Info
- Utilizzare la checkbox di selezione a fianco di ciascun documento per attivare le funzionalità di stampa, invio email, download nei formati disponibili del (i) record.
The alchemical actor / / Jane Gilmer
| The alchemical actor / / Jane Gilmer |
| Autore | Gilmer Jane |
| Pubbl/distr/stampa | Leiden, Netherlands ; ; Boston, Massachusetts : , : Brill Rodopi, , [2021] |
| Descrizione fisica | 1 online resource (262 pages) |
| Disciplina | 792.01 |
| Collana | Consciousness, literature and the arts |
| Soggetto topico | Theater - Philosophy |
| ISBN |
9004449426
9789004449428 |
| Classificazione | ELECTRONIC BOOK |
| Formato | Materiale a stampa  |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Artaud's alchemical theatre : earth and the nigredo -- Alchemical imaginatio : water and the albedo -- Alchemical actor : air and the citrino -- Alchemical magnum opus : fire and the rubedo -- Dance of the elements : quintessence. |
| Record Nr. | UNINA-9910794560603321 |
Gilmer Jane
|
||
| Leiden, Netherlands ; ; Boston, Massachusetts : , : Brill Rodopi, , [2021] | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
The alchemical actor / / Jane Gilmer
| The alchemical actor / / Jane Gilmer |
| Autore | Gilmer Jane |
| Pubbl/distr/stampa | Leiden, Netherlands ; ; Boston, Massachusetts : , : Brill Rodopi, , [2021] |
| Descrizione fisica | 1 online resource (262 pages) |
| Disciplina | 792.01 |
| Collana | Consciousness, literature and the arts |
| Soggetto topico | Theater - Philosophy |
| ISBN |
9004449426
9789004449428 |
| Classificazione | ELECTRONIC BOOK |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Artaud's alchemical theatre : earth and the nigredo -- Alchemical imaginatio : water and the albedo -- Alchemical actor : air and the citrino -- Alchemical magnum opus : fire and the rubedo -- Dance of the elements : quintessence. |
| Record Nr. | UNINA-9910821357203321 |
|
Gilmer Jane
|
||
| Leiden, Netherlands ; ; Boston, Massachusetts : , : Brill Rodopi, , [2021] | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Anatomy live : performance and the operating theatre / / edited by Maaike Bleeker [[electronic resource]]
| Anatomy live : performance and the operating theatre / / edited by Maaike Bleeker [[electronic resource]] |
| Pubbl/distr/stampa | Amsterdam : , : Amsterdam University Press, , 2008 |
| Descrizione fisica | 1 online resource (270 pages) : digital, PDF file(s) |
| Disciplina | 792.01 |
| Collana | MediaMatters |
| Soggetto topico |
Theater - Philosophy
Performance art Theater - History |
| ISBN |
1-282-17125-9
9786612171253 90-485-0122-9 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Frontmatter -- Contents -- Acknowledgements -- Prologue Men with Glass Bodies / Barker, Francis -- Introduction / Bleeker, Maaike -- Performance Documentation 1: Holoman; Digital Cadaver / Tyler, Mike -- Digital Cadavers and Virtual Dissection / Dijck, José van -- 'Who Were You?': The Visible and the Visceral / Maxwell, Ian -- Performance Documentation 2: Excavations : Fresh but Rotten / Boulogne, Marijs -- The Anatomy Lesson of Professor Moxham / Ingham, Karen -- 'Be not faithless but believing': Illusion and Doubt in the Anatomy Theatre / Bouchard, Gianna -- Performance Documentation 3: De Anatomische Les / Tetley, Glen -- Of Dissection and Technologies of Culture in Actor Training Programs - an Example from 1960's West Germany / Klöck, Anja -- Ocular Anatomy, Chiasm, and Theatre Architecture as a Material Phenomenology in Early Modern Europe / Camp, Pannill -- Performance Documentation 4: Camillo - Memo 4.0: The Cabinet of Memories - A Tear Donnor Session / Hrvatin, Emil -- Martin , Massumi , and The Matrix / Bleeker, Maaike -- Performance Documentation 5: sensing presence no. 1: performing a hyperlink system / Copraij / Jenniches / Kunzmann -- 'Where Are You Now?': Locating the Body in Contemporary Performance / Foster, Susan Leigh -- Performance Documentation 6: Under My Skin / Müller, Ivana -- Anatomies of Live Art / Norman, Sally Jane -- Performance Documentation 7: Crash / Joris, Eric -- Restaging the Monstrous / Kunst, Bojana -- Delirium of the Flesh: 'All the Dead Voices' in the Space of the Now / Kobialka, Michal -- Performance Documentation 8: Körper / Waltz, Sasha -- Operating Theatres: Body-bits and a Post-apartheid Aesthetics / Fensham, Rachel -- Index |
