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Aesthetics of interaction in digital art / / Katja Kwastek ; foreword by Dieter Daniels ; translated by Niamh Warde
| Aesthetics of interaction in digital art / / Katja Kwastek ; foreword by Dieter Daniels ; translated by Niamh Warde |
| Autore | Kwastek Katja |
| Pubbl/distr/stampa | Cambridge, Massachusetts : , : The MIT Press, , [2013] |
| Descrizione fisica | 1 online resource (381 p.) |
| Disciplina | 776.01 |
| Soggetto topico |
Interactive art
New media art Aesthetics, Modern - 20th century Aesthetics, Modern - 21st century |
| Soggetto non controllato |
DIGITAL HUMANITIES & NEW MEDIA/New Media Art
ARTS/Art History/Contemporary Art SOCIAL SCIENCES/Media Studies |
| ISBN |
0-262-31722-2
0-262-31721-4 |
| Formato | Materiale a stampa  |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Interactive art: definition and origins -- Interaction as an aesthetic experience -- The aesthetics of purposeless behavior: play as a boundary concept -- The aesthetics of interaction in digital art -- Case studies. |
| Record Nr. | UNINA-9910790529003321 |
Kwastek Katja
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| Cambridge, Massachusetts : , : The MIT Press, , [2013] | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Aesthetics of interaction in digital art / / Katja Kwastek ; foreword by Dieter Daniels ; translated by Niamh Warde
| Aesthetics of interaction in digital art / / Katja Kwastek ; foreword by Dieter Daniels ; translated by Niamh Warde |
| Autore | Kwastek Katja |
| Pubbl/distr/stampa | Cambridge, Massachusetts : , : The MIT Press, , [2013] |
| Descrizione fisica | 1 online resource (381 p.) |
| Disciplina | 776.01 |
| Soggetto topico |
Interactive art
New media art Aesthetics, Modern - 20th century Aesthetics, Modern - 21st century |
| Soggetto non controllato |
DIGITAL HUMANITIES & NEW MEDIA/New Media Art
ARTS/Art History/Contemporary Art SOCIAL SCIENCES/Media Studies |
| ISBN |
0-262-31722-2
0-262-31721-4 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Interactive art: definition and origins -- Interaction as an aesthetic experience -- The aesthetics of purposeless behavior: play as a boundary concept -- The aesthetics of interaction in digital art -- Case studies. |
| Record Nr. | UNINA-9910823992203321 |
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Kwastek Katja
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| Cambridge, Massachusetts : , : The MIT Press, , [2013] | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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At a distance : precursors to art and activism on the Internet / / edited by Annmarie Chandler and Norie Neumark
| At a distance : precursors to art and activism on the Internet / / edited by Annmarie Chandler and Norie Neumark |
| Pubbl/distr/stampa | Cambridge, Mass., : MIT Press, 2005 |
| Descrizione fisica | 1 online resource (501 p.) |
| Disciplina | 709/.047 |
| Altri autori (Persone) |
ChandlerAnnmarie
NeumarkNorie |
| Collana | Leonardo |
| Soggetto topico |
Art and telecommunication
Art, Modern - 20th century Art and society |
| Soggetto non controllato |
DIGITAL HUMANITIES & NEW MEDIA/New Media Art
ARTS/Art History/Contemporary Art |
| ISBN |
0-262-31136-4
1-282-09810-1 9786612098109 0-262-27014-5 1-4237-9654-3 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Series Foreword; Foreword; Acknowledgments; Introduction: Relays, Delays, and Distance Art/Activism; Part I Critical Perspectives on Distance Art/Activist Practices; 1 Interactive, Algorithmic, Networked: Aesthetics of New Media Art; 2 Immaterial Material: Physicality, Corporality, and Dematerialization in Telecommunication Artworks; 3 From Representation to Networks: Interplays of Visualities, Apparatuses, Discourses, Territories, and Bodies; 4 The Mail Art Exhibition: Personal Worlds to Cultural Strategies; 5 Fluxus Praxis: An Exploration of Connections, Creativity, and Community
