20 ground-breaking directors of Eastern Europe : 30 years after the fall of the Iron Curtain / / edited by Kalina Stefanova, Marvin Carlson |
Pubbl/distr/stampa | Cham, Switzerland : , : Palgrave Macmillan, , [2021] |
Descrizione fisica | 1 online resource (335 pages) |
Disciplina | 792.0233 |
Soggetto topico | Theatrical producers and directors |
ISBN | 3-030-52935-5 |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Altri titoli varianti | Twenty ground-breaking directors of Eastern Europe |
Record Nr. | UNINA-9910482960703321 |
Cham, Switzerland : , : Palgrave Macmillan, , [2021] | ||
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Lo trovi qui: Univ. Federico II | ||
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The Cambridge introduction to theatre directing / / Christopher Innes, Maria Shevtsova [[electronic resource]] |
Autore | Innes Christopher <1941-> |
Pubbl/distr/stampa | Cambridge : , : Cambridge University Press, , 2013 |
Descrizione fisica | 1 online resource (xi, 283 pages) : digital, PDF file(s) |
Disciplina | 792.02/33 |
Collana | Cambridge introductions to literature |
Soggetto topico |
Theater - Production and direction
Theater - Production and direction - History - 20th century Theatrical producers and directors |
ISBN |
1-107-35710-1
1-107-23348-8 1-107-34373-9 1-107-34748-3 1-107-25526-0 1-107-34498-0 1-107-34123-X 1-139-01639-3 |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto |
Cover; Contents; Illustrations; Acknowledgements; Introduction; Chapter 1 Traditional staging and the evolution of the director; Classical Greek theatre: director as choreographer; From Greece to Classical Rome; Medieval European staging; Playwright-managers: Renaissance and early seventeenth-century theatre; The seventeenth and eighteenth centuries: Enlightenment and the actor-manager; Introducing scenery: Philip Jacques de Loutherbourg; Henry Irving: the nineteenth-century actor-manager; The transition from traditional staging; The German stage and the function of the Intendant
The critic as director: Gotthold Lessing at the Hamburg NationaltheaterFurther reading; Chapter 2 The rise of the modern director; The Meiningen Players and the conditions for naturalism; The Meiningen influence; The theory of naturalism: Emile Zola; The naturalistic director: André Antoine and the Théâtre Libre; Symbolist theatre: a call for directorial vision; Richard Wagner: total theatre; Adolphe Appia: lighting and space; Gordon Craig, Adolphe Appia and the theory of directing; Stanislavsky and psychological realism; The Seagull; Acting 'with the body'; Further reading Chapter 3 Directors of theatricalityVsevolod Meyerhold: commedia dell'arte to biomechanics; Theatricality, stylization and the grotesque; The director as engineer: constructivism and biomechanics; Aleksandr Tairov: aestheticized theatricalization; Yevgeny Vakhtangov: 'festivity' and spectacle; Revisiting Meyerhold: Valery Fokin; The politics of theatricality: Ariane Mnouchkine; 'Masters'; Theatricality, metaphor and the 'East'; Directing in a collectivity of equals; Frank Castorf and Thomas Ostermeier: theatricality and violence; Eastern European directors: theatricality as resistance Further readingChapter 4 Epic theatre directors; Erwin Piscator's political theatre; Political staging: Piscator's Rasputin; Film and stage; Political directing: the Piscator approach; The Rasputin production: a model for epic theatre; Documentary theatre; Bertolt Brecht's epic theatre; Epic theatre and cabaret; Developing an epic style of staging and directing; Directing epic theatre: Mother Courage; The influence of epic theatre; Heiner Müller and post-Brechtian epic theatre; Postmodern epic directing: Roberto Ciulli; Further reading; Chapter 5 Total theatre: the director as auteur Gordon Craig and the Artist of the TheatreMax Reinhardt: the 'Director's Book'; Combining directorial methods: Norman Bel Geddes; Peter Brook: collective creation versus directorial vision; Robert Wilson: the 'Visual Book'; Robert Lepage: cinematic self-directing; Total theatre and directing opera: Robert Wilson, Robert Lepage, Peter Sellars; Visual stylization as musical context: Robert Wilson; Cinematic and mechanistic deconstructions of opera: Robert Lepage; Conceptual politics: Peter Sellars; Sound and space: Christoph Marthaler; Further reading; Chapter 6 Directors of ensemble theatre Giorgio Strehler, Peter Stein, Peter Brook |
