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"Our kind of movie" : the films of Andy Warhol / / Douglas Crimp
| "Our kind of movie" : the films of Andy Warhol / / Douglas Crimp |
| Autore | Crimp Douglas |
| Pubbl/distr/stampa | Cambridge, Mass., : MIT Press, ©2012 |
| Descrizione fisica | 1 online resource (197 p.) |
| Disciplina | 700.92 |
| Soggetto non controllato |
ARTS/General
ARTS/Photography & Film/General |
| ISBN |
0-262-31526-2
1-299-48288-0 0-262-31525-4 |
| Formato | Materiale a stampa  |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | ""Contents""; ""Preface""; ""Face Value""; ""Addendum: Eating Too Fast""; ""Mario Montez, For Shame""; ""Addendum: Mother Camp""; ""Coming Together to Stay Apart""; ""Spacious""; ""Misfitting Together""; ""Most Beautiful""; ""Addendum: Boring Camp""; ""Epilogue: Warhol's Time ""; ""Notes""; ""Index""; ""Plates"" |
| Record Nr. | UNINA-9910779683203321 |
Crimp Douglas
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| Cambridge, Mass., : MIT Press, ©2012 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Cinematic mythmaking : philosophy in film / / Irving Singer
| Cinematic mythmaking : philosophy in film / / Irving Singer |
| Autore | Singer Irving |
| Pubbl/distr/stampa | Cambridge, MA, : MIT Press, ©2008 |
| Descrizione fisica | x, 245 p |
| Disciplina | 791.43/615 |
| Collana | The Irving Singer Library |
| Soggetto topico | Myth in motion pictures |
| Soggetto non controllato |
PHILOSOPHY/General
ARTS/Photography & Film/General |
| ISBN |
0-262-28369-7
1-4356-6800-6 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Introduction -- The Lady Eve -- Pygmalion variations -- The heiress and Washington Square -- Cocteau : the mythological poetry of film -- Mythmaking in Kubrick and Fellini. |
| Record Nr. | UNINA-9910782113303321 |
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Singer Irving
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| Cambridge, MA, : MIT Press, ©2008 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Digital storytelling : the narrative power of visual effects in film / / Shilo T. McClean
| Digital storytelling : the narrative power of visual effects in film / / Shilo T. McClean |
| Autore | McClean Shilo T |
| Pubbl/distr/stampa | Cambridge, Mass., : MIT Press, ©2007 |
| Descrizione fisica | 1 online resource (318 p.) |
| Disciplina | 791.4302/4 |
| Soggetto topico |
Cinematography - Special effects
Digital video Digital cinematography Motion picture authorship Digital storytelling |
| Soggetto non controllato |
ARTS/Photography & Film/General
DIGITAL HUMANITIES & NEW MEDIA/General SOCIAL SCIENCES/Media Studies |
| ISBN |
0-262-30419-8
1-280-49907-9 9786613594303 0-262-30418-X |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Contents; Preface; Acknowledgments; 1 The Bastard Spawn: Hollywood Computer-Generated-Effects Movies-Some Introductory Comments; 2 Once upon a Time: Story and Storycraft; 3 I'm Sorry Dave, I'm Afraid I Can't Do That: The Technology of Digital Visual Effects; 4 Trick or Treat: A Framework for the Narrative Uses of Digital Visual Effects in Film; 5 If You Are Falling, Leap: The Hero's Journey; 6 The Teller and the Tale: The "Chinese Whispers" of Adaptation; 7 It Goes Like This: The Relationship between Digital Visual Effects and Genre
8 So Here's the Deal: A Case Study Considering the Influence of Franchise Filmmaking and Its Relationship to Digital Visual Effects9 ET 2 AI: Steven Spielberg; 10 Somewhere over the Rainbow: Imagined Worlds and Visions of the Future Realized through Digital Visual Effects; 11 Byting off More Than You Can Chewbacca: Summary and Conclusions; Appendix A: Genres of Films Featured in Cinefex Magazine; Appendix B: Films, Release Years, and Directors; Notes; Chapter One; Chapter Two; Chapter Three; Chapter Four; Chapter Five; Chapter Six; Chapter Seven; Chapter Eight; Chapter Nine; Chapter Ten Chapter 11Bibliography; Index |
| Record Nr. | UNINA-9910789922603321 |
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McClean Shilo T
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| Cambridge, Mass., : MIT Press, ©2007 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Digital storytelling : the narrative power of visual effects in film / / Shilo T. McClean
| Digital storytelling : the narrative power of visual effects in film / / Shilo T. McClean |
| Autore | McClean Shilo T |
| Pubbl/distr/stampa | Cambridge, Mass., : MIT Press, ©2007 |
| Descrizione fisica | 1 online resource (318 p.) |
| Disciplina | 791.4302/4 |
| Soggetto topico |
Cinematography - Special effects
Digital video Digital cinematography Motion picture authorship Digital storytelling |
| Soggetto non controllato |
ARTS/Photography & Film/General
DIGITAL HUMANITIES & NEW MEDIA/General SOCIAL SCIENCES/Media Studies |
| ISBN |
