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Living politics, making music : the writings of Jan Fairley / / edited by Simon Frith, Stan Rijven and Ian Christie
| Living politics, making music : the writings of Jan Fairley / / edited by Simon Frith, Stan Rijven and Ian Christie |
| Autore | Fairley Jan |
| Pubbl/distr/stampa | Farnham, Surrey, England ; ; Burlington, Vermont : , : Ashgate, , 2014 |
| Descrizione fisica | 1 online resource (219 p.) |
| Disciplina | 780.9 |
| Collana | Ashgate Popular and Folk Music Series |
| Soggetto topico |
World music - History and criticism
Popular music - Chile - History and criticism Popular music - Political aspects - Chile - History - 20th century Popular music - Cuba - History and criticism |
| Soggetto genere / forma | Electronic books. |
| ISBN |
1-317-10396-3
1-317-10395-5 1-4724-1417-9 |
| Formato | Materiale a stampa  |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Cover; Contents; General Editors' Preface; Acknowledgements; Introduction: Jan Fairley, World Music and Popular Music Studies; Introduction: Jan Fairley and the Circuits of Journalism; Part I Nueva Canción: Writings on Chile; 1 La Nueva Canción Latinoamericana (1984); 2 Alive and Performing in Latin America: An Essay Review (1988); 3 Analysing Performance: Narrative and Ideology in Concerts by ¡Karaxú! (1989); 4 Inti-Illimani: Living a Life through Making Music (2002); Part II Making Sense of World Music; 5 The 'Local' and 'Global' in Popular Music (2001); 6 Ports of Call
7 The Songlines Guides8 There is a Place Where Music Really Does Change Lives ... El Sistema (2012); Part III Writings on Cuba; 9 'Ay Díos, Ampárame' ('O God, Protect Me'); 10 Dancing Back to Front: Regeton, Sexuality, Gender and Transnationalism in Cuba (2006); 11 Control Shift (2010); Part IV Profiles of Music-makers; 12 Profiles from fRoots; Afterword: Thanks to Life: Jan Fairley, Musical Scholar and Activist; Index |
| Record Nr. | UNINA-9910464921303321 |
Fairley Jan
|
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| Farnham, Surrey, England ; ; Burlington, Vermont : , : Ashgate, , 2014 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Living politics, making music : the writings of Jan Fairley / / edited by Simon Frith, Stan Rijven and Ian Christie
| Living politics, making music : the writings of Jan Fairley / / edited by Simon Frith, Stan Rijven and Ian Christie |
| Autore | Fairley Jan |
| Pubbl/distr/stampa | Farnham, Surrey, England ; ; Burlington, Vermont : , : Ashgate, , 2014 |
| Descrizione fisica | 1 online resource (219 p.) |
| Disciplina | 780.9 |
| Collana | Ashgate Popular and Folk Music Series |
| Soggetto topico |
World music - History and criticism
Popular music - Chile - History and criticism Popular music - Political aspects - Chile - History - 20th century Popular music - Cuba - History and criticism |
| ISBN |
1-315-59279-7
1-317-10396-3 1-317-10395-5 1-4724-1417-9 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Cover; Contents; General Editors' Preface; Acknowledgements; Introduction: Jan Fairley, World Music and Popular Music Studies; Introduction: Jan Fairley and the Circuits of Journalism; Part I Nueva Canción: Writings on Chile; 1 La Nueva Canción Latinoamericana (1984); 2 Alive and Performing in Latin America: An Essay Review (1988); 3 Analysing Performance: Narrative and Ideology in Concerts by ¡Karaxú! (1989); 4 Inti-Illimani: Living a Life through Making Music (2002); Part II Making Sense of World Music; 5 The 'Local' and 'Global' in Popular Music (2001); 6 Ports of Call
7 The Songlines Guides8 There is a Place Where Music Really Does Change Lives ... El Sistema (2012); Part III Writings on Cuba; 9 'Ay Díos, Ampárame' ('O God, Protect Me'); 10 Dancing Back to Front: Regeton, Sexuality, Gender and Transnationalism in Cuba (2006); 11 Control Shift (2010); Part IV Profiles of Music-makers; 12 Profiles from fRoots; Afterword: Thanks to Life: Jan Fairley, Musical Scholar and Activist; Index |
| Record Nr. | UNINA-9910789012403321 |
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Fairley Jan
|
||
