Info
The Cambridge introduction to theatre directing / / Christopher Innes, Maria Shevtsova [[electronic resource]]
| The Cambridge introduction to theatre directing / / Christopher Innes, Maria Shevtsova [[electronic resource]] |
| Autore | Innes Christopher <1941-> |
| Pubbl/distr/stampa | Cambridge : , : Cambridge University Press, , 2013 |
| Descrizione fisica | 1 online resource (xi, 283 pages) : digital, PDF file(s) |
| Disciplina | 792.02/33 |
| Collana | Cambridge introductions to literature |
| Soggetto topico |
Theater - Production and direction
Theater - Production and direction - History - 20th century Theatrical producers and directors |
| ISBN |
1-107-35710-1
1-107-23348-8 1-107-34373-9 1-107-34748-3 1-107-25526-0 1-107-34498-0 1-107-34123-X 1-139-01639-3 |
| Formato | Materiale a stampa  |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Cover; Contents; Illustrations; Acknowledgements; Introduction; Chapter 1 Traditional staging and the evolution of the director; Classical Greek theatre: director as choreographer; From Greece to Classical Rome; Medieval European staging; Playwright-managers: Renaissance and early seventeenth-century theatre; The seventeenth and eighteenth centuries: Enlightenment and the actor-manager; Introducing scenery: Philip Jacques de Loutherbourg; Henry Irving: the nineteenth-century actor-manager; The transition from traditional staging; The German stage and the function of the Intendant
The critic as director: Gotthold Lessing at the Hamburg NationaltheaterFurther reading; Chapter 2 The rise of the modern director; The Meiningen Players and the conditions for naturalism; The Meiningen influence; The theory of naturalism: Emile Zola; The naturalistic director: André Antoine and the Théâtre Libre; Symbolist theatre: a call for directorial vision; Richard Wagner: total theatre; Adolphe Appia: lighting and space; Gordon Craig, Adolphe Appia and the theory of directing; Stanislavsky and psychological realism; The Seagull; Acting 'with the body'; Further reading Chapter 3 Directors of theatricalityVsevolod Meyerhold: commedia dell'arte to biomechanics; Theatricality, stylization and the grotesque; The director as engineer: constructivism and biomechanics; Aleksandr Tairov: aestheticized theatricalization; Yevgeny Vakhtangov: 'festivity' and spectacle; Revisiting Meyerhold: Valery Fokin; The politics of theatricality: Ariane Mnouchkine; 'Masters'; Theatricality, metaphor and the 'East'; Directing in a collectivity of equals; Frank Castorf and Thomas Ostermeier: theatricality and violence; Eastern European directors: theatricality as resistance Further readingChapter 4 Epic theatre directors; Erwin Piscator's political theatre; Political staging: Piscator's Rasputin; Film and stage; Political directing: the Piscator approach; The Rasputin production: a model for epic theatre; Documentary theatre; Bertolt Brecht's epic theatre; Epic theatre and cabaret; Developing an epic style of staging and directing; Directing epic theatre: Mother Courage; The influence of epic theatre; Heiner Müller and post-Brechtian epic theatre; Postmodern epic directing: Roberto Ciulli; Further reading; Chapter 5 Total theatre: the director as auteur Gordon Craig and the Artist of the TheatreMax Reinhardt: the 'Director's Book'; Combining directorial methods: Norman Bel Geddes; Peter Brook: collective creation versus directorial vision; Robert Wilson: the 'Visual Book'; Robert Lepage: cinematic self-directing; Total theatre and directing opera: Robert Wilson, Robert Lepage, Peter Sellars; Visual stylization as musical context: Robert Wilson; Cinematic and mechanistic deconstructions of opera: Robert Lepage; Conceptual politics: Peter Sellars; Sound and space: Christoph Marthaler; Further reading; Chapter 6 Directors of ensemble theatre Giorgio Strehler, Peter Stein, Peter Brook |
| Record Nr. | UNINA-9910462874903321 |
Innes Christopher <1941->
|
||
| Cambridge : , : Cambridge University Press, , 2013 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
