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The Cambridge introduction to theatre directing / / Christopher Innes, Maria Shevtsova [[electronic resource]]
| The Cambridge introduction to theatre directing / / Christopher Innes, Maria Shevtsova [[electronic resource]] |
| Autore | Innes Christopher <1941-> |
| Pubbl/distr/stampa | Cambridge : , : Cambridge University Press, , 2013 |
| Descrizione fisica | 1 online resource (xi, 283 pages) : digital, PDF file(s) |
| Disciplina | 792.02/33 |
| Collana | Cambridge introductions to literature |
| Soggetto topico |
Theater - Production and direction
Theater - Production and direction - History - 20th century Theatrical producers and directors |
| ISBN |
1-107-35710-1
1-107-23348-8 1-107-34373-9 1-107-34748-3 1-107-25526-0 1-107-34498-0 1-107-34123-X 1-139-01639-3 |
| Formato | Materiale a stampa  |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Cover; Contents; Illustrations; Acknowledgements; Introduction; Chapter 1 Traditional staging and the evolution of the director; Classical Greek theatre: director as choreographer; From Greece to Classical Rome; Medieval European staging; Playwright-managers: Renaissance and early seventeenth-century theatre; The seventeenth and eighteenth centuries: Enlightenment and the actor-manager; Introducing scenery: Philip Jacques de Loutherbourg; Henry Irving: the nineteenth-century actor-manager; The transition from traditional staging; The German stage and the function of the Intendant
The critic as director: Gotthold Lessing at the Hamburg NationaltheaterFurther reading; Chapter 2 The rise of the modern director; The Meiningen Players and the conditions for naturalism; The Meiningen influence; The theory of naturalism: Emile Zola; The naturalistic director: André Antoine and the Théâtre Libre; Symbolist theatre: a call for directorial vision; Richard Wagner: total theatre; Adolphe Appia: lighting and space; Gordon Craig, Adolphe Appia and the theory of directing; Stanislavsky and psychological realism; The Seagull; Acting 'with the body'; Further reading Chapter 3 Directors of theatricalityVsevolod Meyerhold: commedia dell'arte to biomechanics; Theatricality, stylization and the grotesque; The director as engineer: constructivism and biomechanics; Aleksandr Tairov: aestheticized theatricalization; Yevgeny Vakhtangov: 'festivity' and spectacle; Revisiting Meyerhold: Valery Fokin; The politics of theatricality: Ariane Mnouchkine; 'Masters'; Theatricality, metaphor and the 'East'; Directing in a collectivity of equals; Frank Castorf and Thomas Ostermeier: theatricality and violence; Eastern European directors: theatricality as resistance Further readingChapter 4 Epic theatre directors; Erwin Piscator's political theatre; Political staging: Piscator's Rasputin; Film and stage; Political directing: the Piscator approach; The Rasputin production: a model for epic theatre; Documentary theatre; Bertolt Brecht's epic theatre; Epic theatre and cabaret; Developing an epic style of staging and directing; Directing epic theatre: Mother Courage; The influence of epic theatre; Heiner Müller and post-Brechtian epic theatre; Postmodern epic directing: Roberto Ciulli; Further reading; Chapter 5 Total theatre: the director as auteur Gordon Craig and the Artist of the TheatreMax Reinhardt: the 'Director's Book'; Combining directorial methods: Norman Bel Geddes; Peter Brook: collective creation versus directorial vision; Robert Wilson: the 'Visual Book'; Robert Lepage: cinematic self-directing; Total theatre and directing opera: Robert Wilson, Robert Lepage, Peter Sellars; Visual stylization as musical context: Robert Wilson; Cinematic and mechanistic deconstructions of opera: Robert Lepage; Conceptual politics: Peter Sellars; Sound and space: Christoph Marthaler; Further reading; Chapter 6 Directors of ensemble theatre Giorgio Strehler, Peter Stein, Peter Brook |
| Record Nr. | UNINA-9910462874903321 |
Innes Christopher <1941->
|
||
| Cambridge : , : Cambridge University Press, , 2013 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
The Cambridge introduction to theatre directing / / Christopher Innes, Maria Shevtsova [[electronic resource]]
| The Cambridge introduction to theatre directing / / Christopher Innes, Maria Shevtsova [[electronic resource]] |
| Autore | Innes Christopher <1941-> |
