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Acts and apparitions : Discourses on the real in performance practice and theory, 1990–2010 / / Liz Tomlin
| Acts and apparitions : Discourses on the real in performance practice and theory, 1990–2010 / / Liz Tomlin |
| Autore | Tomlin Liz |
| Pubbl/distr/stampa | Manchester, England : , : Manchester University Press, , 2013 |
| Descrizione fisica | 1 online resource (241 pages) |
| Disciplina | 792.02/8 |
| Soggetto topico |
Authors and theater
Theater and philosophy Realism Theater - History - 21st century Theater - History - 20th century |
| Soggetto genere / forma | Electronic books. |
| ISBN | 1-5261-3074-2 |
| Formato | Materiale a stampa  |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Record Nr. | UNINA-9910480113603321 |
Tomlin Liz
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| Manchester, England : , : Manchester University Press, , 2013 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Acts and apparitions : Discourses on the real in performance practice and theory, 1990–2010 / / Liz Tomlin
| Acts and apparitions : Discourses on the real in performance practice and theory, 1990–2010 / / Liz Tomlin |
| Autore | Tomlin Liz |
| Pubbl/distr/stampa | Manchester, England : , : Manchester University Press, , 2013 |
| Descrizione fisica | 1 online resource (241 pages) |
| Disciplina | 792.02/8 |
| Soggetto topico |
Authors and theater
Theater and philosophy Realism Theater - History - 21st century Theater - History - 20th century |
| Soggetto non controllato |
artistic development
documentary theatre tradition dramatic representation experiential realities performance practices performer philosophical development political implications postdramatic deconstructions poststructuralist narrative radicalism representational practice spectator theatrical representations verbatim methodologies |
| ISBN | 1-5261-3074-2 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Frontmatter -- Contents -- List of figures -- Acknowledgements -- Introduction -- Part I: The discursive act -- 1 Discourses of resistance: representation and the real in the twentieth-century avant-gardes -- 2 Deconstructing the postdramatic: questions of mimesis, authorship and representation -- Part II: Apparitions of the real -- 3 Quoting quotations: citational theory and contemporary characterisation -- 4 Representing the real: verbatim practice in a sceptical age -- 5 Re-membering the real: experiential challenges to the medium of theatrical representation -- 6 From spect-actor to corporate player: reconfigurations of twenty-first-century audiences -- Afterword -- References -- Index |
| Record Nr. | UNINA-9910793133303321 |
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Tomlin Liz
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| Manchester, England : , : Manchester University Press, , 2013 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Acts and apparitions : Discourses on the real in performance practice and theory, 1990–2010 / / Liz Tomlin
| Acts and apparitions : Discourses on the real in performance practice and theory, 1990–2010 / / Liz Tomlin |
| Autore | Tomlin Liz |
| Pubbl/distr/stampa | Manchester, England : , : Manchester University Press, , 2013 |
| Descrizione fisica | 1 online resource (241 pages) |
| Disciplina | 792.02/8 |
| Soggetto topico |
Authors and theater
Theater and philosophy Realism Theater - History - 21st century Theater - History - 20th century |
| Soggetto non controllato |
artistic development
documentary theatre tradition dramatic representation experiential realities performance practices performer philosophical development political implications postdramatic deconstructions poststructuralist narrative radicalism representational practice spectator theatrical representations verbatim methodologies |
| ISBN | 1-5261-3074-2 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Frontmatter -- Contents -- List of figures -- Acknowledgements -- Introduction -- Part I: The discursive act -- 1 Discourses of resistance: representation and the real in the twentieth-century avant-gardes -- 2 Deconstructing the postdramatic: questions of mimesis, authorship and representation -- Part II: Apparitions of the real -- 3 Quoting quotations: citational theory and contemporary characterisation -- 4 Representing the real: verbatim practice in a sceptical age -- 5 Re-membering the real: experiential challenges to the medium of theatrical representation -- 6 From spect-actor to corporate player: reconfigurations of twenty-first-century audiences -- Afterword -- References -- Index |
