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Acting and Being : Explorations in Embodied Performance / / by Elizabeth Hess
| Acting and Being : Explorations in Embodied Performance / / by Elizabeth Hess |
| Autore | Hess Elizabeth |
| Edizione | [1st ed. 2016.] |
| Pubbl/distr/stampa | London : , : Palgrave Macmillan UK : , : Imprint : Palgrave Macmillan, , 2016 |
| Descrizione fisica | 1 online resource (XIII, 239 p. 10 illus.) |
| Disciplina | 790 |
| Soggetto topico |
Performing arts
Theater Dance Philosophy of mind Self Theatre and Performance Arts Philosophy of the Self |
| ISBN |
9781349951062
1349951064 |
| Formato | Materiale a stampa  |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Part I. States of Being -- Chapter 1. Behavioral States -- Chapter 2. Physiological States -- Chapter 3. Psychological States -- Part II. Explorations in Embodied Performance -- Chapter 4. Behavioral Explorations -- Chapter 5. Physiological Explorations -- Chapter 6. Psychological Explorations -- Part III The Interplay of Acting & Being -- Chapter 7. Character Work -- Chapter 8. Scene Study -- Chapter 9. Production -- Bibliography. |
| Record Nr. | UNINA-9910157398803321 |
Hess Elizabeth
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| London : , : Palgrave Macmillan UK : , : Imprint : Palgrave Macmillan, , 2016 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Acting Queer : Gender Dissidence and the Subversion of Realism / / by Conrad Alexandrowicz
| Acting Queer : Gender Dissidence and the Subversion of Realism / / by Conrad Alexandrowicz |
| Autore | Alexandrowicz Conrad |
| Edizione | [1st ed. 2020.] |
| Pubbl/distr/stampa | Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2020 |
| Descrizione fisica | 1 online resource (225 pages) |
| Disciplina | 305.3 |
| Soggetto topico |
Performing arts
Theater Theater - History Actors Queer theory Ethnology Theatre and Performance Arts Contemporary Theatre and Performance Performers and Practitioners Queer Studies Sociocultural Anthropology |
| ISBN |
9783030293185
3030293181 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | 1. Introduction: 'Straight-looking, Straight-acting' -- 2. 'You're Soaking in It': the Influence of Hollywood -- 3. Gender Dissidence and Its Prohibitions -- 4. Gendered Movement and "Physical' Acting -- 5. The Subversion of Realism -- 6. Queer-looking, Queer-acting -- 7. Extensions and Excursions: Acting Queer Ecology. |
| Record Nr. | UNINA-9910483216703321 |
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Alexandrowicz Conrad
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| Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2020 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Actors and the Art of Performance : Under Exposure / / by Susanne Granzer
| Actors and the Art of Performance : Under Exposure / / by Susanne Granzer |
| Autore | Granzer Susanne |
| Edizione | [1st ed. 2016.] |
| Pubbl/distr/stampa | 2016 |
| Descrizione fisica | 1 online resource (xi, 120 pages) : illustrations |
| Disciplina | 792.02801 |
| Collana | Performance Philosophy |
| Soggetto topico |
Motion picture authorship
Motion pictures Television broadcasting Performing arts Theater Philosophy Screenwriting Film and Television Studies Theatre and Performance Arts |
| ISBN |
9781137596345
1137596341 |
| Classificazione | PER000000PER004050PER011000PHI000000 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Part I: Hits -- 1. Auditorium X -- Double stalemate -- Turning point, peripeteia -- Turn around -- i, mine -- 2. Speculations -- Actors' fears -- Crying -- Child's play -- Exposed -- With-out me -- 3. Black out -- First time at the theater -- Part II: Experts in being? -- 4. The actor: A creature of fable -- why do you want to be an actor? -- 5. The Causa Corpora -- The kiss of Olympia -- Machine against man -- The actor's trump card -- 6. The gift of acting -- Skipping -- Prejudice -- Subject-based thinking versus stage experience -- Master and servant -- Bodies on stage -- Innocence of becoming -- Language and speaking -- Digesting speech -- Counterwords -- The Other, the others -- Affect versus thought -- Thinking and acting -- Repetition -- 7. The gift of death -- Tu es mort -- Theater as a symbolic death -- Point of no return -- Felicity -- a salto mortale -- Our friend Touchstone -- 8. Finale and punctum -- Why do you want to be an actor? |
