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ACWC bulletin / / the Association of Canadian Women Composers = Bulletin AFCC / l'Association des femmes compositeurs canadiennes
| ACWC bulletin / / the Association of Canadian Women Composers = Bulletin AFCC / l'Association des femmes compositeurs canadiennes |
| Pubbl/distr/stampa | Toronto, : The Association = L'Association, 1990- |
| Descrizione fisica | 1 online resource |
| Disciplina | 780/.82 |
| Soggetto topico |
Women composers - Canada - Periodicals
Compositrices - Canada - Périodiques Women composers |
| Soggetto genere / forma | Periodicals. |
| Classificazione |
cci1icc
coll5 |
| Formato | Materiale a stampa  |
| Livello bibliografico | Periodico |
| Lingua di pubblicazione | eng |
| Altri titoli varianti |
Association of Canadian Women Composers bulletin
Bulletin AFCC |
| Record Nr. | UNISA-996197768203316 |
| Toronto, : The Association = L'Association, 1990- | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. di Salerno | ||
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ACWC bulletin / / the Association of Canadian Women Composers = Bulletin AFCC / l'Association des femmes compositeurs canadiennes
| ACWC bulletin / / the Association of Canadian Women Composers = Bulletin AFCC / l'Association des femmes compositeurs canadiennes |
| Pubbl/distr/stampa | Toronto, : The Association = L'Association, 1990- |
| Descrizione fisica | 1 online resource |
| Disciplina | 780/.82 |
| Soggetto topico |
Women composers - Canada - Periodicals
Compositrices - Canada - Périodiques Women composers |
| Soggetto genere / forma | Periodicals. |
| Classificazione |
cci1icc
coll5 |
| Formato | Materiale a stampa |
| Livello bibliografico | Periodico |
| Lingua di pubblicazione | eng |
| Altri titoli varianti |
Association of Canadian Women Composers bulletin
Bulletin AFCC |
| Record Nr. | UNINA-9910145094303321 |
| Toronto, : The Association = L'Association, 1990- | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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A century of composition by women : music against the odds / / Linda Ioanna Kouvaras, Maria Grenfell, Natalie Williams, editors
| A century of composition by women : music against the odds / / Linda Ioanna Kouvaras, Maria Grenfell, Natalie Williams, editors |
| Pubbl/distr/stampa | Cham, Switzerland : , : Palgrave Macmillan, , [2022] |
| Descrizione fisica | 1 online resource (450 pages) |
| Disciplina | 780.82 |
| Soggetto topico |
Feminism and music
Music by women composers Women composers |
| ISBN | 3-030-95557-5 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Chapter 1 Introduction: Composing Womens (Very) Long 100-year Fight: Evolutions, Illuminations, Solutions, Linda Kouvaras -- Part I Creative WorkThen and Now -- Chapter 2 Synaesthetic Associations and Gendered Nature Imagery: Female Agency in the Piano Music of Amy Beach, Sabrina Clarke -- Chapter 3 "Australian Bush Songs " Bas Multimodal Discourse: The Remarkable Collaboration of Ida Rentoul Outhwaite, Annie Rentoul, and Georgette Peterson, Johanna Selleck -- Chapter 4 The 1940s Australian Ballet that Far Outstripped ... Swan Lake in Popular Appeal : Esther Rofes Ground-Breaking Ballet, Sea Legend, Emma Townsend -- Chapter 5 Italians, Indians and Indigenous People: Innovative Themes and Materials Found in the Operas of Early-C20th Australian Women Composers, Jeanell Carrigan -- Chapter 6 "Conjuring Up the Magic" Helen Giffords Compositional Passage to the Creation of Fable for Solo Harp, Jacinta Dennett -- Chapter 7 Of Broken Trees and Elephant Ivories: The Revivification of the Colonial Piano Manifested Through a New Work by Catherine Milliken, Gabriella Smart -- Chapter 8 Beyond Exploitation: Feminist Satire in Jennifer Walshe's XXX_LIVE_NUDE_GIRLS!!!, Jaslyn Robertson -- Chapter 9 Hildegards Daughters: Women Composers "Overcoming Their Astonishment ', Natalie Williams -- Chapter 10 Is the Category of the "Woman Artist " BStill Helpful?, Susan Best -- Part II The State of the Industry in the Present Day -- Chapter 11 "Dear Women Composers in