Tanz der Moderne und der Gegenwart / / Julia Ostwald
| Choreophonien : Konstellationen von Stimme und Körper im Tanz der Moderne und der Gegenwart / / Julia Ostwald |
| Autore | Ostwald Julia |
| Pubbl/distr/stampa | Bielefeld : , : transcript Verlag, , [2024] |
| Descrizione fisica | 1 online resource (304 p.) |
| Collana | TanzScripte |
| Soggetto topico | PERFORMING ARTS / Dance / General |
| Soggetto non controllato |
Body
Choreography Gender Modernity Performance Stage Staging Voice |
| ISBN | 3-8394-6844-2 |
| Formato | Multimedia  |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | ger |
| Nota di contenuto | Frontmatter -- Editorial -- Inhalt -- Vorbemerkungen -- Einleitung -- Einleitung -- Stimme - das ›Organ‹, das nicht eins ist -- Zwischen Ent- und Verkörperungen der Stimme: Forschungsperspektiven -- Konstellationen: Methodische Überlegungen -- Denkfgur Choreophonie -- I Stimmen des intensiven Affekts: Lachen, Weinen, Schreien -- Einleitung -- Antonia Baehr Lachen (2008) -- Einleitung -- Medusas Lachen -- Lachen als Wiederholung und Maske -- Gesicht und Stimme als Landschaft/Stimmschaft -- Prekäre Gemeinschaft -- Valeska Gert Baby (um 1926) -- Einleitung -- Desynchronisiertes Stimm-Gesicht -- »Pathos des Protests« -- Fazit: Stimmen des intensiven Affekts -- II Queere lyrische Stimmen -- Einleitung -- Trajal Harrell Antigone Sr. / Twenty Looks or Paris is Burning at the Judson Church (L) (2012) -- Introduction -- Voguing Antigone -- Sirenen als Figuren des Fabulierens -- Fabulierende Gesten, Posen und Stimmen -- Choreophones Desorientieren -- Ida Rubinstein Le Martyre de Saint Sébastien (1911) -- Einleitung -- Ida Rubinstein als Heiliger Sebastian -- Queere Exzentrizität von Stimme und Pose -- Melodramatische Ästhetik -- Fazit: Queere lyrische Stimmen -- III Chorische Stimmapparate -- Einleitung -- Marta Górnicka / ['hu:r kobj+] Magnífcat (2011) -- Einleitung -- Chor der Zungen -- Performatives chorisches In-Zungen-Sprechen -- Chor der Zungen als ambivalentes Organ -- Vera Skoronel / Berthe Trümpy Der gespaltene Mensch (1927) -- Der gespaltene Mensch im Kontext der Sprechchorbewegung -- Rhythmus-Bilder -- Choreographierte Antiphonien -- Rhythmisierte Abstraktion als Scharnier chorischen Sprechens und Bewegens -- Mitschwingende Gemeinschaft -- Fazit: Chorische Stimmapparate -- IV Technologisierte Stimm-Körper -- Einleitung -- Liquid Loft My Private Bodyshop (2005) -- Einleitung -- Posthumane Stimm-Körper -- »Akustische Dislozierung«: Wo ist der Ort der Stimme? -- ›Gesprochen-Werden‹ und ›Performing Voice‹ -- Les Ballets Suédois Les Mariés de la Tour Eiffel (1921) -- Einleitung -- Phonographie - Photographie - Choreographie -- Choreographie gehörloser Puppen -- Cinematische Stimm-Körper -- Fazit: Technologisierte Stimm-Körper -- V Pneumatische Bewegungen -- Einleitung -- João Fiadeiro I am here (2003) -- Einleitung -- Synästhetisches Hören -- I am here -- Respirative Empathie und der im Atem erscheinende Körper -- Dunkles Atmen -- Rauschen: Der im Atem verschwindende Körper -- Doris Humphrey Water Study (1928) -- Einleitung -- Atem als choreographisches Prinzip -- Hegemoniales ›harmonisches‹ Atmen -- Respiratives Sehen und das ›kleine Geräusch‹ des Ausatmens -- Fazit: Pneumatische Bewegungen -- Schluss -- Literatur- und Quellenverzeichnis |
| Record Nr. | UNISA-996588057703316 |
Ostwald Julia
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| Bielefeld : , : transcript Verlag, , [2024] | ||
| Multimedia | ||
| Lo trovi qui: Univ. di Salerno | ||
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Dance [and] Theory / Gabriele Brandstetter, Gabriele Klein
| Dance [and] Theory / Gabriele Brandstetter, Gabriele Klein |
| Edizione | [1st ed.] |
| Pubbl/distr/stampa | Bielefeld, : transcript Verlag, 2014 |
| Descrizione fisica | 1 online resource (325 p.) |
| Disciplina | 306.4/84 |
| Collana | TanzScripte |
| Soggetto topico | Dance; Dance Studies; Performance Studies; Choreography; Art Theory; Artistic Research; Politics of Movement; Aesthetics; Visuality; Archive; Future of Dance; Theatre Studies; Theory of Art; Body |