Part II Artists/Activists Re-view Their Projects 6 Animating the Social: Mobile Image/Kit Galloway and Sherrie Rabinowitz; 7 An Unsuspected Future in Broadcasting: Negativland; 8 Mini-FM: Performing Microscopic Distance (An E-Mail Interview with Tetsuo Kogawa); 9 From the Gulf War to the Battle of Seattle: Building an International Alternative Media Network; 10 The Form: 1970-1979 and Other Extemporaneous Anomalous Assemblings; 11 Networked Psychoanalysis: A Dialogue with Anna Freud Banana 12 From Mail Art to Telepresence: Communication at a Distance in the Works of Paulo Bruscky and Eduardo Kac13 Distance Makes the Art Grow Further: Distributed Authorship and Telematic Textuality in La Plissure du Texte; 14 From BBS to Wireless: A Story of Art in Chips; 15 REALTIME- Radio Art, Telematic Art, and Telerobotics: Two Examples; Part III Networking Art/Activist Practices; 16 Estri-dentistas: Taking the Teeth out of Futurism; 17 Computer Network Music Bands: A History of The League of Automatic Music Composers and The Hub; 18 Assembling Magazines and Alternative Artists' Networks 19 The Wealth and Poverty of Networks 20 From Internationalism to Transnations: Networked Art and Activism; Conclusion; Timeline; List of Contributors; Index |
| Record Nr. | UNINA-9910777571403321 |
| Cambridge, Mass., : MIT Press, 2005 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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John Knight / / edited by André Rottmann
| John Knight / / edited by André Rottmann |
| Pubbl/distr/stampa | Cambridge, Massachusetts : , : The MIT Press, , [2014] |
| Descrizione fisica | 1 online resource (213 p.) |
| Disciplina | 709.2 |
| Collana | October files |
| Soggetto non controllato |
ARTS/Art History/Contemporary Art
ARTS/Art History/General |
| ISBN |
0-262-32128-9
0-262-32127-0 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Contents; Series Preface; Acknowledgments; John Knight: Designating the Site; On John Knight's Journals Work; Knight's Moves: Situating the Art/Object; On John Knight; Turning the Conversation; Jay Sanders reads John Knight; Interview with John Knight; The Irresistible Appeal of Utility*; Who's Afraid of JK? An Interview with John Knight; Meaning at the Margins: The Semiological Inversions of John Knight; Knight's Negations; Displacing the Site: John Knight and the Museum as Modulation; Index |
| Record Nr. | UNINA-9910789101803321 |
| Cambridge, Massachusetts : , : The MIT Press, , [2014] | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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John Knight / / edited by André Rottmann
| John Knight / / edited by André Rottmann |
| Pubbl/distr/stampa | Cambridge, Massachusetts : , : The MIT Press, , [2014] |
| Descrizione fisica | 1 online resource (213 p.) |
| Disciplina | 709.2 |
| Collana | October files |
| Soggetto non controllato |
ARTS/Art History/Contemporary Art
ARTS/Art History/General |
| ISBN |
0-262-32128-9
0-262-32127-0 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Contents; Series Preface; Acknowledgments; John Knight: Designating the Site; On John Knight's Journals Work; Knight's Moves: Situating the Art/Object; On John Knight; Turning the Conversation; Jay Sanders reads John Knight; Interview with John Knight; The Irresistible Appeal of Utility*; Who's Afraid of JK? An Interview with John Knight; Meaning at the Margins: The Semiological Inversions of John Knight; Knight's Negations; Displacing the Site: John Knight and the Museum as Modulation; Index |
| Record Nr. | UNINA-9910807283603321 |
| Cambridge, Massachusetts : , : The MIT Press, , [2014] | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Parallel presents : the art of Pierre Huyghe / / Amelia Barikin
| Parallel presents : the art of Pierre Huyghe / / Amelia Barikin |
| Autore | Barikin Amelia <1979-> |
| Pubbl/distr/stampa | Cambridge, Massachusetts, : The MIT Press, [2012] |
| Descrizione fisica | 1 online resource (280 p.) |
| Disciplina | 700.92 |
| Soggetto non controllato |
ARTS/General
ARTS/Art History/Contemporary Art |
| ISBN |
0-262-31533-5