Australia (and Beyond)" : A Letter from a Music Critic), Rosalind Appleby -- Chapter 12 Programming Orchestral Repertoire by Women Composers: Challenges and Opportunity, Joanna Drimatis -- Chapter 13 Troubleshooting Gender in the Australian Screen Music Industry: An Insider Perspective, Felicity Wilcox -- Chapter 14 Programming with Gender Parity in Call-Based New Music Festivals, Alice Bennett -- Chapter 15 Mentoring Emerging Women Composers, Maria Grenfell -- Chapter 16 Content Targets Work: A Practical Example of Changing Behaviours and Processes in Programming Women Composers, Naomi Johnson and Matthew Dewey -- Chapter 17 Working Towards Gender Equality and Empowerment in Australian Music Culture, Cat Hope -- Part III Creating; Collaborating: Composer and Performer Reflections -- Chapter 18 The Book of Daughters and The Sonic aGender Guitar Project: Inclusivity as Guiding Principle, Lisa MacKinney -- Chapter 19 When We Speak: Creating "Something Personal" in a Three-Level Collaboration, Lisa Cheney -- Chapter 20 "It Gently Makes Itself Known... : A Composer and a Violist Discuss their Collaboration on Cranes, Phoebe Green -- Chapter 21 Childrens Opera in the Twenty-First Century: The Child-Centred Approach to Writing, Emma Jayakumar -- Chapter 22 Making Music in A Chorus of Women, Glenda Cloughley and Johanna McBride. |
| Record Nr. | UNINA-9910586576703321 |
| Cham, Switzerland : , : Palgrave Macmillan, , [2022] | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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The Composer, Herself : Contemporary Snapshots of the Creative Process / / Linda Kouvaras, Natalie Williams, Maria Grenfell, editors.
| The Composer, Herself : Contemporary Snapshots of the Creative Process / / Linda Kouvaras, Natalie Williams, Maria Grenfell, editors. |
| Edizione | [1st ed.] |
| Pubbl/distr/stampa | Cham : , : Springer International Publishing AG, , 2024 |
| Descrizione fisica | 1 online resource (432 pages) |
| Disciplina | 780.82 |
| Altri autori (Persone) |
KouvarasLinda Ioanna
WilliamsNatalie <1977-> GrenfellMaria <1969-> |
| Soggetto topico |
Women composers
Composition (Music) |
| ISBN | 3-031-23922-9 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Intro -- Acknowledgements -- Contents -- Notes on Contributors -- List of Figures -- Chapter 1: Introduction: The "Post(?)-Feminist" Moment in Contemporary Classical Music -- The Composer, Herself: Contemporary Snapshots of the Creative Process-Overview -- Part I: Activist Musical Projects and Cross-Cultural Collaborations -- "Reluctant" / "Emergent" / "Concerted" Feminism -- Cross-Cultural Composition -- Intersectional Feminism -- Part II: Philosophical and Phenomenological Dimensions of Musical Time -- Part III: Musical Awakenings-Reflecting Back, Projecting Forward -- Mentoring -- Advice to Emerging Composers -- "'Unambiguous' Feminist Deconstructivist Triumph[s]" -- How "Post-" is the Current Era, Regarding the Need for Feminism in New Music? -- XX Marks the Spot[light-for Now!]: "The Composer, Herself" -- References -- Part I: Activist Musical Projects and Cross-Cultural Collaborations -- Chapter 2: Borrowing From the Bard -- Introduction -- Circumstances Leading to the Commission of the Piece -- The Composition Process -- Performance Week Process and Confronting the Venue Space -- Choice of the Five Texts -- Confronting the Feminist Stage as a Female Composer in the Twenty-First Century -- Shakespeare and the Hivemind -- References -- Chapter 3: Letters to Clara: A Contemporary Composer's Homage to a Woman Pioneer -- Letters to Clara (2018) -- Approaching Intertextuality -- Piano Queen: The Love of Music (Movement 1) -- Whispered Breath: The Love of Schumann (Movement 2) -- Frei Aber Einsam: The Love of Brahms (Movement 3) -- Regenlied: Her Death and Eternal Memory (Movement 4) -- Conclusion -- References -- Chapter 4: Holding, Handling, Moulding and Setting the Inner Thoughts of another, in Hidden Thoughts I: Do I Matter? -- Hidden Thoughts -- Collecting the Text -- Emotional and Musical Processes -- The Role of the Instruments.
