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Tippett Studies [[electronic resource]]
| Tippett Studies [[electronic resource]] |
| Autore | Clarke David |
| Pubbl/distr/stampa | Cambridge, : Cambridge University Press, 1999 |
| Descrizione fisica | 1 online resource (250 p.) |
| Disciplina |
780
780.92 |
| Collana | Cambridge Composer Studies |
| Soggetto topico |
Composers -- England -- Correspondence
Composers -- Great Britain -- Correspondence Tippett, Michael, 1905-1998 -- Correspondence Tippett, Michael, 1905-1998 -- Criticism and interpretation |
| Soggetto genere / forma | Electronic books. |
| ISBN |
1-107-17296-9
0-511-37020-2 0-511-48199-3 |
| Formato | Materiale a stampa  |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Cover; Half-title; Title; Copyright; Dedication; Contents; Preface; References to Tippett's scores and essays; 1 'Only half rebelling': tonal strategies, folksong and 'Englishness' in Tippett's Concerto for Double String Orchestra; I; II; III; IV; 2 From pastiche to free composition: R.O.Morris, Tippett, and the development of pitch resources in the Fantasia Concertante on a Theme of Corelli; I; II; III; IV; 3 'Is there a choice at all?'King Priam and motives for analysis; I; II; III; IV; V
4 Tippett's Second Symphony, Stravinsky and the language of neoclassicism: towards a critical frameworkI; II; III; 5 Tippett,sequence and metaphor; 6 Tonal elements and their significance in Tippett's Sonata No.3 for Piano; I; II; III; IV; V; VI; 7 'Significant gestures to the past': formal processes and visionary moments in Tippett's Triple Concerto; I; II; III; 8 Tippett's King Priam and 'the tragic vision'; I; II; III; IV; 9 Tippett at the millennium: a personal memoir; 10 Decline or renewal in late Tippett? The Fifth String Quartet in perspective; I; II; III; IV; V Appendix: glossary of terms used in pitch-class set theoryIndex |
| Record Nr. | UNINA-9910459181103321 |
Clarke David
|
||
| Cambridge, : Cambridge University Press, 1999 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Tippett Studies [[electronic resource]]
| Tippett Studies [[electronic resource]] |
| Pubbl/distr/stampa | Cambridge, : Cambridge University Press, 1999 |
| Descrizione fisica | 1 online resource (250 pages) |
| Disciplina |
780
780.92 |
| Collana | Cambridge Composer Studies. |
| Soggetto topico |
Composers -- England -- Correspondence
Composers -- Great Britain -- Correspondence Tippett, Michael, 1905-1998 -- Correspondence Tippett, Michael, 1905-1998 -- Criticism and interpretation |
| ISBN |
1-107-17296-9
0-511-37020-2 0-511-48199-3 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Cover; Half-title; Title; Copyright; Dedication; Contents; Preface; References to Tippett's scores and essays; 1 'Only half rebelling': tonal strategies, folksong and 'Englishness' in Tippett's Concerto for Double String Orchestra; I; II; III; IV; 2 From pastiche to free composition: R.O.Morris, Tippett, and the development of pitch resources in the Fantasia Concertante on a Theme of Corelli; I; II; III; IV; 3 'Is there a choice at all?'King Priam and motives for analysis; I; II; III; IV; V
4 Tippett's Second Symphony, Stravinsky and the language of neoclassicism: towards a critical frameworkI; II; III; 5 Tippett,sequence and metaphor; 6 Tonal elements and their significance in Tippett's Sonata No.3 for Piano; I; II; III; IV; V; VI; 7 'Significant gestures to the past': formal processes and visionary moments in Tippett's Triple Concerto; I; II; III; 8 Tippett's King Priam and 'the tragic vision'; I; II; III; IV; 9 Tippett at the millennium: a personal memoir; 10 Decline or renewal in late Tippett? The Fifth String Quartet in perspective; I; II; III; IV; V Appendix: glossary of terms used in pitch-class set theoryIndex |
| Record Nr. | UNINA-9910792125903321 |
| Cambridge, : Cambridge University Press, 1999 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Tippett Studies [[electronic resource]]
| Tippett Studies [[electronic resource]] |
| Pubbl/distr/stampa | Cambridge, : Cambridge University Press, 1999 |
| Descrizione fisica | 1 online resource (250 pages) |
| Disciplina |
780
780.92 |
| Collana | Cambridge Composer Studies. |
| Soggetto topico |
Composers -- England -- Correspondence
Composers -- Great Britain -- Correspondence Tippett, Michael, 1905-1998 -- Correspondence Tippett, Michael, 1905-1998 -- Criticism and interpretation |
| ISBN |
1-107-17296-9
0-511-37020-2 0-511-48199-3 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Cover; Half-title; Title; Copyright; Dedication; Contents; Preface; References to Tippett's scores and essays; 1 'Only half rebelling': tonal strategies, folksong and 'Englishness' in Tippett's Concerto for Double String Orchestra; I; II; III; IV; 2 From pastiche to free composition: R.O.Morris, Tippett, and the development of pitch resources in the Fantasia Concertante on a Theme of Corelli; I; II; III; IV; 3 'Is there a choice at all?'King Priam and motives for analysis; I; II; III; IV; V
4 Tippett's Second Symphony, Stravinsky and the language of neoclassicism: towards a critical frameworkI; II; III; 5 Tippett,sequence and metaphor; 6 Tonal elements and their significance in Tippett's Sonata No.3 for Piano; I; II; III; IV; V; VI; 7 'Significant gestures to the past': formal processes and visionary moments in Tippett's Triple Concerto; I; II; III; 8 Tippett's King Priam and 'the tragic vision'; I; II; III; IV; 9 Tippett at the millennium: a personal memoir; 10 Decline or renewal in late Tippett? The Fifth String Quartet in perspective; I; II; III; IV; V Appendix: glossary of terms used in pitch-class set theoryIndex |
| Record Nr. | UNINA-9910828601603321 |
| Cambridge, : Cambridge University Press, 1999 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