| Farnham, Surrey, England ; ; Burlington, Vermont : , : Ashgate, , 2014 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Living politics, making music : the writings of Jan Fairley / / edited by Simon Frith, Stan Rijven and Ian Christie
| Living politics, making music : the writings of Jan Fairley / / edited by Simon Frith, Stan Rijven and Ian Christie |
| Autore | Fairley Jan |
| Pubbl/distr/stampa | Farnham, Surrey, England ; ; Burlington, Vermont : , : Ashgate, , 2014 |
| Descrizione fisica | 1 online resource (219 p.) |
| Disciplina | 780.9 |
| Collana | Ashgate Popular and Folk Music Series |
| Soggetto topico |
World music - History and criticism
Popular music - Chile - History and criticism Popular music - Political aspects - Chile - History - 20th century Popular music - Cuba - History and criticism |
| ISBN |
1-315-59279-7
1-317-10396-3 1-317-10395-5 1-4724-1417-9 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Cover; Contents; General Editors' Preface; Acknowledgements; Introduction: Jan Fairley, World Music and Popular Music Studies; Introduction: Jan Fairley and the Circuits of Journalism; Part I Nueva Canción: Writings on Chile; 1 La Nueva Canción Latinoamericana (1984); 2 Alive and Performing in Latin America: An Essay Review (1988); 3 Analysing Performance: Narrative and Ideology in Concerts by ¡Karaxú! (1989); 4 Inti-Illimani: Living a Life through Making Music (2002); Part II Making Sense of World Music; 5 The 'Local' and 'Global' in Popular Music (2001); 6 Ports of Call
7 The Songlines Guides8 There is a Place Where Music Really Does Change Lives ... El Sistema (2012); Part III Writings on Cuba; 9 'Ay Díos, Ampárame' ('O God, Protect Me'); 10 Dancing Back to Front: Regeton, Sexuality, Gender and Transnationalism in Cuba (2006); 11 Control Shift (2010); Part IV Profiles of Music-makers; 12 Profiles from fRoots; Afterword: Thanks to Life: Jan Fairley, Musical Scholar and Activist; Index |
| Record Nr. | UNINA-9910808025003321 |
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Fairley Jan
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||
| Farnham, Surrey, England ; ; Burlington, Vermont : , : Ashgate, , 2014 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Music and globalization [[electronic resource] ] : critical encounters / / edited by Bob W. White
| Music and globalization [[electronic resource] ] : critical encounters / / edited by Bob W. White |
| Pubbl/distr/stampa | Bloomington, : Indiana University Press, c2012 |
| Descrizione fisica | 1 online resource (246 p.) |
| Disciplina | 780.9 |
| Altri autori (Persone) | WhiteBob W. <1965-> |
| Collana | Tracking globalization |
| Soggetto topico |
World music - History and criticism
Music and globalization |
| Soggetto genere / forma | Electronic books. |
| ISBN |
1-280-59642-2
9786613626257 0-253-00541-8 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | pt. 1. Structured encounters -- pt. 2. Mediated encounters -- pt. 3. Imagined encounters. |
| Record Nr. | UNINA-9910463534403321 |
| Bloomington, : Indiana University Press, c2012 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Music and globalization [[electronic resource] ] : critical encounters / / edited by Bob W. White
| Music and globalization [[electronic resource] ] : critical encounters / / edited by Bob W. White |
| Pubbl/distr/stampa | Bloomington, : Indiana University Press, c2012 |
| Descrizione fisica | 1 online resource (246 p.) |
| Disciplina | 780.9 |
| Altri autori (Persone) | WhiteBob W. <1965-> |
| Collana | Tracking globalization |
| Soggetto topico |
World music - History and criticism
Music and globalization |
| ISBN |
1-280-59642-2
9786613626257 0-253-00541-8 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | pt. 1. Structured encounters -- pt. 2. Mediated encounters -- pt. 3. Imagined encounters. |
| Record Nr. | UNINA-9910788387703321 |
| Bloomington, : Indiana University Press, c2012 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Music and globalization : critical encounters / / edited by Bob W. White
| Music and globalization : critical encounters / / edited by Bob W. White |
| Edizione | [1st ed.] |
| Pubbl/distr/stampa | Bloomington, : Indiana University Press, c2012 |