| Record Nr. | UNINA-9910134808903321 |
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Granzer Susanne
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| 2016 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Adaptation and Nation : Theatrical Contexts for Contemporary English and Irish Drama / / by Catherine Rees
| Adaptation and Nation : Theatrical Contexts for Contemporary English and Irish Drama / / by Catherine Rees |
| Autore | Rees Catherine |
| Edizione | [1st ed. 2017.] |
| Pubbl/distr/stampa | London : , : Palgrave Macmillan UK : , : Imprint : Palgrave Macmillan, , 2017 |
| Descrizione fisica | 1 online resource (IX, 185 p.) |
| Disciplina | 792 |
| Collana | Adaptation in Theatre and Performance |
| Soggetto topico |
Performing arts
Theater Motion picture acting Cultural property Communication Ethnology - Great Britain Culture Theatre and Performance Arts Screen Performance Cultural Heritage Media and Communication British Culture |
| ISBN |
9781137425874
1137425873 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Chapter 1. Introduction -- Chapter 2. Brian Friel -- Chapter 3. Marina Carr -- Chapter 4. Sarah Kane -- Chapter 5. Patrick Marber -- Chapter 6. “An Interlude” -- Chapter 7. Martin McDonagh -- Chapter 8. Conclusion -- Bibliography -- Index. |
| Record Nr. | UNINA-9910255077003321 |
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Rees Catherine
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| London : , : Palgrave Macmillan UK : , : Imprint : Palgrave Macmillan, , 2017 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Adaptation Considered as a Collaborative Art : Process and Practice / / edited by Bernadette Cronin, Rachel MagShamhráin, Nikolai Preuschoff
| Adaptation Considered as a Collaborative Art : Process and Practice / / edited by Bernadette Cronin, Rachel MagShamhráin, Nikolai Preuschoff |
| Edizione | [1st ed. 2020.] |
| Pubbl/distr/stampa | Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2020 |
| Descrizione fisica | 1 online resource (373 pages) |
| Disciplina |
741.5973
801 |
| Collana | Adaptation in Theatre and Performance |
| Soggetto topico |
Performing arts
Theater Motion picture acting Literature and technology Mass media and literature Comparative literature Motion picture authorship Theater - Production and direction Theatre and Performance Arts Screen Performance Literature and Technology Comparative Literature Screenwriting Theatre Direction and Production |
| ISBN |
9783030251611
3030251616 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | 1. Introduction: Process and Practice -- 2. Collaborating with the Dead, or Adapters as Secret Agents -- 3. 'Playing the Maids': Playing with Adaptive Possibilities - Collaboration and the Actor's Process -- 4. The Not-So-Singular Life of Albert Nobbs -- 5. Adaptation, Devising and Collective Creation: Tracing Histories of Pat McCabe's The Butcher Boy on Stage -- 6. The Alien World of Objects: Stanley Kubrick's The Killing -- 7. Adapting History in the Docupoetry of Lorna Dee Cervantes and Script Poems of Danez Smith and Claudia Rankine -- 8. "His world had vanished long before he entered it" Wes Anderson's homage to Stefan Zweig -- 9. Collaborative Art with Political Intent: The 1933 Adaptation of Theodor Storm's Der Schimmelreiter / The Rider on the White Horse (1888) -- 10. Adapting