Shakespearean sensations : experiencing literature in early modern England / / edited by Katharine A. Craik and Tanya Pollard [[electronic resource]] |
Pubbl/distr/stampa | Cambridge : , : Cambridge University Press, , 2013 |
Descrizione fisica | 1 online resource (x, 244 pages) : digital, PDF file(s) |
Disciplina | 820.9/353 |
Soggetto topico |
English literature - Early modern, 1500-1700 - History and criticism - Theory, etc
English literature - Psychological aspects Reading - Physiological aspects Senses and sensation in literature Reader-response criticism Theater audiences - England - History - 16th century Theater audiences - England - History - 17th century Mind and body |
ISBN |
1-107-23689-4
1-107-30166-1 1-107-30582-9 1-107-30675-2 1-107-30895-X 1-107-31230-2 1-299-00908-5 1-107-31450-X 1-139-23558-3 |
Formato | Materiale a stampa |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto |
Part One: Plays -- 1. Feeling fear in Macbeth / Allison P. Hobgood -- 2. Hearing Iago's withheld confession / Allison K. Deutermann -- 3. Self-love, spirituality, and the senses in Twelfth Night / Douglas Trevor -- Part Two: Playhouses -- 4. Conceiving tradgedy / Tanya Pollard -- 5. Playing with appetitie in early modern comedy / Hillary M. Nunn -- 6. Notes towards an analysis of earyly modern applause / Matthew Steggle -- 7. Catharsis as "purgation" in Shakespearean drama / Thomas Rist -- 8. Epigrammatic commotions / William Kerwin -- 9. Poetic "making" and moving the soul / Margaret Healy -- 10. Shakespearean pain / Michael Schoenfeldt -- Afterword: Senses of an ending / Bruce R. Smith.
Introduction: imagining audiences Katharine A. Craik and Tanya Pollard; Part I. Plays: 1. Feeling fear in Macbeth Allison P. Hobgood; 2. Hearing Iago's withheld confession Allison Deutermann; 3. Self-love, spirituality, and the senses in Twelfth Night Douglas Trevor; Part II. Playhouses: 4. Conceiving tragedy Tanya Pollard; 5. Playing with appetite in early modern comedy Hillary Nunn; 6. Notes towards an analysis of early modern applause Matthew Steggle; 7. Catharsis as 'purgation' in Shakespearean drama Thomas Rist; Part III. Poems: 8. Epigrammatic commotions William Kerwin; 9. Poetic 'making' and moving the soul Margaret Healy; 10. Shakespearean pain Michael Schoenfeldt; Afterword: senses of an ending Bruce R. Smith. |
Record Nr. | UNINA-9910463171103321 |
Cambridge : , : Cambridge University Press, , 2013 | ||
Materiale a stampa | ||
Lo trovi qui: Univ. Federico II | ||
|
Shakespearean sensations : experiencing literature in early modern England / / edited by Katharine A. Craik and Tanya Pollard [[electronic resource]] |
Pubbl/distr/stampa | Cambridge : , : Cambridge University Press, , 2013 |
Descrizione fisica | 1 online resource (x, 244 pages) : digital, PDF file(s) |
Disciplina | 820.9/353 |
Soggetto topico |
English literature - Early modern, 1500-1700 - History and criticism - Theory, etc
English literature - Psychological aspects Reading - Physiological aspects Senses and sensation in literature Reader-response criticism Theater audiences - England - History - 16th century Theater audiences - England - History - 17th century Mind and body |
ISBN |
1-107-23689-4
1-107-30166-1 1-107-30582-9 1-107-30675-2 1-107-30895-X 1-107-31230-2 1-299-00908-5 1-107-31450-X 1-139-23558-3 |
Classificazione | LIT004120 |
Formato | Materiale a stampa |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto |
Part One: Plays -- 1. Feeling fear in Macbeth / Allison P. Hobgood -- 2. Hearing Iago's withheld confession / Allison K. Deutermann -- 3. Self-love, spirituality, and the senses in Twelfth Night / Douglas Trevor -- Part Two: Playhouses -- 4. Conceiving tradgedy / Tanya Pollard -- 5. Playing with appetitie in early modern comedy / Hillary M. Nunn -- 6. Notes towards an analysis of earyly modern applause / Matthew Steggle -- 7. Catharsis as "purgation" in Shakespearean drama / Thomas Rist -- 8. Epigrammatic commotions / William Kerwin -- 9. Poetic "making" and moving the soul / Margaret Healy -- 10. Shakespearean pain / Michael Schoenfeldt -- Afterword: Senses of an ending / Bruce R. Smith.
