Adaptation Considered as a Collaborative Art : Process and Practice / / edited by Bernadette Cronin, Rachel MagShamhráin, Nikolai Preuschoff |
Edizione | [1st ed. 2020.] |
Pubbl/distr/stampa | Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2020 |
Descrizione fisica | 1 online resource (373 pages) |
Disciplina |
741.5973
801 |
Collana | Adaptation in Theatre and Performance |
Soggetto topico |
Performing arts
Motion picture acting Technology in literature Literature—Translations Motion picture authorship Theater—Production and direction Performing Arts Screen Performance Literature and Technology/Media Translation Studies Screenwriting Theatre Direction and Production |
ISBN | 3-030-25161-6 |
Formato | Materiale a stampa |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | 1. Introduction: Process and Practice -- 2. Collaborating with the Dead, or Adapters as Secret Agents -- 3. 'Playing the Maids': Playing with Adaptive Possibilities - Collaboration and the Actor's Process -- 4. The Not-So-Singular Life of Albert Nobbs -- 5. Adaptation, Devising and Collective Creation: Tracing Histories of Pat McCabe's The Butcher Boy on Stage -- 6. The Alien World of Objects: Stanley Kubrick's The Killing -- 7. Adapting History in the Docupoetry of Lorna Dee Cervantes and Script Poems of Danez Smith and Claudia Rankine -- 8. "His world had vanished long before he entered it" Wes Anderson's homage to Stefan Zweig -- 9. Collaborative Art with Political Intent: The 1933 Adaptation of Theodor Storm's Der Schimmelreiter / The Rider on the White Horse (1888) -- 10. Adapting Hein's Willenbrock: Andreas Dresen and the legacy of the GDR 'Ensemble' Tradition -- 11. Same Player, Shoot Again: Géla Babluan's 13 (Tzameti), Transnational Auto-Remakes, and Collaboration -- 12. Anselm Kiefer's Signature -- 13. Adaptation as Arguing with the Past: The Case of Sherlock -- 14. The Prestige Noverlisation of the Contemporary TV Series: David Hewson's The Killing -- 15. Things You Can Do to an Author When He's Dead: Literary Prosthetics and the Example of Heinrich von Kleist -- 16. Collaborating with the Dead, Playing the Shakespeare Archive; or How We Can Avoid Being Pushed from Our Stools. |
Record Nr. | UNINA-9910483880203321 |
Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2020 | ||
Materiale a stampa | ||
Lo trovi qui: Univ. Federico II | ||
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Bernard Shaw on the American Stage : A Chronicle of Premieres and Notable Revivals / / by L. W. Conolly |
Autore | Conolly L. W (Leonard W.) |
Edizione | [1st ed. 2022.] |
Pubbl/distr/stampa | Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2022 |
Descrizione fisica | 1 online resource (506 pages) |
Disciplina |
792.95
822.912 |
Collana | Bernard Shaw and His Contemporaries |
Soggetto topico |
Theater - History
Theater Playwriting Dramatists Theater - Production and direction Actors Theatre History Global and International Theatre and Performance Playwrights and Playwriting Theatre Direction and Production Performers and Practitioners |
ISBN |
9783031042416
9783031042409 |
Formato | Materiale a stampa |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | Chapter 1: The Mansfield Years -- Chapter 2: The Daly Years -- Chapter 3: Robert Loraine and Man and Superman -- Chapter 4: The Syndicates -- Chapter 5: Eliza Comes to Broadway -- Chapter 6: The War Years -- Chapter 7: The Little Theatres -- Chapter 8: The Theatre Guild -- Chapter 9: Political Shaw -- Chapter 10: Posthumous Shaw. . |
Record Nr. | UNINA-9910590087903321 |
Conolly L. W (Leonard W.) | ||
Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2022 | ||
Materiale a stampa | ||
Lo trovi qui: Univ. Federico II | ||
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Bernard Shaw's Marriages and Misalliances / / edited by Robert A. Gaines |
Edizione | [1st ed. 2017.] |
Pubbl/distr/stampa | New York : , : Palgrave Macmillan US : , : Imprint : Palgrave Macmillan, , 2017 |
Descrizione fisica | 1 online resource (XXXV, 229 p. 6 illus.) |
Disciplina | 792.09 |
Collana | Bernard Shaw and His Contemporaries |
Soggetto topico |
Theater—History
British literature Literature, Modern—20th century Theater—Production and direction Theatre History British and Irish Literature Twentieth-Century Literature Theatre Direction and Production |
ISBN | 1-349-95170-6 |
