Anglo-American Stage and Screen Drama : The Post-Democratic World Order / / by Mike Ingham |
Autore | Ingham Mike |
Edizione | [1st ed. 2024.] |
Pubbl/distr/stampa | Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2024 |
Descrizione fisica | 1 online resource (293 pages) |
Disciplina | 792.9 |
Soggetto topico |
Theater - History
Performing arts Theater Motion pictures Television broadcasting Motion picture acting Cultural policy Popular Culture Contemporary Theatre and Performance Theatre and Performance Arts Film and Television Studies Screen Performance Cultural Policy and Politics |
ISBN | 3-031-45198-8 |
Formato | Materiale a stampa |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | Introduction:Anglophone Drama in a Post-Democratic, Post-Truth World -- Chapter 1. Western Theatre as Sociopolitical Forum—A Short History -- Chapter 2. Progressive Western Cinema -- Chapter 3. Case-study Films and Plays from the First Decade -- Chapter 4. Case-study Films and Plays from the First Decade -- Chapter 5. Case-study Films and Plays from the Second Decade.-Chapter 6. Case-study Films and Plays from the Second Decade -- Conclusion: Progressive Drama and its Potentialities . |
Record Nr. | UNINA-9910766890103321 |
Ingham Mike | ||
Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2024 | ||
Materiale a stampa | ||
Lo trovi qui: Univ. Federico II | ||
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Audience Engagement in the Performing Arts : A Critical Analysis / / by Ben Walmsley |
Autore | Walmsley Ben |
Edizione | [1st ed. 2019.] |
Pubbl/distr/stampa | Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2019 |
Descrizione fisica | 1 online resource (XI, 248 p. 10 illus., 7 illus. in color.) |
Disciplina |
790
790.2 |
Collana | New Directions in Cultural Policy Research |
Soggetto topico |
Performing arts
Theater Culture - Study and teaching Arts Communication Art - Study and teaching Cultural property Theatre and Performance Arts Cultural Theory Media and Communication Creativity and Arts Education Cultural Heritage |
ISBN | 3-030-26653-2 |
Formato | Materiale a stampa |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | Chapter 1 -- Introduction.-Chapter 2 -- Understanding audiences: a critical review of audience research.-Chapter 3 -- Deconstructing audiences' experiences.-Chapter 4 -- Capturing, interpreting and evaluating cultural value.-Chapter 5 -- Research (with) audiences.-Chapter 6 -- From consumption to enrichment: the long slow death of arts marketing.-Chapter 7 -- Co-creating art, meaning and value.-Chapter 8 -- Engaging audiences through digital technologies.-Chapter 9 -- Conclusions and implications. |
Record Nr. | UNINA-9910483989803321 |
Walmsley Ben | ||
Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2019 | ||
Materiale a stampa | ||
Lo trovi qui: Univ. Federico II | ||
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Barrie Kosky’s Transnational Theatres / / edited by James Phillips, John R. Severn |
Edizione | [1st ed. 2021.] |
Pubbl/distr/stampa | Cham : , : Springer International Publishing : , : Imprint : Springer, , 2021 |
Descrizione fisica | 1 online resource (XVI, 211 p. 39 illus., 35 illus. in color.) |
Disciplina | 306 |
Collana | Global Germany in Transnational Dialogues |
Soggetto topico |
Culture—Study and teaching
Performing arts Theater Mass media Theater—History Cultural Studies Theatre and Performance Arts Media Sociology Theatre History |
ISBN | 3-030-75028-0 |
Formato | Materiale a stampa |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | It Begins with the Theatre: Barrie Kosky’s Workshop -- “Very much a laboratory”: Barrie Kosky and the Gilgul Ensemble 1991–1997 -- “Aesthetic Ideas”: Mystery and Meaning in the Early Work of Barrie Kosky -- Something for Everybody? Art, Community, the Unfamiliar, and Barrie Kosky at the Adelaide Festival -- Dramaturgies of Repetition and the Denial of Catharsis: Traumatic Breaking Points in Barrie Kosky’s Approach to Character -- When All Else Fails, Sing: Barrie Kosky’s The Women of Troy -- Barrie Kosky’s Grotesques and the Ecstasy of Theatre -- “Es klang so alt und war doch so neu”: Barrie Kosky and Wagner’s Die Meistersinger von Nürnberg -- (Not) Repeating the Past in Barrie Kosky’s Die Meistersinger von Nürnberg. |