Introduction: imagining audiences Katharine A. Craik and Tanya Pollard; Part I. Plays: 1. Feeling fear in Macbeth Allison P. Hobgood; 2. Hearing Iago's withheld confession Allison Deutermann; 3. Self-love, spirituality, and the senses in Twelfth Night Douglas Trevor; Part II. Playhouses: 4. Conceiving tragedy Tanya Pollard; 5. Playing with appetite in early modern comedy Hillary Nunn; 6. Notes towards an analysis of early modern applause Matthew Steggle; 7. Catharsis as 'purgation' in Shakespearean drama Thomas Rist; Part III. Poems: 8. Epigrammatic commotions William Kerwin; 9. Poetic 'making' and moving the soul Margaret Healy; 10. Shakespearean pain Michael Schoenfeldt; Afterword: senses of an ending Bruce R. Smith. |
Record Nr. | UNINA-9910786158803321 |
Cambridge : , : Cambridge University Press, , 2013 | ||
Materiale a stampa | ||
Lo trovi qui: Univ. Federico II | ||
|
Shakespearean sensations : experiencing literature in early modern England / / edited by Katharine A. Craik and Tanya Pollard [[electronic resource]] |
Pubbl/distr/stampa | Cambridge : , : Cambridge University Press, , 2013 |
Descrizione fisica | 1 online resource (x, 244 pages) : digital, PDF file(s) |
Disciplina | 820.9/353 |
Soggetto topico |
English literature - Early modern, 1500-1700 - History and criticism - Theory, etc
English literature - Psychological aspects Reading - Physiological aspects Senses and sensation in literature Reader-response criticism Theater audiences - England - History - 16th century Theater audiences - England - History - 17th century Mind and body |
ISBN |
1-107-23689-4
1-107-30166-1 1-107-30582-9 1-107-30675-2 1-107-30895-X 1-107-31230-2 1-299-00908-5 1-107-31450-X 1-139-23558-3 |
Classificazione | LIT004120 |
Formato | Materiale a stampa |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto |
Part One: Plays -- 1. Feeling fear in Macbeth / Allison P. Hobgood -- 2. Hearing Iago's withheld confession / Allison K. Deutermann -- 3. Self-love, spirituality, and the senses in Twelfth Night / Douglas Trevor -- Part Two: Playhouses -- 4. Conceiving tradgedy / Tanya Pollard -- 5. Playing with appetitie in early modern comedy / Hillary M. Nunn -- 6. Notes towards an analysis of earyly modern applause / Matthew Steggle -- 7. Catharsis as "purgation" in Shakespearean drama / Thomas Rist -- 8. Epigrammatic commotions / William Kerwin -- 9. Poetic "making" and moving the soul / Margaret Healy -- 10. Shakespearean pain / Michael Schoenfeldt -- Afterword: Senses of an ending / Bruce R. Smith.