| Record Nr. | UNINA-9910809328103321 |
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Tomlin Liz
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| Manchester, England : , : Manchester University Press, , 2013 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Le Théâtre de L'accord : Une Théorie de la Scène Fondée Sur la Philosophie de Georges Bataille
| Le Théâtre de L'accord : Une Théorie de la Scène Fondée Sur la Philosophie de Georges Bataille |
| Autore | Aufort édérique |
| Edizione | [1st ed.] |
| Pubbl/distr/stampa | Paris : , : Editions L'Harmattan, , 2020 |
| Descrizione fisica | 1 online resource (220 p.) |
| Collana | Ouverture Philosophique |
| Soggetto topico |
Theater and philosophy
Theater - Philosophy |
| ISBN | 2-14-016730-9 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | fre |
| Record Nr. | UNINA-9910915749003321 |
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Aufort édérique
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| Paris : , : Editions L'Harmattan, , 2020 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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On repetition : writing, performance and art / / edited by Eirini Kartsaki
| On repetition : writing, performance and art / / edited by Eirini Kartsaki |
| Pubbl/distr/stampa | Bristol, England ; ; Chicago, Illinois : , : Intellect Books, , 2016 |
| Descrizione fisica | 1 online resource (240 pages) |
| Disciplina | 001.309032 |
| Soggetto topico |
Repetition (Aesthetics)
Repetition (Philosophy) Theater and philosophy |
| ISBN |
1-78320-579-2
1-78320-578-4 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Record Nr. | UNINA-9910149438203321 |
| Bristol, England ; ; Chicago, Illinois : , : Intellect Books, , 2016 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Performance and posthumanism : staging prototypes of composite bodies / / Christel Stalpaert, Kristof van Baarle, Laura Karreman, editors
| Performance and posthumanism : staging prototypes of composite bodies / / Christel Stalpaert, Kristof van Baarle, Laura Karreman, editors |
| Pubbl/distr/stampa | Cham, Switzerland : , : Palgrave Macmillan, , [2021] |
| Descrizione fisica | 1 online resource : illustrations (chiefly color) |
| Disciplina | 792.01 |
| Soggetto topico |
Theater and philosophy
Posthumanism |
| ISBN | 3-030-74745-X |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Intro -- Acknowledgements -- Contents -- Notes on Contributors -- List of Figures -- Performance and Posthumanism: Co-Creation, Response-Ability and Epistemologies -- A Genealogy of Posthuman Research -- Posthumanism Brings Two Tendencies Together -- Does It Matter? -- On Things and Objects -- Realigning Action and Movement on the Posthuman Stage -- PART I: Co-Creation with Thingly Matter (Dramaturgies) -- Contemporary Posthumanist Performing Arts -- PART II: Response-Ability in Thingly Variations (Politics and Ethics) -- PART III: Posthuman Epistemologies: The Politics of Knowledge Transmission -- Coda -- Works Cited -- Co-creation with Thingly Matter: Dramaturgies -- 9 Variations on Things and Performance -- The Apparatus Variation -- Variation on the Apparatus Variation -- The Commodity Variation -- The Dispossession Variation -- The Decolonizing Variation -- The Ethical Variation -- The Anti-Personhood Variation -- The Lines-Of-Flight Variation -- The Final Quote Variation -- References -- Does the Donkey Act? Balthazar as Protagonist -- The Modern Human-Animal Divide -- The Balthazar Project -- The Pragmatic Individuality of Organism and Umwelt -- Performance Ethology, the Specificity of Donkeys -- Interspecies Identification in Theatre with Humorous Results -- Whitehead's Cosmology of Action -- The Ontogenetic Dimension of Interspecies Performance Action -- References -- Latent Performances. Conditions for Some Things to Happen -- The Latent Performance Lexicon -- References -- Aesthetics of Mykorrhiza. The Practice of Apparatus -- Against Aboutness -- Mycorrhiza: An Apparatus -- Mycorrhiza: An Aesthetic Following Mushrooms -- References -- On Composite Bodies and New Media Dramaturgy -- Introduction -- References -- Response-Ability in Thingly Variations: Politics and Ethics.