Record Nr. | UNINA-9910495170403321 |
Cham : , : Springer International Publishing : , : Imprint : Springer, , 2021 | ||
Materiale a stampa | ||
Lo trovi qui: Univ. Federico II | ||
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Beckett and Politics / / edited by William Davies, Helen Bailey |
Edizione | [1st ed. 2021.] |
Pubbl/distr/stampa | Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2021 |
Descrizione fisica | 1 online resource (XIV, 319 p. 1 illus.) |
Disciplina |
828.91409
800 |
Collana | New Directions in Irish and Irish American Literature |
Soggetto topico |
Literature, Modern - 20th century
Literature Drama European literature Performing arts Theater Twentieth-Century Literature European Literature Theatre and Performance Arts |
ISBN | 3-030-47110-1 |
Formato | Materiale a stampa |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | 1. Introduction, Helen Bailey & William Davies -- 2. The Politics of Forms in Beckett’s Writing, Nadia Louar -- 3. Beckett, Contradiction and a Textual Politics of Change, Arka Chattopadhyay -- 4. “Made of words”: Beckett and the Politics of Language, Alan Graham -- 5. “First the Place, Then I’ll Find Me in It”: The Unnamable’s Pronouns and the Politics of Confinement, James Little -- 6. Beckett, Evangelicalism and the Biopolitics of Famine, Seán Kennedy -- 7. Tweaking Misogyny or Misogyny Twisted: Beckett’s Take on “Aristotle and Phyllis” in Happy Days, Kumiko Kiuchi -- 8. Insufferable Maternity and Motherhood in “First Love”, Brenda O’Connell -- 9. Beckett, Biopolitics and the Problem of Life, Marc Farrant -- 10. Beckett’s Portrait of the Artist as a Young “Post-War Degenerate”, Giovanna Vincenti -- 11. Waiting for Godot and the Fascist Aesthetics of the Bod, Hannah Simpson -- 12. Political Theatre and the Beckett Problem, Emilie Morin -- 13. “The air is full of our cries”: Staging Godot during apartheid South Africa, Matthew McFrederick -- 14. Samuel Beckett’s Nominalist Politics and the Pitfalls of ‘Presentism’, Matthew Feldman -- 15. Samuel Beckett’s Subaltern Figures, Brendan Dowling -- 16. The Big House in the Suburbs: Home Thoughts from Abroad in Watt, Feargal Whelan -- 17. Beckett and the Politics of Empathy in Site-Specific Theatre, Niamh M. Bowe -- 18. Towards A Modernism with Meaning: Beckett’s Refugees, Rodney Sharkey -- 19. Afterword, Peter Boxall. |
Record Nr. | UNINA-9910483948003321 |
Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2021 | ||
Materiale a stampa | ||
Lo trovi qui: Univ. Federico II | ||
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Bernard Shaw, W. T. Stead, and the New Journalism : Whitechapel, Parnell, Titanic, and the Great War / / by Nelson O'Ceallaigh Ritschel |
Autore | Ritschel Nelson O'Ceallaigh |
Edizione | [1st ed. 2017.] |
Pubbl/distr/stampa | Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2017 |
Descrizione fisica | 1 online resource (XI, 248 p.) |
Disciplina | 792.09 |
Collana | Bernard Shaw and His Contemporaries |
Soggetto topico |
Theater - History
Performing arts Theater European literature Journalism Literature - History and criticism Theatre History Theatre and Performance Arts European Literature Literary History |
ISBN | 3-319-49007-9 |
Formato | Materiale a stampa |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | 1. Introduction -- 2. Stead and the Whitechapel Frenzy -- 3. Parnell, Disarmament, and the Morality Frenzy -- 4.Stead, Russia, and Titanic -- 5. War -- 6. Epilogue -- Notes -- Bibliography -- Index. |
Record Nr. | UNINA-9910163991103321 |
