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Intro -- Title Page -- Dedication -- Copyright -- About the Author -- About New Masters of Woodturning -- Contents -- Introduction -- LIAM FLYNN: Striving to Find the Perfect Line -- HAYLEY SMITH: Ideas Evolve and Flow into the Next Piece -- J. PAUL FENNELL: Technical and Creative Challenges Are Always Mingled -- HARVEY FEIN: Consider Texture, Pattern, and Inclusions -- BUTCH SMUTS: Keeping It Simple Is the Best Investment -- RON FLEMING: More Ideas Than I Can Ever Produce -- PETER HROMEK: You Find These Shapes Everywhere in Nature -- WILLIAM MOORE: The Contrasting Relationships of Wood and Metal -- VAUGHN RICHMOND: Technical Challenges Are the Most Exciting -- ROLLY MUNRO: The Lathe Creates Armatures for Major Sculptural Work -- HANS WEISSFLOG: Totally Focused While Turning -- JACQUES VESERY: When I Get in a Groove, Watch Out -- MICHAEL HOSALUK: I'm Not Afraid to Venture Out of My Comfort Zone -- MICHAEL MODE: The Intimate Interplay of Idea, Hand, and Eye -- DEWEY GARRETT: The Lathe Places a Limit, Yet Offers Endless Possibilities -- BETTY SCARPINO: It's Like Discovering Hidden Treasure -- CHRISTOPHE NANCEY: A Symbolic Picture of the Living Process -- VIRGINIA DOTSON: Shaping Layered Wood Reveals Compositions of Patterns -- RON LAYPORT: Surface Work Will Not Cover Up Poor Form -- NEIL SCOBIE: Thinking of Running Water -- MARK GARDNER: Drawn to the Rhythm of Repeated Carved Patterns -- MARILYN CAMPBELL: Pushing the Designs While Keeping Them Simple -- STEVEN KENNARD: Technique Is Important, But Secondary to Getting There -- LOUISE HIBBERT: The Lathe Gives My Work Rhythm and Balance -- THIERRY MARTENON: It's Good to Work with Almost Nothing -- GRAEME PRIDDLE: Pacific Island Culture and the Ocean's Beauty -- BINH PHO: Stories Told with Color -- MARC RICOURT: The Vessel Was Mankind's First Tool.
MIKE LEE: Wood Is a Joy To Work or My Worst Nightmare -- ALAIN MAILLAND: There Is No Limit to the Forms I Can Make -- DAVID SENGEL: Much Yet to Do with the Lathe -- Glossary -- List of Organizations -- Further Reading -- Back Cover.
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