Conclusion -- References -- Chapter 5: Walking the Line: Emancipating the Complex Female Voice in Recent Operas by Missy Mazzoli -- Introduction -- References -- Chapter 6: Composing with, Composition by: A Set of Compositional Practices -- Introduction -- The Composer's Role -- Where Is the Audience? -- Collaborative Creation and Participation -- The Continuum -- Earth Plays: The Beginnings and After Life -- Messages for You and Akiko Iwasaki -- Earth Plays Movement III and Beyond to Earth Plays V -- Conclusion -- References -- Chapter 7: Harmonia Mundi: Creating a New Work of Music Theatre to Speak to the Current World Chaos -- Introduction -- References -- Chapter 8: Blocking Out Noise: Metamorphosis and Identity in the Recent Chamber Music of Vivian Fung -- Introduction -- Chamber Music -- Compositional Approaches -- Corona Morphs, for Mixed Chamber Ensemble (2020) -- The Creative Future -- References -- Chapter 9: Across Te tai o Rehua: Writing for the taonga pūoro of Aotearoa -- Context -- Pre-Colonisation Māori Society and Oral Tradition -- 1970s Māori Resurgence, Post-Arrival of the Missionaries in New Zealand in the Late Eighteenth Century -- Hineraukatauri, Goddess of Music and Entertainment, and New Sound Worlds -- Turning Points in Compositional Language -- Appreciating te reo Māori (the Māori language) -- References -- Chapter 10: An Overview of my Compositional Practice and Collaborations in China -- Introduction -- Writing Music -- Writing Music, Writing Words -- Challenges and Future Projects -- Chapter 11: Luck, Grief, Hospitality: Re-Routing Power Relationships in Music -- Luck -- Grief -- Hospitality -- Where Is "Home"? -- Re-Routing Power Relationships -- References -- Chapter 12: In Search of the Artistic Moment: Interdisciplinary Collaboration and "The Space Between" from an Australian Female Composer's Perspective. The Artistic Moment -- Personal Creative History -- References -- Part II: Philosophical and Phenomenological Dimensions of Musical Time -- Chapter 13: Finding Time, Finding Space: An Autoethnography of Compositional Praxis -- Introduction: Claiming the Space -- Moments in Time and Space -- Discussion and Contextual Exploration of Three Works -- Ebb Tide (2016) -- Finding What's There (2017) -- Journeywork (2018-) -- Conclusion: Finding Myself-Converging Paths -- References -- Chapter 14: A Compositional Life in Time: The Recent Operas of Elena Kats-Chernin -- Introduction -- A Life in Composition -- Whiteley (2019) -- Compositional Process -- Mechanics of Composition -- Composing Children's Opera -- Instruments Within Opera -- Operatic Development -- A Compositional Life in Time -- Summary -- References -- Chapter 15: Einstein's Dream: At the Threshold Between Science and Art -- Musical Time -- Technology and the Creative Process -- "The Greatest Scientists Are Artists as Well" (Einstein) -- Einstein's Dream (2005) -- Controlling Time -- Spatial Notation -- So-What Was Einstein's Dream? -- References -- Chapter 16: The Pendulum Process: Point of Balance -- Introduction -- Ruisselant (1991) -- Silva (2012) -- Conclusion -- References -- Chapter 17: Casting Musical Spells: Time, Passion, and Inevitability in the Music of Shulamit Ran -- Introduction -- Women in Composition -- Programming Contemporary Music -- Compositional Process in the String Quartets -- String Quartets and the Influence of Bach -- Connecting with Listeners -- Compositional Aesthetics -- References -- Chapter 18: Low Frequency as Concept in The Music of Cat Hope -- Introduction -- Arriving at a Practice -- Low Frequency as Concept -- Low Frequency as