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Adoption Experiences and the Tracing and Narration of Family Genealogies
| Adoption Experiences and the Tracing and Narration of Family Genealogies |
| Autore | Kirton Derek |
| Pubbl/distr/stampa | Basel, Switzerland, : MDPI - Multidisciplinary Digital Publishing Institute, 2020 |
| Descrizione fisica | 1 electronic resource (160 p.) |
| Soggetto topico | Philosophy |
| Soggetto non controllato |
adoption
search memoir identity adoptive parents class shame secrecy birthmother orphanage Irishness immigration Jeremy Harding Lori Jakiela Belonging Intercountry adoption China Narratives Genealogy reunion autobiography memoir embryo donation open-contact adoption genealogy genograms family relationships kinship qualitative research methods belonging roots power nature nurture reproductive justice legitimacy illegitimacy transnational adoption reunification African American Germany Black German Afro-German Afrogerman Afrodeutsch adoption reunions parenting attachment working-class genealogical bewilderment ethnicity intercountry |
| Formato | Materiale a stampa  |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Record Nr. | UNINA-9910557782503321 |
Kirton Derek
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| Basel, Switzerland, : MDPI - Multidisciplinary Digital Publishing Institute, 2020 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Taking Stakes in the Unknown : Tracing Post-Black Art / / Nana Adusei-Poku
| Taking Stakes in the Unknown : Tracing Post-Black Art / / Nana Adusei-Poku |
| Autore | Adusei-Poku Nana (Bard College (NY), USA) |
| Edizione | [1st ed.] |
| Pubbl/distr/stampa | Bielefeld, : transcript Verlag, 2021 |
| Descrizione fisica | 1 online resource (218 p.) |
| Collana | Image |
| Soggetto topico | Black Art; Black Diaspora Art; Critical Race Art History; Cultural Studies; African American; Black German; Art; Postcolonialism; Gender; Theory of Art; Gender Studies; Fine Arts |
| Soggetto non controllato |
African American
Art Black Diaspora Art Black German Critical Race Art History Cultural Studies Fine Arts Gender Studies Gender Postcolonialism Theory of Art |
| ISBN | 3-8394-5294-5 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Frontmatter -- Bibliographic information published by the Deutsche Nationalbibliothek -- Contents -- Acknowledgement -- I. Introduction -- II. Destabilizing Meaning -- 1. The Textures of History -- 2. What is the script of your time? -- 3. Economies of the Double-bind -- III. Historical Entanglements of Black Revolutionary Women -- 1. De-Interpellating Interpellation—Visual Disobediences -- 2. How do I look? (Very good, I must say I am amazed!) -- 3. O my Body, will always remain in question!— Reviewing the Fanonian Moment -- IV. Heterotemporality as a Way of Understanding the Contemporary -- 1. Reclaiming our time -- 2. Riffs on Real Time and the present that is fleeting though captured -- 3. Rewind Selecta -- 4. Hetero-temporality -- V. Paradox Synchronicities -- 1. Contextualization -- 2. IWHISHIWAS or WISHIWASHI ? -- 3. From Leitkultur to Leightkultur -- VI. Abstract Facts -- 1. Enter and Exit the New Negro -- 2. Enter and Exit the New Negro—From Invisible Visibilities -- 3. Enter the New Negro -- 4. Ambiguity as Chance—Abstraction as Means of Identity -- VII. Post-Post-black -- VIII. Bibliography |
| Record Nr. | UNINA-9910554214303321 |
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Adusei-Poku Nana (Bard College (NY), USA)
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| Bielefeld, : transcript Verlag, 2021 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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