| Record Nr. | UNISA-996465268703316 |
| Amsterdam : , : Amsterdam University Press, , 2008 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. di Salerno | ||
| ||
Anatomy live : performance and the operating theatre / / edited by Maaike Bleeker
| Anatomy live : performance and the operating theatre / / edited by Maaike Bleeker |
| Edizione | [1st ed.] |
| Pubbl/distr/stampa | [Amsterdam], : Amsterdam University Press, c2008 |
| Descrizione fisica | 1 online resource (270 pages) : digital, PDF file(s) |
| Disciplina | 792.01 |
| Altri autori (Persone) | BleekerMaaike |
| Collana | MediaMatters |
| Soggetto topico |
Theater - Philosophy
Theater - History Performance art |
| ISBN |
9786612171253
9781282171251 1282171259 9789048501229 9048501229 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Frontmatter -- Contents -- Acknowledgements -- Prologue Men with Glass Bodies / Barker, Francis -- Introduction / Bleeker, Maaike -- Performance Documentation 1: Holoman; Digital Cadaver / Tyler, Mike -- Digital Cadavers and Virtual Dissection / Dijck, José van -- 'Who Were You?': The Visible and the Visceral / Maxwell, Ian -- Performance Documentation 2: Excavations : Fresh but Rotten / Boulogne, Marijs -- The Anatomy Lesson of Professor Moxham / Ingham, Karen -- 'Be not faithless but believing': Illusion and Doubt in the Anatomy Theatre / Bouchard, Gianna -- Performance Documentation 3: De Anatomische Les / Tetley, Glen -- Of Dissection and Technologies of Culture in Actor Training Programs - an Example from 1960's West Germany / Klöck, Anja -- Ocular Anatomy, Chiasm, and Theatre Architecture as a Material Phenomenology in Early Modern Europe / Camp, Pannill -- Performance Documentation 4: Camillo - Memo 4.0: The Cabinet of Memories - A Tear Donnor Session / Hrvatin, Emil -- Martin , Massumi , and The Matrix / Bleeker, Maaike -- Performance Documentation 5: sensing presence no. 1: performing a hyperlink system / Copraij / Jenniches / Kunzmann -- 'Where Are You Now?': Locating the Body in Contemporary Performance / Foster, Susan Leigh -- Performance Documentation 6: Under My Skin / Müller, Ivana -- Anatomies of Live Art / Norman, Sally Jane -- Performance Documentation 7: Crash / Joris, Eric -- Restaging the Monstrous / Kunst, Bojana -- Delirium of the Flesh: 'All the Dead Voices' in the Space of the Now / Kobialka, Michal -- Performance Documentation 8: Körper / Waltz, Sasha -- Operating Theatres: Body-bits and a Post-apartheid Aesthetics / Fensham, Rachel -- Index |
| Record Nr. | UNINA-9910139781203321 |
| [Amsterdam], : Amsterdam University Press, c2008 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Approaching theatre / / Andre Helbo [and three others]
| Approaching theatre / / Andre Helbo [and three others] |
| Autore | Helbo Andre |
| Pubbl/distr/stampa | Bloomington : , : Indiana University Press, , [1991] |
| Descrizione fisica | 1 online resource (ix, 223 pages) : illustrations |
| Disciplina | 792.01 |
| Soggetto topico |
Theater - Philosophy
Theater - Production and direction |
| ISBN | 0-253-05341-2 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Record Nr. | UNINA-9910524678903321 |
|
Helbo Andre
|
||
| Bloomington : , : Indiana University Press, , [1991] | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
The art of theater [[electronic resource] /] / James R. Hamilton
| The art of theater [[electronic resource] /] / James R. Hamilton |
| Autore | Hamilton James R |
| Pubbl/distr/stampa | Malden, MA ; ; Oxford, : Blackwell Pub., 2007 |
| Descrizione fisica | 1 online resource (244 p.) |
| Disciplina | 792.01 |
| Collana | New directions in aesthetics |
| Soggetto topico | Theater - Philosophy |
| Soggetto genere / forma | Electronic books. |
| ISBN |
1-281-06905-1