Instrument -- The Timbre of Low Frequency Sound -- Low Frequency as Structure -- Conclusion -- References. Chapter 19: A Drone Opera Recast: Threat, Allure, Promise -- Introduction -- Key Conceptual Elements: Extensions, Retentions and Distillations -- Audience Co-creation of Some of the Libretto -- The Dodsworth Method, from Soprano Judith Dodsworth -- Key Musical Elements: Extensions, Retentions and Distillations -- References -- Part III: Musical Awakenings: Reflecting Back, Projecting Forward -- Chapter 20: Composing the Rolls-Royce: A Composer's Adventures in Orchestral Composition -- Musical Background and Experience -- An Accidental Student Abroad: Studying in the USA -- Welcome to Australia -- Mentoring Future Composers -- References -- Chapter 21: Finding a Reason: A Composer's Pathway Forged Through Social Justice Advocacy -- Introduction -- Navigating Inexperience and Discrimination -- New Horizons -- Queer Choirs -- Publications -- San Francisco -- Australia and South Africa -- New Compositional Paths -- Writing on Domestic Abuse -- Coming Full Circle -- References -- Untitled -- Chapter 22: "When It Comes to Music Notation, I'm a Type Triple-A Composer!" -- Introduction -- Chapter 23: How My Music Is Made: "Tantôt Libre, Tantôt Recherché" -- Introduction -- But Stars Remaining (1971) -- The Same Day Dawns (1974) -- Columbia Falls (1975) -- The Old Woman of Beare (1981) -- A Penny for A Song (1981) -- Extension of My Chromatic Language: Microtonality and Diatonic Modality -- The Story of Mary O'Neill (1986) -- Blood Wedding (1992) -- Light Passing (1992) -- Chamber Operas -- Seminal Influences -- Current Perspective: libre…recherché -- References -- Chapter 24: Carnivals of Voice, Musical Playgrounds: Music from Text in Works of Andrée Greenwell -- Introduction -- Green Room Music: A Flexible Platform to Produce My Own Works -- Playing with Voice in Long-Form Works -- Current Work -- References. Chapter 25: The Mirror: A Novel in Reflections-Excerpts -- Introduction -- (1) -- (2) -- (3) -- Ritornello I -- Chapter 26: Sometimes Dreams Do Come True: Thea Musgrave's Exploration of Dramatic-Abstract Forms in her Instrumental Music -- Introduction -- Exploration of Works -- Concerto for Orchestra (1967), Program Note by Susan Bradshaw -- Concerto for Clarinet (1968), Summary by Thea Musgrave -- Night Music (1969) -- Memento Vitae (1970) -- Concerto for Horn (1971) -- Viola Concerto (1973) -- Trumpet Concerto (2019) -- References -- Chapter 27: My Awakening as Composer-No Adjective -- Early Years -- Graduate School and Beyond: Composer! -- The Issue of Adjectives -- Conclusion: Maintaining Balance -- Score Excerpts-Judith Lang Zaimont -- References -- Chapter 28: Epilogue -- Index. |
| Record Nr. | UNINA-9910767525003321 |
| Cham : , : Springer International Publishing AG, , 2024 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Five lives in music [[electronic resource] ] : women performers, composers, and impresarios from the baroque to the present / / Cecelia Hopkins Porter
| Five lives in music [[electronic resource] ] : women performers, composers, and impresarios from the baroque to the present / / Cecelia Hopkins Porter |
| Autore | Porter Cecelia Hopkins |
| Pubbl/distr/stampa | Urbana, : University of Illinois Press, c2012 |
| Descrizione fisica | 1 online resource (264 p.) |
| Disciplina |
780.92/52
B |
| Soggetto topico |
Women musicians
Women composers Musicians Composers |
| Soggetto genere / forma | Electronic books. |
| ISBN |
0-252-09413-1