The Cambridge introduction to theatre directing / / Christopher Innes, Maria Shevtsova [[electronic resource]]
| The Cambridge introduction to theatre directing / / Christopher Innes, Maria Shevtsova [[electronic resource]] |
| Autore | Innes Christopher <1941-> |
| Pubbl/distr/stampa | Cambridge : , : Cambridge University Press, , 2013 |
| Descrizione fisica | 1 online resource (xi, 283 pages) : digital, PDF file(s) |
| Disciplina | 792.02/33 |
| Collana | Cambridge introductions to literature |
| Soggetto topico |
Theater - Production and direction
Theater - Production and direction - History - 20th century Theatrical producers and directors |
| ISBN |
1-107-35710-1
1-107-23348-8 1-107-34373-9 1-107-34748-3 1-107-25526-0 1-107-34498-0 1-107-34123-X 1-139-01639-3 |
| Classificazione | DRA000000 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Cover; Contents; Illustrations; Acknowledgements; Introduction; Chapter 1 Traditional staging and the evolution of the director; Classical Greek theatre: director as choreographer; From Greece to Classical Rome; Medieval European staging; Playwright-managers: Renaissance and early seventeenth-century theatre; The seventeenth and eighteenth centuries: Enlightenment and the actor-manager; Introducing scenery: Philip Jacques de Loutherbourg; Henry Irving: the nineteenth-century actor-manager; The transition from traditional staging; The German stage and the function of the Intendant
The critic as director: Gotthold Lessing at the Hamburg NationaltheaterFurther reading; Chapter 2 The rise of the modern director; The Meiningen Players and the conditions for naturalism; The Meiningen influence; The theory of naturalism: Emile Zola; The naturalistic director: André Antoine and the Théâtre Libre; Symbolist theatre: a call for directorial vision; Richard Wagner: total theatre; Adolphe Appia: lighting and space; Gordon Craig, Adolphe Appia and the theory of directing; Stanislavsky and psychological realism; The Seagull; Acting 'with the body'; Further reading Chapter 3 Directors of theatricalityVsevolod Meyerhold: commedia dell'arte to biomechanics; Theatricality, stylization and the grotesque; The director as engineer: constructivism and biomechanics; Aleksandr Tairov: aestheticized theatricalization; Yevgeny Vakhtangov: 'festivity' and spectacle; Revisiting Meyerhold: Valery Fokin; The politics of theatricality: Ariane Mnouchkine; 'Masters'; Theatricality, metaphor and the 'East'; Directing in a collectivity of equals; Frank Castorf and Thomas Ostermeier: theatricality and violence; Eastern European directors: theatricality as resistance Further readingChapter 4 Epic theatre directors; Erwin Piscator's political theatre; Political staging: Piscator's Rasputin; Film and stage; Political directing: the Piscator approach; The Rasputin production: a model for epic theatre; Documentary theatre; Bertolt Brecht's epic theatre; Epic theatre and cabaret; Developing an epic style of staging and directing; Directing epic theatre: Mother Courage; The influence of epic theatre; Heiner Müller and post-Brechtian epic theatre; Postmodern epic directing: Roberto Ciulli; Further reading; Chapter 5 Total theatre: the director as auteur Gordon Craig and the Artist of the TheatreMax Reinhardt: the 'Director's Book'; Combining directorial methods: Norman Bel Geddes; Peter Brook: collective creation versus directorial vision; Robert Wilson: the 'Visual Book'; Robert Lepage: cinematic self-directing; Total theatre and directing opera: Robert Wilson, Robert Lepage, Peter Sellars; Visual stylization as musical context: Robert Wilson; Cinematic and mechanistic deconstructions of opera: Robert Lepage; Conceptual politics: Peter Sellars; Sound and space: Christoph Marthaler; Further reading; Chapter 6 Directors of ensemble theatre Giorgio Strehler, Peter Stein, Peter Brook |
| Record Nr. | UNINA-9910786110303321 |
|
Innes Christopher <1941->
|
||
| Cambridge : , : Cambridge University Press, , 2013 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