9786611069056 0-470-69087-9 0-470-76610-7 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Contents; Prologue; Part I:The Basics; 1 The Emergence of the Art of Theater:Background and History; 1.1 The backstory:1850s to 1950s; 1.2 The decisive in . uences:Brecht,Artaud,Grotowski; 1.3 The decisive years:1961 to 1985; 1.4 The final threads:absorption of new practices into the profession and the academy; 2 Theatrical Performance is an Independent Form of Art; 2.1 Theatrical performance as radically independent of literature; 2.2 Theatrical performance as a form of art; 3 Methods and Constraints; 3.1 Idealized cases that help focus on features needing analysis
3.2 Three general facts about theatrical performances and the constraints they impose on any successful account of theatrical performances4 Theatrical Enactment:The Guiding Intuitions; 4.1 Enactment:something spectators and performers do; 4.2 The crucial concept:"attending to another "; 4.3 What it is to "occasion " responses; 4.4 Audience responses:willing suspension of disbelief, acquired beliefs,or acquired abilities?; 4.5 Relativizing the account by narrowing its scope to narrative performances; Part II:The Independence of Theatrical Performance; 5 Basic Theatrical Understanding 5.1 Minimal general success conditions for basic theatrical understanding5.2 Physical and affective responses of audiences as non-discursive evidence of understanding; 5.3 The success conditions for basic theatrical understanding met by moment-to-moment apprehension of performances; 5.4 "Immediate objects," "developed objects," and "cogency "; 5.5 Objects of understanding having complex structures; 5.6 Generalizing beyond plays; 5.7 The problem of "cognitive uniformity "; 6 The Mechanics of Basic Theatrical Understanding 6.1 The "feature-salience " model of spectator convergence on the same characteristics6.2 What it is to respond to a feature as salient for some characteristics or a set of facts; 6.3 A thin common knowledge requirement; 6.4 A plausibly thickened common knowledge requirement; 6.5 The feature-salience model,"reader-response theory," and "intentionalism "; 6.6 Generalizing the salience mechanism to encompass non-narrative performances; 6.7 Some important benefits of the feature-salience model: double-focus,slippage,"performer power," "character power," and t 6.8 The feature-salience model and explaining how basic theatrical understanding occurs7 What Audiences See; 7.1 Identifying characters,events,and other objects in narrative performances; 7.2 Re-identification of characters and other objects in narrative performances; 7.3 The special nature of theatrical (uses of )space: performances and performance space; 7.4 Cross-performance re-identification; 7.5 Identifying and re-identifying objects in non-narrative performances; 7.6 Added benefits of the demonstrative and recognition- based approach to identification and re-identification 7.7 Theatrical performance as a fully independent practice |
| Record Nr. | UNINA-9910145294103321 |
|
Hamilton James R
|
||
| Malden, MA ; ; Oxford, : Blackwell Pub., 2007 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
The art of theater [[electronic resource] /] / James R. Hamilton
| The art of theater [[electronic resource] /] / James R. Hamilton |
| Autore | Hamilton James R |
| Pubbl/distr/stampa | Malden, MA ; ; Oxford, : Blackwell Pub., 2007 |
| Descrizione fisica | 1 online resource (244 p.) |
| Disciplina | 792.01 |
| Collana | New directions in aesthetics |
| Soggetto topico | Theater - Philosophy |
| ISBN |
1-281-06905-1
9786611069056 0-470-69087-9 0-470-76610-7 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Contents; Prologue; Part I:The Basics; 1 The Emergence of the Art of Theater:Background and History; 1.1 The backstory:1850s to 1950s; 1.2 The decisive in . uences:Brecht,Artaud,Grotowski; 1.3 The decisive years:1961 to 1985; 1.4 The final threads:absorption of new practices into the profession and the academy; 2 Theatrical Performance is an Independent Form of Art; 2.1 Theatrical performance as radically independent of literature; 2.2 Theatrical performance as a form of art; 3 Methods and Constraints; 3.1 Idealized cases that help focus on features needing analysis
