Info
- Utilizzare la checkbox di selezione a fianco di ciascun documento per attivare le funzionalità di stampa, invio email, download nei formati disponibili del (i) record.
Acts and apparitions : Discourses on the real in performance practice and theory, 1990–2010 / / Liz Tomlin
| Acts and apparitions : Discourses on the real in performance practice and theory, 1990–2010 / / Liz Tomlin |
| Autore | Tomlin Liz |
| Pubbl/distr/stampa | Manchester, England : , : Manchester University Press, , 2013 |
| Descrizione fisica | 1 online resource (241 pages) |
| Disciplina | 792.02/8 |
| Soggetto topico |
Authors and theater
Theater and philosophy Realism Theater - History - 21st century Theater - History - 20th century |
| Soggetto genere / forma | Electronic books. |
| ISBN | 1-5261-3074-2 |
| Formato | Materiale a stampa  |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Record Nr. | UNINA-9910480113603321 |
Tomlin Liz
|
||
| Manchester, England : , : Manchester University Press, , 2013 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Acts and apparitions : Discourses on the real in performance practice and theory, 1990–2010 / / Liz Tomlin
| Acts and apparitions : Discourses on the real in performance practice and theory, 1990–2010 / / Liz Tomlin |
| Autore | Tomlin Liz |
| Pubbl/distr/stampa | Manchester, England : , : Manchester University Press, , 2013 |
| Descrizione fisica | 1 online resource (241 pages) |
| Disciplina | 792.02/8 |
| Soggetto topico |
Authors and theater
Theater and philosophy Realism Theater - History - 21st century Theater - History - 20th century |
| Soggetto non controllato |
artistic development
documentary theatre tradition dramatic representation experiential realities performance practices performer philosophical development political implications postdramatic deconstructions poststructuralist narrative radicalism representational practice spectator theatrical representations verbatim methodologies |
| ISBN | 1-5261-3074-2 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Frontmatter -- Contents -- List of figures -- Acknowledgements -- Introduction -- Part I: The discursive act -- 1 Discourses of resistance: representation and the real in the twentieth-century avant-gardes -- 2 Deconstructing the postdramatic: questions of mimesis, authorship and representation -- Part II: Apparitions of the real -- 3 Quoting quotations: citational theory and contemporary characterisation -- 4 Representing the real: verbatim practice in a sceptical age -- 5 Re-membering the real: experiential challenges to the medium of theatrical representation -- 6 From spect-actor to corporate player: reconfigurations of twenty-first-century audiences -- Afterword -- References -- Index |
| Record Nr. | UNINA-9910793133303321 |
|
Tomlin Liz
|
||
| Manchester, England : , : Manchester University Press, , 2013 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Acts and apparitions : Discourses on the real in performance practice and theory, 1990–2010 / / Liz Tomlin
| Acts and apparitions : Discourses on the real in performance practice and theory, 1990–2010 / / Liz Tomlin |
| Autore | Tomlin Liz |
| Pubbl/distr/stampa | Manchester, England : , : Manchester University Press, , 2013 |
| Descrizione fisica | 1 online resource (241 pages) |
| Disciplina | 792.02/8 |
| Soggetto topico |
Authors and theater
Theater and philosophy Realism Theater - History - 21st century Theater - History - 20th century |
| Soggetto non controllato |
artistic development
documentary theatre tradition dramatic representation experiential realities performance practices performer philosophical development political implications postdramatic deconstructions poststructuralist narrative radicalism representational practice spectator theatrical representations verbatim methodologies |