The Cambridge introduction to theatre directing / / Christopher Innes, Maria Shevtsova [[electronic resource]]
| The Cambridge introduction to theatre directing / / Christopher Innes, Maria Shevtsova [[electronic resource]] |
| Autore | Innes Christopher <1941-> |
| Pubbl/distr/stampa | Cambridge : , : Cambridge University Press, , 2013 |
| Descrizione fisica | 1 online resource (xi, 283 pages) : digital, PDF file(s) |
| Disciplina | 792.02/33 |
| Collana | Cambridge introductions to literature |
| Soggetto topico |
Theater - Production and direction
Theater - Production and direction - History - 20th century Theatrical producers and directors |
| ISBN |
1-107-35710-1
1-107-23348-8 1-107-34373-9 1-107-34748-3 1-107-25526-0 1-107-34498-0 1-107-34123-X 1-139-01639-3 |
| Classificazione | DRA000000 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Cover; Contents; Illustrations; Acknowledgements; Introduction; Chapter 1 Traditional staging and the evolution of the director; Classical Greek theatre: director as choreographer; From Greece to Classical Rome; Medieval European staging; Playwright-managers: Renaissance and early seventeenth-century theatre; The seventeenth and eighteenth centuries: Enlightenment and the actor-manager; Introducing scenery: Philip Jacques de Loutherbourg; Henry Irving: the nineteenth-century actor-manager; The transition from traditional staging; The German stage and the function of the Intendant
The critic as director: Gotthold Lessing at the Hamburg NationaltheaterFurther reading; Chapter 2 The rise of the modern director; The Meiningen Players and the conditions for naturalism; The Meiningen influence; The theory of naturalism: Emile Zola; The naturalistic director: André Antoine and the Théâtre Libre; Symbolist theatre: a call for directorial vision; Richard Wagner: total theatre; Adolphe Appia: lighting and space; Gordon Craig, Adolphe Appia and the theory of directing; Stanislavsky and psychological realism; The Seagull; Acting 'with the body'; Further reading Chapter 3 Directors of theatricalityVsevolod Meyerhold: commedia dell'arte to biomechanics; Theatricality, stylization and the grotesque; The director as engineer: constructivism and biomechanics; Aleksandr Tairov: aestheticized theatricalization; Yevgeny Vakhtangov: 'festivity' and spectacle; Revisiting Meyerhold: Valery Fokin; The politics of theatricality: Ariane Mnouchkine; 'Masters'; Theatricality, metaphor and the 'East'; Directing in a collectivity of equals; Frank Castorf and Thomas Ostermeier: theatricality and violence; Eastern European directors: theatricality as resistance Further readingChapter 4 Epic theatre directors; Erwin Piscator's political theatre; Political staging: Piscator's Rasputin; Film and stage; Political directing: the Piscator approach; The Rasputin production: a model for epic theatre; Documentary theatre; Bertolt Brecht's epic theatre; Epic theatre and cabaret; Developing an epic style of staging and directing; Directing epic theatre: Mother Courage; The influence of epic theatre; Heiner Müller and post-Brechtian epic theatre; Postmodern epic directing: Roberto Ciulli; Further reading; Chapter 5 Total theatre: the director as auteur Gordon Craig and the Artist of the TheatreMax Reinhardt: the 'Director's Book'; Combining directorial methods: Norman Bel Geddes; Peter Brook: collective creation versus directorial vision; Robert Wilson: the 'Visual Book'; Robert Lepage: cinematic self-directing; Total theatre and directing opera: Robert Wilson, Robert Lepage, Peter Sellars; Visual stylization as musical context: Robert Wilson; Cinematic and mechanistic deconstructions of opera: Robert Lepage; Conceptual politics: Peter Sellars; Sound and space: Christoph Marthaler; Further reading; Chapter 6 Directors of ensemble theatre Giorgio Strehler, Peter Stein, Peter Brook |
| Record Nr. | UNINA-9910822782503321 |
|
Innes Christopher <1941->
|
||
| Cambridge : , : Cambridge University Press, , 2013 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Directors and designers [[electronic resource] /] / [edited by] Christine White