Ritschel Nelson O'Ceallaigh | ||
Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2017 | ||
Materiale a stampa | ||
Lo trovi qui: Univ. Federico II | ||
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Border-Crossing and Comedy at the Théâtre Italien, 1716–1723 / / by Matthew J. McMahan |
Autore | McMahan Matthew J. |
Edizione | [1st ed. 2021.] |
Pubbl/distr/stampa | Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2021 |
Descrizione fisica | 1 online resource (272 pages) |
Disciplina |
792.0944361
792.0895104436109033 |
Collana | Transnational Theatre Histories |
Soggetto topico |
Theater - History
Theater Performing arts Theatre History Global and International Theatre and Performance Theatre and Performance Arts |
ISBN | 3-030-70071-2 |
Formato | Materiale a stampa |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | Chapter 1: Italian Cultural Capital on the French Stage -- Chapter 2: Prologues, Meta-Comedy, and Cross-Cultural Rapport -- Chapter 3: Bilingualism and Translation in Comedy -- Chapter 4: Stereotypes , Self-Deprecation, and Refracted Satire -- Chapter 5: Improvisation, Emotion, and the Italian Brand -- Chapter 6: Parody as Transcultural Critique. . |
Record Nr. | UNINA-9910481954803321 |
McMahan Matthew J. | ||
Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2021 | ||
Materiale a stampa | ||
Lo trovi qui: Univ. Federico II | ||
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Bosnian Literary Adaptations on Stage and Screen / / by Sanja Garić-Komnenić |
Autore | Garic-Komnenić Sanja |
Edizione | [1st ed. 2024.] |
Pubbl/distr/stampa | Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2024 |
Descrizione fisica | 1 online resource (268 pages) |
Disciplina | 891.8209006 |
Collana | Adaptation in Theatre and Performance |
Soggetto topico |
Performing arts
Theater Adaptation (Literary, artistic, etc.) Motion pictures Balto-Slavic linguistic unity European literature Theatre and Performance Arts Adaptation Studies Film Studies Slavic and Baltic Languages European Literature |
ISBN | 3-031-47134-2 |
Formato | Materiale a stampa |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | Introduction -- Part one -- Chapter 1- the basic concepts in semiotics -- Chapter 2- sign in film and theatre -- Chapter 3 - film and theatre language -- Conclusion -- Part two - the practicum -- Introduction -- Chapter 4 - the novel the fortress as the film discourse -- Chapter 5- the novel the island as the theatre discourse -- Conclusion. |
Record Nr. | UNINA-9910857793903321 |
Garic-Komnenić Sanja | ||
Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2024 | ||
Materiale a stampa | ||
Lo trovi qui: Univ. Federico II | ||
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Carnival and Power : Play and Politics in a Crown Colony / / by Vicki Ann Cremona |
Autore | Cremona Vicki Ann |
Edizione | [1st ed. 2018.] |
Pubbl/distr/stampa | Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2018 |
Descrizione fisica | 1 online resource (XIX, 304 p. 16 illus., 3 illus. in color.) |
Disciplina | 792.09 |
Collana | Transnational Theatre Histories |
Soggetto topico |
Theater - History
Performing arts Theater Theatre History Theatre and Performance Arts Global and International Theatre and Performance |
ISBN | 3-319-70656-X |
Formato | Materiale a stampa |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | 1. Perceptions of Colony and Carnival -- 2. Power and its Historical Framework -- 3. Social Difference and Street Dynamics -- 4. Fancy Dress, Rank and Dignity: Power and Play in Carnival Balls -- 5. ‘The sweet satires that prick where it is needed….’: The Caricature of Power -- 6. Raising the Levels of Street Carnivals – Competitions and Prizes -- 7. Carnival or Carnivals? Political Wrangles Between State, Church and Party -- 8. Politics vs Religion and State – Beyond Carnival and the Carnivalesque -- 9. Carnival as a Transnational Cultural Phenomenon. |