| ISBN | 1-5261-3074-2 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Frontmatter -- Contents -- List of figures -- Acknowledgements -- Introduction -- Part I: The discursive act -- 1 Discourses of resistance: representation and the real in the twentieth-century avant-gardes -- 2 Deconstructing the postdramatic: questions of mimesis, authorship and representation -- Part II: Apparitions of the real -- 3 Quoting quotations: citational theory and contemporary characterisation -- 4 Representing the real: verbatim practice in a sceptical age -- 5 Re-membering the real: experiential challenges to the medium of theatrical representation -- 6 From spect-actor to corporate player: reconfigurations of twenty-first-century audiences -- Afterword -- References -- Index |
| Record Nr. | UNINA-9910809328103321 |
|
Tomlin Liz
|
||
| Manchester, England : , : Manchester University Press, , 2013 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Consciousness, theatre, literature and the arts 2013 / / edited by Daniel Meyer-Dinkgräfe ; contributors, Keneth Bamuturaki [and sixteen others]
| Consciousness, theatre, literature and the arts 2013 / / edited by Daniel Meyer-Dinkgräfe ; contributors, Keneth Bamuturaki [and sixteen others] |
| Pubbl/distr/stampa | Newcastle upon Tyne, [England] : , : Cambridge Scholars Publishing, , 2014 |
| Descrizione fisica | 1 online resource (277 p.) |
| Disciplina | 820.9008 |
| Soggetto topico |
Aestheticism (Literature)
Theater - History - 21st century Literature, Modern - 21st century - History and criticism |
| Soggetto genere / forma | Electronic books. |
| ISBN | 1-4438-6247-9 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | CONTENTS; INTRODUCTION; CHAPTER ONE; CHAPTER TWO; CHAPTER THREE; CHAPTER FOUR; CHAPTER FIVE; CHAPTER SIX; CHAPTER SEVEN; CHAPTER EIGHT; CHAPTER NINE; CHAPTER TEN; CHAPTER ELEVEN; CHAPTER TWELVE; CHAPTER THIRTEEN; CHAPTER FOURTEEN; CHAPTER FIFTEEN; CHAPTER SIXTEEN; CHAPTER SEVENTEEN; CHAPTER EIGHTEEN; CONTRIBUTORS |
| Record Nr. | UNINA-9910464637803321 |
| Newcastle upon Tyne, [England] : , : Cambridge Scholars Publishing, , 2014 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Consciousness, theatre, literature and the arts 2013 / / edited by Daniel Meyer-Dinkgräfe ; contributors, Keneth Bamuturaki [and sixteen others]
| Consciousness, theatre, literature and the arts 2013 / / edited by Daniel Meyer-Dinkgräfe ; contributors, Keneth Bamuturaki [and sixteen others] |
| Pubbl/distr/stampa | Newcastle upon Tyne, [England] : , : Cambridge Scholars Publishing, , 2014 |
| Descrizione fisica | 1 online resource (277 p.) |
| Disciplina | 820.9008 |
| Soggetto topico |
Aestheticism (Literature)
Theater - History - 21st century Literature, Modern - 21st century - History and criticism |
| ISBN | 1-4438-6247-9 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | CONTENTS; INTRODUCTION; CHAPTER ONE; CHAPTER TWO; CHAPTER THREE; CHAPTER FOUR; CHAPTER FIVE; CHAPTER SIX; CHAPTER SEVEN; CHAPTER EIGHT; CHAPTER NINE; CHAPTER TEN; CHAPTER ELEVEN; CHAPTER TWELVE; CHAPTER THIRTEEN; CHAPTER FOURTEEN; CHAPTER FIFTEEN; CHAPTER SIXTEEN; CHAPTER SEVENTEEN; CHAPTER EIGHTEEN; CONTRIBUTORS |
| Record Nr. | UNINA-9910786666103321 |
| Newcastle upon Tyne, [England] : , : Cambridge Scholars Publishing, , 2014 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Consciousness, theatre, literature and the arts 2013 / / edited by Daniel Meyer-Dinkgräfe ; contributors, Keneth Bamuturaki [and sixteen others]
| Consciousness, theatre, literature and the arts 2013 / / edited by Daniel Meyer-Dinkgräfe ; contributors, Keneth Bamuturaki [and sixteen others] |
| Pubbl/distr/stampa | Newcastle upon Tyne, [England] : , : Cambridge Scholars Publishing, , 2014 |
| Descrizione fisica | 1 online resource (277 p.) |
| Disciplina | 820.9008 |
| Soggetto topico |
Aestheticism (Literature)
Theater - History - 21st century Literature, Modern - 21st century - History and criticism |
| ISBN | 1-4438-6247-9 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | CONTENTS; INTRODUCTION; CHAPTER ONE; CHAPTER TWO; CHAPTER THREE; CHAPTER FOUR; CHAPTER FIVE; CHAPTER SIX; CHAPTER SEVEN; CHAPTER EIGHT; CHAPTER NINE; CHAPTER TEN; CHAPTER ELEVEN; CHAPTER TWELVE; CHAPTER THIRTEEN; CHAPTER FOURTEEN; CHAPTER FIFTEEN; CHAPTER SIXTEEN; CHAPTER SEVENTEEN; CHAPTER EIGHTEEN; CONTRIBUTORS |
| Record Nr. | UNINA-9910819458403321 |
| Newcastle upon Tyne, [England] : , : Cambridge Scholars Publishing, , 2014 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Contemporary mise en scene : staging theatre today / / Patrice Pavis ; translated by Joel Anderson