| Pubbl/distr/stampa | Cambridge : , : Cambridge University Press, , 2013 |
| Descrizione fisica | 1 online resource (xi, 283 pages) : digital, PDF file(s) |
| Disciplina | 792.02/33 |
| Collana | Cambridge introductions to literature |
| Soggetto topico |
Theater - Production and direction
Theater - Production and direction - History - 20th century Theatrical producers and directors |
| ISBN |
1-107-35710-1
1-107-23348-8 1-107-34373-9 1-107-34748-3 1-107-25526-0 1-107-34498-0 1-107-34123-X 1-139-01639-3 |
| Classificazione | DRA000000 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Cover; Contents; Illustrations; Acknowledgements; Introduction; Chapter 1 Traditional staging and the evolution of the director; Classical Greek theatre: director as choreographer; From Greece to Classical Rome; Medieval European staging; Playwright-managers: Renaissance and early seventeenth-century theatre; The seventeenth and eighteenth centuries: Enlightenment and the actor-manager; Introducing scenery: Philip Jacques de Loutherbourg; Henry Irving: the nineteenth-century actor-manager; The transition from traditional staging; The German stage and the function of the Intendant
The critic as director: Gotthold Lessing at the Hamburg NationaltheaterFurther reading; Chapter 2 The rise of the modern director; The Meiningen Players and the conditions for naturalism; The Meiningen influence; The theory of naturalism: Emile Zola; The naturalistic director: André Antoine and the Théâtre Libre; Symbolist theatre: a call for directorial vision; Richard Wagner: total theatre; Adolphe Appia: lighting and space; Gordon Craig, Adolphe Appia and the theory of directing; Stanislavsky and psychological realism; The Seagull; Acting 'with the body'; Further reading Chapter 3 Directors of theatricalityVsevolod Meyerhold: commedia dell'arte to biomechanics; Theatricality, stylization and the grotesque; The director as engineer: constructivism and biomechanics; Aleksandr Tairov: aestheticized theatricalization; Yevgeny Vakhtangov: 'festivity' and spectacle; Revisiting Meyerhold: Valery Fokin; The politics of theatricality: Ariane Mnouchkine; 'Masters'; Theatricality, metaphor and the 'East'; Directing in a collectivity of equals; Frank Castorf and Thomas Ostermeier: theatricality and violence; Eastern European directors: theatricality as resistance Further readingChapter 4 Epic theatre directors; Erwin Piscator's political theatre; Political staging: Piscator's Rasputin; Film and stage; Political directing: the Piscator approach; The Rasputin production: a model for epic theatre; Documentary theatre; Bertolt Brecht's epic theatre; Epic theatre and cabaret; Developing an epic style of staging and directing; Directing epic theatre: Mother Courage; The influence of epic theatre; Heiner Müller and post-Brechtian epic theatre; Postmodern epic directing: Roberto Ciulli; Further reading; Chapter 5 Total theatre: the director as auteur Gordon Craig and the Artist of the TheatreMax Reinhardt: the 'Director's Book'; Combining directorial methods: Norman Bel Geddes; Peter Brook: collective creation versus directorial vision; Robert Wilson: the 'Visual Book'; Robert Lepage: cinematic self-directing; Total theatre and directing opera: Robert Wilson, Robert Lepage, Peter Sellars; Visual stylization as musical context: Robert Wilson; Cinematic and mechanistic deconstructions of opera: Robert Lepage; Conceptual politics: Peter Sellars; Sound and space: Christoph Marthaler; Further reading; Chapter 6 Directors of ensemble theatre Giorgio Strehler, Peter Stein, Peter Brook |
| Record Nr. | UNINA-9910786110303321 |
|
Innes Christopher <1941->
|
||
| Cambridge : , : Cambridge University Press, , 2013 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
The Cambridge introduction to theatre directing / / Christopher Innes, Maria Shevtsova [[electronic resource]]
| The Cambridge introduction to theatre directing / / Christopher Innes, Maria Shevtsova [[electronic resource]] |
| Autore | Innes Christopher <1941-> |
| Pubbl/distr/stampa | Cambridge : , : Cambridge University Press, , 2013 |
| Descrizione fisica | 1 online resource (xi, 283 pages) : digital, PDF file(s) |
| Disciplina | 792.02/33 |
| Collana | Cambridge introductions to literature |
| Soggetto topico |
Theater - Production and direction
Theater - Production and direction - History - 20th century Theatrical producers and directors |
