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Contemporary mise en scene : staging theatre today / / Patrice Pavis ; translated by Joel Anderson
| Contemporary mise en scene : staging theatre today / / Patrice Pavis ; translated by Joel Anderson |
| Autore | Pavis Patrice <1947-, > |
| Pubbl/distr/stampa | London ; ; New York : , : Routledge, , 2013 |
| Descrizione fisica | 1 online resource (366 p.) |
| Disciplina | 792.0973/09041 |
| Altri autori (Persone) | AndersonJoel |
| Soggetto topico |
Theater - History - 20th century
Theater - History - 21st century Theater - Production and direction Theaters - Stage-setting and scenery |
| Soggetto genere / forma | Electronic books. |
| ISBN |
0-203-12513-4
1-283-86236-0 1-136-44851-9 |
| Formato | Materiale a stampa  |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Cover; Contemporary Mise en Scène; Title Page; Copyright Page ; Table of Contents; List of illustrations ; Acknowledgements; Foreword; 1 Where did mise en scène come from? Origins and theory; The origins of mise en scène: historical landmarks ; Steps in the evolution of mise en scène; 2 On the frontiers ofmise en scène; The stage reading; Non-mise en scène; Improvised mise en scène; 3 The difference between mise en scène and performance; Mise en scène and performance: a shaky couple; The current state of the performance and mise en scène relationship; Four examples of cooperation
Conclusions: performance studies/theatre studies4 Tendencies in French scenography; The powers of stage illusion; Fantasy and the real; Crossing the image; The echoes of space; The migration of subspaces; The silence of space; Concluding remarks; 5 The mise en jeu of contemporary texts; Combat de nègre et de chiens; Papa doit manger; Le bonheur du vent; A tous ceux qui ...; Conclusions; 6 The intercultural trap: rituality and mise en scène in the video art of Guillermo Gómez-Peña ; Current context; Ritual?; Reverse anthropology?; A body with variable identities? Mise en scène as the theatricalisation of rituals?7 Theatre in another culture: a Korean example; A season in heaven; Korean theatre seen from afar; 8 Media on the stage; Theatre and media; Technology/media; Other media in performance; Historical landmarks; Possibilities for video on stage; Effects of media on our perception; Suggestions for the analysis of media in mise en scène; Working hypotheses; Three examples; General conclusions ; 9 The deconstruction of postmodern mise en scène; Impossible erasure of the palimpsest; Deconstruction and the reconstruction of tradition The undecidability of meaningCrisis of representation and chorality; In praise of the void and of slowness; The degraded ritual of repetition; To exit representation; Deconstructing representation; Conclusions: 'To have done with the judgement of god' (Artaud) and with deconstruction?; 10 Physical theatre and the dramaturgy of the actor; May B. by Maguy Marin: touched by the other; Itsi Bitsi: the dramaturgy of the actress; Les étourdis, La Cour des grands by Macha Makeïff and Jerôme Deschamps: the body in bits; From the body art of the past to the multiple identities of the present Andromaque on the cutting edge: Michel Liard's art of looking and listeningLes ephémères du soleil: inventing collectively; 11 The splendour and the misery of interpreting the classics; The 'classical effect'; A tricky typology; The end of the radical, fascination with the present; New forms for old questions; A new relationship with tradition; Operating on the classics; A few signs of the times; General conclusions; 12 Staging calamity: mise en scène and performance at Avignon 2005; L'histoire des larmes; Je suis sang; Dieu et les esprits vivants; B.#03 Berlin; Anathème; Puur; Mue The Biography Remix |
| Record Nr. | UNINA-9910462930503321 |
Pavis Patrice <1947-, >
|
||
| London ; ; New York : , : Routledge, , 2013 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Contemporary mise en scene : staging theatre today / / Patrice Pavis ; translated by Joel Anderson
| Contemporary mise en scene : staging theatre today / / Patrice Pavis ; translated by Joel Anderson |
| Autore | Pavis Patrice <1947-, > |
| Pubbl/distr/stampa | London ; ; New York : , : Routledge, , 2013 |