Introduction: imagining audiences Katharine A. Craik and Tanya Pollard; Part I. Plays: 1. Feeling fear in Macbeth Allison P. Hobgood; 2. Hearing Iago's withheld confession Allison Deutermann; 3. Self-love, spirituality, and the senses in Twelfth Night Douglas Trevor; Part II. Playhouses: 4. Conceiving tragedy Tanya Pollard; 5. Playing with appetite in early modern comedy Hillary Nunn; 6. Notes towards an analysis of early modern applause Matthew Steggle; 7. Catharsis as 'purgation' in Shakespearean drama Thomas Rist; Part III. Poems: 8. Epigrammatic commotions William Kerwin; 9. Poetic 'making' and moving the soul Margaret Healy; 10. Shakespearean pain Michael Schoenfeldt; Afterword: senses of an ending Bruce R. Smith. |
Record Nr. | UNINA-9910824607003321 |
Cambridge : , : Cambridge University Press, , 2013 | ||
Materiale a stampa | ||
Lo trovi qui: Univ. Federico II | ||
|
Stages and playgoers [[electronic resource] ] : from guild plays to Shakespeare / / Janet Hill |
Autore | Hill Janet <1943-> |
Pubbl/distr/stampa | Montreal ; ; Ithaca, [NY], : McGill-Queen's University Press, c2002 |
Descrizione fisica | 1 online resource (254 p.) |
Disciplina | 822/.045/09031 |
Soggetto topico |
English drama - Early modern and Elizabethan, 1500-1600 - History and criticism
Mysteries and miracle-plays, English - History and criticism English drama - 17th century - History and criticism Theater audiences - England - History - 16th century Theater audiences - England - History - 17th century Theater audiences - England - History - To 1500 Drama - Technique Soliloquy |
Soggetto genere / forma | Electronic books. |
ISBN |
1-282-85969-2
9786612859694 0-7735-6970-7 |
Formato | Materiale a stampa |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Record Nr. | UNINA-9910453969503321 |
Hill Janet <1943-> | ||
Montreal ; ; Ithaca, [NY], : McGill-Queen's University Press, c2002 | ||
Materiale a stampa | ||
Lo trovi qui: Univ. Federico II | ||
|
Stages and playgoers [[electronic resource] ] : from guild plays to Shakespeare / / Janet Hill |
Autore | Hill Janet <1943-> |
Pubbl/distr/stampa | Montreal ; ; Ithaca, [NY], : McGill-Queen's University Press, c2002 |
Descrizione fisica | 1 online resource (254 p.) |
Disciplina | 822/.045/09031 |
Soggetto topico |
English drama - Early modern and Elizabethan, 1500-1600 - History and criticism
Mysteries and miracle-plays, English - History and criticism English drama - 17th century - History and criticism Theater audiences - England - History - 16th century Theater audiences - England - History - 17th century Theater audiences - England - History - To 1500 Drama - Technique Soliloquy |
ISBN |
1-282-85969-2
9786612859694 0-7735-6970-7 |
Formato | Materiale a stampa |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | Front Matter -- Contents -- Acknowledgments -- Terminology and Translations -- Introduction -- Oure Play -- Nonce Plays -- I Know You All -- Open Address in the Romances -- Notes -- Bibliography -- Index |
Altri titoli varianti | From guild plays to Shakespeare |
Record Nr. | UNINA-9910782079103321 |
Hill Janet <1943-> | ||
Montreal ; ; Ithaca, [NY], : McGill-Queen's University Press, c2002 | ||
Materiale a stampa | ||
Lo trovi qui: Univ. Federico II | ||
|
Stages and playgoers : from guild plays to Shakespeare / / Janet Hill |
Autore | Hill Janet <1943-> |
Edizione | [1st ed.] |
Pubbl/distr/stampa | Montreal ; ; Ithaca, [NY], : McGill-Queen's University Press, c2002 |
Descrizione fisica | 1 online resource (254 p.) |
Disciplina | 822/.045/09031 |
Soggetto topico |
English drama - Early modern and Elizabethan, 1500-1600 - History and criticism
Mysteries and miracle-plays, English - History and criticism English drama - 17th century - History and criticism Theater audiences - England - History - 16th century Theater audiences - England - History - 17th century Theater audiences - England - History - To 1500 Drama - Technique Soliloquy |
ISBN |
1-282-85969-2
9786612859694 0-7735-6970-7 |
Formato | Materiale a stampa |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | Front Matter -- Contents -- Acknowledgments -- Terminology and Translations -- Introduction -- Oure Play -- Nonce Plays -- I Know You All -- Open Address in the Romances -- Notes -- Bibliography -- Index |
Record Nr. | UNINA-9910824588303321 |
Hill Janet <1943-> | ||
Montreal ; ; Ithaca, [NY], : McGill-Queen's University Press, c2002 | ||
Materiale a stampa | ||
Lo trovi qui: Univ. Federico II | ||
|
Theatrical convention and audience response in early modern drama / / Jeremy Lopez [[electronic resource]] |
Autore | Lopez Jeremy |