Formato | Materiale a stampa |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | Preamble; Robert A. Gaines -- 1. Shaw’s Early Writings: A Prelude to the Playwright; Richard Farr Dietrich -- 2. The “Mystical Union” De-Mystified: Marriage in Plays Unpleasant; L.W. Conolly -- 3. The Pragmatic Partnerships of the Plays Pleasant; Jennifer Buckley -- 4. Three Plays for Puritans: Decoy Marriages and Social Contracts; Lawrence Switzky -- 5. Not Really a Philanderer; Rodelle Weintraub -- 6. Shaw’s Salvation Trilogy: Man and Superman, John Bull’s Other Island, Major Barbara; Michel Pharand -- 7. Marriage and Mating in the plays of Bernard Shaw and Granville Barker 1908-1911; Peter Gahan -- 8. Ruled by Autonomy: Women’s Evolving Material Choices from The Doctor’s Dilemma (1906) to Pygmalion (1914); Ellen Ecker Dolgin -- 9. From Elle to Eve: the Quintessence of Marriage in Shaw’s Heartbreak House, The Bolshevik Empress and Back to Methuselah; Audrey McNamara -- 10. Beyond /Married Love/: Shaw, Stopes, and Female Desire in the Drama between the Wars, 1923-1934; D.A. Hadfield.- 11. Definitions of Marriage: Village Wooing, On the Rocks and The Simpleton of the Unexpected Isles: A Vision of Judgment; Jean Reynolds.- 12. Matrimonial Partnerships and Politics in Three Late Plays: In Good King Charles’s Golden Days: A True History that Never Happened, The Apple Cart: A Political Extravaganza, and Geneva: Another Political Extravaganza; Matthew Yde.- Appendix A: Divorce Decrees, Divorce Rates per 1,000 Married Couples, And Petitions for Judicial Separation (England and Wales) 1851-1987.- Appendix B: Marriage and Divorce: Liturgy and Legislation; Edited by L.W. Conolly.- Bibliography; Edited by Michel Pharand -- Index; Compiled by D. A. Hadfield.-. |
Record Nr. | UNINA-9910255084503321 |
New York : , : Palgrave Macmillan US : , : Imprint : Palgrave Macmillan, , 2017 | ||
Materiale a stampa | ||
Lo trovi qui: Univ. Federico II | ||
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British and American Musical Theatre Exchanges in the West End (1924-1970) : The “Americanization” of Drury Lane / / by Arianne Johnson Quinn |
Autore | Quinn Arianne Johnson |
Edizione | [1st ed. 2024.] |
Pubbl/distr/stampa | Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2024 |
Descrizione fisica | 1 online resource (293 pages) |
Disciplina | 792.6097309421 |
Collana | Palgrave Studies in British Musical Theatre |
Soggetto topico |
Theater - History
Musical theater Cultural industries Theater Theater - Production and direction Theatre History Music Theatre Theatre Industry Global and International Theatre and Performance Theatre Direction and Production |
ISBN | 3-031-14663-8 |
Formato | Materiale a stampa |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | 1. Introduction -- 2. Chapter 1: Cosmopolitan musical theatre styles at the Lane (1918-1934) -- 3. Chapter 2: The Drury Lane Musical Theatre Spectacle (1931-1939): “Hearts Splintering in Waltz Time” -- 4. Chapter 3: The Lane and ENSA (Entertainment National Services Association) headquarters (1939) -- 5. Chapter 5: Rodger’s and Hammerstein’s Oklahoma! Carousel and South Pacific: Imported Americana -- 6. Chapter 6: Ruritanian Imperialism in The King and I (1953) -- 7. Chapter 7: Fading Empire and British imitation: Lerner and Loewe -- 8. Chapter 8: Hello Dolly and the resurgence of the British musical the nostalgia of Lost Empire Word -- 9. Epilogue. |
Record Nr. | UNINA-9910760298803321 |
Quinn Arianne Johnson | ||
Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2024 | ||
Materiale a stampa | ||
Lo trovi qui: Univ. Federico II | ||
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Dance Leadership : Theory Into Practice / / by Jane M. Alexandre |
Autore | Alexandre Jane M |
Edizione | [1st ed. 2017.] |
Pubbl/distr/stampa | London : , : Palgrave Macmillan UK : , : Imprint : Palgrave Macmillan, , 2017 |
Descrizione fisica | 1 online resource (X, 212 p. 33 illus., 29 illus. in color.) |
Disciplina | 792.8 |
Soggetto topico |
Dance
Theater—Production and direction Performing arts Theater Actors Theatre Direction and Production Performing Arts Contemporary Theatre Performers and Practitioners |
ISBN | 1-137-57592-1 |