| Descrizione fisica | 1 online resource (366 p.) |
| Disciplina | 792.0973/09041 |
| Altri autori (Persone) | AndersonJoel |
| Soggetto topico |
Theater - History - 20th century
Theater - History - 21st century Theater - Production and direction Theaters - Stage-setting and scenery |
| ISBN |
0-203-12513-4
1-283-86236-0 1-136-44851-9 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Cover; Contemporary Mise en Scène; Title Page; Copyright Page ; Table of Contents; List of illustrations ; Acknowledgements; Foreword; 1 Where did mise en scène come from? Origins and theory; The origins of mise en scène: historical landmarks ; Steps in the evolution of mise en scène; 2 On the frontiers ofmise en scène; The stage reading; Non-mise en scène; Improvised mise en scène; 3 The difference between mise en scène and performance; Mise en scène and performance: a shaky couple; The current state of the performance and mise en scène relationship; Four examples of cooperation
Conclusions: performance studies/theatre studies4 Tendencies in French scenography; The powers of stage illusion; Fantasy and the real; Crossing the image; The echoes of space; The migration of subspaces; The silence of space; Concluding remarks; 5 The mise en jeu of contemporary texts; Combat de nègre et de chiens; Papa doit manger; Le bonheur du vent; A tous ceux qui ...; Conclusions; 6 The intercultural trap: rituality and mise en scène in the video art of Guillermo Gómez-Peña ; Current context; Ritual?; Reverse anthropology?; A body with variable identities? Mise en scène as the theatricalisation of rituals?7 Theatre in another culture: a Korean example; A season in heaven; Korean theatre seen from afar; 8 Media on the stage; Theatre and media; Technology/media; Other media in performance; Historical landmarks; Possibilities for video on stage; Effects of media on our perception; Suggestions for the analysis of media in mise en scène; Working hypotheses; Three examples; General conclusions ; 9 The deconstruction of postmodern mise en scène; Impossible erasure of the palimpsest; Deconstruction and the reconstruction of tradition The undecidability of meaningCrisis of representation and chorality; In praise of the void and of slowness; The degraded ritual of repetition; To exit representation; Deconstructing representation; Conclusions: 'To have done with the judgement of god' (Artaud) and with deconstruction?; 10 Physical theatre and the dramaturgy of the actor; May B. by Maguy Marin: touched by the other; Itsi Bitsi: the dramaturgy of the actress; Les étourdis, La Cour des grands by Macha Makeïff and Jerôme Deschamps: the body in bits; From the body art of the past to the multiple identities of the present Andromaque on the cutting edge: Michel Liard's art of looking and listeningLes ephémères du soleil: inventing collectively; 11 The splendour and the misery of interpreting the classics; The 'classical effect'; A tricky typology; The end of the radical, fascination with the present; New forms for old questions; A new relationship with tradition; Operating on the classics; A few signs of the times; General conclusions; 12 Staging calamity: mise en scène and performance at Avignon 2005; L'histoire des larmes; Je suis sang; Dieu et les esprits vivants; B.#03 Berlin; Anathème; Puur; Mue The Biography Remix |
| Record Nr. | UNINA-9910786593403321 |
|
Pavis Patrice <1947-, >
|
||
| London ; ; New York : , : Routledge, , 2013 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Contemporary mise en scene : staging theatre today / / Patrice Pavis ; translated by Joel Anderson
| Contemporary mise en scene : staging theatre today / / Patrice Pavis ; translated by Joel Anderson |
| Autore | Pavis Patrice <1947-, > |
| Edizione | [1st ed.] |
| Pubbl/distr/stampa | London ; ; New York : , : Routledge, , 2013 |
| Descrizione fisica | 1 online resource (366 p.) |
| Disciplina | 792.0973/09041 |
| Altri autori (Persone) | AndersonJoel |
| Soggetto topico |
Theater - History - 20th century
Theater - History - 21st century Theater - Production and direction Theaters - Stage-setting and scenery |
| ISBN |
0-203-12513-4