| Contemporary mise en scene : staging theatre today / / Patrice Pavis ; translated by Joel Anderson |
| Autore | Pavis Patrice <1947-, > |
| Pubbl/distr/stampa | London ; ; New York : , : Routledge, , 2013 |
| Descrizione fisica | 1 online resource (366 p.) |
| Disciplina | 792.0973/09041 |
| Altri autori (Persone) | AndersonJoel |
| Soggetto topico |
Theater - History - 20th century
Theater - History - 21st century Theater - Production and direction Theaters - Stage-setting and scenery |
| Soggetto genere / forma | Electronic books. |
| ISBN |
0-203-12513-4
1-283-86236-0 1-136-44851-9 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Cover; Contemporary Mise en Scène; Title Page; Copyright Page ; Table of Contents; List of illustrations ; Acknowledgements; Foreword; 1 Where did mise en scène come from? Origins and theory; The origins of mise en scène: historical landmarks ; Steps in the evolution of mise en scène; 2 On the frontiers ofmise en scène; The stage reading; Non-mise en scène; Improvised mise en scène; 3 The difference between mise en scène and performance; Mise en scène and performance: a shaky couple; The current state of the performance and mise en scène relationship; Four examples of cooperation
Conclusions: performance studies/theatre studies4 Tendencies in French scenography; The powers of stage illusion; Fantasy and the real; Crossing the image; The echoes of space; The migration of subspaces; The silence of space; Concluding remarks; 5 The mise en jeu of contemporary texts; Combat de nègre et de chiens; Papa doit manger; Le bonheur du vent; A tous ceux qui ...; Conclusions; 6 The intercultural trap: rituality and mise en scène in the video art of Guillermo Gómez-Peña ; Current context; Ritual?; Reverse anthropology?; A body with variable identities? Mise en scène as the theatricalisation of rituals?7 Theatre in another culture: a Korean example; A season in heaven; Korean theatre seen from afar; 8 Media on the stage; Theatre and media; Technology/media; Other media in performance; Historical landmarks; Possibilities for video on stage; Effects of media on our perception; Suggestions for the analysis of media in mise en scène; Working hypotheses; Three examples; General conclusions ; 9 The deconstruction of postmodern mise en scène; Impossible erasure of the palimpsest; Deconstruction and the reconstruction of tradition The undecidability of meaningCrisis of representation and chorality; In praise of the void and of slowness; The degraded ritual of repetition; To exit representation; Deconstructing representation; Conclusions: 'To have done with the judgement of god' (Artaud) and with deconstruction?; 10 Physical theatre and the dramaturgy of the actor; May B. by Maguy Marin: touched by the other; Itsi Bitsi: the dramaturgy of the actress; Les étourdis, La Cour des grands by Macha Makeïff and Jerôme Deschamps: the body in bits; From the body art of the past to the multiple identities of the present Andromaque on the cutting edge: Michel Liard's art of looking and listeningLes ephémères du soleil: inventing collectively; 11 The splendour and the misery of interpreting the classics; The 'classical effect'; A tricky typology; The end of the radical, fascination with the present; New forms for old questions; A new relationship with tradition; Operating on the classics; A few signs of the times; General conclusions; 12 Staging calamity: mise en scène and performance at Avignon 2005; L'histoire des larmes; Je suis sang; Dieu et les esprits vivants; B.#03 Berlin; Anathème; Puur; Mue The Biography Remix |
| Record Nr. | UNINA-9910462930503321 |
|
Pavis Patrice <1947-, >
|
||
| London ; ; New York : , : Routledge, , 2013 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Contemporary mise en scene : staging theatre today / / Patrice Pavis ; translated by Joel Anderson
| Contemporary mise en scene : staging theatre today / / Patrice Pavis ; translated by Joel Anderson |
| Autore | Pavis Patrice <1947-, > |
| Pubbl/distr/stampa | London ; ; New York : , : Routledge, , 2013 |