1-283-99251-5 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Duchess Sophie-Elisabeth : composer, harpsichordist, and impresario in the North German baroque -- Elisabeth-Claude Jacquet de la Guerre : Versailles and Paris in the twilight of the ancien régime -- Josephine Lang : the music of romanticism in South German cultural life -- Maria Bach : Vienna from imperial splendor to the Second Republic -- Ann Schein : an American concert pianist in today's world. |
| Altri titoli varianti | 5 lives in music |
| Record Nr. | UNINA-9910453142903321 |
Porter Cecelia Hopkins
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| Urbana, : University of Illinois Press, c2012 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Five lives in music [[electronic resource] ] : women performers, composers, and impresarios from the baroque to the present / / Cecelia Hopkins Porter
| Five lives in music [[electronic resource] ] : women performers, composers, and impresarios from the baroque to the present / / Cecelia Hopkins Porter |
| Autore | Porter Cecelia Hopkins |
| Pubbl/distr/stampa | Urbana, : University of Illinois Press, c2012 |
| Descrizione fisica | 1 online resource (264 p.) |
| Disciplina |
780.92/52
B |
| Soggetto topico |
Women musicians
Women composers Musicians Composers |
| ISBN |
0-252-09413-1
1-283-99251-5 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Duchess Sophie-Elisabeth : composer, harpsichordist, and impresario in the North German baroque -- Elisabeth-Claude Jacquet de la Guerre : Versailles and Paris in the twilight of the ancien régime -- Josephine Lang : the music of romanticism in South German cultural life -- Maria Bach : Vienna from imperial splendor to the Second Republic -- Ann Schein : an American concert pianist in today's world. |
| Altri titoli varianti | 5 lives in music |
| Record Nr. | UNINA-9910779462103321 |
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Porter Cecelia Hopkins
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| Urbana, : University of Illinois Press, c2012 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Five lives in music : women performers, composers, and impresarios from the baroque to the present / / Cecelia Hopkins Porter
| Five lives in music : women performers, composers, and impresarios from the baroque to the present / / Cecelia Hopkins Porter |
| Autore | Porter Cecelia Hopkins |
| Edizione | [1st ed.] |
| Pubbl/distr/stampa | Urbana, : University of Illinois Press, c2012 |
| Descrizione fisica | 1 online resource (264 p.) |
| Disciplina |
780.92/52
B |
| Soggetto topico |
Women musicians
Women composers Musicians Composers |
| ISBN |
0-252-09413-1
1-283-99251-5 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Duchess Sophie-Elisabeth : composer, harpsichordist, and impresario in the North German baroque -- Elisabeth-Claude Jacquet de la Guerre : Versailles and Paris in the twilight of the ancien régime -- Josephine Lang : the music of romanticism in South German cultural life -- Maria Bach : Vienna from imperial splendor to the Second Republic -- Ann Schein : an American concert pianist in today's world. |
| Altri titoli varianti | 5 lives in music |
| Record Nr. | UNINA-9910807901703321 |
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Porter Cecelia Hopkins
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| Urbana, : University of Illinois Press, c2012 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Gut, dass wir einmal die hot potatoes ausgraben : Briefwechsel mit Theodor W. Adorno, Ernst Bloch, Max Horkheimer, Herbert Marcuse und Helmuth Plessner / / Günther Anders, Reinhard Ellensohn, Kerstin Putz