Record Nr. | UNINA-9910462874903321 |
Innes Christopher <1941->
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||
Cambridge : , : Cambridge University Press, , 2013 | ||
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Lo trovi qui: Univ. Federico II | ||
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The Cambridge introduction to theatre directing / / Christopher Innes, Maria Shevtsova [[electronic resource]] |
Autore | Innes Christopher <1941-> |
Pubbl/distr/stampa | Cambridge : , : Cambridge University Press, , 2013 |
Descrizione fisica | 1 online resource (xi, 283 pages) : digital, PDF file(s) |
Disciplina | 792.02/33 |
Collana | Cambridge introductions to literature |
Soggetto topico |
Theater - Production and direction
Theater - Production and direction - History - 20th century Theatrical producers and directors |
ISBN |
1-107-35710-1
1-107-23348-8 1-107-34373-9 1-107-34748-3 1-107-25526-0 1-107-34498-0 1-107-34123-X 1-139-01639-3 |
Classificazione | DRA000000 |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto |
Cover; Contents; Illustrations; Acknowledgements; Introduction; Chapter 1 Traditional staging and the evolution of the director; Classical Greek theatre: director as choreographer; From Greece to Classical Rome; Medieval European staging; Playwright-managers: Renaissance and early seventeenth-century theatre; The seventeenth and eighteenth centuries: Enlightenment and the actor-manager; Introducing scenery: Philip Jacques de Loutherbourg; Henry Irving: the nineteenth-century actor-manager; The transition from traditional staging; The German stage and the function of the Intendant
The critic as director: Gotthold Lessing at the Hamburg NationaltheaterFurther reading; Chapter 2 The rise of the modern director; The Meiningen Players and the conditions for naturalism; The Meiningen influence; The theory of naturalism: Emile Zola; The naturalistic director: André Antoine and the Théâtre Libre; Symbolist theatre: a call for directorial vision; Richard Wagner: total theatre; Adolphe Appia: lighting and space; Gordon Craig, Adolphe Appia and the theory of directing; Stanislavsky and psychological realism; The Seagull; Acting 'with the body'; Further reading Chapter 3 Directors of theatricalityVsevolod Meyerhold: commedia dell'arte to biomechanics; Theatricality, stylization and the grotesque; The director as engineer: constructivism and biomechanics; Aleksandr Tairov: aestheticized theatricalization; Yevgeny Vakhtangov: 'festivity' and spectacle; Revisiting Meyerhold: Valery Fokin; The politics of theatricality: Ariane Mnouchkine; 'Masters'; Theatricality, metaphor and the 'East'; Directing in a collectivity of equals; Frank Castorf and Thomas Ostermeier: theatricality and violence; Eastern European directors: theatricality as resistance Further readingChapter 4 Epic theatre directors; Erwin Piscator's political theatre; Political staging: Piscator's Rasputin; Film and stage; Political directing: the Piscator approach; The Rasputin production: a model for epic theatre; Documentary theatre; Bertolt Brecht's epic theatre; Epic theatre and cabaret; Developing an epic style of staging and directing; Directing epic theatre: Mother Courage; The influence of epic theatre; Heiner Müller and post-Brechtian epic theatre; Postmodern epic directing: Roberto Ciulli; Further reading; Chapter 5 Total theatre: the director as auteur Gordon Craig and the Artist of the TheatreMax Reinhardt: the 'Director's Book'; Combining directorial methods: Norman Bel Geddes; Peter Brook: collective creation versus directorial vision; Robert Wilson: the 'Visual Book'; Robert Lepage: cinematic self-directing; Total theatre and directing opera: Robert Wilson, Robert Lepage, Peter Sellars; Visual stylization as musical context: Robert Wilson; Cinematic and mechanistic deconstructions of opera: Robert Lepage; Conceptual politics: Peter Sellars; Sound and space: Christoph Marthaler; Further reading; Chapter 6 Directors of ensemble theatre Giorgio Strehler, Peter Stein, Peter Brook |
Record Nr. | UNINA-9910786110303321 |
Innes Christopher <1941->
![]() |
||
Cambridge : , : Cambridge University Press, , 2013 | ||
![]() | ||
Lo trovi qui: Univ. Federico II | ||
|
The Cambridge introduction to theatre directing / / Christopher Innes, Maria Shevtsova [[electronic resource]] |
Autore | Innes Christopher <1941-> |