3.2 Three general facts about theatrical performances and the constraints they impose on any successful account of theatrical performances4 Theatrical Enactment:The Guiding Intuitions; 4.1 Enactment:something spectators and performers do; 4.2 The crucial concept:"attending to another "; 4.3 What it is to "occasion " responses; 4.4 Audience responses:willing suspension of disbelief, acquired beliefs,or acquired abilities?; 4.5 Relativizing the account by narrowing its scope to narrative performances; Part II:The Independence of Theatrical Performance; 5 Basic Theatrical Understanding 5.1 Minimal general success conditions for basic theatrical understanding5.2 Physical and affective responses of audiences as non-discursive evidence of understanding; 5.3 The success conditions for basic theatrical understanding met by moment-to-moment apprehension of performances; 5.4 "Immediate objects," "developed objects," and "cogency "; 5.5 Objects of understanding having complex structures; 5.6 Generalizing beyond plays; 5.7 The problem of "cognitive uniformity "; 6 The Mechanics of Basic Theatrical Understanding 6.1 The "feature-salience " model of spectator convergence on the same characteristics6.2 What it is to respond to a feature as salient for some characteristics or a set of facts; 6.3 A thin common knowledge requirement; 6.4 A plausibly thickened common knowledge requirement; 6.5 The feature-salience model,"reader-response theory," and "intentionalism "; 6.6 Generalizing the salience mechanism to encompass non-narrative performances; 6.7 Some important benefits of the feature-salience model: double-focus,slippage,"performer power," "character power," and t 6.8 The feature-salience model and explaining how basic theatrical understanding occurs7 What Audiences See; 7.1 Identifying characters,events,and other objects in narrative performances; 7.2 Re-identification of characters and other objects in narrative performances; 7.3 The special nature of theatrical (uses of )space: performances and performance space; 7.4 Cross-performance re-identification; 7.5 Identifying and re-identifying objects in non-narrative performances; 7.6 Added benefits of the demonstrative and recognition- based approach to identification and re-identification 7.7 Theatrical performance as a fully independent practice |
| Record Nr. | UNISA-996201833003316 |
|
Hamilton James R
|
||
| Malden, MA ; ; Oxford, : Blackwell Pub., 2007 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. di Salerno | ||
| ||
The art of theater / / James R. Hamilton
| The art of theater / / James R. Hamilton |
| Autore | Hamilton James R |
| Pubbl/distr/stampa | Malden, MA ; ; Oxford, : Blackwell Pub., 2007 |
| Descrizione fisica | 1 online resource (244 p.) |
| Disciplina | 792.01 |
| Collana | New directions in aesthetics |
| Soggetto topico | Theater - Philosophy |
| ISBN |
9786611069056
9781281069054 1281069051 9780470690871 0470690879 9780470766101 0470766107 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Contents; Prologue; Part I:The Basics; 1 The Emergence of the Art of Theater:Background and History; 1.1 The backstory:1850s to 1950s; 1.2 The decisive in . uences:Brecht,Artaud,Grotowski; 1.3 The decisive years:1961 to 1985; 1.4 The final threads:absorption of new practices into the profession and the academy; 2 Theatrical Performance is an Independent Form of Art; 2.1 Theatrical performance as radically independent of literature; 2.2 Theatrical performance as a form of art; 3 Methods and Constraints; 3.1 Idealized cases that help focus on features needing analysis
