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Place matters : critical topographies in word and image / / edited by Jonathan Bordo, Blake Fitzpatrick, and W. J. T. Mitchell
| Place matters : critical topographies in word and image / / edited by Jonathan Bordo, Blake Fitzpatrick, and W. J. T. Mitchell |
| Edizione | [1st ed.] |
| Pubbl/distr/stampa | Montreal, Quebec : , : McGill-Queen's University Press, , [2022] |
| Descrizione fisica | 1 online resource (393 pages) |
| Disciplina | 801.95092 |
| Soggetto topico |
Geocriticism
Landscapes in art Place (Philosophy) in art |
| Soggetto non controllato |
Ai Wei Wei
Albert Camus Anthropocene Arcadia Atomic Photographers Guild Ayuituq National Park Barthes Berlin Brewery Pond COVID 19 Canada Cape Town Cezanne Chamolangma Chernobyl Chicago Colonus Daiesh Refugee Camp David McMillan District Six Museum Donetsk airport Edward Burtynsky Everest Group Seven Hamish Fulton Henry David Thoreau Hiroshima Indian Residential School Indigenous Jesper Svenbro La Peste Lesbos Manto Margaret Olin Mark Ruwedel Maurice Blanchot Max Avdeev Michel Foucault Mont St Victoire Mount Kailash Nagasaki National Socialism Nepal Newfoundland Nora Nunavut Palestine Pangnirtung Paul Duro Peter van Wyck Port Hope Poussin QuAppelle Valley Raymond Williams Richard Long Robert del Tredici Saskatchewan Sebald Sophocles Tibet Walden Walter Benjamin X marks spot aesthetic art aura chorography civic witness colonialism critical topography disaster document imitation inscription keeping place landscape testimony lieu de memoire modernity painting photographs pictures place punctum ruins sublime terra nullius topos trauma walls wilderness |
| ISBN | 0-2280-1485-9 |
| Classificazione | cci1icc |
| Formato | Materiale a stampa  |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Cover -- PLACE MATTERS -- Title -- Copyright -- Dedication -- Contents -- Artist contributions -- Figures -- Acknowledgments -- Prologue: RE: PLACE -- Introduction -- Landscape, Art, and Ecology -- 1 From Nature? The Critical Landscapes of Poussin and Cézanne -- 2 Newfoundland Painting and the Metaphysics of Light -- The Quiet Zone and the Myth of the Virtual | colour section 1 -- 3 Placing Here: Finlay, Fulton, and Skelton and the Formation of the British School of Aesthetic Chorography -- 4 The "Art of Walking" according to the Puritans -- The Hamish Fulton Album -- 5 Fulton's Walks: Between Documentation and Experience -- 6 Hamish Fulton Interview -- 7 Walking with Hamish Fulton into the Vanishing Point vers le Canada -- Walk Texts | colour section 1 -- The Anthropocene, Ruins, and Nuclear Exposure -- 8 Placing the Anthropocene -- The Anthropocene Project | colour section 1 -- 9 A Haunt of Jackals: Towards a Critical Topography of Ruins -- The Chornobyl Exclusion Zone | colour section 1 -- Rooting in the Ashes | colour section 1 -- X Marks the Spot | colour section 1 -- Borders and Trauma -- 10 Conversations on Walls -- The Olive Tree, the Land, and the Palestinian Struggle against Settler Colonialism | colour section 1 -- Crossing | colour section 1 -- 11 Manto's Madmen: Partition and Psychoanalytic Displacement in "Toba Tek Singh" -- Memory and the Keeping Place -- 12 The Darkest Tapestry: Indian Residential School Memorialization and the Model for a "Keeping Place" in the Qu'Appelle Valley -- Pole Positions under Vancouver's Burrard Bridge: Exposure and Intersection on Indigenous Land in Bell Tower of False Creek | colour section 1 -- 13 The Community for Which the Land Longs: Cape Town's District Six Museum -- 14 Ai Weiwei's Memory Work at Lesbos, Greece -- Geopoetics.