| Directors and designers [[electronic resource] /] / [edited by] Christine White |
| Pubbl/distr/stampa | Bristol, : Intellect Books |
| Descrizione fisica | 1 online resource (274 p.) |
| Disciplina | 792.025 |
| Altri autori (Persone) | WhiteChristine A. <1964-> |
| Soggetto topico |
Set designers
Theaters - Stage-setting and scenery Theatrical producers and directors |
| Soggetto genere / forma | Electronic books. |
| ISBN |
1-282-45571-0
9786612455711 1-84150-352-5 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Front Cover; Preliminary Pages; Contents; Part I: Setting the Scene; Chapter 1: Back and Forth to Russia: Scenography as an Academic Study from Moscow 1994-St Petersburg 2004; Part II: Performing Partners; Chapter 2: Hand in Glove: The Designer as Director as Designer; Chapter 3: Political Performing Partners: Director Lee Strasberg, Scene Designer Mordecai Gorelik, Playwright John Howard Lawson and the Group Theatre; Chapter 4: The Director, the Designer and the Ghost/Creative Team in Site-Specific Performance Practice; Chapter 5: Director Petr Lébl and Designer William Nowák: To a Man
Chapter 6: The Organics of the Rehearsal Room: Contemporary Directing Practice and the Director-Designer RelationshipChapter 7: Collaborative Models: Mielziner, Williams and Kazan; Chapter 8: Problematics of Theatrical Negotiations: Directing, Scenography and State Ideology; Chapter 9: Methodological Practices for Directing and Designing; Chapter 10: The Digital Platform as a Communication Tool; Part III: Metaphors, Meta-Theatre and Methodologies; Chapter 11: The Seductive Scene or Reclaiming Spectacle; Chapter 12: Metatheatre: A Discourse on Contemporary Staging Chapter 13: A Metaphorical Mise-en-Scène: Elia Kazan and Max Gorelik at The Group TheatreChapter 14: Ideational Conflict and Resolution in the Design Process: Positive Outcomes from Negative Relationships; Chapter 15: Design as Action: Jean Cocteau and the Ballets Russes; Part IV: Postscript to the Director; Chapter 16: From Hamlet with Love: A Letter to the Other; Bibliography; Notes on Contributors; Index; Back Cover |
| Record Nr. | UNINA-9910456906003321 |
| Bristol, : Intellect Books | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Directors and designers [[electronic resource] /] / [edited by] Christine White
| Directors and designers [[electronic resource] /] / [edited by] Christine White |
| Pubbl/distr/stampa | Bristol, : Intellect Books |
| Descrizione fisica | 1 online resource (274 p.) |
| Disciplina | 792.025 |
| Altri autori (Persone) | WhiteChristine A. <1964-> |
| Soggetto topico |
Set designers
Theaters - Stage-setting and scenery Theatrical producers and directors |
| ISBN |
1-282-45571-0
9786612455711 1-84150-352-5 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Front Cover; Preliminary Pages; Contents; Part I: Setting the Scene; Chapter 1: Back and Forth to Russia: Scenography as an Academic Study from Moscow 1994-St Petersburg 2004; Part II: Performing Partners; Chapter 2: Hand in Glove: The Designer as Director as Designer; Chapter 3: Political Performing Partners: Director Lee Strasberg, Scene Designer Mordecai Gorelik, Playwright John Howard Lawson and the Group Theatre; Chapter 4: The Director, the Designer and the Ghost/Creative Team in Site-Specific Performance Practice; Chapter 5: Director Petr Lébl and Designer William Nowák: To a Man
Chapter 6: The Organics of the Rehearsal Room: Contemporary Directing Practice and the Director-Designer RelationshipChapter 7: Collaborative Models: Mielziner, Williams and Kazan; Chapter 8: Problematics of Theatrical Negotiations: Directing, Scenography and State Ideology; Chapter 9: Methodological Practices for Directing and Designing; Chapter 10: The Digital Platform as a Communication Tool; Part III: Metaphors, Meta-Theatre and Methodologies; Chapter 11: The Seductive Scene or Reclaiming Spectacle; Chapter 12: Metatheatre: A Discourse on Contemporary Staging Chapter 13: A Metaphorical Mise-en-Scène: Elia Kazan and Max Gorelik at The Group TheatreChapter 14: Ideational Conflict and Resolution in the Design Process: Positive Outcomes from Negative Relationships; Chapter 15: Design as Action: Jean Cocteau and the Ballets Russes; Part IV: Postscript to the Director; Chapter 16: From Hamlet with Love: A Letter to the Other; Bibliography; Notes on Contributors; Index; Back Cover |