Decoding Effet Papillon, a Choreography for Three Dancers Inspired by the World of Video Games -- Contemporary Bodies -- Effet Papillon-Creation Process -- Sensors and Computer Programming: Towards a Dramaturgy of Simulacra -- On Their Wings -- References -- The Refrain and the Territory of the Posthuman -- Conclusion: The Climate Crisis and the Precarious Creation of the Unknown -- References -- The Right to Remain Forgotten and the Data Crimes of Post-digital Culture: A Ceaseless Traumatic Event -- The Rights of the Data-Subject -- Within the Internet Folds of Social Media -- Droit à l'oubli (The Right to Be Forgotten) -- The Authenticity of the Virtual (The Techno-Memory of Drones and the Selfie) -- Image Crimes -- Conclusion -- References -- The Biography of a Digital Device: The Interwovenness of Human and Non-human Movements in Production and Distribution Processes as Thematized in the Artwork Rare Earthenware by Unknown Fields -- Reconfigurations of the Real and the Possible -- Emerging Landscapes at the Point of Intersection of Terraforming and Material Autonomy -- The Biography of Things -- The Material Backbone of Digital Culture -- References -- Tentacular Thinking-With-Things in Storied Places. Parliament of Things (2019) by Building Conversation -- Facilitating Conversations and Co-creating Conversational Performances with Building Conversation -- Resurging9 'Lost Words' in Conversational Practices/Performances -- Developing a Grammar of Animacy in the Wood Wide Web -- Animating a Grammar of Animacy in Conversational Practices/Performances -- Resurging Knowledge Through Tentacular Thinking-With-Things -- Things Emerging as Mediators in a Parliament of Things -- Tentacular Thinking-With-Flora in the Storied Place of the Botanical Garden -- New Modes of Activism: Silent Revolt of Interconnectivity Through Art-Science-Activist Worldings. References -- Posthuman Epistemologies: The Politics of Knowledge Transmission -- The Point of the Matter: Performativity in Scientific Practices -- Introduction -- The Problem of Knowledge Production: Finding or Constructing Proof -- The Problem of Knowledge Production: Making Matter Perform -- Re-Imagining Knowledge Transmission: From One-Way Channels to Open-Endedness -- Re-imagining Knowledge Transmission: Re-enactment as a Non-representational Approach -- Knowledge Production in Practice: What Mathematicians Do -- Knowledge Production in Practice: Collaborations Between Technological and Human Agents -- Some Further Thoughts, Rather Random, yet Organized -- More Thoughts Again, Rather Abstract and One After Another -- References -- Music Notation and Distributed Creativity: The Textility of Score Annotation -- Case Study 1: To My Father for Clarinet and Piano -- Case Study 2: The Instant Composers Pool Orchestra -- Itinerary (An)notation -- Conclusion -- References -- Spectators in the Laboratory: Between Theatre and Technoscience -- Artists and/or Scientists -- Experiments and Experiences -- Laboratory of Social Imagination -- Conclusion -- References -- A Hybrid Device to Choreograph the Gaze: Embodying Vision Through a Historical Discourse on Optics in Benjamin Vandewalle's Peri-Sphere -- Investigating Vision -- Exploring Parameters of Perception -- Different Angles -- References -- Index. |
| Record Nr. | UNINA-9910497082903321 |
| Cham, Switzerland : , : Palgrave Macmillan, , [2021] | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Theater as Metaphor / / Elena Penskaya, Joachim Küpper
| Theater as Metaphor / / Elena Penskaya, Joachim Küpper |
| Autore | Penskaya Elena |
| Pubbl/distr/stampa | Berlin/Boston, : De Gruyter, 2019 |
| Descrizione fisica | 1 online resource (267 pages) : illustrations; digital file(s) |
| Disciplina | 792.01 |
| Soggetto topico |
Theater - Philosophy
Theater and philosophy Theater in literature Literature: history & criticism Literary studies: plays & playwrights |
| Soggetto non controllato |
Literary History
Metaphor Theater Studies |