| Soggetto non controllato |
Aesthetics
Archive Art Theory Artistic Research Body Choreography Dance Studies Future of Dance Performance Studies Politics of Movement Theatre Studies Theory of Art Visuality |
| ISBN | 3-8394-2151-9 |
| Classificazione | AP 84000 |
| Formato | Materiale a stampa  |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | 1 Contents 5 Dance [and] Theory. Introduction 11 Dancing and Theorizing and Theorizing Dancing 19 Artistic Research: Between Experiment and Presentation 35 A Few Remarks about Research in Dance and Performance or - The Production of Problems 45 Knowledge and Collective Praxis 51 It does not matter or The Artist Out (of the Picture) 63 Artistic Research between Dance and Theory - A Response in Six Questions 69 References 75 Aesthetic Experience 81 The Question of the Aesthetic 89 The Resistance to Dance Theory. Being-With, the Aesthetic Event 97 Beautiful Affects in Choreography 103 Intertwinings: The Dis/Positions of Dance Aesthetics 107 Unexpected Horizons of Meaning 115 Parallel Universes and Aesthetic Dis/Balance: Theory Interrupted, Dance Distracted 119 References 129 Dance Theory as a Practice of Critique 137 Dance and Politics 153 Pitfalls of 'the Political.' Politization as an Alternative Tool for Dance Analysis? 159 The Politics of Time 167 Contemporary Dance and the Critical Ontology of Actuality 173 Geo-Politics, Dissensus, and Dance Citizenship: The Case of South Asian Dance in Britain 177 Resilient Bodies, Stirred. Political Anecdotes from the Field of Contemporary Choreography 183 Remarks Concerning the Ontology of Dance 187 References 191 Dis/Balances. Dance and Theory 197 Steps and Gaps: Curatorial Perspectives on Dance and Archives 213 Body, Archive 219 The Constructive Compromise 223 Dance/Archive/Exhibition? Moving between Worlds 227 The Archive in Motion 231 "Mal d'Archive" - in a Different Sense than Jacques Derrida's 235 Leaving and Pursuing Traces 'Archive' and 'Archiving' in a Dance Context 241 References 247 Thoughts on the Now in the Future 253 A Relational Perspective on Dance and Theory - Implications for the Teaching of Dance Studies 265 dé-position. Or How to Move in(to) the Future? 271 Embryology as Choreography 277 Hypothesis Number Nine: The Image Is an Organ 283 What's 'next'? 287 In the Making. On the Generation of Movement between Dance and Theory 291 An Institution Is only as Good as the People who Work there Can be. No? 297 References 309 Notes on Contributors 313 |
| Record Nr. | UNINA-9910800031703321 |
| Bielefeld, : transcript Verlag, 2014 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Emerging bodies : the performance of worldmaking in dance and choreography / / edited by Gabriele Klein and Sandra Noeth
| Emerging bodies : the performance of worldmaking in dance and choreography / / edited by Gabriele Klein and Sandra Noeth |
| Edizione | [1st ed.] |
| Pubbl/distr/stampa | Bielefeld, Germany : , : Transcript, , [2014] |
| Descrizione fisica | 1 online resource (265 p.) |
| Disciplina | 792.62 |
| Collana | TanzScripte |
| Soggetto topico |
Dance - Social aspects
Dance Choreography |
| Soggetto non controllato |
Arts
Body Choreography Cultural Theory Gender Imagination Interculturalitity Media Psychoanalysis Theatre Studies |
| ISBN | 3-8394-1596-9 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | 1 Contents 5 Introduction 7 Dancing Politics: Worldmaking in Dance and Choreography 17 Between Intervention and Utopia: Dance Politics 29 Dance and Work: The Aesthetic and Political Potential of Dance 47 The Collective That Isn't One 61 Jérôme Bel and Myself: Gender and Intercultural Collaboration 73 Transnationalism and Contemporary African Dance: Faustin Linyekula 83 Flee(t)ing Dances! Initiatives for the Preservation and Communication of Intangible World Heritage in Museums 93 The Bluff of Contemporary Dance 107 Transcription - Materiality - Signature. Dancing and Writing between Resistance and Excess 119 Autobiography and the Coulisses: Narrator, Dancer, Spectator 137 Dance Images. Dance Films as an Example of the Representation and Production of Movement 149 Against the Beat. Music, Dance and the Image in Michelangelo Antonioni's Blow-Up 163 Gesture Capture: Paradigms in Interactive Music/ Dance Systems 183 Tables of Weights and Measures: Architecture and the Synchronous Objects Project 195 Synchronous Objects, Choreographic Objects, and the Translation of Dancing Ideas 207 Communicating, Distilling, Catalyzing. On the Creation of Dance Congress Worlds 225 Situational Worlds. Complicity as a Model of Collaboration 235 Protocols of Encounter: On Dance Dramaturgy 247 Notes on Contributors 257 264 |
| Record Nr. | UNISA-996308836203316 |
| Bielefeld, Germany : , : Transcript, , [2014] | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. di Salerno | ||
| ||
Emerging bodies : the performance of worldmaking in dance and choreography / / edited by Gabriele Klein and Sandra Noeth
| Emerging bodies : the performance of worldmaking in dance and choreography / / edited by Gabriele Klein and Sandra Noeth |
| Edizione | [1st ed.] |
| Pubbl/distr/stampa | Bielefeld, Germany : , : Transcript, , [2014] |
| Descrizione fisica | 1 online resource (265 p.) |
| Disciplina | 792.62 |
| Collana | TanzScripte |
| Soggetto topico |
Dance - Social aspects
Dance Choreography |
| Soggetto non controllato |
Arts
Body Choreography Cultural Theory Gender Imagination Interculturalitity Media Psychoanalysis Theatre Studies |
| ISBN | 3-8394-1596-9 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | 1 Contents 5 Introduction 7 Dancing Politics: Worldmaking in Dance and Choreography 17 Between Intervention and Utopia: Dance Politics 29 Dance and Work: The Aesthetic and Political Potential of Dance 47 The Collective That Isn't One 61 Jérôme Bel and Myself: Gender and Intercultural Collaboration 73 Transnationalism and Contemporary African Dance: Faustin Linyekula 83 Flee(t)ing Dances! Initiatives for the Preservation and Communication of Intangible World Heritage in Museums 93 The Bluff of Contemporary Dance 107 Transcription - Materiality - Signature. Dancing and Writing between Resistance and Excess 119 Autobiography and the Coulisses: Narrator, Dancer, Spectator 137 Dance Images. Dance Films as an Example of the Representation and Production of Movement 149 Against the Beat. Music, Dance and the Image in Michelangelo Antonioni's Blow-Up 163 Gesture Capture: Paradigms in Interactive Music/ Dance Systems 183 Tables of Weights and Measures: Architecture and the Synchronous Objects Project 195 Synchronous Objects, Choreographic Objects, and the Translation of Dancing Ideas 207 Communicating, Distilling, Catalyzing. On the Creation of Dance Congress Worlds 225 Situational Worlds. Complicity as a Model of Collaboration 235 Protocols of Encounter: On Dance Dramaturgy 247 Notes on Contributors 257 264 |
| Record Nr. | UNINA-9910213857303321 |
| Bielefeld, Germany : , : Transcript, , [2014] | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Intimate Act Of Choreography
| Intimate Act Of Choreography |
| Autore | Blom Lynne Anne <1942-1993> |
| Pubbl/distr/stampa | University of Pittsburgh Press, 1982 |
| Descrizione fisica | 1 online resource (256 p.) : ill |
| Disciplina | 792.82 |
| Soggetto non controllato |
Choreography
Performing Arts |
| ISBN | 9780822971313 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Record Nr. | UNINA-9910777098903321 |
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Blom Lynne Anne <1942-1993>
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| University of Pittsburgh Press, 1982 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Intimate Act Of Choreography
| Intimate Act Of Choreography |
| Autore | Blom Lynne Anne <1942-1993> |
| Edizione | [1st ed.] |
| Pubbl/distr/stampa | University of Pittsburgh Press, 1982 |
| Descrizione fisica | 1 online resource (256 p.) : ill |
| Disciplina |
792.82
793.3 |
| Soggetto non controllato |
Choreography
Performing Arts |