15 The Messon of the Island of Lesbos: Toponym as Evidence in the History of Ideas, or Introduction to Ten Poems from The Name of Sappho's Daughter -- Epilogue: Announcing the Disaster -- Postscript -- Contributors -- Index. |
| Record Nr. | UNINA-9910796065903321 |
| Montreal, Quebec : , : McGill-Queen's University Press, , [2022] | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Place matters : critical topographies in word and image / / edited by Jonathan Bordo, Blake Fitzpatrick, and W. J. T. Mitchell
| Place matters : critical topographies in word and image / / edited by Jonathan Bordo, Blake Fitzpatrick, and W. J. T. Mitchell |
| Edizione | [1st ed.] |
| Pubbl/distr/stampa | Montreal, Quebec : , : McGill-Queen's University Press, , [2022] |
| Descrizione fisica | 1 online resource (393 pages) |
| Disciplina | 801.95092 |
| Soggetto topico |
Geocriticism
Landscapes in art Place (Philosophy) in art |
| Soggetto non controllato |
Ai Wei Wei
Albert Camus Anthropocene Arcadia Atomic Photographers Guild Ayuituq National Park Barthes Berlin Brewery Pond COVID 19 Canada Cape Town Cezanne Chamolangma Chernobyl Chicago Colonus Daiesh Refugee Camp David McMillan District Six Museum Donetsk airport Edward Burtynsky Everest Group Seven Hamish Fulton Henry David Thoreau Hiroshima Indian Residential School Indigenous Jesper Svenbro La Peste Lesbos Manto Margaret Olin Mark Ruwedel Maurice Blanchot Max Avdeev Michel Foucault Mont St Victoire Mount Kailash Nagasaki National Socialism Nepal Newfoundland Nora Nunavut Palestine Pangnirtung Paul Duro Peter van Wyck Port Hope Poussin QuAppelle Valley Raymond Williams Richard Long Robert del Tredici Saskatchewan Sebald Sophocles Tibet Walden Walter Benjamin X marks spot aesthetic art aura chorography civic witness colonialism critical topography disaster document imitation inscription keeping place landscape testimony lieu de memoire modernity painting photographs pictures place punctum ruins sublime terra nullius topos trauma walls wilderness |
| ISBN | 0-2280-1485-9 |
| Classificazione | cci1icc |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Cover -- PLACE MATTERS -- Title -- Copyright -- Dedication -- Contents -- Artist contributions -- Figures -- Acknowledgments -- Prologue: RE: PLACE -- Introduction -- Landscape, Art, and Ecology -- 1 From Nature? The Critical Landscapes of Poussin and Cézanne -- 2 Newfoundland Painting and the Metaphysics of Light -- The Quiet Zone and the Myth of the Virtual | colour section 1 -- 3 Placing Here: Finlay, Fulton, and Skelton and the Formation of the British School of Aesthetic Chorography -- 4 The "Art of Walking" according to the Puritans -- The Hamish Fulton Album -- 5 Fulton's Walks: Between Documentation and Experience -- 6 Hamish Fulton Interview -- 7 Walking with Hamish Fulton into the Vanishing Point vers le Canada -- Walk Texts | colour section 1 -- The Anthropocene, Ruins, and Nuclear Exposure -- 8 Placing the Anthropocene -- The Anthropocene Project | colour section 1 -- 9 A Haunt of Jackals: Towards a Critical Topography of Ruins -- The Chornobyl Exclusion Zone | colour section 1 -- Rooting in the Ashes | colour section 1 -- X Marks the Spot | colour section 1 -- Borders and Trauma -- 10 Conversations on Walls -- The Olive Tree, the Land, and the Palestinian Struggle against Settler Colonialism | colour section 1 -- Crossing | colour section 1 -- 11 Manto's Madmen: Partition and Psychoanalytic Displacement in "Toba Tek Singh" -- Memory and the Keeping Place -- 12 The Darkest Tapestry: Indian Residential School Memorialization and the Model for a "Keeping Place" in the Qu'Appelle Valley -- Pole Positions under Vancouver's Burrard Bridge: Exposure and Intersection on Indigenous Land in Bell Tower of False Creek | colour section 1 -- 13 The Community for Which the Land Longs: Cape Town's District Six Museum -- 14 Ai Weiwei's Memory Work at Lesbos, Greece -- Geopoetics.
15 The Messon of the Island of Lesbos: Toponym as Evidence in the History of Ideas, or Introduction to Ten Poems from The Name of Sappho's Daughter -- Epilogue: Announcing the Disaster -- Postscript -- Contributors -- Index. |
| Record Nr. | UNINA-9910814444203321 |
| Montreal, Quebec : , : McGill-Queen's University Press, , [2022] | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Roland Barthes at the Collège de France / / Lucy O'Meara [[electronic resource]]
| Roland Barthes at the Collège de France / / Lucy O'Meara [[electronic resource]] |
| Autore | O'Meara Lucy |
| Pubbl/distr/stampa | Liverpool, : Liverpool University Press, 2012 |
| Descrizione fisica | 1 online resource (x, 224 pages) : digital, PDF file(s) |
| Disciplina | 194 |
| Collana | Contemporary French and francophone cultures |
| Soggetto topico | Semiotics and literature |
| Soggetto non controllato |
Languages
Barthes Collège de France Roland Barthes Semiotics |
| ISBN |
1-78138-827-X
1-84631-786-X |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Introduction -- Barthes's heretical teaching -- Leçon and 'longtemps, je me suis couché de bonne heure ... ' -- Comment vivre ensemble, le neutre and their context -- Japonisme and minimal existence in the Cours -- La préparation du roman : the novel and the fragment -- Afterword -- Appendix : list of Roland Barthes's seminars and lecture courses at the École pratique des hautes études and the Collège de France, 1963-1980. |
| Record Nr. | UNINA-9910168755103321 |
O'Meara Lucy
|
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| Liverpool, : Liverpool University Press, 2012 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||