Formato | Materiale a stampa |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | Introduction -- Chapter 1. Toward a Theoretical View of Dance Leadership -- Chapter 2. “We Think Differently in the Landscape of Dance" -- Chapter 3. “I Wanted to Be a Dance Company and not a Social Project" -- Chapter 4. “The Outcome Will Be Exciting If the Process Is Exciting" -- Chapter 5. “We Found There Were Issues We Had to Address” -- Chapter 6. “I Want to Ask Questions That Are Normally Swept Under the Carpet” -- Chapter 7. “Dance Points Us into Life” -- Chapter 8. Circling Back, Moving Forward -- Chapter 9. Enhancing the Theory -- Chapter 10. Conclusion. Bibliography. |
Record Nr. | UNINA-9910164899903321 |
Alexandre Jane M | ||
London : , : Palgrave Macmillan UK : , : Imprint : Palgrave Macmillan, , 2017 | ||
Materiale a stampa | ||
Lo trovi qui: Univ. Federico II | ||
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debbie tucker green : Critical Perspectives / / edited by Siân Adiseshiah, Jacqueline Bolton |
Edizione | [1st ed. 2020.] |
Pubbl/distr/stampa | Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2020 |
Descrizione fisica | 1 online resource (355 pages) |
Disciplina |
791
822.92 |
Soggetto topico |
Theater
Performing arts Theater—Production and direction Actors Contemporary Theatre Performing Arts Theatre Direction and Production National/Regional Theatre and Performance Theatre Industry Performers and Practitioners |
ISBN | 3-030-34581-5 |
Formato | Materiale a stampa |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | Chapter 1: ‘change ain’t fuckin polite, scuse my language’: situating debbie tucker green -- Part I: Dramaturgies of Resistance -- Chapter 2: Black Rage: Diasporic Empathy and Ritual in debbie tucker green’s hang -- Chapter 3: ‘What about the burn their bra bitches?’: debbie tucker green as the Willfully Emotional Subject -- Chapter 4: debbie tucker green and (the Dialectics of) Dispossession: Reframing the Ethical Encounter -- Chapter 5: Engaging with Human Rights: truth and reconciliation and hang -- Chapter 6: ‘I’m a black woman. I write black characters’: Black Mothers, the Police, and Social Justice in random and hang -- Chapter 7: ‘Almost, but not quite’: Reconciling debbie tucker green’s Dramaturgy with British Playwriting Studies -- Chapter 8: Yarns and Yearnings: Story-Layering, Signifyin’, and debbie tucker green’s Black-Feminist Anger -- Part II: Affective Encounters -- Chapter 9: sticking in the throat/keyword bitch: aesthetic discharge in debbie tucker green’s stoning mary and hang -- Chapter 10: Jumping to (and away from) Conclusions: Rhythm and Temporality in debbie tucker green’s Drama -- Chapter 11: Trading Voice and Voicing Trades: Musicality in debbie tucker green’s trade -- Chapter 12: ‘Hearing Voices’: Performing the Mind in debbie tucker green’s Dramatic-Poetics -- Chapter 13: Cartographies of Silence in debbie tucker green's truth and reconciliation -- Chapter 14: debbie tucker green and the Work of Mourning -- Chapter 15: Reflections on hang. |
Record Nr. | UNINA-9910484433603321 |
Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2020 | ||
Materiale a stampa | ||
Lo trovi qui: Univ. Federico II | ||
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Directing Desire : Intimacy Choreography and Consent in the Twenty-First Century / / by Kari Barclay |
Autore | Barclay Kari |
Edizione | [1st ed. 2023.] |
Pubbl/distr/stampa | Cham : , : Springer Nature Switzerland : , : Imprint : Palgrave Macmillan, , 2023 |
Descrizione fisica | 1 online resource (215 pages) |
Disciplina |
792.9
792.028092 |
Soggetto topico |
Theater - History
Theater - Production and direction Actors Cultural industries Theater Contemporary Theatre and Performance Theatre Direction and Production Performers and Practitioners Theatre Industry |
ISBN | 3-031-31222-8 |
Formato | Materiale a stampa |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | Chapter 1. Introduction Boundary Practice -- Chapter 2. Erotic Repetitions: A Brief History of Intimacy Choreography -- Chapter 3. Sexual Script Analysis: Sex Positivity and Authorship in Intimate Scenes -- Chapter 4. “Intermediate” Pornography: Mediating Presence with the Intimacy Kit -- Chapter 5. Playing with Trauma: Race, Consent, and Culturally Responsive Intimacy -- Chapter 6. Immersive Intimacy: Violation and Transformative Justice in Immersive Performance -- Chapter 7. Conclusion: Keep in Touch. |
Record Nr. | UNINA-9910746994203321 |
Barclay Kari | ||
Cham : , : Springer Nature Switzerland : , : Imprint : Palgrave Macmillan, , 2023 | ||
Materiale a stampa | ||
Lo trovi qui: Univ. Federico II | ||
