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Machine models of music / / edited by Stephan M. Schwanauer and David A. Levitt
| Machine models of music / / edited by Stephan M. Schwanauer and David A. Levitt |
| Pubbl/distr/stampa | Cambridge, Mass., : MIT Press, ©1993 |
| Descrizione fisica | 1 online resource (ix, 544 pages) : illustrations |
| Disciplina | 781.3/4 |
| Altri autori (Persone) |
SchwanauerStephan M
LevittDavid A |
| Soggetto topico | Artificial intelligence - Musical applications |
| Soggetto non controllato |
COMPUTER SCIENCE/Computer Music
COMPUTER SCIENCE/Artificial Intelligence |
| Formato | Materiale a stampa  |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Record Nr. | UNINA-9910260609603321 |
| Cambridge, Mass., : MIT Press, ©1993 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Microsound / / Curtis Roads
| Microsound / / Curtis Roads |
| Autore | Roads Curtis |
| Pubbl/distr/stampa | Cambridge, Mass., : MIT Press, ©2001 |
| Descrizione fisica | 1 online resource (423 p.) |
| Disciplina | 781.2/2 |
| Soggetto topico |
Music - Acoustics and physics
Electronic music - History and criticism Computer music - History and criticism |
| Soggetto non controllato |
COMPUTER SCIENCE/Computer Music
ARTS/Music & Sound Studies |
| ISBN |
1-280-49937-0
9786613594600 0-262-28244-5 0-585-43684-3 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Record Nr. | UNINA-9910779830803321 |
Roads Curtis
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| Cambridge, Mass., : MIT Press, ©2001 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Microsound / / Curtis Roads
| Microsound / / Curtis Roads |
| Autore | Roads Curtis |
| Pubbl/distr/stampa | Cambridge, Mass., : MIT Press, ©2001 |
| Descrizione fisica | 1 online resource (423 p.) |
| Disciplina | 781.2/2 |
| Soggetto topico |
Music - Acoustics and physics
Electronic music - History and criticism Computer music - History and criticism |
| Soggetto non controllato |
COMPUTER SCIENCE/Computer Music
ARTS/Music & Sound Studies |
| ISBN |
1-280-49937-0
9786613594600 0-262-28244-5 0-585-43684-3 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Record Nr. | UNINA-9910806872103321 |
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Roads Curtis
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| Cambridge, Mass., : MIT Press, ©2001 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Music and probability / / David Temperley
| Music and probability / / David Temperley |
| Autore | Temperley David |
| Pubbl/distr/stampa | Cambridge, Mass., : MIT Press, ©2007 |
| Descrizione fisica | xi, 244 p. : ill., music |
| Disciplina | 781.2 |
| Soggetto topico |
Musical perception - Mathematical models
Music and probability |
| Soggetto non controllato |
COMPUTER SCIENCE/Computer Music
ARTS/Music & Sound Studies |
| ISBN |
0-262-29397-8
1-4294-5537-3 1-282-09680-X 9786612096808 0-262-25707-6 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Probabilistic foundations and background -- Melody I : the rhythm model -- Melody II : the pitch model -- Melody III : expectation and error detection -- A polyphonic key-finding model -- Applications of the polyphonic key-finding model -- Bayesian models of other aspects of music -- Style and composition -- Communicative pressure. |
| Record Nr. | UNINA-9910780433103321 |
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Temperley David
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| Cambridge, Mass., : MIT Press, ©2007 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Playing with sound : a theory of interacting with sound and music in video games / / Karen Collins
| Playing with sound : a theory of interacting with sound and music in video games / / Karen Collins |
| Autore | Collins Karen <1973-> |
| Pubbl/distr/stampa | Cambridge, Massachusetts : , : The MIT Press, , [2013] |
| Descrizione fisica | 1 online resource (199 p.) |
| Disciplina | 006.7 |
| Soggetto topico |
Interactive multimedia
Video games |
| Soggetto non controllato |
GAME STUDIES/General
COMPUTER SCIENCE/Computer Music DESIGN/Interactive Design |
| ISBN |
0-262-31230-1