Hein's Willenbrock: Andreas Dresen and the legacy of the GDR 'Ensemble' Tradition -- 11. Same Player, Shoot Again: Géla Babluan's 13 (Tzameti), Transnational Auto-Remakes, and Collaboration -- 12. Anselm Kiefer's Signature -- 13. Adaptation as Arguing with the Past: The Case of Sherlock -- 14. The Prestige Noverlisation of the Contemporary TV Series: David Hewson's The Killing -- 15. Things You Can Do to an Author When He's Dead: Literary Prosthetics and the Example of Heinrich von Kleist -- 16. Collaborating with the Dead, Playing the Shakespeare Archive; or How We Can Avoid Being Pushed from Our Stools. |
| Record Nr. | UNINA-9910483880203321 |
| Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2020 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Adapting the Novel for the Stage : Translation in Intermedial Circulation / / by Naciye Sağlam
| Adapting the Novel for the Stage : Translation in Intermedial Circulation / / by Naciye Sağlam |
| Autore | Sağlam Naciye |
| Edizione | [1st ed. 2025.] |
| Pubbl/distr/stampa | Cham : , : Springer Nature Switzerland : , : Imprint : Palgrave Macmillan, , 2025 |
| Descrizione fisica | 1 online resource (267 pages) |
| Disciplina | 809.2 |
| Collana | Adaptation in Theatre and Performance |
| Soggetto topico |
Performing arts
Theater Adaptation (Literary, artistic, etc.) Semiotics Translating and interpreting Theatre and Performance Arts Adaptation Studies Language Translation |
| ISBN | 3-032-00922-7 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Chapter 1: Introduction -- Chapter 2: Novel to Stage Adaptations as Intersemiotic Translation in Intermedial Circulation -- Chapter 3: Alice’s Adventures in Wonderland Intersemiotic Translation and Intermedial Circulation -- Chapter 4: Intersemiotic Translation of A Clockwork Orange and Intermedial Circulation -- Chapter 5: Intersemiotic Translation of 1984 and Intermedial Circulation -- Chapter 6: Conclusion. |
| Record Nr. | UNINA-9911031566103321 |
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Sağlam Naciye
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| Cham : , : Springer Nature Switzerland : , : Imprint : Palgrave Macmillan, , 2025 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Adapting War Horse : Cognition, the Spectator, and a Sense of Play / / by Toby Malone, Christopher J. Jackman
| Adapting War Horse : Cognition, the Spectator, and a Sense of Play / / by Toby Malone, Christopher J. Jackman |
| Autore | Malone Toby |
| Edizione | [1st ed. 2016.] |
| Pubbl/distr/stampa | London : , : Palgrave Macmillan UK : , : Imprint : Palgrave Macmillan, , 2016 |
| Descrizione fisica | 1 online resource (XIII, 113 p. 3 illus. in color.) |
| Disciplina | 790 |
| Collana | Palgrave Pivot |
| Soggetto topico |
Performing arts
Theater Children's literature Motion pictures - Great Britain Theatre and Performance Arts Children's Literature British Film and TV |
| ISBN |
9781137594754
1137594756 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Introduction. Playing the War Horse Game.-Chapter 1. “We Get to Know Him” -- Chapter 2. “Making Fit” -- Chapter 3. Spectatorship as Embodied Practice -- Chapter 4. Animated Horse-Play -- Chapter 5. Emotional Promises -- Chapter 6. Tour Horse -- Works Cited. |
| Record Nr. | UNINA-9910255247003321 |
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Malone Toby
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| London : , : Palgrave Macmillan UK : , : Imprint : Palgrave Macmillan, , 2016 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Affects in 21st-Century British Theatre : Exploring Feeling on Page and Stage / / edited by Mireia Aragay, Cristina Delgado-García, Martin Middeke
| Affects in 21st-Century British Theatre : Exploring Feeling on Page and Stage / / edited by Mireia Aragay, Cristina Delgado-García, Martin Middeke |
| Edizione | [1st ed. 2021.] |