| ISBN | 9780822971313 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Intro -- Contents -- Foreword -- Preface -- Acknowledgments -- Terminology -- 1. Approach -- 2. Essentials -- 3. Speaking Body -- 4. Phrase -- 5. Space -- 6. Time -- 7. Energy -- 8. Forming -- 9. Abstraction -- 10. Style -- 11. Silence, Sound, and Music -- 12. Group Work -- 13. Theatrical Elements -- 14. Performance -- 15. Tangents -- Teachers' Addendum: The Delicate Art of Teaching Choreography -- Appendix: List of Improvisations and Choreographic Studies -- Notex -- Index. |
| Record Nr. | UNINA-9910811155303321 |
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Blom Lynne Anne <1942-1993>
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| University of Pittsburgh Press, 1982 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Körper als Archiv in Bewegung : Choreografie als historiografische Praxis / Julia Wehren
| Körper als Archiv in Bewegung : Choreografie als historiografische Praxis / Julia Wehren |
| Autore | Wehren Julia |
| Edizione | [1st ed.] |
| Pubbl/distr/stampa | Bielefeld, : transcript Verlag, 2016 |
| Descrizione fisica | 1 online resource (271 pages) : illustrations; digital, PDF file(s) |
| Disciplina |
GV1782.5
792.82 |
| Collana | TanzScripte |
| Soggetto topico | Tanz; Körper; Archiv; Historiografie; Reenactment; Choreografie; Theaterwissenschaft; Dance; Body; Archive; Historiography; Choreography; Theatre Studies |
| Soggetto non controllato |
Archive
Body Choreography Historiography Reenactment Theatre Studies |
| ISBN |
3-8376-3000-5
3-8394-3000-3 |
| Classificazione | AP 84500 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | ger |
| Nota di contenuto | Frontmatter 1 Inhalt 5 Einleitung 11 Imagination: histoire(s) von Olga de Soto 29 Historiografische Praktiken in der Choreografie 37 (Selbst-)Reflexion im zeitgenössischen Tanz 53 Positionsbestimmungen in der Gegenwart 67 Zum Paradigma der Flüchtigkeit 97 Dokumente und Dokumentationen von Tanz 111 Zum Potential des Bleibenden: Rebecca Schneider 123 Transformation: Mimésix von Foofwa d'Imobilité und Thomas Lebrun 133 Körper und Gedächtnis 147 Körper und Archiv 161 Artikulation: Die Flip Book-Reihe von Boris Charmatz 169 Tanz als Wissensformation 179 Geschichtsschreibung im Tanz 195 Geschichte als Erzählung 205 Zugänge und Ordnungsmuster 213 Rollenbild und Forschungspraxis 233 Schluss und Ausblick: Choreografie als Historiografie 239 Bibliografie 247 Backmatter 272 |
| Record Nr. | UNISA-996309144403316 |
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Wehren Julia
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| Bielefeld, : transcript Verlag, 2016 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. di Salerno | ||
| ||
Körper als Archiv in Bewegung : Choreografie als historiografische Praxis / Julia Wehren
| Körper als Archiv in Bewegung : Choreografie als historiografische Praxis / Julia Wehren |
| Autore | Wehren Julia |
| Edizione | [1st ed.] |
| Pubbl/distr/stampa | Bielefeld, : transcript Verlag, 2016 |
| Descrizione fisica | 1 online resource (271 pages) : illustrations; digital, PDF file(s) |
| Disciplina |
GV1782.5
792.82 |
| Collana | TanzScripte |
| Soggetto topico | Tanz; Körper; Archiv; Historiografie; Reenactment; Choreografie; Theaterwissenschaft; Dance; Body; Archive; Historiography; Choreography; Theatre Studies |
| Soggetto non controllato |
Archive
Body Choreography Historiography Reenactment Theatre Studies |
| ISBN |
3-8376-3000-5
3-8394-3000-3 |
| Classificazione | AP 84500 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | ger |
| Nota di contenuto | Frontmatter 1 Inhalt 5 Einleitung 11 Imagination: histoire(s) von Olga de Soto 29 Historiografische Praktiken in der Choreografie 37 (Selbst-)Reflexion im zeitgenössischen Tanz 53 Positionsbestimmungen in der Gegenwart 67 Zum Paradigma der Flüchtigkeit 97 Dokumente und Dokumentationen von Tanz 111 Zum Potential des Bleibenden: Rebecca Schneider 123 Transformation: Mimésix von Foofwa d'Imobilité und Thomas Lebrun 133 Körper und Gedächtnis 147 Körper und Archiv 161 Artikulation: Die Flip Book-Reihe von Boris Charmatz 169 Tanz als Wissensformation 179 Geschichtsschreibung im Tanz 195 Geschichte als Erzählung 205 Zugänge und Ordnungsmuster 213 Rollenbild und Forschungspraxis 233 Schluss und Ausblick: Choreografie als Historiografie 239 Bibliografie 247 Backmatter 272 |