0-262-31229-8 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Contents; Preface; Acknowledgments; Introduction; How Is Interacting with Sound Different from Listening to Sound?; The Sound of Music; Interacting with and Listening To; Game Players: An Interactive Audience; Game Players: An Embodied Cognition Approach to Audience; Chapter 1: Interacting with Sound; Schizophonia; Synchresis; Kinesonic Synchresis; Kinesonic Congruence and the Player; Chapter 2: Being in the Game; Extension and Incorporation; Self-Produced Sound; Sonic Game Space; Spatial Sonic Embodiment in the Game; Chapter 3: Sound at the Borders; Posing and Playing
Voice and Role-Play in GamesAlternate-Reality Games; New Sonic Boundaries; Chapter 4: Embodying Game Sound in Performance; Performing Music in Games; Performing to Music in Games; Performing Game Music; Creating Music from the Game; Interacting with the Game as Instrument; Chapter 5: The Second Life of Game Sound; Sonic Modification and Player-Generated Content; Modding Game Sound; Art Mods; Player-Generated Content; Conclusions; Future Directions in Interactive Sound Studies; Notes; References; Audiovisual References; Index |
| Record Nr. | UNINA-9910786136503321 |
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Collins Karen <1973->
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| Cambridge, Massachusetts : , : The MIT Press, , [2013] | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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The rhythmic event : art, media, and the sonic / / Eleni Ikoniadou
| The rhythmic event : art, media, and the sonic / / Eleni Ikoniadou |
| Autore | Ikoniadou Eleni |
| Pubbl/distr/stampa | Cambridge, Massachusetts : , : MIT Press, , [2014] |
| Descrizione fisica | 1 online resource (130 p.) |
| Disciplina | 786.7/11 |
| Collana | Technologies of lived abstraction |
| Soggetto topico |
Electronic music - History and criticism
Avant-garde (Music) |
| Soggetto non controllato |
DIGITAL HUMANITIES & NEW MEDIA/New Media Theory
COMPUTER SCIENCE/Computer Music ARTS/Music & Sound Studies |
| ISBN |
0-262-32095-9
0-262-32094-0 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Contents; Series Foreword; Acknowledgments; Introduction: Abstract Audio; 1 Virtual Digitality; 2 Hypersonic Sensation; 3 Rhythmic Time; Conclusions: Rhythm and Event; Notes; References; Index |
| Record Nr. | UNINA-9910786792103321 |
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Ikoniadou Eleni
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| Cambridge, Massachusetts : , : MIT Press, , [2014] | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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The rhythmic event : art, media, and the sonic / / Eleni Ikoniadou
| The rhythmic event : art, media, and the sonic / / Eleni Ikoniadou |
| Autore | Ikoniadou Eleni |
| Pubbl/distr/stampa | Cambridge, Massachusetts : , : MIT Press, , [2014] |
| Descrizione fisica | 1 online resource (130 p.) |
| Disciplina | 786.7/11 |
| Collana | Technologies of lived abstraction |
| Soggetto topico |
Electronic music - History and criticism
Avant-garde (Music) |
| Soggetto non controllato |
DIGITAL HUMANITIES & NEW MEDIA/New Media Theory
COMPUTER SCIENCE/Computer Music ARTS/Music & Sound Studies |
| ISBN |
0-262-32095-9
0-262-32094-0 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Contents; Series Foreword; Acknowledgments; Introduction: Abstract Audio; 1 Virtual Digitality; 2 Hypersonic Sensation; 3 Rhythmic Time; Conclusions: Rhythm and Event; Notes; References; Index |
| Record Nr. | UNINA-9910829150103321 |
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Ikoniadou Eleni
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| Cambridge, Massachusetts : , : MIT Press, , [2014] | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Sonic warfare : sound, affect, and the ecology of fear / / Steve Goodman
| Sonic warfare : sound, affect, and the ecology of fear / / Steve Goodman |
| Autore | Goodman Steve |
| Pubbl/distr/stampa | Cambridge, Mass., : MIT Press, ©2010 |
| Descrizione fisica | xx, 270 p |
| Disciplina | 781/.1 |
| Collana | Technologies of lived abstraction |