1-4619-3440-0 0-262-31532-7 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Introduction: in what time do we live? -- Early works -- The Association of Freed Times -- A movie navigated by stops -- Figures of speech -- Inside out utopia -- Topological systems: an economy of time. |
| Altri titoli varianti | Art of Pierre Huyghe |
| Record Nr. | UNINA-9910787673303321 |
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Barikin Amelia <1979->
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| Cambridge, Massachusetts, : The MIT Press, [2012] | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Parallel presents : the art of Pierre Huyghe / / Amelia Barikin
| Parallel presents : the art of Pierre Huyghe / / Amelia Barikin |
| Autore | Barikin Amelia <1979-> |
| Pubbl/distr/stampa | Cambridge, Massachusetts, : The MIT Press, [2012] |
| Descrizione fisica | 1 online resource (280 p.) |
| Disciplina | 700.92 |
| Soggetto non controllato |
ARTS/General
ARTS/Art History/Contemporary Art |
| ISBN |
0-262-31533-5
1-4619-3440-0 0-262-31532-7 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Introduction: in what time do we live? -- Early works -- The Association of Freed Times -- A movie navigated by stops -- Figures of speech -- Inside out utopia -- Topological systems: an economy of time. |
| Altri titoli varianti | Art of Pierre Huyghe |
| Record Nr. | UNINA-9910821714803321 |
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Barikin Amelia <1979->
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| Cambridge, Massachusetts, : The MIT Press, [2012] | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Semblance and event : activist philosophy and the occurrent arts / / Brian Massumi
| Semblance and event : activist philosophy and the occurrent arts / / Brian Massumi |
| Autore | Massumi Brian |
| Pubbl/distr/stampa | Cambridge, Mass., : MIT Press, ©2011 |
| Descrizione fisica | xii, 220 p. : ill |
| Disciplina | 144/.3 |
| Collana | Technologies of lived abstraction |
| Soggetto topico |
Experience
Events (Philosophy) Time in art |
| Soggetto non controllato |
SOCIAL SCIENCES/Media Studies
DIGITAL HUMANITIES & NEW MEDIA/New Media Art ARTS/Art History/Contemporary Art |
| ISBN |
0-262-29725-6
1-283-30271-3 9786613302717 0-262-29819-8 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Introduction. Activist philosophy and the occurrent arts -- The ether and your anger toward a speculative pragmatism -- The thinking-feeling of what happens putting the radical back in empiricism -- The diagram as technique of existence ovum of the universe segmented -- Arts of experience, politics of expression In four movements. First movement. To dance a storm -- Second movement. Life unlimited -- Third movement. The paradox of content -- Fourth movement. Composing the political. |
| Altri titoli varianti | Activist philosophy and the occurrent arts |
| Record Nr. | UNINA-9910781866003321 |
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Massumi Brian
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| Cambridge, Mass., : MIT Press, ©2011 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Semblance and event : activist philosophy and the occurrent arts / / Brian Massumi
| Semblance and event : activist philosophy and the occurrent arts / / Brian Massumi |
| Autore | Massumi Brian |
| Pubbl/distr/stampa | Cambridge, Mass., : MIT Press, ©2011 |
| Descrizione fisica | xii, 220 p. : ill |
| Disciplina | 144/.3 |
| Collana | Technologies of lived abstraction |
| Soggetto topico |
Experience
Events (Philosophy) Time in art |
| Soggetto non controllato |
SOCIAL SCIENCES/Media Studies
DIGITAL HUMANITIES & NEW MEDIA/New Media Art ARTS/Art History/Contemporary Art |
| ISBN |
0-262-29725-6
1-283-30271-3 9786613302717 0-262-29819-8 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Introduction. Activist philosophy and the occurrent arts -- The ether and your anger toward a speculative pragmatism -- The thinking-feeling of what happens putting the radical back in empiricism -- The diagram as technique of existence ovum of the universe segmented -- Arts of experience, politics of expression In four movements. First movement. To dance a storm -- Second movement. Life unlimited -- Third movement. The paradox of content -- Fourth movement. Composing the political. |