| Descrizione fisica | 1 online resource (366 p.) |
| Disciplina | 792.0973/09041 |
| Altri autori (Persone) | AndersonJoel |
| Soggetto topico |
Theater - History - 20th century
Theater - History - 21st century Theater - Production and direction Theaters - Stage-setting and scenery |
| ISBN |
0-203-12513-4
1-283-86236-0 1-136-44851-9 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Cover; Contemporary Mise en Scène; Title Page; Copyright Page ; Table of Contents; List of illustrations ; Acknowledgements; Foreword; 1 Where did mise en scène come from? Origins and theory; The origins of mise en scène: historical landmarks ; Steps in the evolution of mise en scène; 2 On the frontiers ofmise en scène; The stage reading; Non-mise en scène; Improvised mise en scène; 3 The difference between mise en scène and performance; Mise en scène and performance: a shaky couple; The current state of the performance and mise en scène relationship; Four examples of cooperation
Conclusions: performance studies/theatre studies4 Tendencies in French scenography; The powers of stage illusion; Fantasy and the real; Crossing the image; The echoes of space; The migration of subspaces; The silence of space; Concluding remarks; 5 The mise en jeu of contemporary texts; Combat de nègre et de chiens; Papa doit manger; Le bonheur du vent; A tous ceux qui ...; Conclusions; 6 The intercultural trap: rituality and mise en scène in the video art of Guillermo Gómez-Peña ; Current context; Ritual?; Reverse anthropology?; A body with variable identities? Mise en scène as the theatricalisation of rituals?7 Theatre in another culture: a Korean example; A season in heaven; Korean theatre seen from afar; 8 Media on the stage; Theatre and media; Technology/media; Other media in performance; Historical landmarks; Possibilities for video on stage; Effects of media on our perception; Suggestions for the analysis of media in mise en scène; Working hypotheses; Three examples; General conclusions ; 9 The deconstruction of postmodern mise en scène; Impossible erasure of the palimpsest; Deconstruction and the reconstruction of tradition The undecidability of meaningCrisis of representation and chorality; In praise of the void and of slowness; The degraded ritual of repetition; To exit representation; Deconstructing representation; Conclusions: 'To have done with the judgement of god' (Artaud) and with deconstruction?; 10 Physical theatre and the dramaturgy of the actor; May B. by Maguy Marin: touched by the other; Itsi Bitsi: the dramaturgy of the actress; Les étourdis, La Cour des grands by Macha Makeïff and Jerôme Deschamps: the body in bits; From the body art of the past to the multiple identities of the present Andromaque on the cutting edge: Michel Liard's art of looking and listeningLes ephémères du soleil: inventing collectively; 11 The splendour and the misery of interpreting the classics; The 'classical effect'; A tricky typology; The end of the radical, fascination with the present; New forms for old questions; A new relationship with tradition; Operating on the classics; A few signs of the times; General conclusions; 12 Staging calamity: mise en scène and performance at Avignon 2005; L'histoire des larmes; Je suis sang; Dieu et les esprits vivants; B.#03 Berlin; Anathème; Puur; Mue The Biography Remix |
| Record Nr. | UNINA-9910786593403321 |
|
Pavis Patrice <1947-, >
|
||
| London ; ; New York : , : Routledge, , 2013 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Contemporary mise en scene : staging theatre today / / Patrice Pavis ; translated by Joel Anderson
| Contemporary mise en scene : staging theatre today / / Patrice Pavis ; translated by Joel Anderson |
| Autore | Pavis Patrice <1947-, > |
| Edizione | [1st ed.] |
| Pubbl/distr/stampa | London ; ; New York : , : Routledge, , 2013 |
| Descrizione fisica | 1 online resource (366 p.) |
| Disciplina | 792.0973/09041 |
| Altri autori (Persone) | AndersonJoel |
| Soggetto topico |
Theater - History - 20th century
Theater - History - 21st century Theater - Production and direction Theaters - Stage-setting and scenery |
| ISBN |
0-203-12513-4