| Soggetto topico |
Music - Acoustics and physics
Music - Social aspects Music - Philosophy and aesthetics |
| Soggetto non controllato |
DIGITAL HUMANITIES & NEW MEDIA/General
COMPUTER SCIENCE/Computer Music SOCIAL SCIENCES/Political Science/General |
| ISBN |
0-262-26633-4
1-282-54179-X 9786612541797 0-262-25883-8 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Record Nr. | UNINA-9910780991003321 |
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Goodman Steve
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| Cambridge, Mass., : MIT Press, ©2010 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Understanding the art of sound organization / / Leigh Landy
| Understanding the art of sound organization / / Leigh Landy |
| Autore | Landy Leigh <1951-> |
| Pubbl/distr/stampa | Cambridge, Mass., : MIT Press, ©2007 |
| Descrizione fisica | 1 online resource (318 p.) |
| Disciplina | 786.7/11 |
| Soggetto topico |
Electronic music - History and criticism
Computer music - History and criticism Electro-acoustics |
| Soggetto non controllato |
ARTS/Music & Sound Studies
COMPUTER SCIENCE/Computer Music CULTURAL STUDIES/General |
| ISBN |
1-282-09869-1
9786612098697 0-262-27791-3 1-4356-0025-8 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | From intention to reception to appreciation : offering listeners some things to hold on to -- From concept to production to presentation to theory : creating "co-hear-ence" -- Toward a framework for the study of sound-based artworks. |
| Record Nr. | UNINA-9910778147403321 |
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Landy Leigh <1951->
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| Cambridge, Mass., : MIT Press, ©2007 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Writing and unwriting (media) art history : Erkki Kurenniemi in 2048 / / edited by Joasia Krysa and Jussi Parikka
| Writing and unwriting (media) art history : Erkki Kurenniemi in 2048 / / edited by Joasia Krysa and Jussi Parikka |
| Pubbl/distr/stampa | Cambridge, Massachusetts : , : The MIT Press, , [2015] |
| Descrizione fisica | 1 online resource (369 p.) |
| Disciplina | 709.4897 |
| Altri autori (Persone) | KurenniemiErkki <1941-2017.> |
| Collana | Leonardo |
| Soggetto topico | New media art - Finland |
| Soggetto non controllato |
DIGITAL HUMANITIES & NEW MEDIA/General
COMPUTER SCIENCE/Computer Music ARTS/Art History/Contemporary Art |
| ISBN | 0-262-33111-X |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Contents; Series Forward; Acknowledgments; Foreword; Introduction: Writing and Unwriting (Media) Art History; I Archival Life ; Foreword; 1 " Oh, Human Fart "; 2 Relative Life; 3 Audio Diary C4008-1; 4 Fleshy Intensities; II Visual Archive; III Artistic Practice; Foreword; 5 Message Is Massage; 6 Computer Eats Art; 7 Computer-Integrated Art; 8 The Unbearable Non-Artist from " l ' Homme machine " to Algorithmic Afterlife: Non-Cartesian Cybernetics and Aesthetic Embodiment in Erkki Kurenniemi; 9 Archiving the Databody: Human and Nonhuman Agency in the Documents of Erkki Kurenniemi
IV Science/TechnologyForeword; 10 The Origins of Life, Intelligence, and Technology; 11 Supermegatechnologies: Some Thoughts on the Future; 12 Graph Field Theory; 13 Interfaces of Future Authenticity: Erkki Kurenniemi ' s Media Archives (From a Postcybernetic Perspective); 14 E-Kurenniemics: Becoming Archive in Electronic Devices; 15 Capturing Life: Biopolitics, Social Media, and Romantic Irony; V Music; Foreword; 16 Tonal Theory; 17 Chords, Scales, and Divisor Lattices; 18 On Electronic Music Instruments 19 Interaction of Music and Technology: The Music and Musical Instruments of Erkki Kurenniemi20 On Sound and Artificial Neural Networks; VI Interviews; 21 Drifting Golf Balls in Monasteries: A Conversation with Erkki Kurenniemi ; 22 Artificial Reality: An Interview between Teppo Turkki and Erkki Kurenniemi; 23 Robots Go to Work: Interview with Aura; Contributors; Index |
| Record Nr. | UNINA-9910797532403321 |
| Cambridge, Massachusetts : , : The MIT Press, , [2015] | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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