| Altri titoli varianti | Activist philosophy and the occurrent arts |
| Record Nr. | UNINA-9910823821603321 |
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Massumi Brian
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| Cambridge, Mass., : MIT Press, ©2011 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Tactical biopolitics : art, activism, and technoscience / / edited by Beatriz da Costa and Kavita Philip ; with a foreword by Joseph Dumit
| Tactical biopolitics : art, activism, and technoscience / / edited by Beatriz da Costa and Kavita Philip ; with a foreword by Joseph Dumit |
| Pubbl/distr/stampa | Cambridge, Mass., : MIT Press, ©2008 |
| Descrizione fisica | 1 online resource (535 p.) |
| Disciplina | 306.4/5 |
| Altri autori (Persone) |
Da CostaBeatriz
PhilipKavita <1964-> |
| Collana | Leonardo |
| Soggetto topico |
Biology - Social aspects
Technological innovations - Social aspects Biotechnology - Social aspects Biopolitics Art and science |
| Soggetto non controllato |
DIGITAL HUMANITIES & NEW MEDIA/New Media Art
SOCIAL SCIENCES/Media Studies ARTS/Art History/Contemporary Art |
| ISBN |
0-262-27112-5
1-4356-5500-1 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Contents; Series Foreword; Foreword: Biological Feedback; Acknowledgments; Introduction; I. Theory and Practice: Biology as Ideology; 1. Interview with Richard Lewontin; 2. Living the Eleventh Thesis; 3. Interview with Richard Levins: On Philosophy of Science; II. Life.science.art: Curating the Book of Life; 4. Biotech Patronage and the Making of Homo DNA; 5. Soft Science: Artists' Experiments in Documentary Storytelling; 6. Observations on an Art of Growing Interest: Toward a Phenomenological Approach to Art Involving Biotechnology; III. The Biolab and the Public
7. Outfitting the Laboratory of the Symbolic: Toward a Critical Inventory of Bioart8. The Ethics of Experiential Engagement with the Manipulation of Life; 9. Labs Shut Open: A Biotech Hands-on Workshop for Artists; IV. Race and the Genome; 10. Selective Arrests, an Ever-Expanding DNA Forensic Database, and the Specter of an Early Twenty-First-Century Equivalent of Phrenology; 11. Discovering Nature, Apparently: Analogy, DNA Imaging, and the Latent Figure Protocol; 12. The Biopolitics of Human Genetics Research and Its Application 13. In Contradiction Lies the Hope: Human Genome and Identity PoliticsV. Gendered Science; 14. Common Knowledge and Political Love; 15. Producing Transnational Knowledge, Neoliberal Identities, and Technoscientific Practice in India; 16. Genes, Genera, and Genres: The Nature Culture of BioFiction in Ruth Ozeki's All Over Creation; 17. True Life Science Fiction: Sexual Politics and the Lab Procedural; VI. Expertise and Amateur Science; 18. Uncommon Life; 19. AIDS Activists and People with AIDS: A Movement to Revolutionize Research and for Universal Access to Treatment 20. The Politics of Rationality: Psychiatric Survivor's Challenge to Psychiatry21. Reaching the Limit: When Art Becomes Science; VII. Biosecurity and Bioethics; 22. From Bioethics to Human Practices, or Assembling Contemporary Equipment; 23. How Do We Insure Security from Perceived Biological Threats?; 24. Bioparanoia and the Culture of Control; 25. Chinese Chickens, Ducks, Pigs, and Humans, and the Technoscientific Discourses of Global U.S. Empire; VIII. Interspecies Co-Production; 26. Training in the Contact Zone: Power, Play, and Invention in the Sport of Agility; 27. Playing with Rats 28. Animal Welfare in the Laboratory: A Case Study in Secular Ethics of Human-Animal InteractionContributors; Index |
| Record Nr. | UNINA-9910782148503321 |
| Cambridge, Mass., : MIT Press, ©2008 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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