1-283-86236-0 1-136-44851-9 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Cover; Contemporary Mise en Scène; Title Page; Copyright Page ; Table of Contents; List of illustrations ; Acknowledgements; Foreword; 1 Where did mise en scène come from? Origins and theory; The origins of mise en scène: historical landmarks ; Steps in the evolution of mise en scène; 2 On the frontiers ofmise en scène; The stage reading; Non-mise en scène; Improvised mise en scène; 3 The difference between mise en scène and performance; Mise en scène and performance: a shaky couple; The current state of the performance and mise en scène relationship; Four examples of cooperation
Conclusions: performance studies/theatre studies4 Tendencies in French scenography; The powers of stage illusion; Fantasy and the real; Crossing the image; The echoes of space; The migration of subspaces; The silence of space; Concluding remarks; 5 The mise en jeu of contemporary texts; Combat de nègre et de chiens; Papa doit manger; Le bonheur du vent; A tous ceux qui ...; Conclusions; 6 The intercultural trap: rituality and mise en scène in the video art of Guillermo Gómez-Peña ; Current context; Ritual?; Reverse anthropology?; A body with variable identities? Mise en scène as the theatricalisation of rituals?7 Theatre in another culture: a Korean example; A season in heaven; Korean theatre seen from afar; 8 Media on the stage; Theatre and media; Technology/media; Other media in performance; Historical landmarks; Possibilities for video on stage; Effects of media on our perception; Suggestions for the analysis of media in mise en scène; Working hypotheses; Three examples; General conclusions ; 9 The deconstruction of postmodern mise en scène; Impossible erasure of the palimpsest; Deconstruction and the reconstruction of tradition The undecidability of meaningCrisis of representation and chorality; In praise of the void and of slowness; The degraded ritual of repetition; To exit representation; Deconstructing representation; Conclusions: 'To have done with the judgement of god' (Artaud) and with deconstruction?; 10 Physical theatre and the dramaturgy of the actor; May B. by Maguy Marin: touched by the other; Itsi Bitsi: the dramaturgy of the actress; Les étourdis, La Cour des grands by Macha Makeïff and Jerôme Deschamps: the body in bits; From the body art of the past to the multiple identities of the present Andromaque on the cutting edge: Michel Liard's art of looking and listeningLes ephémères du soleil: inventing collectively; 11 The splendour and the misery of interpreting the classics; The 'classical effect'; A tricky typology; The end of the radical, fascination with the present; New forms for old questions; A new relationship with tradition; Operating on the classics; A few signs of the times; General conclusions; 12 Staging calamity: mise en scène and performance at Avignon 2005; L'histoire des larmes; Je suis sang; Dieu et les esprits vivants; B.#03 Berlin; Anathème; Puur; Mue The Biography Remix |
| Record Nr. | UNINA-9910816899803321 |
|
Pavis Patrice <1947-, >
|
||
| London ; ; New York : , : Routledge, , 2013 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Street theatre and the production of postindustrial space : working memories / / David Calder
| Street theatre and the production of postindustrial space : working memories / / David Calder |
| Autore | Calder David |
| Pubbl/distr/stampa | Manchester, UK, : Manchester University Press, 2019 |
| Descrizione fisica | 1 online resource (x, 205 pages) : illustrations (black and white); digital, PDF file(s) |
| Disciplina | 792.0220944 |
| Collana | Theatre. Theory, practice, performance |
| Soggetto topico |
Street theater
Theater - History - 21st century Drama - History and criticism Theater and society Public spaces |
| Soggetto non controllato |
street theatre
postindustrial space deindustrialization redevelopment working memory theatricality performativity theatre historiography |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Record Nr. | UNISA-996552360803316 |
|
Calder David
|
||
| Manchester, UK, : Manchester University Press, 2019 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. di Salerno | ||
| ||