1-283-86236-0 1-136-44851-9 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Cover; Contemporary Mise en Scène; Title Page; Copyright Page ; Table of Contents; List of illustrations ; Acknowledgements; Foreword; 1 Where did mise en scène come from? Origins and theory; The origins of mise en scène: historical landmarks ; Steps in the evolution of mise en scène; 2 On the frontiers ofmise en scène; The stage reading; Non-mise en scène; Improvised mise en scène; 3 The difference between mise en scène and performance; Mise en scène and performance: a shaky couple; The current state of the performance and mise en scène relationship; Four examples of cooperation
Conclusions: performance studies/theatre studies4 Tendencies in French scenography; The powers of stage illusion; Fantasy and the real; Crossing the image; The echoes of space; The migration of subspaces; The silence of space; Concluding remarks; 5 The mise en jeu of contemporary texts; Combat de nègre et de chiens; Papa doit manger; Le bonheur du vent; A tous ceux qui ...; Conclusions; 6 The intercultural trap: rituality and mise en scène in the video art of Guillermo Gómez-Peña ; Current context; Ritual?; Reverse anthropology?; A body with variable identities? Mise en scène as the theatricalisation of rituals?7 Theatre in another culture: a Korean example; A season in heaven; Korean theatre seen from afar; 8 Media on the stage; Theatre and media; Technology/media; Other media in performance; Historical landmarks; Possibilities for video on stage; Effects of media on our perception; Suggestions for the analysis of media in mise en scène; Working hypotheses; Three examples; General conclusions ; 9 The deconstruction of postmodern mise en scène; Impossible erasure of the palimpsest; Deconstruction and the reconstruction of tradition The undecidability of meaningCrisis of representation and chorality; In praise of the void and of slowness; The degraded ritual of repetition; To exit representation; Deconstructing representation; Conclusions: 'To have done with the judgement of god' (Artaud) and with deconstruction?; 10 Physical theatre and the dramaturgy of the actor; May B. by Maguy Marin: touched by the other; Itsi Bitsi: the dramaturgy of the actress; Les étourdis, La Cour des grands by Macha Makeïff and Jerôme Deschamps: the body in bits; From the body art of the past to the multiple identities of the present Andromaque on the cutting edge: Michel Liard's art of looking and listeningLes ephémères du soleil: inventing collectively; 11 The splendour and the misery of interpreting the classics; The 'classical effect'; A tricky typology; The end of the radical, fascination with the present; New forms for old questions; A new relationship with tradition; Operating on the classics; A few signs of the times; General conclusions; 12 Staging calamity: mise en scène and performance at Avignon 2005; L'histoire des larmes; Je suis sang; Dieu et les esprits vivants; B.#03 Berlin; Anathème; Puur; Mue The Biography Remix |
| Record Nr. | UNINA-9910816899803321 |
|
Pavis Patrice <1947-, >
|
||
| London ; ; New York : , : Routledge, , 2013 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
The craft and art of scenic design : strategies, concepts, and resources / / Robert Klingelhoefer
| The craft and art of scenic design : strategies, concepts, and resources / / Robert Klingelhoefer |
| Autore | Klingelhoefer Robert |
| Edizione | [1st edition] |
| Pubbl/distr/stampa | New York ; ; London : , : Routledge, , 2017 |
| Descrizione fisica | 1 online resource (433 pages) |
| Disciplina |
792.02/5
792.025 |
| Soggetto topico | Theaters - Stage-setting and scenery |
| ISBN |
1-138-93764-9
1-315-67617-6 1-317-38437-7 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | ch. 1. The nature of the craft -- ch. 2. Scenic design in the past and today -- ch. 3. Working with directors -- ch. 4. Working with text -- ch. 5. Research, period, and visual history -- ch. 6. The designable idea -- ch. 7. Space -- ch. 8. Design and redesign -- ch. 9. The art(work) of communication -- ch. 10. Considerations for single set productions -- ch. 11. Considerations for productions with moving scenery -- ch. 12. On to the stage -- ch. 13. Realities of the profession. |
| Record Nr. | UNINA-9910150338703321 |