| Descrizione fisica | 1 online resource (246 p.) |
| Disciplina | 780.9 |
| Altri autori (Persone) | WhiteBob W. <1965-> |
| Collana | Tracking globalization |
| Soggetto topico |
World music - History and criticism
Music and globalization |
| ISBN |
1-280-59642-2
9786613626257 0-253-00541-8 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | pt. 1. Structured encounters -- pt. 2. Mediated encounters -- pt. 3. Imagined encounters. |
| Record Nr. | UNINA-9910821832003321 |
| Bloomington, : Indiana University Press, c2012 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Punk ethnography : the Sublime Frequencies companion / / edited by Michael E. Veal and E. Tammy Kim
| Punk ethnography : the Sublime Frequencies companion / / edited by Michael E. Veal and E. Tammy Kim |
| Pubbl/distr/stampa | Middletown, Connecticut : , : Wesleyan University Press, , 2016 |
| Descrizione fisica | 1 online resource (441 p.) |
| Disciplina | 780.9 |
| Collana | Music/Culture |
| Soggetto topico |
Ethnology
World music - History and criticism Sound recordings - Social aspects Sound recording executives and producers Motion picture producers and directors |
| Soggetto genere / forma | Electronic books. |
| ISBN | 0-8195-7654-9 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Cover; Punk Ethnography; Title; Copyright; CONTENTS; PART ONE BACKGROUND CONTEXT ; Introduction ; The Sublime Frequencies of New Old Media ; Meet the Sun City Girls ; Interview with Alan Bishop ; Interview with Hisham Mayet
Collage, Creativity, and Copyright: Sublime Frequencies and the Ethics of Intellectual Property INTERLUDE SUBLIME FREQUENCIES LISTENER INTERVIEWS ; Interview with Brian Shimkovitz ; Interview with Robert Hardin; PART TWO VISUAL AND SONIC CULTURE "Just Pure Sound and Vision": Rawness as Aesthetic-Ideological Fulcrum in Sublime Frequencies' Videos Interview with Olivia Wyatt ; Ambient Sound in Sublime Frequencies as Art (and/or) Ethnography ; INTERLUDE SUBLIME FREQUENCIES LISTENER INTERVIEWS ; Interview with Chris Becker Interview with Ethan Holtzman PART THREE LOCAL FORAYS ; Trekking Africa ; Bush Taxi Mali: Taking the Long Way Home ; Interview with Tucker Martine ; Dry Spell Blues: Sublime Frequencies across the West African Sahel ; Middle East Steps Engineering Social Space: The "Silent" Structures of Alan Bishop's Radio Palestine The Punk Arab: Demystifying Omar Souleyman's Techno-Dabke ; Interview with Omar Souleyman and Rizan Sa'id ; Asian Emissions ; Radio India: Eternal Dream or Ephemeral Illusion? Interview with Laurent Jeanneau |
| Record Nr. | UNINA-9910466218503321 |
| Middletown, Connecticut : , : Wesleyan University Press, , 2016 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Punk ethnography : the Sublime Frequencies companion / / edited by Michael E. Veal and E. Tammy Kim
| Punk ethnography : the Sublime Frequencies companion / / edited by Michael E. Veal and E. Tammy Kim |
| Pubbl/distr/stampa | Middletown, Connecticut : , : Wesleyan University Press, , 2016 |
| Descrizione fisica | 1 online resource (441 p.) |
| Disciplina | 780.9 |
| Collana | Music/Culture |
| Soggetto topico |
Ethnology
World music - History and criticism Sound recordings - Social aspects Sound recording executives and producers Motion picture producers and directors |
| ISBN | 0-8195-7654-9 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Cover; Punk Ethnography; Title; Copyright; CONTENTS; PART ONE BACKGROUND CONTEXT ; Introduction ; The Sublime Frequencies of New Old Media ; Meet the Sun City Girls ; Interview with Alan Bishop ; Interview with Hisham Mayet
Collage, Creativity, and Copyright: Sublime Frequencies and the Ethics of Intellectual Property INTERLUDE SUBLIME FREQUENCIES LISTENER INTERVIEWS ; Interview with Brian Shimkovitz ; Interview with Robert Hardin; PART TWO VISUAL AND SONIC CULTURE "Just Pure Sound and Vision": Rawness as Aesthetic-Ideological Fulcrum in Sublime Frequencies' Videos Interview with Olivia Wyatt ; Ambient Sound in Sublime Frequencies as Art (and/or) Ethnography ; INTERLUDE SUBLIME FREQUENCIES LISTENER INTERVIEWS ; Interview with Chris Becker Interview with Ethan Holtzman PART THREE LOCAL FORAYS ; Trekking Africa ; Bush Taxi Mali: Taking the Long Way Home ; Interview with Tucker Martine ; Dry Spell Blues: Sublime Frequencies across the West African Sahel ; Middle East Steps Engineering Social Space: The "Silent" Structures of Alan Bishop's Radio Palestine The Punk Arab: Demystifying Omar Souleyman's Techno-Dabke ; Interview with Omar Souleyman and Rizan Sa'id ; Asian Emissions ; Radio India: Eternal Dream or Ephemeral Illusion? Interview with Laurent Jeanneau |
