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Armonía Inicial
| Armonía Inicial |
| Autore | Andrade Jonathan |
| Edizione | [1st ed.] |
| Pubbl/distr/stampa | Bogotá : , : UNIVERSIDAD DE LAS AMéRICAS ECUADOR, , 2022 |
| Descrizione fisica | 1 online resource (227 pages) |
| Disciplina | 781.2 |
| Altri autori (Persone) | AutoresVarios |
| Soggetto topico |
Music theory
Tonality |
| ISBN |
9789942779380
9942779388 |
| Formato | Materiale a stampa  |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | spa |
| Record Nr. | UNINA-9911008940403321 |
Andrade Jonathan
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| Bogotá : , : UNIVERSIDAD DE LAS AMéRICAS ECUADOR, , 2022 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Composition, chromaticism, and the developmental process : a new theory of tonality / / Henry Burnett and Roy Nitzberg
| Composition, chromaticism, and the developmental process : a new theory of tonality / / Henry Burnett and Roy Nitzberg |
| Autore | Burnett Henry |
| Pubbl/distr/stampa | London, [England] ; ; New York, New York : , : Routledge, , 2016 |
| Descrizione fisica | 1 online resource (431 pages) : illustrations |
| Disciplina | 781.2/58 |
| Soggetto topico |
Tonality
Chromaticism (Music) |
| ISBN |
1-315-09551-3
1-351-57133-8 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Introduction -- Eleven-pitch-class tonality -- The modal gamut in the sixteenth century -- Tonality and systems in the seventeenth and early eighteenth centuries -- Tonality and systems in the mid- to late-eighteenth century : the classical ideal -- Nineteenth-century approaches to eleven-pitch-class systems derived from the Viennese classical tradition -- Eleven-pitch-class systems in the music of mid- to late-nineteenth-century romantic composers -- The romantic avant garde and the rumblings of modernism. |
| Record Nr. | UNINA-9910796546203321 |
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Burnett Henry
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| London, [England] ; ; New York, New York : , : Routledge, , 2016 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Composition, chromaticism, and the developmental process : a new theory of tonality / / Henry Burnett and Roy Nitzberg
| Composition, chromaticism, and the developmental process : a new theory of tonality / / Henry Burnett and Roy Nitzberg |
| Autore | Burnett Henry |
| Pubbl/distr/stampa | London, [England] ; ; New York, New York : , : Routledge, , 2016 |
| Descrizione fisica | 1 online resource (431 pages) : illustrations |
| Disciplina | 781.2/58 |
| Soggetto topico |
Tonality
Chromaticism (Music) |
| ISBN |
1-315-09551-3
1-351-57133-8 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Introduction -- Eleven-pitch-class tonality -- The modal gamut in the sixteenth century -- Tonality and systems in the seventeenth and early eighteenth centuries -- Tonality and systems in the mid- to late-eighteenth century : the classical ideal -- Nineteenth-century approaches to eleven-pitch-class systems derived from the Viennese classical tradition -- Eleven-pitch-class systems in the music of mid- to late-nineteenth-century romantic composers -- The romantic avant garde and the rumblings of modernism. |
| Record Nr. | UNINA-9910818114503321 |
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Burnett Henry
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| London, [England] ; ; New York, New York : , : Routledge, , 2016 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
The key to Beethoven : connecting tonality and meaning in his music / / Paul M. Ellison
| The key to Beethoven : connecting tonality and meaning in his music / / Paul M. Ellison |
| Autore | Ellison Paul M. |
| Pubbl/distr/stampa | Hillsdale, NY : , : Pendragon Press, , [2014] |
| Descrizione fisica | 1 online resource (448 pages) : music |
| Disciplina | 780.92 |
| Collana | The North American Beethoven series |
| Soggetto topico | Tonality |
| ISBN | 1-57647-260-4 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | The background to key symbolism in 18th century Germany -- Beethoven and the meaning of keys -- Beethoven's songs and the affective implications of primary tonality -- Songs containing significant affective modulations -- Songs containing affective modulations to more distant keys -- Vocal and choral music with orchestra : five case studies -- The tempest sonata : an instrumental case study. |
| Record Nr. | UNINA-9910164056303321 |
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Ellison Paul M.