| ISBN |
1-107-35710-1
1-107-23348-8 1-107-34373-9 1-107-34748-3 1-107-25526-0 1-107-34498-0 1-107-34123-X 1-139-01639-3 |
| Classificazione | DRA000000 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Cover; Contents; Illustrations; Acknowledgements; Introduction; Chapter 1 Traditional staging and the evolution of the director; Classical Greek theatre: director as choreographer; From Greece to Classical Rome; Medieval European staging; Playwright-managers: Renaissance and early seventeenth-century theatre; The seventeenth and eighteenth centuries: Enlightenment and the actor-manager; Introducing scenery: Philip Jacques de Loutherbourg; Henry Irving: the nineteenth-century actor-manager; The transition from traditional staging; The German stage and the function of the Intendant
The critic as director: Gotthold Lessing at the Hamburg NationaltheaterFurther reading; Chapter 2 The rise of the modern director; The Meiningen Players and the conditions for naturalism; The Meiningen influence; The theory of naturalism: Emile Zola; The naturalistic director: André Antoine and the Théâtre Libre; Symbolist theatre: a call for directorial vision; Richard Wagner: total theatre; Adolphe Appia: lighting and space; Gordon Craig, Adolphe Appia and the theory of directing; Stanislavsky and psychological realism; The Seagull; Acting 'with the body'; Further reading Chapter 3 Directors of theatricalityVsevolod Meyerhold: commedia dell'arte to biomechanics; Theatricality, stylization and the grotesque; The director as engineer: constructivism and biomechanics; Aleksandr Tairov: aestheticized theatricalization; Yevgeny Vakhtangov: 'festivity' and spectacle; Revisiting Meyerhold: Valery Fokin; The politics of theatricality: Ariane Mnouchkine; 'Masters'; Theatricality, metaphor and the 'East'; Directing in a collectivity of equals; Frank Castorf and Thomas Ostermeier: theatricality and violence; Eastern European directors: theatricality as resistance Further readingChapter 4 Epic theatre directors; Erwin Piscator's political theatre; Political staging: Piscator's Rasputin; Film and stage; Political directing: the Piscator approach; The Rasputin production: a model for epic theatre; Documentary theatre; Bertolt Brecht's epic theatre; Epic theatre and cabaret; Developing an epic style of staging and directing; Directing epic theatre: Mother Courage; The influence of epic theatre; Heiner Müller and post-Brechtian epic theatre; Postmodern epic directing: Roberto Ciulli; Further reading; Chapter 5 Total theatre: the director as auteur Gordon Craig and the Artist of the TheatreMax Reinhardt: the 'Director's Book'; Combining directorial methods: Norman Bel Geddes; Peter Brook: collective creation versus directorial vision; Robert Wilson: the 'Visual Book'; Robert Lepage: cinematic self-directing; Total theatre and directing opera: Robert Wilson, Robert Lepage, Peter Sellars; Visual stylization as musical context: Robert Wilson; Cinematic and mechanistic deconstructions of opera: Robert Lepage; Conceptual politics: Peter Sellars; Sound and space: Christoph Marthaler; Further reading; Chapter 6 Directors of ensemble theatre Giorgio Strehler, Peter Stein, Peter Brook |
| Record Nr. | UNINA-9910822782503321 |
|
Innes Christopher <1941->
|
||
| Cambridge : , : Cambridge University Press, , 2013 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Modern drama and the rhetoric of theater / / W. B. Worthen
| Modern drama and the rhetoric of theater / / W. B. Worthen |
| Autore | Worthen William B. <1955-> |
| Pubbl/distr/stampa | Berkeley, California : , : University of California Press, , 1992 |
| Descrizione fisica | 1 online resource (241 p.) |
| Disciplina | 822/.9109 |
| Soggetto topico |
English drama - 20th century - History and criticism
American drama - 20th century - History and criticism Theater - Production and direction - History - 20th century Theater - English-speaking countries - History - 20th century |
| Soggetto genere / forma | Electronic books. |
| ISBN | 0-520-96304-0 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Front matter -- Contents -- Acknowledgments -- Introduction -- 1. Theater and the Scene of Vision -- 2. Actors and Objects -- 3. Scripted Bodies: Poetic Theater -- 4. Political Theater: Staging the Spectator -- Postscript. Sidi's Image: Theater and the Frame of Culture -- Works Cited -- Index |