3.2 Three general facts about theatrical performances and the constraints they impose on any successful account of theatrical performances4 Theatrical Enactment:The Guiding Intuitions; 4.1 Enactment:something spectators and performers do; 4.2 The crucial concept:"attending to another "; 4.3 What it is to "occasion " responses; 4.4 Audience responses:willing suspension of disbelief, acquired beliefs,or acquired abilities?; 4.5 Relativizing the account by narrowing its scope to narrative performances; Part II:The Independence of Theatrical Performance; 5 Basic Theatrical Understanding 5.1 Minimal general success conditions for basic theatrical understanding5.2 Physical and affective responses of audiences as non-discursive evidence of understanding; 5.3 The success conditions for basic theatrical understanding met by moment-to-moment apprehension of performances; 5.4 "Immediate objects," "developed objects," and "cogency "; 5.5 Objects of understanding having complex structures; 5.6 Generalizing beyond plays; 5.7 The problem of "cognitive uniformity "; 6 The Mechanics of Basic Theatrical Understanding 6.1 The "feature-salience " model of spectator convergence on the same characteristics6.2 What it is to respond to a feature as salient for some characteristics or a set of facts; 6.3 A thin common knowledge requirement; 6.4 A plausibly thickened common knowledge requirement; 6.5 The feature-salience model,"reader-response theory," and "intentionalism "; 6.6 Generalizing the salience mechanism to encompass non-narrative performances; 6.7 Some important benefits of the feature-salience model: double-focus,slippage,"performer power," "character power," and t 6.8 The feature-salience model and explaining how basic theatrical understanding occurs7 What Audiences See; 7.1 Identifying characters,events,and other objects in narrative performances; 7.2 Re-identification of characters and other objects in narrative performances; 7.3 The special nature of theatrical (uses of )space: performances and performance space; 7.4 Cross-performance re-identification; 7.5 Identifying and re-identifying objects in non-narrative performances; 7.6 Added benefits of the demonstrative and recognition- based approach to identification and re-identification 7.7 Theatrical performance as a fully independent practice |
| Record Nr. | UNINA-9911019166503321 |
|
Hamilton James R
|
||
| Malden, MA ; ; Oxford, : Blackwell Pub., 2007 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Concepten en objecten / / onder redactie van Maaike Bleeker ... [et al.]
| Concepten en objecten / / onder redactie van Maaike Bleeker ... [et al.] |
| Edizione | [1st ed.] |
| Pubbl/distr/stampa | Amsterdam, : Amsterdam University Press, c2009 |
| Descrizione fisica | 1 online resource (117 p.) |
| Disciplina |
150
792 |
| Altri autori (Persone) | BleekerMaaike (Maaike Anne) |
| Collana | Theater topics |
| Soggetto topico |
Theater - Philosophy
Intercultural communication in the performing arts Theater and society |
| ISBN |
9789048501250
9789053565216 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | dut |
| Nota di contenuto | Inhoud: Concepten en objecten; InteractivityWolf-Dieter; Sporen zoeken; Immersie in de schouwburg door emersieop de scène; Strange Loops as Cognitive Refuge for AnalogicalThought in the Theatre and Beyond; Theater, video en kristallisering van de tijd; The Dumbfounded Participatory Spectator: ThePower of Failure in Contemporary Performance; Ik kijk dus ik beweeg; Intracultural Dialogue as a Conceptual Framefor Community Performance; Index |
| Record Nr. | UNINA-9910144378203321 |
| Amsterdam, : Amsterdam University Press, c2009 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Drama and intelligence [[electronic resource] ] : a cognitive theory / / Richard Courtney
| Drama and intelligence [[electronic resource] ] : a cognitive theory / / Richard Courtney |
| Autore | Courtney Richard <1927-> |
| Pubbl/distr/stampa | Montréal, : McGill-Queen's University Press, 1990 |
| Descrizione fisica | x, 190 p. ; ; 24 cm |
| Disciplina | 792/.02 |
| Soggetto topico |
Theater - Psychological aspects
Theater - Philosophy Intellect Drama in education |
| Soggetto genere / forma | Electronic books. |
| ISBN | 0-7735-6253-2 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Record Nr. | UNINA-9910453974403321 |
|
Courtney Richard <1927->
|
||
| Montréal, : McGill-Queen's University Press, 1990 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