|
Klingelhoefer Robert
|
||
| New York ; ; London : , : Routledge, , 2017 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Creative and successful set designs : how to make imaginative stage sets with limited Rresources / / S. Todd Muffatti
| Creative and successful set designs : how to make imaginative stage sets with limited Rresources / / S. Todd Muffatti |
| Autore | Muffatti S. Todd |
| Pubbl/distr/stampa | Ocala, Florida : , : Atlantic Publishing Group, , [2018] |
| Descrizione fisica | 1 online resource (132 pages) |
| Disciplina | 792.025 |
| Soggetto topico |
Theaters - Stage-setting and scenery
Stage props - Design and construction |
| ISBN | 1-62023-608-7 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Intro -- Foreword -- Introduction -- Appropriateness -- Scale -- Design Scheme -- Challenges -- Educational -- Chapter 1 -- Performance Spaces -- Proscenium Staging -- Arena Staging -- Thrust Staging -- Chapter 2 -- Your Theater Space -- Lighting -- Auditorium Seating -- Backstage -- Your Space -- Chapter 3 -- Play Choice -- Single Sets -- Unit Sets -- Multi-sets -- Simultaneous Sets -- Chapter 4 -- Research -- Theatre Space -- The Playwright -- The Script -- Conventional staging -- Sources -- Chapter 5 -- Design Styles -- Realism -- Selective Realism -- Skeletal Scenery -- Structural Sets -- Pictorial Style -- Decorative Style -- Chapter 6 -- Design Metaphor -- Symbolic Objects -- Recyclables -- Abstraction -- Design Elements -- Line -- Shapes -- Size -- Position -- Texture -- Value -- Chapter 7 -- Color Onstage -- Color Qualities -- The Color Wheel -- Color Schemes -- Chapter 8 -- Stock Scenery -- Platforms -- Two-folds -- Three Designs From Stock -- A Midsummer Night's Dream -- You Can't Take It With You -- Anything Goes -- Chapter 9 -- Drafting -- Floor Plans -- Front Elevations -- Painter's Elevations -- Chapter 10 -- Sketching -- Measured Perspective -- Furniture Drawing -- Chapter 11 -- Model Building -- Model Box -- Professional Designers -- Model Making Tools -- Platforms -- Two-Folds -- Model Furniture -- Patience -- Chapter 12 -- Making It Happen -- Scheduling -- Help -- Building -- Painting -- Furniture and Props -- Lighting -- Dressing The Set -- Set Maintenance -- Conclusion -- Glossary -- Acknowledgments. |
| Record Nr. | UNINA-9910793577103321 |
|
Muffatti S. Todd
|
||
| Ocala, Florida : , : Atlantic Publishing Group, , [2018] | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Creative and successful set designs : how to make imaginative stage sets with limited Rresources / / S. Todd Muffatti
| Creative and successful set designs : how to make imaginative stage sets with limited Rresources / / S. Todd Muffatti |
| Autore | Muffatti S. Todd |
| Pubbl/distr/stampa | Ocala, Florida : , : Atlantic Publishing Group, , [2018] |
| Descrizione fisica | 1 online resource (132 pages) |
| Disciplina | 792.025 |
| Soggetto topico |
Theaters - Stage-setting and scenery
Stage props - Design and construction |
| ISBN | 1-62023-608-7 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Intro -- Foreword -- Introduction -- Appropriateness -- Scale -- Design Scheme -- Challenges -- Educational -- Chapter 1 -- Performance Spaces -- Proscenium Staging -- Arena Staging -- Thrust Staging -- Chapter 2 -- Your Theater Space -- Lighting -- Auditorium Seating -- Backstage -- Your Space -- Chapter 3 -- Play Choice -- Single Sets -- Unit Sets -- Multi-sets -- Simultaneous Sets -- Chapter 4 -- Research -- Theatre Space -- The Playwright -- The Script -- Conventional staging -- Sources -- Chapter 5 -- Design Styles -- Realism -- Selective Realism -- Skeletal Scenery -- Structural Sets -- Pictorial Style -- Decorative Style -- Chapter 6 -- Design Metaphor -- Symbolic Objects -- Recyclables -- Abstraction -- Design Elements -- Line -- Shapes -- Size -- Position -- Texture -- Value -- Chapter 7 -- Color Onstage -- Color Qualities -- The Color Wheel -- Color Schemes -- Chapter 8 -- Stock Scenery -- Platforms -- Two-folds -- Three Designs From Stock -- A Midsummer Night's Dream -- You Can't Take It With You -- Anything Goes -- Chapter 9 -- Drafting -- Floor Plans -- Front Elevations -- Painter's Elevations -- Chapter 10 -- Sketching -- Measured Perspective -- Furniture Drawing -- Chapter 11 -- Model Building -- Model Box -- Professional Designers -- Model Making Tools -- Platforms -- Two-Folds -- Model Furniture -- Patience -- Chapter 12 -- Making It Happen -- Scheduling -- Help -- Building -- Painting -- Furniture and Props -- Lighting -- Dressing The Set -- Set Maintenance -- Conclusion -- Glossary -- Acknowledgments. |