| Pubbl/distr/stampa | Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2021 |
| Descrizione fisica | 1 online resource (pages) |
| Disciplina |
801.92
792.09410905 |
| Soggetto topico |
Theater - History
Performing arts Theater Contemporary Theatre and Performance Theatre and Performance Arts National and Regional Theatre and Performance |
| ISBN |
9783030584863
3030584860 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | 1. Chapter 1: Introduction: Thinking-Feeling our Way; Mireia Aragay (University of Barcelona), Cristina Delgado-García (University of Glasgow) and Martin Middeke (University of Augsburg) -- 2. Chapter 2: 'Feel and Think, Think and Feel: Complicating Empathy in debbie tucker green's hang; Mireia Aragay (University of Barcelona) -- 3. Chapter 3: Moving Parts: Emotion, Intention and Ambivalent Attachments; Clare Wallace (Charles University, Prague) -- 4. Chapter 4: Love and the Intentionality of Affect in Lucy Prebble's The Effect and debbie tucker green's a profoundly affectionate, passionate devotion to someone (-noun); Korbinian Stöckl (University of Augsburg) -- 5. Chapter 5: Political Dramaturgies of Affect: Anthony Neilson's God in Ruins and The Wonderful World of Dissocia; Liz Tomlin (University of Glasgow) -- 6. Chapter 6: Black Lives, Black Words at the Bush Theatre: Art, Anger, Affect and Activism; Lynette Goddard (Royal Holloway, University of London) -- 7. Chapter 7: 'Feeling Feminism': Politics of Mischief in Contemporary Women's Theatre; Marissia Fragkou (Canterbury Christ Church University) -- 8. Chapter 8: Contemporary British Theatre, Democracy and Affect: States of Feeling; Cristina Delgado-García (University of Glasgow) -- 9. Chapter 9: Affect and the Politics of Abstraction in British New Writing; Philip Watkinson (University of Winchester) -- 10. Chapter 10: Vibrant Materials: Affective Arrangements, the Allure of Glamour and Architexture(s) in Penelope Skinner's Eigengrau and Mike Bartlett's Game; Martin Middeke (University of Augsburg) -- 11. Chapter 11: Entanglements: Transaction and Intra-Action with the Devil in How to Hold Your Breath; Julia Boll (Konstanz University) -- 12. Chapter 12: Theatre at the End of the World; Mark Robson (University of Dundee) -- 13. Chapter 13: Affects and the Development of Political Subjectivity: From Resilience to Agency in Kate Tempest's Wasted; Clara Escoda (University of Barcelona) -- . |
| Record Nr. | UNINA-9910484092903321 |
| Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2021 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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African Youth Languages : New Media, Performing Arts and Sociolinguistic Development / / edited by Ellen Hurst-Harosh, Fridah Kanana Erastus
| African Youth Languages : New Media, Performing Arts and Sociolinguistic Development / / edited by Ellen Hurst-Harosh, Fridah Kanana Erastus |
| Edizione | [1st ed. 2018.] |
| Pubbl/distr/stampa | Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2018 |
| Descrizione fisica | 1 online resource (xv, 255 pages) : illustrations |
| Disciplina | 306.44096 |
| Soggetto topico |
African languages
Sociolinguistics Applied linguistics Multilingualism Performing arts Theater African Languages Applied Linguistics Theatre and Performance Arts |
| ISBN |
9783319645629