| Gut, dass wir einmal die hot potatoes ausgraben : Briefwechsel mit Theodor W. Adorno, Ernst Bloch, Max Horkheimer, Herbert Marcuse und Helmuth Plessner / / Günther Anders, Reinhard Ellensohn, Kerstin Putz |
| Autore | Anders Günther |
| Pubbl/distr/stampa | München : , : C.H. Beck, , 2022 |
| Descrizione fisica | 1 online resource (460 pages) |
| Disciplina | 780.82 |
| Soggetto topico | Women composers |
| ISBN | 3-406-79166-2 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | ger |
| Altri titoli varianti | Gut, dass wir einmal die hot potatoes ausgraben |
| Record Nr. | UNINA-9910619457303321 |
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Anders Günther
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| München : , : C.H. Beck, , 2022 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Historical Anthology of Music by Women / edited by James R. Briscoe
| Historical Anthology of Music by Women / edited by James R. Briscoe |
| Autore | Briscoe James R. <1949-, > |
| Pubbl/distr/stampa | Indiana University Press, 1986 |
| Descrizione fisica | 1 online resource (1 online resource xii, 402 pages score.) |
| Altri autori (Persone) |
ArcherViolet
MusgraveThea ChaminadeCecile <1857-1944.> FarrencLouise <1804-1875.> SchumannClara <1819-1896.> SmythEthel <1858-1944.> HenselFanny Mendelssohn <1805-1847.> CacciniFrancesca <1587-approximately 1640.> BriscoeJames R. <1949-> |
| Soggetto topico |
Women composers
Women composers - United States Women composers - Europe Music |
| Soggetto non controllato | History of music |
| ISBN | 0-253-05574-1 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Kassia / by Diane Touliatos-Banker -- "Augustus, the Monarch," Byzantine chant -- "The Fallen Woman," Byzantine chant -- Hildegard von Bingen / by Barbara Jean Jeskalian -- "De Sancta Maria," chant sequence -- "In Evangelium," chant antiphon -- "Kyrie," mass ordinary chant -- Countess of Dia / by Beverly J. Evans -- "A Chantar," troubadour song -- Anne Boleyn / by Edith Borroff -- "O Deathe, rock me asleepe," for voice and keyboard or lute (attributed; 1536) -- Maddalena Casulana / by Beatrice Pescerelli -- Madrigal VI (1570) -- Francesca Caccini / by Carolyn Raney -- "Laudate Dominum" and "Maria, dolce Maria," solo songs from Il Primo Libro (1618) -- "Aria of the Shepherd," from the opera La Liberazione di Ruggiero (1625) -- Isabella Leonarda / by Barbara Garvey Jackson -- Kyrie and "Crucifixus" (from Credo) of Messa Prima (from Opus 18), for chorus, strings, and continuo (1696) -- Elizabeth-Claude Jacquet de la Guerre / by Susan Erickson -- "La Flamande" and "Chaconne," from Suite in D minor, for harpsichord (1707) -- Semele, cantata for two treble voices, violin, and continuo (1715) -- Maria Margherita Grimani / by Barbara Garvey Jackson -- "Sinfonia," for strings and continuo, from Pallade e Marte , "opus dramaticum" (1713) -- Anna Amalie / by Jane P. Ambrose -- "Adagio," from Sonata in F major for flute and continuo (ca. 1760) -- Marianne von Martinez / by Karin Pendle -- "Allegro," from Sonata in A major for piano (1765) -- Maria Theresia von Paradis / by Karin Pendle -- "Morgenlied eines armen Mannes," for voice and keyboard (1784-86) -- "Sicilienne," for flute and keyboard -- Maria Agata Szymanowska / by Nancy Fierro, CSJ -- "Nocturne," for piano (1828-31) -- Josephine Lang / by Marcia J. Citron -- "Frühzeitiger Frühling," for voice and piano (1830) -- Fanny Mendelssohn Hensel / by Marcia J. Citron -- "Schwanenlied," for voice and piano (1846) -- Clara Schumann / by Nancy B. Reich -- "Liebst du um Schönheit," for voice and piano (1841) -- "Allegro Moderato," from Trio in G minor for violin, cello, and