| ISBN | 3-11-062203-3 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Frontmatter -- Acknowledgments -- Contents -- Introduction -- Between Metaphor and Cultural Practices: Theatrum and scena in the German- Speaking Sphere before 1648 -- Speсtacularity before the "Renaissance" of Theater: Visuality and Self-Image of the Quattrocento papacy -- Literal and Figurative Uses of the Pícaro: Graded Salience in Seventeenth-Century Picaresque Narrations -- Theater as Metaphor and Guiding Principle: The French Anecdote Tradition from the Seventeenth to the Nineteenth Century -- "Dressed for life's short comedy": Desengaño and connivere libenter as Ethical Paradigms in William Shakespeare's Plays -- The Conceptualization of the World as Stage in Calderón and Cervantes - Christian Didacticism and its Ironic Rebuttal -- The King as a "Maker" of Theater: Le ballet de la nuit and Louis XIV -- War, Peace, and Territory in Late Eighteenth-Century Russian Outdoor Performances -- Lucis an caliginis theatrum: Theatrical Metaphors in the Early Modern historia literaria -- Theater, World History, and Mythology: Theatrical Metaphors in Schelling's Philosophy -- The Philosophical Narrative as a Semiotic Laboratory of Theatrical Language: The Case of Jean Paul in the Context of the Russian Reception -- Theatrical Metaphor and the Discourse of History: Nikolai Karamzin -- Theater as Metaphor in the Drama of Alexander Ostrovsky -- The Theater of the Absurd and the Absurdity of Theater: The Early Plays of Beckett and Ionesco -- Chico Buarque's Gota d'água, uma tragédia carioca: Theater as Metaphor in Brazil during the Military Dictatorship, 1964-1985 -- From theatrum mundi to Theatricality -- Notes on Contributors |
| Record Nr. | UNINA-9910345978503321 |
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Penskaya Elena
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| Berlin/Boston, : De Gruyter, 2019 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Theater as Metaphor / / Elena Penskaya, Joachim Küpper
| Theater as Metaphor / / Elena Penskaya, Joachim Küpper |
| Autore | Penskaya Elena |
| Pubbl/distr/stampa | Berlin/Boston, : De Gruyter, 2019 |
| Descrizione fisica | 1 online resource (267 pages) : illustrations; digital file(s) |
| Disciplina | 792.01 |
| Soggetto topico |
Theater - Philosophy
Theater and philosophy Theater in literature Literature: history & criticism Literary studies: plays & playwrights |
| Soggetto non controllato |
Literary History
Metaphor Theater Studies |
| ISBN | 3-11-062203-3 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Frontmatter -- Acknowledgments -- Contents -- Introduction -- Between Metaphor and Cultural Practices: Theatrum and scena in the German- Speaking Sphere before 1648 -- Speсtacularity before the "Renaissance" of Theater: Visuality and Self-Image of the Quattrocento papacy -- Literal and Figurative Uses of the Pícaro: Graded Salience in Seventeenth-Century Picaresque Narrations -- Theater as Metaphor and Guiding Principle: The French Anecdote Tradition from the Seventeenth to the Nineteenth Century -- "Dressed for life's short comedy": Desengaño and connivere libenter as Ethical Paradigms in William Shakespeare's Plays -- The Conceptualization of the World as Stage in Calderón and Cervantes - Christian Didacticism and its Ironic Rebuttal -- The King as a "Maker" of Theater: Le ballet de la nuit and Louis XIV -- War, Peace, and Territory in Late Eighteenth-Century Russian Outdoor Performances -- Lucis an caliginis theatrum: Theatrical Metaphors in the Early Modern historia literaria -- Theater, World History, and Mythology: Theatrical Metaphors in Schelling's Philosophy -- The Philosophical Narrative as a Semiotic Laboratory of Theatrical Language: The Case of Jean Paul in the Context of the Russian Reception -- Theatrical Metaphor and the Discourse of History: Nikolai Karamzin -- Theater as Metaphor in the Drama of Alexander Ostrovsky -- The Theater of the Absurd and the Absurdity of Theater: The Early Plays of Beckett and Ionesco -- Chico Buarque's Gota d'água, uma tragédia carioca: Theater as Metaphor in Brazil during the Military Dictatorship, 1964-1985 -- From theatrum mundi to Theatricality -- Notes on Contributors |
| Record Nr. | UNISA-996309121403316 |
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Penskaya Elena
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| Berlin/Boston, : De Gruyter, 2019 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. di Salerno | ||
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