Pubbl/distr/stampa | Cambridge : , : Cambridge University Press, , 2003 |
Descrizione fisica | 1 online resource (viii, 239 pages) : digital, PDF file(s) |
Disciplina | 822/.309 |
Soggetto topico |
English drama - Early modern and Elizabethan, 1500-1600 - History and criticism
Theater audiences - England - History - 16th century Theater audiences - England - History - 17th century English drama - 17th century - History and criticism Theater - England - History - 16th century Theater - England - History - 17th century |
ISBN |
1-107-13609-1
1-280-16253-8 0-511-33040-5 1-139-14883-4 0-511-12114-8 0-511-07397-6 0-511-07379-8 0-511-48371-6 0-511-07387-9 |
Formato | Materiale a stampa |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | 1. "As it was acted to great applause": Elizabethan and Jacobean audiences and the physicality of response -- 2. Meat, magic, and metamorphosis: on puns and wordplay -- 3. Managing the aside -- 4. Exposition, redundancy, action -- 5. Disorder and convention -- 6. Drama of disappointment: character and narrative in Elizabethan and Jacobean tragedy -- 7. Laughter and narrative in Elizabethan and Jacobean comedy -- 8. Epilogue: Jonson and Shakespeare. |
Altri titoli varianti | Theatrical Convention & Audience Response in Early Modern Drama |
Record Nr. | UNINA-9910450022903321 |
Lopez Jeremy | ||
Cambridge : , : Cambridge University Press, , 2003 | ||
Materiale a stampa | ||
Lo trovi qui: Univ. Federico II | ||
|
Theatrical convention and audience response in early modern drama / / Jeremy Lopez [[electronic resource]] |
Autore | Lopez Jeremy |
Pubbl/distr/stampa | Cambridge : , : Cambridge University Press, , 2003 |
Descrizione fisica | 1 online resource (viii, 239 pages) : digital, PDF file(s) |
Disciplina | 822/.309 |
Soggetto topico |
English drama - Early modern and Elizabethan, 1500-1600 - History and criticism
Theater audiences - England - History - 16th century Theater audiences - England - History - 17th century English drama - 17th century - History and criticism Theater - England - History - 16th century Theater - England - History - 17th century |
ISBN |
1-107-13609-1
1-280-16253-8 0-511-33040-5 1-139-14883-4 0-511-12114-8 0-511-07397-6 0-511-07379-8 0-511-48371-6 0-511-07387-9 |
Formato | Materiale a stampa |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | 1. "As it was acted to great applause": Elizabethan and Jacobean audiences and the physicality of response -- 2. Meat, magic, and metamorphosis: on puns and wordplay -- 3. Managing the aside -- 4. Exposition, redundancy, action -- 5. Disorder and convention -- 6. Drama of disappointment: character and narrative in Elizabethan and Jacobean tragedy -- 7. Laughter and narrative in Elizabethan and Jacobean comedy -- 8. Epilogue: Jonson and Shakespeare. |
Altri titoli varianti | Theatrical Convention & Audience Response in Early Modern Drama |
Record Nr. | UNINA-9910783109403321 |
Lopez Jeremy | ||
Cambridge : , : Cambridge University Press, , 2003 | ||
Materiale a stampa | ||
Lo trovi qui: Univ. Federico II | ||
|
Theatrical convention and audience response in early modern drama / / Jeremy Lopez |
Autore | Lopez Jeremy |
Edizione | [1st ed.] |
Pubbl/distr/stampa | Cambridge, U.K. ; ; New York, : Cambridge University Press, 2003 |
Descrizione fisica | 1 online resource (viii, 239 pages) : digital, PDF file(s) |
Disciplina | 822/.309 |
Soggetto topico |
English drama - Early modern and Elizabethan, 1500-1600 - History and criticism
Theater audiences - England - History - 16th century Theater audiences - England - History - 17th century English drama - 17th century - History and criticism Theater - England - History - 16th century Theater - England - History - 17th century |
ISBN |
1-107-13609-1
1-280-16253-8 0-511-33040-5 1-139-14883-4 0-511-12114-8 0-511-07397-6 0-511-07379-8 0-511-48371-6 0-511-07387-9 |
Formato | Materiale a stampa |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | 1. "As it was acted to great applause": Elizabethan and Jacobean audiences and the physicality of response -- 2. Meat, magic, and metamorphosis: on puns and wordplay -- 3. Managing the aside -- 4. Exposition, redundancy, action -- 5. Disorder and convention -- 6. Drama of disappointment: character and narrative in Elizabethan and Jacobean tragedy -- 7. Laughter and narrative in Elizabethan and Jacobean comedy -- 8. Epilogue: Jonson and Shakespeare. |
Record Nr. | UNINA-9910812318203321 |
Lopez Jeremy | ||
Cambridge, U.K. ; ; New York, : Cambridge University Press, 2003 | ||
Materiale a stampa | ||
Lo trovi qui: Univ. Federico II | ||
|