| Record Nr. | UNINA-9910827035103321 |
|
Muffatti S. Todd
|
||
| Ocala, Florida : , : Atlantic Publishing Group, , [2018] | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Directors and designers [[electronic resource] /] / [edited by] Christine White
| Directors and designers [[electronic resource] /] / [edited by] Christine White |
| Pubbl/distr/stampa | Bristol, : Intellect Books |
| Descrizione fisica | 1 online resource (274 p.) |
| Disciplina | 792.025 |
| Altri autori (Persone) | WhiteChristine A. <1964-> |
| Soggetto topico |
Set designers
Theaters - Stage-setting and scenery Theatrical producers and directors |
| Soggetto genere / forma | Electronic books. |
| ISBN |
1-282-45571-0
9786612455711 1-84150-352-5 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Front Cover; Preliminary Pages; Contents; Part I: Setting the Scene; Chapter 1: Back and Forth to Russia: Scenography as an Academic Study from Moscow 1994-St Petersburg 2004; Part II: Performing Partners; Chapter 2: Hand in Glove: The Designer as Director as Designer; Chapter 3: Political Performing Partners: Director Lee Strasberg, Scene Designer Mordecai Gorelik, Playwright John Howard Lawson and the Group Theatre; Chapter 4: The Director, the Designer and the Ghost/Creative Team in Site-Specific Performance Practice; Chapter 5: Director Petr Lébl and Designer William Nowák: To a Man
Chapter 6: The Organics of the Rehearsal Room: Contemporary Directing Practice and the Director-Designer RelationshipChapter 7: Collaborative Models: Mielziner, Williams and Kazan; Chapter 8: Problematics of Theatrical Negotiations: Directing, Scenography and State Ideology; Chapter 9: Methodological Practices for Directing and Designing; Chapter 10: The Digital Platform as a Communication Tool; Part III: Metaphors, Meta-Theatre and Methodologies; Chapter 11: The Seductive Scene or Reclaiming Spectacle; Chapter 12: Metatheatre: A Discourse on Contemporary Staging Chapter 13: A Metaphorical Mise-en-Scène: Elia Kazan and Max Gorelik at The Group TheatreChapter 14: Ideational Conflict and Resolution in the Design Process: Positive Outcomes from Negative Relationships; Chapter 15: Design as Action: Jean Cocteau and the Ballets Russes; Part IV: Postscript to the Director; Chapter 16: From Hamlet with Love: A Letter to the Other; Bibliography; Notes on Contributors; Index; Back Cover |
| Record Nr. | UNINA-9910456906003321 |
| Bristol, : Intellect Books | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Directors and designers [[electronic resource] /] / [edited by] Christine White
| Directors and designers [[electronic resource] /] / [edited by] Christine White |
| Pubbl/distr/stampa | Bristol, : Intellect Books |
| Descrizione fisica | 1 online resource (274 p.) |
| Disciplina | 792.025 |
| Altri autori (Persone) | WhiteChristine A. <1964-> |
| Soggetto topico |
Set designers
Theaters - Stage-setting and scenery Theatrical producers and directors |
| ISBN |
1-282-45571-0
9786612455711 1-84150-352-5 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Front Cover; Preliminary Pages; Contents; Part I: Setting the Scene; Chapter 1: Back and Forth to Russia: Scenography as an Academic Study from Moscow 1994-St Petersburg 2004; Part II: Performing Partners; Chapter 2: Hand in Glove: The Designer as Director as Designer; Chapter 3: Political Performing Partners: Director Lee Strasberg, Scene Designer Mordecai Gorelik, Playwright John Howard Lawson and the Group Theatre; Chapter 4: The Director, the Designer and the Ghost/Creative Team in Site-Specific Performance Practice; Chapter 5: Director Petr Lébl and Designer William Nowák: To a Man