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| Hillsdale, NY : , : Pendragon Press, , [2014] | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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The languages of western tonality / / Eytan Agmon
| The languages of western tonality / / Eytan Agmon |
| Autore | Agmon Eytan |
| Edizione | [1st ed. 2013.] |
| Pubbl/distr/stampa | Heidelberg [Germany] : , : Springer, , 2013 |
| Descrizione fisica | 1 online resource (xxvii, 280 pages) : illustrations, music |
| Disciplina | 781.258 |
| Collana | Computational Music Science |
| Soggetto topico |
Musicology - Data processing
Tonality Music - Western influence |
| ISBN | 3-642-39587-2 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Chap. 1 Prototonal Theory: Tapping into Ninth-Century Insights -- Part I Prototonality -- Chap. 2 Preliminaries -- Chap. 3 Communicating Pitches and Transmitting Notes -- Chap. 4 The Conventional Nomenclatures for Notes and Intervals -- Chap. 5 Communicating the Primary Intervals -- Chap. 6 Receiving Notes -- Chap. 7 Harmonic Systems -- Chap. 8 Prototonality -- Part II The Languages of Western Tonality -- Chap. 9 Tonal Preliminaries -- Chap. 10 Modal Communication -- Chap. 11 Topics in Dyadic and Triadic Theory -- Chap. 12 Modes, Semikeys, and Keys: A Reality Check -- Chap. 13 A Neo-Riepelian Key-Distance Theory -- Chap. 14 Tonal Communication -- Chap. 15 The Tonal Game -- App. A Mathematical Preliminaries -- App. B Z Modules and Their Homomorphisms -- Index. |
| Record Nr. | UNINA-9910437572603321 |
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Agmon Eytan
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| Heidelberg [Germany] : , : Springer, , 2013 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Psychoacoustic foundations of major-minor tonality / / Richard Parncutt
| Psychoacoustic foundations of major-minor tonality / / Richard Parncutt |
| Autore | Parncutt Richard <1957-> |
| Edizione | [1st ed.] |
| Pubbl/distr/stampa | Cambridge, Massachusetts : , : The MIT Press, , 2024 |
| Descrizione fisica | 1 online resource (456 pages) |
| Disciplina | 781.2/6 |
| Soggetto topico |
Tonality
Psychoacoustics Chords (Music) Musical intervals and scales |
| ISBN |
9780262377362
0262377365 9780262377379 0262377373 9780262547352 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Part I. Interdisciplinary Introduction. Definitions ; Approaches ; Rudiments -- II. Extra-Musical Foundations. Metaphysics ; Auditory Scene Analysis ; Auditory Sensitivity -- III. Musical Foundations. Matthew Shirlaw ; Hugo Riemann ; Diverse Epistemologies ; Scales and Intervals ; Chant and the Leading Tone ; Notation, Accidentals, and Enharmonics -- IV. Perception of Sonority. Pitch ; Consonance and Dissonance ; The Root of a Chord ; Spectral Pitch in Chords ; Jazz Harmony -- V. Perception of Progression. Pitch Commonality ; Tonality ; Progression and Modulation ; Structural Cognition -- VI. The Big Picture. Theoretic Evaluation ; Universals and Diversity. |
| Record Nr. | UNINA-9910901888403321 |
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Parncutt Richard <1957->
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| Cambridge, Massachusetts : , : The MIT Press, , 2024 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Tonal pitch space [[electronic resource] /] / Fred Lerdahl
| Tonal pitch space [[electronic resource] /] / Fred Lerdahl |
| Autore | Lerdahl Fred <1943-> |
| Pubbl/distr/stampa | Oxford, : Oxford University Press, c2001 |
| Descrizione fisica | 1 online resource (430 p.) |
| Disciplina | 781.2/3 |
| Soggetto topico |
Music theory
Musical analysis Musical pitch Tonality |
| Soggetto genere / forma | Electronic books. |
| ISBN |
9786610845132