| Record Nr. | UNINA-9910781091003321 |
| Bristol, : Intellect Books | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Fifty key theatre directors / / edited by Shomit Mitter and Maria Shevtsova
| Fifty key theatre directors / / edited by Shomit Mitter and Maria Shevtsova |
| Pubbl/distr/stampa | London : , : Routledge, , 2005 |
| Descrizione fisica | 1 online resource (305 p.) |
| Disciplina | 792.02330922 |
| Altri autori (Persone) |
MitterShomit <1960->
ShevtsovaMaria |
| Collana | Routledge key guides |
| Soggetto topico |
Theatrical producers and directors
Theater - Production and direction |
| Soggetto genere / forma | Electronic books. |
| ISBN |
1-134-66196-7
1-280-15838-7 0-203-48201-8 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | BOOK COVER; TITLE; COPYRIGHT; CHRONOLOGICAL LIST OF CONTENTS; ALPHABETICAL LIST OF CONTENTS; CONTRIBUTORS; INTRODUCTION; FIFTY KEY THEATRE DIRECTORS; INDEX; |
| Record Nr. | UNINA-9910457306803321 |
| London : , : Routledge, , 2005 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Fifty key theatre directors / / edited by Shomit Mitter and Maria Shevtsova
| Fifty key theatre directors / / edited by Shomit Mitter and Maria Shevtsova |
| Pubbl/distr/stampa | London : , : Routledge, , 2005 |
| Descrizione fisica | 1 online resource (305 p.) |
| Disciplina | 792.02330922 |
| Altri autori (Persone) |
MitterShomit <1960->
ShevtsovaMaria |
| Collana | Routledge key guides |
| Soggetto topico |
Theatrical producers and directors
Theater - Production and direction |
| ISBN |
1-134-66195-9
1-134-66196-7 1-280-15838-7 0-203-48201-8 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | BOOK COVER; TITLE; COPYRIGHT; CHRONOLOGICAL LIST OF CONTENTS; ALPHABETICAL LIST OF CONTENTS; CONTRIBUTORS; INTRODUCTION; FIFTY KEY THEATRE DIRECTORS; INDEX; |
| Record Nr. | UNINA-9910784588603321 |
| London : , : Routledge, , 2005 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
How to act / / Graham Eatough
| How to act / / Graham Eatough |
| Autore | Eatough Graham |
| Pubbl/distr/stampa | London : , : Oberon Books, , 2017 |
| Descrizione fisica | 1 online resource (52 pages) |
| Disciplina | 822.914 |
| Collana | Oberon modern plays |
| Soggetto topico | Theatrical producers and directors |
| Soggetto genere / forma | Electronic books. |
| ISBN | 1-78682-278-4 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Record Nr. | UNINA-9910493683503321 |
|
Eatough Graham
|
||
| London : , : Oberon Books, , 2017 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Venus in fur / / David Ives
| Venus in fur / / David Ives |
| Autore | Ives David |
| Pubbl/distr/stampa | London, England : , : Oberon Books, , 2017 |
| Descrizione fisica | 1 online resource (59 pages) |
| Disciplina | 812.54 |
| Soggetto topico |
Actresses
Theatrical producers and directors |
| ISBN | 1-78682-303-9 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Record Nr. | UNINA-9910793154703321 |
|
Ives David
|
||
| London, England : , : Oberon Books, , 2017 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Venus in fur / / David Ives
| Venus in fur / / David Ives |
| Autore | Ives David |
| Pubbl/distr/stampa | London, England : , : Oberon Books, , 2017 |
| Descrizione fisica | 1 online resource (59 pages) |
| Disciplina | 812.54 |
| Soggetto topico |
Actresses
Theatrical producers and directors |
| ISBN | 1-78682-303-9 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Record Nr. | UNINA-9910812664103321 |
|
Ives David
|
||
| London, England : , : Oberon Books, , 2017 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