0-262-30419-8
1-280-49907-9 9786613594303 0-262-30418-X |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Contents; Preface; Acknowledgments; 1 The Bastard Spawn: Hollywood Computer-Generated-Effects Movies-Some Introductory Comments; 2 Once upon a Time: Story and Storycraft; 3 I'm Sorry Dave, I'm Afraid I Can't Do That: The Technology of Digital Visual Effects; 4 Trick or Treat: A Framework for the Narrative Uses of Digital Visual Effects in Film; 5 If You Are Falling, Leap: The Hero's Journey; 6 The Teller and the Tale: The "Chinese Whispers" of Adaptation; 7 It Goes Like This: The Relationship between Digital Visual Effects and Genre
8 So Here's the Deal: A Case Study Considering the Influence of Franchise Filmmaking and Its Relationship to Digital Visual Effects9 ET 2 AI: Steven Spielberg; 10 Somewhere over the Rainbow: Imagined Worlds and Visions of the Future Realized through Digital Visual Effects; 11 Byting off More Than You Can Chewbacca: Summary and Conclusions; Appendix A: Genres of Films Featured in Cinefex Magazine; Appendix B: Films, Release Years, and Directors; Notes; Chapter One; Chapter Two; Chapter Three; Chapter Four; Chapter Five; Chapter Six; Chapter Seven; Chapter Eight; Chapter Nine; Chapter Ten Chapter 11Bibliography; Index |
| Record Nr. | UNINA-9910812545103321 |
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McClean Shilo T
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| Cambridge, Mass., : MIT Press, ©2007 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Ingmar Bergman, cinematic philosopher : reflections on his creativity / / Irving Singer
| Ingmar Bergman, cinematic philosopher : reflections on his creativity / / Irving Singer |
| Autore | Singer Irving |
| Pubbl/distr/stampa | Cambridge, Mass., : MIT Press, ©2007 |
| Descrizione fisica | xii, 240 p |
| Disciplina | 791.4302/33092 |
| Soggetto non controllato |
ARTS/Photography & Film/General
PHILOSOPHY/General |
| ISBN |
0-262-26481-1
1-282-09918-3 9786612099182 0-262-28368-9 1-4356-0597-7 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | General observations -- Magic, myth, and the return to childhood -- Religious quandaries and the nature of love -- Ambiguities of the human condition. |
| Record Nr. | UNINA-9910778147103321 |
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Singer Irving
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| Cambridge, Mass., : MIT Press, ©2007 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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The machinima reader / / edited by Henry Lowood and Michael Nitsche
| The machinima reader / / edited by Henry Lowood and Michael Nitsche |
| Pubbl/distr/stampa | Cambridge, Mass., : MIT Press, 2011 |
| Descrizione fisica | 1 online resource (356 p.) |
| Disciplina | 778.5/3 |
| Altri autori (Persone) |
LowoodHenry
NitscheMichael <1968-> |
| Soggetto topico |
Machinima films
Digital cinematography |
| Soggetto non controllato |
GAME STUDIES/General
ARTS/Photography & Film/General SOCIAL SCIENCES/Media Studies |
| ISBN |
0-262-29492-3
1-283-14806-4 9786613148063 0-262-29536-9 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Contents; Introduction; I Reflections; 1 Video Capture; 2 From Game Mod to Low-Budget Film; 3 Arrested Development; II Technology; 4 Toward a Machinima Studio; 5 Image Future; 6 Tangible Narratives; III Performance; 7 Machinima as Media; 8 Encoding Liveness; 9 Machinima: From Art Object to Cultural Practice; 10 Of Games and Gestures; IV Machine Cinema; 11 How Do You Solve a Problem Like Machinima?; 12 Machinimatic Realism; 13 Undefining Machinima; V Pedagogy; 14 Everything I Need to Know about Filmmaking I Learned from Playing Video Games; 15 Machinima and Modding; VI Context
16 Pink vs. Blue17 Participatory Fan Culture and Half-Life 2 Machinima; 18 Don't Mess with The Warriors; Contributors; Index |
| Record Nr. | UNINA-9910781209303321 |
| Cambridge, Mass., : MIT Press, 2011 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Memory and movies : what films can teach us about memory / / John Seamon
| Memory and movies : what films can teach us about memory / / John Seamon |
| Autore | Seamon John G. <1943-> |
| Pubbl/distr/stampa | Cambridge, Massachusetts ; ; London, England : , : The MIT Press, , [2015] |
| Descrizione fisica | 1 online resource (273 p.) |
| Disciplina | 153.1/2 |
| Soggetto topico |
Memory
Cognition Motion pictures |
| Soggetto non controllato |
COGNITIVE SCIENCES/Psychology/Cognitive Psychology
ARTS/Photography & Film/General |
| ISBN |
0-262-33066-0
0-262-33065-2 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Contents; Preface; 1 Memory Processes and Memory Films; 2 Movies and the Mind's Workbench; 3 Making Memories That Last; 4 Recognizing the People We Know; 5 Autobiographical Memories and Life Stories; 6 When Troubling Memories Persist; 7 Understanding the Reality of Amnesia; 8 Senior Moments, Forgetfulness, and Dementia; Epilogue: Memory in Hollywood and Real Life; Notes; Index |