1-280-84513-9 0-19-534637-8 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Contents; 1 THEORETICAL FOUNDATIONS; Overview of GTTM; Goals; Idealizations; The rule system; A representative analysis; Rhythmic structure; Time-span reduction; Principles of prolongational reduction; Constructing a prolongational analysis; Observations and comparisons; Issues in prolongational theory; Prolongational good form; On strict branching; Toward an enrichment of the grouping component; Abstractions and transformations of surface events; 2 DIATONIC SPACE; The concept of pitch space; Tonal and event hierarchies; Previous approaches; The basic space; The pitch-class level
Pitch-class and pitch proximity Reflections on steps; Linear completion; The chordal level; Chord proximity within a region; Chordal space and harmonic progression; The regional level; Chord proximity across regions; Regional space; Remarks on Schoenberg space; Combined geometrical representations; The principle of the shortest path; Empirical issues; Issues of quantification; Evidence and explanation; 3 PATHS IN PITCH SPACE; Prolongational paths; The concept of pitch-space paths; Paths in regional space; Paths in chordal/regional space; Paths in scale-degree space; Pc/chordal paths Regional prolongations Parallel mixture; Collapsing regional space; Two applications; Narrative paths; Parsifal's journey to redemption; Compositional use of the Weber space; A note on semantic paths; 4 TONAL TENSION AND ATTRACTION; The harmonic tension model; Tension and pitch space; Sequential and hierarchical tension; A hierarchical tension analysis; Reformulation of the interaction principle; Melodic tension; Anchoring and asymmetry; The melodic attraction rule; Historical precedents; Attractional asymmetries; Attractions and expectations; An attractional approach to harmony Voice-leading attractionsAttractional context; Two attractional analyses; Tension, attraction, and expression; The relationship between tension and attraction; Connections with other theories; 5 PROLONGATIONAL FUNCTIONS; Finding the tonic; General principles; Three tonic-finding analyses; Function as prolongational position; On Riemannian functionality; The function rule; Some functional analyses; Issues concerning functionality; Functions and schemas; The sentence; Galant gambits; Schematic tension; 6 CHROMATIC TONAL SPACES; Pitch space in evolution; Constructing chromatic spaces Triadic/octatonic space Triadic/hexatonic space; On the generality of the chord distance rule; Nontriadic octatonic spaces; Whole-tone and mystic spaces; Related issues; Constraints on basic spaces; Tonal attractions in chromatic spaces; Finding the preferred space; Measuring interspatial distances; A metrical analogy; Formal parallelisms; Metrical attractions; Interaction of tonal and metrical attractions; 7 PROLONGATIONS IN CHROMATIC SPACES; Analyses of triadic chromatic tonal music; Some passages in Wagner; A Debussy analysis; A note on neoclassic Stravinsky Psychoacoustic factors in prolongational analysis |
| Record Nr. | UNINA-9910465798503321 |
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Lerdahl Fred <1943->
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||
| Oxford, : Oxford University Press, c2001 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Tonal pitch space [[electronic resource] /] / Fred Lerdahl
| Tonal pitch space [[electronic resource] /] / Fred Lerdahl |
| Autore | Lerdahl Fred <1943-> |
| Pubbl/distr/stampa | Oxford, : Oxford University Press, c2001 |
| Descrizione fisica | 1 online resource (430 p.) |
| Disciplina | 781.2/3 |
| Soggetto topico |
Music theory
Musical analysis Musical pitch Tonality |
| ISBN |
9786610845132