| Record Nr. | UNINA-9910464201603321 |
|
Worthen William B. <1955->
|
||
| Berkeley, California : , : University of California Press, , 1992 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Modern drama and the rhetoric of theater / / W. B. Worthen
| Modern drama and the rhetoric of theater / / W. B. Worthen |
| Autore | Worthen William B. <1955-> |
| Pubbl/distr/stampa | Berkeley, California : , : University of California Press, , 1992 |
| Descrizione fisica | 1 online resource (241 p.) |
| Disciplina | 822/.9109 |
| Soggetto topico |
English drama - 20th century - History and criticism
American drama - 20th century - History and criticism Theater - Production and direction - History - 20th century Theater - English-speaking countries - History - 20th century |
| Soggetto non controllato |
american drama
audience brecht british drama drama literary criticism modern theater oneill performance performing arts plays playwright poetic theater political theater postwar drama realistic theater rhetoric spectator stage drama stage production stage staging theater criticism theater history theater yeats |
| ISBN | 0-520-96304-0 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Front matter -- Contents -- Acknowledgments -- Introduction -- 1. Theater and the Scene of Vision -- 2. Actors and Objects -- 3. Scripted Bodies: Poetic Theater -- 4. Political Theater: Staging the Spectator -- Postscript. Sidi's Image: Theater and the Frame of Culture -- Works Cited -- Index |
| Record Nr. | UNINA-9910788157503321 |
|
Worthen William B. <1955->
|
||
| Berkeley, California : , : University of California Press, , 1992 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Modern drama and the rhetoric of theater / / W. B. Worthen
| Modern drama and the rhetoric of theater / / W. B. Worthen |
| Autore | Worthen William B. <1955-> |
| Pubbl/distr/stampa | Berkeley, California : , : University of California Press, , 1992 |
| Descrizione fisica | 1 online resource (241 p.) |
| Disciplina | 822/.9109 |
| Soggetto topico |
English drama - 20th century - History and criticism
American drama - 20th century - History and criticism Theater - Production and direction - History - 20th century Theater - English-speaking countries - History - 20th century |
| Soggetto non controllato |
american drama
audience brecht british drama drama literary criticism modern theater oneill performance performing arts plays playwright poetic theater political theater postwar drama realistic theater rhetoric spectator stage drama stage production stage staging theater criticism theater history theater yeats |
| ISBN | 0-520-96304-0 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Front matter -- Contents -- Acknowledgments -- Introduction -- 1. Theater and the Scene of Vision -- 2. Actors and Objects -- 3. Scripted Bodies: Poetic Theater -- 4. Political Theater: Staging the Spectator -- Postscript. Sidi's Image: Theater and the Frame of Culture -- Works Cited -- Index |
| Record Nr. | UNINA-9910811792303321 |
|
Worthen William B. <1955->
|
||
| Berkeley, California : , : University of California Press, , 1992 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Modern drama and the rhetoric of theater / / W.B. Worthen [[electronic resource]]
| Modern drama and the rhetoric of theater / / W.B. Worthen [[electronic resource]] |
| Autore | Worthen William B. <1955-> |
| Pubbl/distr/stampa | Berkeley, : University of California Press, c1992 |
| Descrizione fisica | 1 online resource (x, 230 p. ) |
| Disciplina | 822/.9109 |
| Soggetto topico |
English drama - 20th century - History and criticism
American drama - 20th century - History and criticism Theater - Production and direction - History - 20th century Theater - English-speaking countries - History - 20th century |
| ISBN | 0-585-28098-3 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Chekhov's camera : the rhetoric of stage realism -- Invisible women : problem drama, 1890-1920 -- Invisible actors : O'Neill, the Method, and the masks of "character" -- Visible scenes : American realism and the absent audience -- Empty spaces and the power of privacy : Pinter, Shepard, and Bond -- Poetic theater and the work of acting -- The discipline of speech : Yeats's dance drama -- The discipline of performance : The dance of death and Murder in the cathedral -- The discipline of the text : Beckett's theater -- Transforming the field of theater -- Breaking the frame of history : Hitler dances and The Churchill play -- History and the frame of genre : Laughter! and Poppy -- Framing gender : Cloud nine and Fefu and her friends -- Postscript : Sidi's image : theater and the frame of culture. |