3319645625 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Chapter 1. Introduction -- Section I. Social and Advertising Media -- Chapter 2. Functions of urban and Youth language in the new media: The Case of Sheng in Kenya; Fridah Kanana Erastus and Hildah Kebeya -- Chapter 3. View on the Updating of Nouchi Lexicon and Expressions; Akissi Béatrice Boutin and Jean-Claude Dodo -- Chapter 4. Social media as an extension of, and negotiation space for, a community of practice: a comparison of Nouchi and Tsotsitaal; Roland Raoul Kouassi and Ellen Hurst -- Chapter 5. The Use of Addressing Terms in Social Media: The Case of Cameroonian Youth Practices; Augustin E. Ebongue -- Chapter 6. The Impact of Youth Language on Linguistic Landscapes in Kenya and Tanzania; Leonard Muaka -- Chapter 7. Creative Use of Urban Youth Language in Advertisements: A Case of Mixing Codes; Edinah Gesare Mose and Orpha Bonareri Ombati -- Section 2. Music, Performance Poetry and Video -- Chapter 8. Plurality, translingual splinters and music-modality in Nigerian youth languages;Lasisi Adeiza Isiaka -- Chapter 9. Contestant Hybridities African urban youth language in Nigerian music and social media; Taiwo Oloruntoba-Oju -- Chapter 10. Linguistic (and non-linguistic) Influences on Urban Performance Poetry in South African Contemporary Youth Culture; Unathi Nopece -- Chapter 11. Slangs in Yoruba Home Videos: A Morpho-Pragmatic Analysis; Asiru Hameed Tunde. |
| Record Nr. | UNINA-9910300596103321 |
| Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2018 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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After In-Yer-Face Theatre : Remnants of a Theatrical Revolution / / edited by William C. Boles
| After In-Yer-Face Theatre : Remnants of a Theatrical Revolution / / edited by William C. Boles |
| Edizione | [1st ed. 2020.] |
| Pubbl/distr/stampa | Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2020 |
| Descrizione fisica | 1 online resource (255 pages) |
| Disciplina | 792.09 |
| Soggetto topico |
Theater - History
Theater Performing arts Contemporary Theatre and Performance Theatre History National and Regional Theatre and Performance Theatre and Performance Arts Teatre |
| Soggetto genere / forma | Llibres electrònics |
| ISBN |
9783030394271
3030394271 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | 1. Chapter One: Introduction: Reflections on In-Yer-Face from the Other Side of the Atlantic; William C. Boles -- 2. Chapter Two: "In the Pursuit of New Writers": The Royal Court Young Peoples' Theatre and the Development of First Time Playwrights in the 1990s; Nicholas Holden -- 3. Chapter Three: "A Shop Window for Outrage": Harold Pinter's Ashes to Ashes, In-Yer-Face Theatre and the Royal Court's 1996 West End Season; Graham Saunders -- 4. Chapter Four: "The Last Rolo": Love, Conflict and War in Anthony Neilson's Penetrator; Rachael Newberry -- 5. Chapter Five: Mark Ravenhill's Dialectical Emotions: "In-Yer-Face" as Post-Brechtian Theater; Anja Hartl -- 6. Chapter Six: Undressing Sarah Kane: A Portuguese Perspective on In-Yer-Face; Cátia Faísco -- 7. Chapter Seven: Russian "In-Yer-Face Theatre" as a Problem or a Process; Elena Dotsenko -- 8. Chapter Eight: Surfing the Wave ofIn-Yer-Face Theatre on Australian Shores; Sandra Gattenhof -- 9. Chapter Nine: The Hidden Dialogue between Sarah Kane and Edward Bond: The Dramaturgy of Accident Time and Ethical Subjectivities; Chien-Cheng Chen -- 10. Chapter Ten: From "In-Yer-Face" to "In-Yer-Head": Staging the Mind in Martin Crimp, Sarah Kane and Anthony Neilson; Solange Ayache -- 11. Chapter Eleven: Philip Ridley: Still In-Yer-Face; Thomas A. Oldham -- 12. Chapter Twelve: Tales from the East End: Dialogic and Confessional Storytelling as Therapy (?) in the Plays of Philip Ridley; Cath Badham -- 13. Chapter Thirteen: Joe Penhall's Fatherhood Plays: Escaping the Influence of Sam Shepard and the Lad; William C. Boles -- 14. Chapter Fourteen: "Experiential, not speculative": Love In and After In-Yer-Face; Korbinian Stöckl -- 15. Chapter Fifteen: The Echo Chamber: Theater in a "Post-Truth" World. |
| Record Nr. | UNINA-9910483803703321 |
| Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2020 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Soggetto topico
- Performing arts (389)
- Theater (389)
-
Theatre and Performance Arts
(389)
- Theater - History (154)
- Theatre History (86)