piano (1846) -- Variations on a Theme by Robert Schumann, for piano (1853-54) -- Louise Farrenc / by Bea Friedland -- "Allegro deciso," from Trio in E minor for flute or violin, cello, and piano (1857-62) -- Pauline Viardot-Garcia / by Austin B. Caswell -- "Die Beschwörung," from Zwölf Gedichte von Pushkin (1865) -- Amy Marcy Beach / by Adrienne Fried Block -- "Elle et moi," for voice and piano (1893) -- "Allegro con fuoco," from Symphony No. 1 (1894) -- "A Hermit Thrush at Morn," for piano (1921) -- Cecile Chaminade / by James R. Briscoe -- "Andante," from Sonata in C minor for piano (1895) -- Dame Ethel Smyth / by Jane A. Bernstein -- Scene from Act I of the opera The Wreckers (1904) -- Lili Boulanger / by Leonie Rosenstiel -- "Je garde une medaille d'elle" and "Demain fera un an," from Clairieres dans le ciel for voice and piano (1914) -- Alma Mahler / by Susan M. Filler -- "Der Erkennende," for voice and piano (1915) -- Rebecca Clarke / by Jane A. Bernstein -- "Allegro," from Trio for violin, cello, and piano (1921) -- Germaine Tailleferre / by Leonie Rosentiel -- "Modere sans lenteur," from Sonata in C-sharp minor for violin and piano (1923) -- Ruth Crawford Seeger / by Judith Tick -- Prelude No. 2, for piano (1924) -- "Rat Riddles," from Three Songs for Contralto, Oboe, Percussion, and Orchestral Ostinati (1930) -- "Andante" and "Allegro possibile," from String Quartet (1931) -- Miriam Gideon / by Barbara A. Petersen -- The Hound of Heaven, for voice, oboe, and string trio (1945) -- Grażyna Bacewicz / by Adrian T. Thomas -- Sonata No. 2, for piano (1953) -- Louise Talma / by James R. Briscoe -- La Corona (Seven Sonnets by John Donne), for mixed chorus (1954-55) -- Julia Perry / by Mildred Denby Green -- Homunculus C.F., for percussion, harp, and piano (1960) -- Vivian Fine / by Vivian Fine -- "The Triumph of Alcestis," from the ballet Alcestis (1960) -- Violet Archer / by Robert Weber -- "Preamble," from Sonata for Alto Saxophone and Piano (1972) -- Pauline Oliveros / by Heidi Von Gunden -- "Teach Yourself to Fly," "Tumbling Song," and "Zina's Circle," from Sonic -- Meditations (1974) -- Thea Musgrave / by James R. Briscoe -- "Monologue of Mary," from the opera Mary, Queen of Scots (1977) -- Ellen Taaffe Zwilich / by Ellen Taaffe Zwilich with Bruce Creditor -- First Movement of Symphony No. 1 (1982) |
| Record Nr. | UNINA-9910524852103321 |
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Briscoe James R. <1949-, >
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| Indiana University Press, 1986 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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The kaleidoscope of women's sounds in music of the late 20th and early 21st centuries / / By Kheng K. Koay
| The kaleidoscope of women's sounds in music of the late 20th and early 21st centuries / / By Kheng K. Koay |
| Autore | Koay Kheng K. |
| Pubbl/distr/stampa | Newcastle upon Tyne, England : , : Cambridge Scholars Publishing, , 2015 |
| Descrizione fisica | 1 online resource (212 p.) |
| Disciplina | 780.82 |
| Soggetto topico |
Women composers
Women composers - History - 20th century |
| Soggetto genere / forma | Electronic books. |
| ISBN | 1-4438-8459-6 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Record Nr. | UNINA-9910460625403321 |
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Koay Kheng K.
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| Newcastle upon Tyne, England : , : Cambridge Scholars Publishing, , 2015 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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