1-280-84513-9 0-19-534637-8 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Contents; 1 THEORETICAL FOUNDATIONS; Overview of GTTM; Goals; Idealizations; The rule system; A representative analysis; Rhythmic structure; Time-span reduction; Principles of prolongational reduction; Constructing a prolongational analysis; Observations and comparisons; Issues in prolongational theory; Prolongational good form; On strict branching; Toward an enrichment of the grouping component; Abstractions and transformations of surface events; 2 DIATONIC SPACE; The concept of pitch space; Tonal and event hierarchies; Previous approaches; The basic space; The pitch-class level
Pitch-class and pitch proximity Reflections on steps; Linear completion; The chordal level; Chord proximity within a region; Chordal space and harmonic progression; The regional level; Chord proximity across regions; Regional space; Remarks on Schoenberg space; Combined geometrical representations; The principle of the shortest path; Empirical issues; Issues of quantification; Evidence and explanation; 3 PATHS IN PITCH SPACE; Prolongational paths; The concept of pitch-space paths; Paths in regional space; Paths in chordal/regional space; Paths in scale-degree space; Pc/chordal paths Regional prolongations Parallel mixture; Collapsing regional space; Two applications; Narrative paths; Parsifal's journey to redemption; Compositional use of the Weber space; A note on semantic paths; 4 TONAL TENSION AND ATTRACTION; The harmonic tension model; Tension and pitch space; Sequential and hierarchical tension; A hierarchical tension analysis; Reformulation of the interaction principle; Melodic tension; Anchoring and asymmetry; The melodic attraction rule; Historical precedents; Attractional asymmetries; Attractions and expectations; An attractional approach to harmony Voice-leading attractionsAttractional context; Two attractional analyses; Tension, attraction, and expression; The relationship between tension and attraction; Connections with other theories; 5 PROLONGATIONAL FUNCTIONS; Finding the tonic; General principles; Three tonic-finding analyses; Function as prolongational position; On Riemannian functionality; The function rule; Some functional analyses; Issues concerning functionality; Functions and schemas; The sentence; Galant gambits; Schematic tension; 6 CHROMATIC TONAL SPACES; Pitch space in evolution; Constructing chromatic spaces Triadic/octatonic space Triadic/hexatonic space; On the generality of the chord distance rule; Nontriadic octatonic spaces; Whole-tone and mystic spaces; Related issues; Constraints on basic spaces; Tonal attractions in chromatic spaces; Finding the preferred space; Measuring interspatial distances; A metrical analogy; Formal parallelisms; Metrical attractions; Interaction of tonal and metrical attractions; 7 PROLONGATIONS IN CHROMATIC SPACES; Analyses of triadic chromatic tonal music; Some passages in Wagner; A Debussy analysis; A note on neoclassic Stravinsky Psychoacoustic factors in prolongational analysis |
| Record Nr. | UNINA-9910792229003321 |
|
Lerdahl Fred <1943->
|
||
| Oxford, : Oxford University Press, c2001 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Tonal pitch space / / Fred Lerdahl
| Tonal pitch space / / Fred Lerdahl |
| Autore | Lerdahl Fred <1943-> |
| Edizione | [1st ed.] |
| Pubbl/distr/stampa | Oxford, : Oxford University Press, c2001 |
| Descrizione fisica | 1 online resource (430 p.) |
| Disciplina | 781.2/3 |
| Soggetto topico |
Music theory
Musical analysis Musical pitch Tonality |
| ISBN |
9786610845132
1-280-84513-9 0-19-534637-8 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Contents; 1 THEORETICAL FOUNDATIONS; Overview of GTTM; Goals; Idealizations; The rule system; A representative analysis; Rhythmic structure; Time-span reduction; Principles of prolongational reduction; Constructing a prolongational analysis; Observations and comparisons; Issues in prolongational theory; Prolongational good form; On strict branching; Toward an enrichment of the grouping component; Abstractions and transformations of surface events; 2 DIATONIC SPACE; The concept of pitch space; Tonal and event hierarchies; Previous approaches; The basic space; The pitch-class level