| Record Nr. | UNINA-9910798075203321 |
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Seamon John G. <1943->
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| Cambridge, Massachusetts ; ; London, England : , : The MIT Press, , [2015] | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Memory and movies : what films can teach us about memory / / John Seamon
| Memory and movies : what films can teach us about memory / / John Seamon |
| Autore | Seamon John G. <1943-> |
| Edizione | [1st ed.] |
| Pubbl/distr/stampa | Cambridge, Massachusetts ; ; London, England : , : The MIT Press, , [2015] |
| Descrizione fisica | 1 online resource (273 p.) |
| Disciplina | 153.1/2 |
| Soggetto topico |
Memory
Cognition Motion pictures |
| Soggetto non controllato |
COGNITIVE SCIENCES/Psychology/Cognitive Psychology
ARTS/Photography & Film/General |
| ISBN |
0-262-33066-0
0-262-33065-2 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Contents; Preface; 1 Memory Processes and Memory Films; 2 Movies and the Mind's Workbench; 3 Making Memories That Last; 4 Recognizing the People We Know; 5 Autobiographical Memories and Life Stories; 6 When Troubling Memories Persist; 7 Understanding the Reality of Amnesia; 8 Senior Moments, Forgetfulness, and Dementia; Epilogue: Memory in Hollywood and Real Life; Notes; Index |
| Record Nr. | UNINA-9910825479903321 |
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Seamon John G. <1943->
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| Cambridge, Massachusetts ; ; London, England : , : The MIT Press, , [2015] | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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When I was a photographer / / Felix Nadar ; translated by Eduardo Cadava and Liana Theodoratou
| When I was a photographer / / Felix Nadar ; translated by Eduardo Cadava and Liana Theodoratou |
| Autore | Nadar Félix <1820-1910, > |
| Pubbl/distr/stampa | Cambridge, Massachusetts ; ; London, England : , : The MIT Press, , [2015] |
| Descrizione fisica | 1 online resource (335 p.) |
| Disciplina | 770.92 |
| Soggetto topico |
Photography - France
Photographers - France |
| Soggetto non controllato |
ARTS/Photography & Film/General
HUMANITIES/Biography & Autobiography |
| ISBN |
0-262-33072-5
0-262-33071-7 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Contents; Acknowledgments; Introduction; Translators' Note; Balzac and the Daguerreotype; Gazebon Avenged; The Blind Princess; Homicidal Photography; The First Attempt at Aerostatic Photography; Subterranean Paris; Female and Male Clients; The Professional Secret; Doctor Van Monckhoven; Obsidional Photography; The Primitives of Photography; The New President of the French Society of Photography; The Bee Tamer; 1830 and Thereabouts; Chronology; Notes; Index |
| Record Nr. | UNINA-9910797843903321 |
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Nadar Félix <1820-1910, >
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| Cambridge, Massachusetts ; ; London, England : , : The MIT Press, , [2015] | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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When I was a photographer / / Felix Nadar ; translated by Eduardo Cadava and Liana Theodoratou
| When I was a photographer / / Felix Nadar ; translated by Eduardo Cadava and Liana Theodoratou |
| Autore | Nadar Félix <1820-1910, > |
| Pubbl/distr/stampa | Cambridge, Massachusetts ; ; London, England : , : The MIT Press, , [2015] |
| Descrizione fisica | 1 online resource (335 p.) |
| Disciplina | 770.92 |
| Soggetto topico |
Photography - France
Photographers - France |
| Soggetto non controllato |
ARTS/Photography & Film/General
HUMANITIES/Biography & Autobiography |
| ISBN |
0-262-33072-5
0-262-33071-7 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Contents; Acknowledgments; Introduction; Translators' Note; Balzac and the Daguerreotype; Gazebon Avenged; The Blind Princess; Homicidal Photography; The First Attempt at Aerostatic Photography; Subterranean Paris; Female and Male Clients; The Professional Secret; Doctor Van Monckhoven; Obsidional Photography; The Primitives of Photography; The New President of the French Society of Photography; The Bee Tamer; 1830 and Thereabouts; Chronology; Notes; Index |
| Record Nr. | UNINA-9910814123003321 |
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Nadar Félix <1820-1910, >
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| Cambridge, Massachusetts ; ; London, England : , : The MIT Press, , [2015] | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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