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Engaging with Brecht : Making Theatre in the Twenty-first Century / / by Bill Gelber |
Autore | Gelber Bill |
Edizione | [1st ed. 2023.] |
Pubbl/distr/stampa | Cham : , : Springer Nature Switzerland : , : Imprint : Palgrave Macmillan, , 2023 |
Descrizione fisica | 1 online resource (275 pages) |
Disciplina | 832.912 |
Soggetto topico |
Performing arts
Theater Theater - Production and direction Playwriting Dramatists Education in literature Theatre and Performance Arts Theatre Direction and Production Playwrights and Playwriting Literature and Pedagogy |
ISBN |
9783031203947
9783031203930 |
Formato | Materiale a stampa |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | 1. Why Engage with Brecht? -- 2. Five productions of Mother Courage: 1941, 1949, 1950, 1951, and 2015 -- 3. Collaborative Analysis -- 4.The Design Team, Meta-theatricality, and Literarization -- 5. First Rehearsal: Tools for Actors, Status and Haltung -- 6. Rehearsing the Actors I: Arrangement -- 7. Rehearsing the Actors II: Moment-to-Moment -- 8. Rehearsing the Actors III: Playing the Events -- 9. Documenting the Work: The Model Book -- 10. Responses and Future Work. |
Record Nr. | UNINA-9910672435503321 |
Gelber Bill | ||
Cham : , : Springer Nature Switzerland : , : Imprint : Palgrave Macmillan, , 2023 | ||
Materiale a stampa | ||
Lo trovi qui: Univ. Federico II | ||
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The Introverted Actor : Practical Approaches / / by Rob Roznowski, Carolyn Conover, Heidi Kasevich |
Autore | Roznowski Rob |
Edizione | [1st ed. 2020.] |
Pubbl/distr/stampa | Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2020 |
Descrizione fisica | 1 online resource (289 pages) |
Disciplina |
792.028
301 |
Soggetto topico |
Performing arts
Culture—Study and teaching Theater—Production and direction Art education Performing Arts Popular Science in Cultural and Media Studies Theatre Direction and Production Creativity and Arts Education |
ISBN | 3-030-41607-0 |
Formato | Materiale a stampa |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | 1. Chapter 1: Foundations: Temperament-Diversity -- 2. Chapter 2: Introversion & Acting -- 3. Chapter 3: Self-Awareness -- 4. Chapter 4: Survey Results -- 5. Chapter 5: Temperament-Inclusive Learning: Essential Strategies For Educators -- 6. Chapter 6: Acting Classroom Design -- 7. Chapter 7: Improvisation & The Introvert -- 8. Chapter 8: Cultural Comparisons -- 9. Chapter 9: Interview With Rodney Cottier -- 10. Chapter 10: Case Study: Comedy Class -- 11. Chapter 11: Interview With Jennifer Simard -- 12. Chapter 12: Auditioning -- 13. Chapter 13: Rehearsals -- 14. Chapter 14: Performances -- 15. Chapter 15: Networking -- 16. Chapter 16: A Call To Action. |
Record Nr. | UNINA-9910484784303321 |
Roznowski Rob | ||
Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2020 | ||
Materiale a stampa | ||
Lo trovi qui: Univ. Federico II | ||
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Lady Gregory and Irish National Theatre : Art, Drama, Politics / / by Eglantina Remport |
Autore | Remport Eglantina |
Edizione | [1st ed. 2018.] |
Pubbl/distr/stampa | Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2018 |
Descrizione fisica | 1 online resource (243 pages) |
Disciplina | 306.071 |
Collana | Bernard Shaw and His Contemporaries |
Soggetto topico |
Theater—History
Theater Theater—Production and direction British literature Theatre History National/Regional Theatre and Performance Theatre Industry Theatre Direction and Production British and Irish Literature |
ISBN | 3-319-76611-2 |
Formato | Materiale a stampa |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | 1. Introduction -- 2. “My Education:” Sir William Gregory, the Grand Tours, and the Visual Arts -- 3. “The ‘whorl’ of Troy:” Celtic Mythology, Victorian Hellenism, and the Irish Literary Revival -- 4. “Ní neart go cur le chéile:” Education, Social Reform, and the Abbey Theatre -- 5. “See a play as a picture:” the Pre-Raphaelite Brotherhood, the Sister Arts, and the Irish Plays -- 6. The Light of the World: Christianity, Cultural Politics, and Constitutional Reform -- 7. Conclusion. |
Record Nr. | UNINA-9910300011503321 |
Remport Eglantina | ||
Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2018 | ||
Materiale a stampa | ||
Lo trovi qui: Univ. Federico II | ||
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