| Record Nr. | UNINA-9910495867803321 |
|
Worthen William B. <1955->
|
||
| Berkeley, : University of California Press, c1992 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Rescripting Shakespeare : the text, the director, and modern productions / / Alan C. Dessen [[electronic resource]]
| Rescripting Shakespeare : the text, the director, and modern productions / / Alan C. Dessen [[electronic resource]] |
| Autore | Dessen Alan C. <1935-> |
| Pubbl/distr/stampa | Cambridge : , : Cambridge University Press, , 2002 |
| Descrizione fisica | 1 online resource (xi, 268 pages) : digital, PDF file(s) |
| Disciplina | 792.9/5 |
| Soggetto topico | Theater - Production and direction - History - 20th century |
| ISBN |
1-107-12511-1
1-280-15956-1 0-511-12009-5 0-511-04215-9 0-511-15773-8 0-511-30465-X 0-511-48355-4 0-511-04499-2 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | "Let it be hid": price tags, trade-offs, and economies -- Rescripting Shakespeare's contemporaries -- Adjustments and improvements -- Inserting an intermission/interval -- What's in an ending? : rescripting final scenes -- Rescripting stage directions and actions -- Compressing Henry VI -- The tamings of the shrews : rescripting the First Folio -- The editor as rescripter -- Conclusion : what's not here. |
| Record Nr. | UNINA-9910450012103321 |
|
Dessen Alan C. <1935->
|
||
| Cambridge : , : Cambridge University Press, , 2002 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Rescripting Shakespeare : the text, the director, and modern productions / / Alan C. Dessen [[electronic resource]]
| Rescripting Shakespeare : the text, the director, and modern productions / / Alan C. Dessen [[electronic resource]] |
| Autore | Dessen Alan C. <1935-> |
| Pubbl/distr/stampa | Cambridge : , : Cambridge University Press, , 2002 |
| Descrizione fisica | 1 online resource (xi, 268 pages) : digital, PDF file(s) |
| Disciplina | 792.9/5 |
| Soggetto topico | Theater - Production and direction - History - 20th century |
| ISBN |
1-107-12511-1
1-280-15956-1 0-511-12009-5 0-511-04215-9 0-511-15773-8 0-511-30465-X 0-511-48355-4 0-511-04499-2 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | "Let it be hid": price tags, trade-offs, and economies -- Rescripting Shakespeare's contemporaries -- Adjustments and improvements -- Inserting an intermission/interval -- What's in an ending? : rescripting final scenes -- Rescripting stage directions and actions -- Compressing Henry VI -- The tamings of the shrews : rescripting the First Folio -- The editor as rescripter -- Conclusion : what's not here. |
| Record Nr. | UNINA-9910783190803321 |
|
Dessen Alan C. <1935->
|
||
| Cambridge : , : Cambridge University Press, , 2002 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Rescripting Shakespeare : the text, the director, and modern productions / / Alan C. Dessen
| Rescripting Shakespeare : the text, the director, and modern productions / / Alan C. Dessen |
| Autore | Dessen Alan C. <1935-> |
| Edizione | [1st ed.] |
| Pubbl/distr/stampa | Cambridge : , : Cambridge University Press, , 2002 |
| Descrizione fisica | 1 online resource (xi, 268 pages) : digital, PDF file(s) |
| Disciplina | 792.9/5 |
| Soggetto topico | Theater - Production and direction - History - 20th century |
| ISBN |
1-107-12511-1
1-280-15956-1 0-511-12009-5 0-511-04215-9 0-511-15773-8 0-511-30465-X 0-511-48355-4 0-511-04499-2 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | "Let it be hid": price tags, trade-offs, and economies -- Rescripting Shakespeare's contemporaries -- Adjustments and improvements -- Inserting an intermission/interval -- What's in an ending? : rescripting final scenes -- Rescripting stage directions and actions -- Compressing Henry VI -- The tamings of the shrews : rescripting the First Folio -- The editor as rescripter -- Conclusion : what's not here. |
| Record Nr. | UNINA-9910966553403321 |
|
Dessen Alan C. <1935->
|
||
| Cambridge : , : Cambridge University Press, , 2002 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