| Record Nr. | UNINA-9910798670503321 |
| Middletown, Connecticut : , : Wesleyan University Press, , 2016 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Punk ethnography : the Sublime Frequencies companion / / edited by Michael E. Veal and E. Tammy Kim
| Punk ethnography : the Sublime Frequencies companion / / edited by Michael E. Veal and E. Tammy Kim |
| Pubbl/distr/stampa | Middletown, Connecticut : , : Wesleyan University Press, , 2016 |
| Descrizione fisica | 1 online resource (441 p.) |
| Disciplina | 780.9 |
| Collana | Music/Culture |
| Soggetto topico |
Ethnology
World music - History and criticism Sound recordings - Social aspects Sound recording executives and producers Motion picture producers and directors |
| ISBN | 0-8195-7654-9 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Cover; Punk Ethnography; Title; Copyright; CONTENTS; PART ONE BACKGROUND CONTEXT ; Introduction ; The Sublime Frequencies of New Old Media ; Meet the Sun City Girls ; Interview with Alan Bishop ; Interview with Hisham Mayet
Collage, Creativity, and Copyright: Sublime Frequencies and the Ethics of Intellectual Property INTERLUDE SUBLIME FREQUENCIES LISTENER INTERVIEWS ; Interview with Brian Shimkovitz ; Interview with Robert Hardin; PART TWO VISUAL AND SONIC CULTURE "Just Pure Sound and Vision": Rawness as Aesthetic-Ideological Fulcrum in Sublime Frequencies' Videos Interview with Olivia Wyatt ; Ambient Sound in Sublime Frequencies as Art (and/or) Ethnography ; INTERLUDE SUBLIME FREQUENCIES LISTENER INTERVIEWS ; Interview with Chris Becker Interview with Ethan Holtzman PART THREE LOCAL FORAYS ; Trekking Africa ; Bush Taxi Mali: Taking the Long Way Home ; Interview with Tucker Martine ; Dry Spell Blues: Sublime Frequencies across the West African Sahel ; Middle East Steps Engineering Social Space: The "Silent" Structures of Alan Bishop's Radio Palestine The Punk Arab: Demystifying Omar Souleyman's Techno-Dabke ; Interview with Omar Souleyman and Rizan Sa'id ; Asian Emissions ; Radio India: Eternal Dream or Ephemeral Illusion? Interview with Laurent Jeanneau |
| Record Nr. | UNINA-9910815129903321 |
| Middletown, Connecticut : , : Wesleyan University Press, , 2016 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Tambours des dieux : musique et sacrifice d'origine tamoule en Martinique / / Monique Desroches
| Tambours des dieux : musique et sacrifice d'origine tamoule en Martinique / / Monique Desroches |
| Autore | Desroches Monique |
| Pubbl/distr/stampa | Chicoutimi : , : J.-M. Tremblay, , 2009 |
| Descrizione fisica | 1 online resource |
| Disciplina | 780.89 |
| Soggetto topico |
Ethnomusicology
World music - History and criticism |
| ISBN | 1-4123-7024-8 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | fre |
| Nota di contenuto | Quatrième de couverture -- Remerciements -- PRÉFACE -- INTRODUCTION -- Chapitre I. Données historiques et sociales -- Chapitre II. La religion des engagés avant leur arrivée aux Antilles -- Chapitre III. L'hindouisme tamoul en milieu antillais -- Chapitre IV. Les cérémonies sèvis zendyen -- Chapitre V. La cérémonie : ses moments, sa musique et son déroulement -- Chapitre VI. La composante musicale de la cérémonie -- Chapitre VII. Les relations entre la musique et le culte -- CONCLUSION -- POSTFACE -- LEXIQUE TAMOUL/FRANÇAIS RELATIF AUX CÉRÉMONIES -- BIBLIOGRAPHIE. |
| Altri titoli varianti | Tambours des dieux |
| Record Nr. | UNINA-9910132746903321 |
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Desroches Monique
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| Chicoutimi : , : J.-M. Tremblay, , 2009 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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