Record Nr. | UNINA-9910300022103321 |
Cremona Vicki Ann | ||
Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2018 | ||
Materiale a stampa | ||
Lo trovi qui: Univ. Federico II | ||
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Choreographic Practice in Online Pedagogy / / by Peter J. Cook |
Autore | Cook Peter J |
Edizione | [1st ed. 2024.] |
Pubbl/distr/stampa | Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2024 |
Descrizione fisica | 1 online resource (294 pages) |
Disciplina | 792.62071 |
Collana | Creativity, Education and the Arts |
Soggetto topico |
Art - Study and teaching
Teaching Dance Performing arts Theater Creativity and Arts Education Pedagogy Theatre and Performance Arts |
ISBN |
9783031616532
9783031616525 |
Formato | Materiale a stampa |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | 1: ENTERING THE RHIZOME -- 2: LEARNING THROUGH TECHNOLOGY IN DANCE -- 3: CENTRING CHOREOGRAPHIC PRACTICE IN DANCE LEARNING -- 4: A/R/TOGRAPHY AS THEORY -- 5: INITIAL RUPTURES OF CHOREOGRAPHIC PRACTICE -- 6: THE AUSTRALIAN DANCE PLATEAU -- 7: THEORIES OF CHOREOGRAPHIC PRACTICE -- 8: A LIVING INQUIRY -- 9: METHODS OF MOVEMENT -- 10: THE ARTISTS’ WORKS -- 11: APPLYING A/R/TOGRAPHIC RENDERINGS TO THE ARTISTIC WORKS -- 12: THE TEACHERS’ WORKS -- 13: APPLYING A/R/TOGRAPHIC RENDERINGS TO THE TEACHERS’ WORKS -- 14: SPACE TIME DYNAMICS -- 15: UNDERSTANDING THE MULTIPLICITIES. |
Record Nr. | UNINA-9910874681303321 |
Cook Peter J | ||
Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2024 | ||
Materiale a stampa | ||
Lo trovi qui: Univ. Federico II | ||
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Conjugal Relationships in Chinese Culture : Sino-Western Discourses and Aesthetics on Marriage / / edited by Chi Sum Garfield Lau, Kelly Kar Yue Chan |
Edizione | [1st ed. 2023.] |
Pubbl/distr/stampa | Singapore : , : Springer Nature Singapore : , : Imprint : Springer, , 2023 |
Descrizione fisica | 1 online resource (XVIII, 179 p. 17 illus., 1 illus. in color.) |
Disciplina | 306.810951 |
Collana | Chinese Culture, Globality, Connectivity and Modernity |
Soggetto topico |
Ethnology - Asia
Culture Oriental literature Philosophy, Chinese Motion pictures Translating and interpreting Performing arts Theater Asian Culture Asian Literature Chinese Philosophy Film Studies Language Translation Theatre and Performance Arts |
ISBN | 981-19-9841-8 |
Formato | Materiale a stampa |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | Part I: Revolutionary Alternatives of Conjugal Relationships in Chinese Culture -- Chapter 1: Divorce and Remarriage as Revealed in Cantonese Opera: The Phoenix Hairpin and The Return of Lady Wenji -- Chapter 2: A Preliminary Note on the Ancient Sages’ “Unmarried” Mothers and the Acceleration of Virtuous Power -- Chapter 3: Creating Romance or Divorce: Marriage Reform in Early 20th Century Chinese Print Media -- Chapter 4: ‘Free Love’ and ‘Free Marriage’: An American Female Missionary’s Prescription and Chinese Writers’ Imagination in the Late 1920s -- Chapter 5: Marriage in Migration and Homecoming: Joseph Conrad’s “Amy Foster” and Ha Jin’s “The Woman from New York” -- Part II: Reassessment of Contemporary Nuptial Discourse in Various Forms -- Chapter 6: Linguacultural Representation of the Cultural Self and Other in Chinese Women’s Discourse on Transnational Remarriage -- Chapter 7: A Visual Interpretation of Eastern and Western Relationships on Wedding Invitation Cards -- Chapter 8: Norwegian Fortune-Teller Henning Hai Lee Yang’s I Ching: Emphasis on Marriage during the Surge in Norwegian Divorces and Cohabitation -- Chapter 9: Happily Ever After? Rethinking Marriage in Contemporary Hong Kong. |
Record Nr. | UNINA-9910698647103321 |
Singapore : , : Springer Nature Singapore : , : Imprint : Springer, , 2023 | ||
Materiale a stampa | ||
Lo trovi qui: Univ. Federico II | ||
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