Chapter 6: The Organics of the Rehearsal Room: Contemporary Directing Practice and the Director-Designer RelationshipChapter 7: Collaborative Models: Mielziner, Williams and Kazan; Chapter 8: Problematics of Theatrical Negotiations: Directing, Scenography and State Ideology; Chapter 9: Methodological Practices for Directing and Designing; Chapter 10: The Digital Platform as a Communication Tool; Part III: Metaphors, Meta-Theatre and Methodologies; Chapter 11: The Seductive Scene or Reclaiming Spectacle; Chapter 12: Metatheatre: A Discourse on Contemporary Staging Chapter 13: A Metaphorical Mise-en-Scène: Elia Kazan and Max Gorelik at The Group TheatreChapter 14: Ideational Conflict and Resolution in the Design Process: Positive Outcomes from Negative Relationships; Chapter 15: Design as Action: Jean Cocteau and the Ballets Russes; Part IV: Postscript to the Director; Chapter 16: From Hamlet with Love: A Letter to the Other; Bibliography; Notes on Contributors; Index; Back Cover |
| Record Nr. | UNINA-9910781091003321 |
| Bristol, : Intellect Books | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Directors and designers [[electronic resource] /] / [edited by] Christine White
| Directors and designers [[electronic resource] /] / [edited by] Christine White |
| Pubbl/distr/stampa | Bristol, : Intellect Books |
| Descrizione fisica | 1 online resource (274 p.) |
| Disciplina | 792.025 |
| Altri autori (Persone) | WhiteChristine A. <1964-> |
| Soggetto topico |
Set designers
Theaters - Stage-setting and scenery Theatrical producers and directors |
| ISBN |
1-282-45571-0
9786612455711 1-84150-352-5 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Front Cover; Preliminary Pages; Contents; Part I: Setting the Scene; Chapter 1: Back and Forth to Russia: Scenography as an Academic Study from Moscow 1994-St Petersburg 2004; Part II: Performing Partners; Chapter 2: Hand in Glove: The Designer as Director as Designer; Chapter 3: Political Performing Partners: Director Lee Strasberg, Scene Designer Mordecai Gorelik, Playwright John Howard Lawson and the Group Theatre; Chapter 4: The Director, the Designer and the Ghost/Creative Team in Site-Specific Performance Practice; Chapter 5: Director Petr Lébl and Designer William Nowák: To a Man
Chapter 6: The Organics of the Rehearsal Room: Contemporary Directing Practice and the Director-Designer RelationshipChapter 7: Collaborative Models: Mielziner, Williams and Kazan; Chapter 8: Problematics of Theatrical Negotiations: Directing, Scenography and State Ideology; Chapter 9: Methodological Practices for Directing and Designing; Chapter 10: The Digital Platform as a Communication Tool; Part III: Metaphors, Meta-Theatre and Methodologies; Chapter 11: The Seductive Scene or Reclaiming Spectacle; Chapter 12: Metatheatre: A Discourse on Contemporary Staging Chapter 13: A Metaphorical Mise-en-Scène: Elia Kazan and Max Gorelik at The Group TheatreChapter 14: Ideational Conflict and Resolution in the Design Process: Positive Outcomes from Negative Relationships; Chapter 15: Design as Action: Jean Cocteau and the Ballets Russes; Part IV: Postscript to the Director; Chapter 16: From Hamlet with Love: A Letter to the Other; Bibliography; Notes on Contributors; Index; Back Cover |
| Record Nr. | UNINA-9910820845803321 |
| Bristol, : Intellect Books | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Drafting for the theatre [[electronic resource] /] / Dennis Dorn & Mark Shanda
| Drafting for the theatre [[electronic resource] /] / Dennis Dorn & Mark Shanda |
| Autore | Dorn Dennis |
| Edizione | [2nd ed.] |
| Pubbl/distr/stampa | Carbondale, : Southern Illinois University Press, 2012 |
| Descrizione fisica | 1 online resource (385 p.) |
| Disciplina | 792.02/5 |
| Altri autori (Persone) | ShandaMark |
| Soggetto topico |
Mechanical drawing
Theaters - Stage-setting and scenery |
| Soggetto genere / forma | Electronic books. |
| ISBN |
1-280-69692-3
9786613673886 0-8093-8773-5 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | pt. 1. Tools, standards, and basic techniques -- pt. 2. Orthographic projection -- pt. 3. Specialized techniques -- pt. 4. Computer drafting -- pt. 5. Design and shop drawings overview -- pt. 6. The portfolio project. |
| Record Nr. | UNINA-9910461752003321 |
|
Dorn Dennis
|
||
| Carbondale, : Southern Illinois University Press, 2012 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