| Record Nr. | UNINA-9910166056203321 |
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Wehren Julia
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| Bielefeld, : transcript Verlag, 2016 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Pina Bausch und das Tanztheater : Die Kunst des Übersetzens / Gabriele Klein
| Pina Bausch und das Tanztheater : Die Kunst des Übersetzens / Gabriele Klein |
| Autore | Klein Gabriele |
| Edizione | [1st ed.] |
| Pubbl/distr/stampa | Bielefeld, : transcript Verlag, 2019 |
| Descrizione fisica | 1 online resource (449 pages) |
| Disciplina | 701.18 |
| Collana | TanzScripte |
| Soggetto topico | Tanztheater; Pina Bausch; Übersetzung; Praxistheorie; Praxeologie; Tanz; Kunst; Künstlerische Forschung; Publikum; Kunstkritik; Wuppertal; Ethnografische Studie; Choreografie; Theater; Tanzgeschichte; Theaterwissenschaft; Tanzwissenschaft; Dance Theatre; Translation; Practice Theory; Praxeology; Dance; Art; Artistic Research; Audience; Art Criticism; Ethnographic Study; Choreography; Theatre; Dance History; Theatre Studies; Dance Studies |
| Soggetto genere / forma | History |
| Soggetto non controllato |
Art Criticism
Art Artistic Research Audience Choreography Dance History Dance Studies Dance Ethnographic Study Pina Bausch Practice Theory Praxeology Theatre Studies Theatre Translation Wuppertal |
| ISBN | 3-8394-4928-6 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | ger |
| Nota di contenuto | Frontmatter 1 Inhalt 6 Einleitung 8 Stücke 22 Compagnie 90 Arbeitsprozess 168 Solotänze 244 Rezeption 284 Theorie & Methodologie 342 Schluss 396 Verzeichnisse 412 Literatur 424 Abbildungen 442 Chronologie der Stücke 446 |
| Record Nr. | UNISA-996571849103316 |
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Klein Gabriele
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| Bielefeld, : transcript Verlag, 2019 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. di Salerno | ||
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Pina Bausch und das Tanztheater : Die Kunst des Übersetzens / Gabriele Klein
| Pina Bausch und das Tanztheater : Die Kunst des Übersetzens / Gabriele Klein |
| Autore | Klein Gabriele |
| Edizione | [1st ed.] |
| Pubbl/distr/stampa | Bielefeld, : transcript Verlag, 2019 |
| Descrizione fisica | 1 online resource (449 pages) |
| Disciplina | 701.18 |
| Collana | TanzScripte |
| Soggetto topico | Tanztheater; Pina Bausch; Übersetzung; Praxistheorie; Praxeologie; Tanz; Kunst; Künstlerische Forschung; Publikum; Kunstkritik; Wuppertal; Ethnografische Studie; Choreografie; Theater; Tanzgeschichte; Theaterwissenschaft; Tanzwissenschaft; Dance Theatre; Translation; Practice Theory; Praxeology; Dance; Art; Artistic Research; Audience; Art Criticism; Ethnographic Study; Choreography; Theatre; Dance History; Theatre Studies; Dance Studies |
| Soggetto genere / forma | History |
| Soggetto non controllato |
Art Criticism
Art Artistic Research Audience Choreography Dance History Dance Studies Dance Ethnographic Study Pina Bausch Practice Theory Praxeology Theatre Studies Theatre Translation Wuppertal |
| ISBN | 3-8394-4928-6 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | ger |
| Nota di contenuto | Frontmatter 1 Inhalt 6 Einleitung 8 Stücke 22 Compagnie 90 Arbeitsprozess 168 Solotänze 244 Rezeption 284 Theorie & Methodologie 342 Schluss 396 Verzeichnisse 412 Literatur 424 Abbildungen 442 Chronologie der Stücke 446 |
| Record Nr. | UNINA-9910842042103321 |
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Klein Gabriele
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| Bielefeld, : transcript Verlag, 2019 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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