Pubbl/distr/stampa | Cambridge : , : Cambridge University Press, , 2013 |
Descrizione fisica | 1 online resource (xi, 283 pages) : digital, PDF file(s) |
Disciplina | 792.02/33 |
Collana | Cambridge introductions to literature |
Soggetto topico |
Theater - Production and direction
Theater - Production and direction - History - 20th century Theatrical producers and directors |
ISBN |
1-107-35710-1
1-107-23348-8 1-107-34373-9 1-107-34748-3 1-107-25526-0 1-107-34498-0 1-107-34123-X 1-139-01639-3 |
Classificazione | DRA000000 |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto |
Cover; Contents; Illustrations; Acknowledgements; Introduction; Chapter 1 Traditional staging and the evolution of the director; Classical Greek theatre: director as choreographer; From Greece to Classical Rome; Medieval European staging; Playwright-managers: Renaissance and early seventeenth-century theatre; The seventeenth and eighteenth centuries: Enlightenment and the actor-manager; Introducing scenery: Philip Jacques de Loutherbourg; Henry Irving: the nineteenth-century actor-manager; The transition from traditional staging; The German stage and the function of the Intendant
The critic as director: Gotthold Lessing at the Hamburg NationaltheaterFurther reading; Chapter 2 The rise of the modern director; The Meiningen Players and the conditions for naturalism; The Meiningen influence; The theory of naturalism: Emile Zola; The naturalistic director: André Antoine and the Théâtre Libre; Symbolist theatre: a call for directorial vision; Richard Wagner: total theatre; Adolphe Appia: lighting and space; Gordon Craig, Adolphe Appia and the theory of directing; Stanislavsky and psychological realism; The Seagull; Acting 'with the body'; Further reading Chapter 3 Directors of theatricalityVsevolod Meyerhold: commedia dell'arte to biomechanics; Theatricality, stylization and the grotesque; The director as engineer: constructivism and biomechanics; Aleksandr Tairov: aestheticized theatricalization; Yevgeny Vakhtangov: 'festivity' and spectacle; Revisiting Meyerhold: Valery Fokin; The politics of theatricality: Ariane Mnouchkine; 'Masters'; Theatricality, metaphor and the 'East'; Directing in a collectivity of equals; Frank Castorf and Thomas Ostermeier: theatricality and violence; Eastern European directors: theatricality as resistance Further readingChapter 4 Epic theatre directors; Erwin Piscator's political theatre; Political staging: Piscator's Rasputin; Film and stage; Political directing: the Piscator approach; The Rasputin production: a model for epic theatre; Documentary theatre; Bertolt Brecht's epic theatre; Epic theatre and cabaret; Developing an epic style of staging and directing; Directing epic theatre: Mother Courage; The influence of epic theatre; Heiner Müller and post-Brechtian epic theatre; Postmodern epic directing: Roberto Ciulli; Further reading; Chapter 5 Total theatre: the director as auteur Gordon Craig and the Artist of the TheatreMax Reinhardt: the 'Director's Book'; Combining directorial methods: Norman Bel Geddes; Peter Brook: collective creation versus directorial vision; Robert Wilson: the 'Visual Book'; Robert Lepage: cinematic self-directing; Total theatre and directing opera: Robert Wilson, Robert Lepage, Peter Sellars; Visual stylization as musical context: Robert Wilson; Cinematic and mechanistic deconstructions of opera: Robert Lepage; Conceptual politics: Peter Sellars; Sound and space: Christoph Marthaler; Further reading; Chapter 6 Directors of ensemble theatre Giorgio Strehler, Peter Stein, Peter Brook |
Record Nr. | UNINA-9910822782503321 |
Innes Christopher <1941->
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||
Cambridge : , : Cambridge University Press, , 2013 | ||
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Lo trovi qui: Univ. Federico II | ||
|
Directors and designers [[electronic resource] /] / [edited by] Christine White |
Pubbl/distr/stampa | Bristol, : Intellect Books |
Descrizione fisica | 1 online resource (274 p.) |
Disciplina | 792.025 |
Altri autori (Persone) | WhiteChristine A. <1964-> |
Soggetto topico |
Set designers
Theaters - Stage-setting and scenery Theatrical producers and directors |
Soggetto genere / forma | Electronic books. |
ISBN |
1-282-45571-0
9786612455711 1-84150-352-5 |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto |
Front Cover; Preliminary Pages; Contents; Part I: Setting the Scene; Chapter 1: Back and Forth to Russia: Scenography as an Academic Study from Moscow 1994-St Petersburg 2004; Part II: Performing Partners; Chapter 2: Hand in Glove: The Designer as Director as Designer; Chapter 3: Political Performing Partners: Director Lee Strasberg, Scene Designer Mordecai Gorelik, Playwright John Howard Lawson and the Group Theatre; Chapter 4: The Director, the Designer and the Ghost/Creative Team in Site-Specific Performance Practice; Chapter 5: Director Petr Lébl and Designer William Nowák: To a Man
Chapter 6: The Organics of the Rehearsal Room: Contemporary Directing Practice and the Director-Designer RelationshipChapter 7: Collaborative Models: Mielziner, Williams and Kazan; Chapter 8: Problematics of Theatrical Negotiations: Directing, Scenography and State Ideology; Chapter 9: Methodological Practices for Directing and Designing; Chapter 10: The Digital Platform as a Communication Tool; Part III: Metaphors, Meta-Theatre and Methodologies; Chapter 11: The Seductive Scene or Reclaiming Spectacle; Chapter 12: Metatheatre: A Discourse on Contemporary Staging Chapter 13: A Metaphorical Mise-en-Scène: Elia Kazan and Max Gorelik at The Group TheatreChapter 14: Ideational Conflict and Resolution in the Design Process: Positive Outcomes from Negative Relationships; Chapter 15: Design as Action: Jean Cocteau and the Ballets Russes; Part IV: Postscript to the Director; Chapter 16: From Hamlet with Love: A Letter to the Other; Bibliography; Notes on Contributors; Index; Back Cover |
Record Nr. | UNINA-9910456906003321 |
Bristol, : Intellect Books | ||
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Lo trovi qui: Univ. Federico II | ||
|
Directors and designers [[electronic resource] /] / [edited by] Christine White |
Pubbl/distr/stampa | Bristol, : Intellect Books |
Descrizione fisica | 1 online resource (274 p.) |
Disciplina | 792.025 |
Altri autori (Persone) | WhiteChristine A. <1964-> |
Soggetto topico |
Set designers
Theaters - Stage-setting and scenery Theatrical producers and directors |
ISBN |
1-282-45571-0
9786612455711 1-84150-352-5 |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto |
Front Cover; Preliminary Pages; Contents; Part I: Setting the Scene; Chapter 1: Back and Forth to Russia: Scenography as an Academic Study from Moscow 1994-St Petersburg 2004; Part II: Performing Partners; Chapter 2: Hand in Glove: The Designer as Director as Designer; Chapter 3: Political Performing Partners: Director Lee Strasberg, Scene Designer Mordecai Gorelik, Playwright John Howard Lawson and the Group Theatre; Chapter 4: The Director, the Designer and the Ghost/Creative Team in Site-Specific Performance Practice; Chapter 5: Director Petr Lébl and Designer William Nowák: To a Man
Chapter 6: The Organics of the Rehearsal Room: Contemporary Directing Practice and the Director-Designer RelationshipChapter 7: Collaborative Models: Mielziner, Williams and Kazan; Chapter 8: Problematics of Theatrical Negotiations: Directing, Scenography and State Ideology; Chapter 9: Methodological Practices for Directing and Designing; Chapter 10: The Digital Platform as a Communication Tool; Part III: Metaphors, Meta-Theatre and Methodologies; Chapter 11: The Seductive Scene or Reclaiming Spectacle; Chapter 12: Metatheatre: A Discourse on Contemporary Staging Chapter 13: A Metaphorical Mise-en-Scène: Elia Kazan and Max Gorelik at The Group TheatreChapter 14: Ideational Conflict and Resolution in the Design Process: Positive Outcomes from Negative Relationships; Chapter 15: Design as Action: Jean Cocteau and the Ballets Russes; Part IV: Postscript to the Director; Chapter 16: From Hamlet with Love: A Letter to the Other; Bibliography; Notes on Contributors; Index; Back Cover |
Record Nr. | UNINA-9910781091003321 |
Bristol, : Intellect Books | ||
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Lo trovi qui: Univ. Federico II | ||
|
Directors and designers / / [edited by] Christine White |
Edizione | [1st ed.] |
Pubbl/distr/stampa | Bristol, : Intellect Books |
Descrizione fisica | 1 online resource (274 p.) |
Disciplina | 792.025 |
Altri autori (Persone) | WhiteChristine A. <1964-> |
Soggetto topico |
Set designers
Theaters - Stage-setting and scenery Theatrical producers and directors |
ISBN |
1-282-45571-0
9786612455711 1-84150-352-5 |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto |
Front Cover; Preliminary Pages; Contents; Part I: Setting the Scene; Chapter 1: Back and Forth to Russia: Scenography as an Academic Study from Moscow 1994-St Petersburg 2004; Part II: Performing Partners; Chapter 2: Hand in Glove: The Designer as Director as Designer; Chapter 3: Political Performing Partners: Director Lee Strasberg, Scene Designer Mordecai Gorelik, Playwright John Howard Lawson and the Group Theatre; Chapter 4: The Director, the Designer and the Ghost/Creative Team in Site-Specific Performance Practice; Chapter 5: Director Petr Lébl and Designer William Nowák: To a Man
Chapter 6: The Organics of the Rehearsal Room: Contemporary Directing Practice and the Director-Designer RelationshipChapter 7: Collaborative Models: Mielziner, Williams and Kazan; Chapter 8: Problematics of Theatrical Negotiations: Directing, Scenography and State Ideology; Chapter 9: Methodological Practices for Directing and Designing; Chapter 10: The Digital Platform as a Communication Tool; Part III: Metaphors, Meta-Theatre and Methodologies; Chapter 11: The Seductive Scene or Reclaiming Spectacle; Chapter 12: Metatheatre: A Discourse on Contemporary Staging Chapter 13: A Metaphorical Mise-en-Scène: Elia Kazan and Max Gorelik at The Group TheatreChapter 14: Ideational Conflict and Resolution in the Design Process: Positive Outcomes from Negative Relationships; Chapter 15: Design as Action: Jean Cocteau and the Ballets Russes; Part IV: Postscript to the Director; Chapter 16: From Hamlet with Love: A Letter to the Other; Bibliography; Notes on Contributors; Index; Back Cover |
Altri titoli varianti | Directors & designers |
Record Nr. | UNINA-9910820845803321 |
Bristol, : Intellect Books | ||
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Lo trovi qui: Univ. Federico II | ||
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Fifty key theatre directors / / edited by Shomit Mitter and Maria Shevtsova |
Pubbl/distr/stampa | London : , : Routledge, , 2005 |
Descrizione fisica | 1 online resource (305 p.) |
Disciplina | 792.02330922 |
Altri autori (Persone) |
MitterShomit <1960->
ShevtsovaMaria |
Collana | Routledge key guides |
Soggetto topico |
Theatrical producers and directors
Theater - Production and direction |
Soggetto genere / forma | Electronic books. |
ISBN |
1-134-66196-7
1-280-15838-7 0-203-48201-8 |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | BOOK COVER; TITLE; COPYRIGHT; CHRONOLOGICAL LIST OF CONTENTS; ALPHABETICAL LIST OF CONTENTS; CONTRIBUTORS; INTRODUCTION; FIFTY KEY THEATRE DIRECTORS; INDEX; |
Record Nr. | UNINA-9910457306803321 |
London : , : Routledge, , 2005 | ||
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Lo trovi qui: Univ. Federico II | ||
|
Fifty key theatre directors / / edited by Shomit Mitter and Maria Shevtsova |
Pubbl/distr/stampa | London : , : Routledge, , 2005 |
Descrizione fisica | 1 online resource (305 p.) |
Disciplina | 792.02330922 |
Altri autori (Persone) |
MitterShomit <1960->
ShevtsovaMaria |
Collana | Routledge key guides |
Soggetto topico |
Theatrical producers and directors
Theater - Production and direction |
ISBN |
1-134-66195-9
1-134-66196-7 1-280-15838-7 0-203-48201-8 |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | BOOK COVER; TITLE; COPYRIGHT; CHRONOLOGICAL LIST OF CONTENTS; ALPHABETICAL LIST OF CONTENTS; CONTRIBUTORS; INTRODUCTION; FIFTY KEY THEATRE DIRECTORS; INDEX; |
Record Nr. | UNINA-9910784588603321 |
London : , : Routledge, , 2005 | ||
![]() | ||
Lo trovi qui: Univ. Federico II | ||
|
Fifty key theatre directors / / edited by Shomit Mitter and Maria Shevtsova |
Edizione | [1st ed.] |
Pubbl/distr/stampa | London ; ; New York, : Routledge, 2005 |
Descrizione fisica | 1 online resource (305 p.) |
Disciplina | 792.02330922 |
Altri autori (Persone) |
MitterShomit <1960->
ShevtsovaMaria |
Collana | Routledge key guides |
Soggetto topico |
Theatrical producers and directors
Theater - Production and direction |
ISBN |
1-134-66195-9
1-134-66196-7 1-280-15838-7 0-203-48201-8 |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | BOOK COVER; TITLE; COPYRIGHT; CHRONOLOGICAL LIST OF CONTENTS; ALPHABETICAL LIST OF CONTENTS; CONTRIBUTORS; INTRODUCTION; FIFTY KEY THEATRE DIRECTORS; INDEX; |
Record Nr. | UNINA-9910826580303321 |
London ; ; New York, : Routledge, 2005 | ||
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Lo trovi qui: Univ. Federico II | ||
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