Pitch-class and pitch proximity Reflections on steps; Linear completion; The chordal level; Chord proximity within a region; Chordal space and harmonic progression; The regional level; Chord proximity across regions; Regional space; Remarks on Schoenberg space; Combined geometrical representations; The principle of the shortest path; Empirical issues; Issues of quantification; Evidence and explanation; 3 PATHS IN PITCH SPACE; Prolongational paths; The concept of pitch-space paths; Paths in regional space; Paths in chordal/regional space; Paths in scale-degree space; Pc/chordal paths Regional prolongations Parallel mixture; Collapsing regional space; Two applications; Narrative paths; Parsifal's journey to redemption; Compositional use of the Weber space; A note on semantic paths; 4 TONAL TENSION AND ATTRACTION; The harmonic tension model; Tension and pitch space; Sequential and hierarchical tension; A hierarchical tension analysis; Reformulation of the interaction principle; Melodic tension; Anchoring and asymmetry; The melodic attraction rule; Historical precedents; Attractional asymmetries; Attractions and expectations; An attractional approach to harmony Voice-leading attractionsAttractional context; Two attractional analyses; Tension, attraction, and expression; The relationship between tension and attraction; Connections with other theories; 5 PROLONGATIONAL FUNCTIONS; Finding the tonic; General principles; Three tonic-finding analyses; Function as prolongational position; On Riemannian functionality; The function rule; Some functional analyses; Issues concerning functionality; Functions and schemas; The sentence; Galant gambits; Schematic tension; 6 CHROMATIC TONAL SPACES; Pitch space in evolution; Constructing chromatic spaces Triadic/octatonic space Triadic/hexatonic space; On the generality of the chord distance rule; Nontriadic octatonic spaces; Whole-tone and mystic spaces; Related issues; Constraints on basic spaces; Tonal attractions in chromatic spaces; Finding the preferred space; Measuring interspatial distances; A metrical analogy; Formal parallelisms; Metrical attractions; Interaction of tonal and metrical attractions; 7 PROLONGATIONS IN CHROMATIC SPACES; Analyses of triadic chromatic tonal music; Some passages in Wagner; A Debussy analysis; A note on neoclassic Stravinsky Psychoacoustic factors in prolongational analysis |
| Record Nr. | UNINA-9910974289103321 |
|
Lerdahl Fred <1943->
|
||
| Oxford, : Oxford University Press, c2001 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Tonal Space in the Music of Antonio Vivaldi [[electronic resource] /] / Bella Brover-Lubovsky
| Tonal Space in the Music of Antonio Vivaldi [[electronic resource] /] / Bella Brover-Lubovsky |
| Autore | Brover-Lubovsky Bella |
| Pubbl/distr/stampa | Bloomington, [Indiana] ; ; Indianapolis, [Indiana] : , : Indiana University Press, , 2008 |
| Descrizione fisica | 1 online resource (384 pages) : illustrations, tables |
| Disciplina | 780.92 |
| Collana | Music and the early modern imagination |
| Soggetto topico |
Music theory - History - 18th century
Music - Italy - 18th century - History and criticism Tonality |
| Soggetto genere / forma | Electronic books. |
| ISBN | 0-253-02803-5 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Estro armonico -- Key and mode -- Harmony and syntax -- Tonal structure. |
| Record Nr. | UNINA-9910154711803321 |
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Brover-Lubovsky Bella
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| Bloomington, [Indiana] ; ; Indianapolis, [Indiana] : , : Indiana University Press, , 2008 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Soggetto topico
-
Tonality
(10)
- Music theory (4)
- Musical analysis (3)
- Musical pitch (3)
- Chromaticism (Music) (2)